Archive for the Metal Category

Cradle of Filth announce new album and UK tour

Posted in Metal, Misc., News with tags , on 20th June 2017 by izaforestspirit

Cradle of Filth are back with a new album coming this autumn. This new opus of Gothic horror will be calledCryptoriana – The Seductiveness Of Decay’ and it is scheduled to hit he shops worldwide on 22nd September 2017 via Nuclear Blast Entertainment.

Here is what their frontman Dani Filth had to say on the subject:

“The album is deeply infused with Victorian gothic horror and thus the title is a reflection of that.

“’Cryptoriana’ implies the Victorian’s infatuation with the supernatural, the grave and the ghoulish. And the subtitle ‘The Seductiveness Of Decay’ further cements this attraction to death and the glittering lengthy process of self-annihilation.”

The cover art was designed by the Latvian artist Arturs Berzins. You can check it out here:

The band will also embark on a full scale tour of The U.K. and Ireland starting at the end of October 2017. Here is the schedule:

30.10. Belfast – Limelight
31.10. Dublin – Academy (Halloween Show)
02.11. Manchester – Academy 2
03.11. Glasgow – Garage
04.11. Birmingham – O2 Institute 2
05.11. Leeds – Church
07.11. Oxford – O2 Academy
08.11. Southampton – Engine Rooms
09.11. Norwich – Waterfront
10.11. London – Electric Ballroom
11.11. Bristol – Bierkeller

For more information visit:

http://www.cradleoffilth.com/

https://www.facebook.com/cradleoffilth/

 

Advertisements

Solitary – The Diseased Heart Of Society

Posted in CD, Metal with tags , , , on 18th June 2017 by Paul Macmillan

Solitary
“The Diseased Heart Of Society”
Thrash metal
Released March 03rd 2017
via UKEM

If you pretty much live for the full Baskin Robbins, 31 flavours of thrash, Solitary’s latest release is an absolute must for your collection! No messing about with too much unnecessary cross-over into other genres, The Diseased Heart Of Society just gets straight to the point. It’s doubtful this would be a surprise to those aware of the band’s 2014 live opus I Promise To Thrash Forever. While this might put certain restraints on musical endeavours, Solitary pull it off with such flair you wouldn’t ever care.

This could be down to them being an expert hand at cherry-picking the essence of some utterly classic albums, without simply replicating them. There are definitely some shades of Master Of Puppets, as well as the hugely underrated …And Justice For All. I think I pick up a hint of The New Order era Testament (in fact I Promise… features an excellent cover of Into The Pit), as well as incredible lead-work nods to Rust in Peace and/or Countdown To Extinction. While these are artists who play in the same park, if not by the same rules, Solitary have created their own hybrid game. I think they might have pinched all the newer equipment, too.

Sharp, crisp guitars, thundering drums, driven bass make the production on this release a bit of a gold standard for me, and highly enjoyable to listen to for that aspect alone. This musical backdrop makes the perfect nest to carry what is possibly my personal favourite element of TDHOS; the vocals. Now, there is certainly an undeniably English accent, but the delivery fully puts me in mind of German band Rage’s frontman Peavy Wagner! That might not work for everyone, but right here, that is God status!

As much as I would normally lean towards it, I’m not sure if diversification would help in this case, or end up being a bit of a downer. The thrash energy is high, the solos are on fire, and the hooks are plentiful. One thing I do know is this is a solid keeper, and a prime example of the UK metal, and thrash, scene.

Paul Macmillan

4.5/5

Maxdmyz – Alchemical Metal (EP)

Posted in Alternative, CD, Metal with tags , , , , , on 17th June 2017 by Paul Macmillan

Maxdmyz
“Alchemical Metal” (EP)
Released April 17th 2017
Electronic/metal
Released via Renegade Records

This swift EP from London’s Maxdmyz is an odd, and mildly confusing one. Hell, I don’t even know for sure how we’re supposed to pronounce their name! Yet it’s the audio which keeps chucking out curveballs.

Swamped in the soundscape of 1990s rock and metal, collective tastes are somewhat obvious. The electronic edge of Obsolete era Fear Factory taken to its club friendly extreme, and the odd power-pop metal of Faith No More’s The Real Thing; the classics of that era are the big player’s in the canon of influences on display. One could also put some credence behind picking out the occasional nod to Alice In Chains, One Minute Silence, Rage Against The Machine, or even early nu-metal such as Hed(pe) or System Of Down.

There is plenty play on more current trends, though, albeit far more subtle in application. It does take a bit to push the overarching style to one side to filter them out, and then another shove to allow your head the space to blend everything back into one again. It’s no wonder they opted for the title of Alchemical Metal, as this pulls on predecessors from all throughout the metal and rock kingdom. From flecks of melo-death to stoned-out sludge, old-school to futuristic, the sonic melange is openly bizarre.

Not for the first time in reviews, I have to say, this should, in theory, have ended up a bit of a mess of mismatched tropes and idioms, but has managed to come together as one solid sound. Hopefully, the prevalence of this type of free-roaming artistic success story is a sign of things to come. Slightly disjointed at times, if you really look for it, but delivered with passion and talent, accessible, yet powerful and genuinely musical.

Paul Macmillan

3.5/5

The End Of Grace – Infinite Shadows Of Memories

Posted in 'Core, CD, Metal with tags , , , , , on 9th May 2017 by Pieni

The End Of Grace
“Infinite Shadows Of Memories”
metalcore
Released: 10th May 2017
by Illumnirec

 photo 18268551_1450111981677758_1613674322985679302_n_zpsrjrhlus2.jpg

Where I come from there’s a saying that goes something like “who awaits always achieves”. And then someone twisted it, creating a new and pretty negative version, that says “who awaits gets desperate”. The latter translated my state of mind in the recent past regarding a full-length record by The End Of Grace, which I’ve been waiting for since the band got together. But it’s finally here and I’m living the original version of the saying, as waiting for “Infinite Shadows Of Memories” totally paid off. Between the two EPs “Lost In Transition” and “Unity”, there had already been an evolution in the songwriting, its features emboldened; but “Infinite…” is more than an upgrade of said features, it’s a new path straying away from the traditional metalcore they’ve begun with.

The crystal-clear clean tones have been replaced by somber, deep ones, still contrasting perfectly with Kriss’ growls; the focus on breakdowns is water under the bridge, the main priority now based on the musicality and not on sounding tougher than leather – even if they do sound relentless nevertheless. It’s just a whole new level of melody, more mature.

The ominous catchiness of “Life On The Line”, the yearning of the title-track, the collision of opposites of “Breathe”, the daring “Ride The Dark”… This record is a rollercoaster of emotions and shows TEoG pushing the proverbial envelope with their music. Hell, a whole stack of envelopes! It’s not even clear what it should be called anymore, but whether you go for “blues-core, deathcore or metalcore” (quoting the upbeat “We Really Don’t Know Yo”), this is The End Of Grace.

5/5

Renata “Pieni” Lino

Semblant – Lunar Mainifesto

Posted in CD, Metal with tags , , , , on 27th April 2017 by Nico Solheim-Davidson

Semblant
Lunar Manifesto
Released on 28th April 2017
Gothic Metal
Released via EMP Label Group

Formed in 2006, Semblant hail from the South American nation of Brazil. After a few line-up changes, they are now considered one of the country’s most important Gothic metal outfits, even going as far as being classified as Brazil’s first vampiric metal act. Lunar Manifesto is the latest in their string of releases.

Incinerate  opens up the album with a demonic assault of fast, heavy and unforgiving riffs that lay siege to the ears. The screamed vocals capitalise on the demonic sound of the track, while the cleaner vocals add a melodic, almost angelic touch to the song. Dark of the Day keeps the vicious heavy riffing of the preceding track while marching at a slower tempo. The contrasting use of vocals entwine themselves almost lyrically with the fury of the music.

What Lies Ahead has a more melodic sound, the guitars and keyboards dancing beautifully together, allowing for more focus on the clean vocals whereas The Shrine sounds very power metalesque in its introduction, before the bestial screams make themselves heard. Bursting Open has a very dramatic opening, focusing on an eerie orchestration and clean vocals that border on spoken word. The rest of the track appears to have lost the momentum found in the previous tracks, sounding less passionate.

Mist Over The Future makes a strong use of stormy guitar riffs and gentler keyboard sections, and the screams and growls are as vehement sounding as can be. Though the drums are cold and calculating, a noticeable difference from the rest of the track. Keyboards are more prominent in  The Hand That Bleeds, creating a cryptic atmosphere whereas the guitars and vocals are more esoteric in their sound. Selfish Liar is the perfect combination of savage, destructive riffs and sorrowful yet creepy keyboards. The vocals on this track are near magical, fitting in well with the song’s composition.

Ode To Rejection mixes ominous keyboards with hypnotic riffs, creating a sombre sound that is reflected in the lyrics., while The Blind Eye bursts in with a near-majestic sound built up by the heavy-hitting guitars and commanding use of vocals. Scarlet Heritage is the album’s ending, finishing the 11 track release with a blistering onslaught of cumbersome guitars and bold vocals. The keyboards weave into the track beautifully, adding beauty to the beast-like nature of the song.

Lunar Manifesto has its good moments and its bad ones. For the avid Gothic metal fan, it is a release that would fit in well into their collection.

3.5/5

Nico Solheim-Davidson

 

Rock Goddess – It’s More Than Rock and Roll EP

Posted in CD, Metal, Rock with tags , , on 25th April 2017 by izaforestspirit

Rock Goddess
It’s More Than Rock And Roll EP
Released 19th May 2017
Heavy Metal/ Hard Rock
Released via Bite You to Death Records

‘It’s More Than Rock And Roll’ is the new EP from the London-based hard rock trio Rock Goddess. The band originally started out in the 1980s during the NWOBHM movement in The U.K. They were on a long hiatus in the mid-90s before reforming again with the original line-up in 2013.

This is a short EP, just three songs but it is enough to give an idea of what Rock Goddess is all about. The title track is an anthem, or manifesto if you like, stating what these ladies trying to achieve with their music. Their message is simple: they play good, old-school hard rock full of catchy guitar melodies and sing-along choruses. This is what they have always done and what they do best. Back Off is all about the guitar riffs while the closing track We’re All Metal sounds like a homage to the band’s roots with some honorable mentions of the famous bands from within both the hard rock and heavy metal scene.

In summary, ‘It’s More Than Rock And Roll’ serves as an (re-)introduction to Rock Goddess. It’s bound to please their old fans as well attracting some new ones, myself included. I can’t wait to hear more. Rock on, ladies!

4/5

Iza Raittila

Quinphonic Festival 4 – Birmingham, UK

Posted in Festival, Live, Metal with tags , , , , , on 22nd April 2017 by mickbirchy

Quinphonic Festival
Bands: Temperance, Serpentyne, Metaprim, Dead of Night, Fourth Circle
Venue: The Roadhouse, Birmingham, UK
Date: 16-APR-2017

 

Another year, another pilgrimage to Birmingham for Quinphonic Festival. I wasn’t able to attend the third edition of the festival in the October of last year. Yet, I was more than ready for the fourth one. This one had a stacked line-up with too. Including Italian hard-hitters, Temperance. The UK debut of, Fourth Circle. Along with three of the best live bands that the UK have to offer in Dead of Night, Serpentyne and Metaprism. A spectacular day of music lay ahead and I was pumped for the day to come. Quinphoinc Festival is all about quality over quantity. Five band all given a headline sets worth of time to show off what they can do. This allows the bands to breathe on stage and the crowd can experience what they’re actually like.

Before I talk about the actual day itself. Let me take you back to the night before, at the Barge and Barrel is Tipton for the Pre-Festival showcase night. A night that I won’t soon be forgetting. It was a great night of music featuring three fantastic UK up-and-comers. Darkest Obsidian, A Clockwork Opera and The Loved and Lost. All three bands were on top form and delivered a great performance. That really showed off their styles well. As a night it really came together with a great crowd. I really enjoyed all three acts, from the pageantry of A Clockwork Opera. To the soaring choruses of Darkest Obsidian with the finesse and energy of The Loved and Lost. It was a great night had by all and I hope to see more from all these bands sooner rather than later.
Now on to the festival itself. I got to the venue early to soak in the atmosphere. It was going to be a great day. All the bands have their own respective niche so there should have been something for every type of fan. As for myself I was looking forward to hearing something new. The only band I was really aware before going to the venue was, Temperance. So no matter the result of the day. I was going to hear something different and new for certain. Now, onto the review!

Fourth Circle

What a firecracker of an opener. This was exactly what was needed to start the day. The French band, Fourth Circle were debuting in the UK and let me say, what a way to make and entrance. The band were energetic and and fun. Their presence was in your face and and bold. Their live production great with every element of the band working outstandingly well. I have to say I was taken completely off guard by their performance. With pomp and pageantry, their music sounded huge with bombast. The music was filled with excellent hooks sinking into your head and this made their songs easy to remember. The band’s on stage chemistry really made these songs larger than life. They seemed to be having a lot of fun up there and this made it easier to enjoy their set. I only had a couple of problems with their set. Firstly, their set felt a little repetitive and it got a little tedious at times. Although those hooks constantly drew me back in. The only other thing that let their set down a bit was that the crowd started to thin out throughout the set, which ruined the atmosphere a little bit. Overall I had a fantastic time watching them. I would say their UK debut was successful and I for would welcome them back anytime!

Dead of Night

Next up was British newcomers Dead of Night. This was a really good set. Even if the songs were a little bland in composition, they more than made up for it in their theatrical stage presentation. Their sound was nice and I enjoyed some of the songs. Their stage presence was exciting and their chemistry was excellent. Really giving a complete package of a show. The vocals were clear and frontwoman, Briony Featon was an exciting presence on the stage. With light up black angel wings she truly gave the band that little bit of an edge. Their music had a decent atmosphere to it and the songs felt well put together. Their music had this really slick vibe to it. More of an old school rock ’n’ roll format to the songs rather than your typical symphonic metal or power metal sound. The centrepiece of the set for me was a gorgeous ballad that invited imagination and let the band really breathe. In all honesty they really won the crowd over. I did feel that their songs were just bland on a compositional level and that let them down a bit for me. However, I will concede that they were incredibly likeable and they presented themselves really well. I thought they were pretty good and I hope they evolve and grow in the future.

Metaprism

Now for the best band of the day and no, I do not make that statement lightly. Metaprism burst on to the stage with life and excitement. They were probably the “heaviest” band of the day and I feel they were the band with the best set. Their songs were high energy and filled with awesome riffs and well executed solos. Their presence had a sense of command to them. When they were performing, the audience were definitely paying attention. Their set was really an intense atmosphere upon the venue and the contrasting duel vocals of the band really gave them that little bit of an edge. It’s like they took the European standards of this style of music and added the British elements to it to make this sound. They came across a really likable people, they were very genuine and humble on the stage as they tried to get the crowd involved more and more into the set. Their set built up and got slowly better and I was completely enthralled with their set and I immediately rushed to the merch table right after their set was over. Which I guess was a good sign. Yes, this was definitely my favourite band of the day. Everything about them was excellent, from their songs to their personalities. They were an exciting and dynamic band, and I can say for certain that I became a fan.

Serpentyne

British folk-rockers Serpentyne took to the stage with finesse and and grace. This had to be one the most interesting sets of the day. On a pure technical level they were incredible but I really couldn’t get into it. Maybe it just wasn’t my sort of music but there was just certain aspects to their performance that turned me off. However, I did like parts and ideas used in the set. The musicianship was excellent and every instrument was played to an expert level. I also really enjoyed the dancer that was in the crowd it added to the enticement of the band. The music had these really good rock n roll elements mixed with the fantastical folk music to make something truly inventive. All of the songs were character piece with stories of vikings, medieval society and fantasy characters which were rich and engrossing. This really peaked my interest. However after the energetic, high pace set from Metaprism, this set felt a little deflating. Also I felt the vocals were a bit overdone. The singing could have been toned down a little. The set ended on a over of the Game of Thrones theme tune which was really well done for what it was. I like this band but I didn’t love it. They are all incredible musicians and the performance was well done, it just may have not been my type of music.

Temperance

Now for the main event of the evening and the only band that I came to this show with any familiarity. Temperance, are one of those band that just use everything at their disposal to entertain a crowd. Their songs are catchy and their energy are infectious. Other than some tech issues with the microphone they set went down without a hitch. The band blasted through their set with great songs. Coming hot off their third album “The Earth Embraces Us All” the set was a great mixture of all three albums. The crowd was really into it as was I. I mean I put down my notepad and just watched the show. The live production was really good, although the drums were a little loud at times. Also the backing tracks they were using didn’t come through the best at times. Frontwoman, Chiara Tricarico was an engaging presence on stage as was guitarist, Marco Pastorino. You really couldn’t keep your eyes off of them. Also with the sheer technical ability of them they made an impressive show as the final band of the day. They really were the cherry on top of an excellent day.

Words by Mick Birchall
Photos by David Sarah