Archive for Underground (British subculture)

Daybreaker – Sanctuary

Posted in Review with tags , , , , , , on 19th May 2021 by Mickelrath

Daybreaker
Sanctuary
Groove Metal, Heavy Metal
Released: 21 May 2021
Self-Released

You guys know me at this point. I love some groovy riffs infused with the heaviest of metal tracks. Hoo boy, do I have an awesome recommendation for you today. I’ve been aware of Daybreaker for some time, I’ve even seen them live a couple of times. They’re one of those bands that I always wanna checkout if they’re in town. Meaty riff-tastic metal music that is packed with energy.  The North-West metallers are set to release the new EP, Sanctuary. A powerful and commanding release that keeps you hooked from start to finish. They took what has worked in the past and amplified it all the way to 11. 

The EP opens on bright sunny intro “Enter Salvation” that quickly turns into disaster with an explosion and sirens to set the apocalyptic mood for the brutality to follow. This then cranks into “The Redeemer”. There’s something very ‘mid-2000’s’ metalcore sounding about this track. The booming bass and tight drum work lock into place and keep the pace as the guitars churn out the riffs and the vocal performance goes into full gear. The EP literally goes from zero to sixty in a matter of seconds and it doesn’t come down for the duration. Following that up are the tracks “Decent” and “In Death”. Two meaty tracks with plenty of groove to them as well keeping the EP feeling fresh and dynamic, rather than just balls to the wall brutality. 

Following that up is, for me, the stand out track to the EP “Path of Righteous”. The blast of drums to open the track get you ready for the following beat down. The track goes through a few different and distinct parts that make it a worthy listening experience. The high energy, the brutal breakdown and an atmospheric guitar outro. Man, this song really hit me. Finally rounding out the EP is “MOAB” and “Used God Salesman”. “MOAB” has a strong riff and keeps a tight groove throughout. Then “Used God Salesman” caps off the EP on a high note. It’s just a balls to the wall metal track that makes you wanna get up and mosh around.

Yeah, I rather enjoyed that EP. A fierce listening experience that I want to come back to time and time again. It might not be to everyone’s liking, I mean if you’re not into groove metal, metalcore or its subsidiaries then, this won’t be for you. I wish there was more to it. However, as far as criticisms go, they’re not bad problems to have. An excellent outing for the band and I look forward to hearing these songs live in concert. 

9/10

Mick Birchall 

UKEM Records sign The Deathisodes

Posted in News with tags , , on 19th January 2013 by Nico Solheim-Davidson, the North Sea Poet

UKEM Records, the leading underground label for British extreme metal, have announced the recent signing of The Deathisodes.

Based around one man, Alex Loader, The Deathisodes is a studio project created to showcase what the UK Underground Metal Scene has to offer by inviting guest musicians to appear on the studio projects. UKEM Records are set to release the band’s second album, Inside The Universe of Horror which will feature 12 tracks of blistering melodic death metal. Guest musicians on this new album showcase the wealth of talent currently lurking in the UK underground. The anticipated release date is sometime in June.

 

Infernal Creation- The Serpent Seed Doctrine [2011]

Posted in Review with tags , , , , on 8th November 2011 by izaforestspirit

Band: Infernal Creation
Album: The Serpent Seed Doctrine
Release year: 2011
Genre: Black Metal/Extreme Metal/Misanthropic Yorkshire Black Metal

‘The Serpent Seed Doctrine’ is the first full length album from British black metal band, Infernal Creation. In addition to being active supporters of the British underground metal scene, Infernal Creation are also starting to gain attention of the bigger crowds.

One of the main disappointments is that the opening track ‘We The Serpent Seed’ has a very ponderous ‘built-in’ intro which fails to attract the interest of the listener. Not the best way to start an album!

The album reveals an interesting mix of musical influences ranging from Immortal, particularly in the guitar riffs in the intro to ‘Plague Upon Plague’ via the grim, harrowing vocals and song structures of Satyricon in tracks as such as ‘The Faceless Prophet’ to the eerily atmospheric or dare I say it…Cradle of Filth-esque intro to ‘Cruciatus Vobiscum’. The latter is easily the best track on here.

There are also a few surprises such as acoustic, folk-esque intro to the aforementioned ‘The Faceless Prophet’ and the opening riff to ‘The Insidious Gospel’ which bears strong similarity to Bolt Thrower.

Overall this is a very promising debut album but it is clear that the band have some work to do in order to establish a style and a refined sound that suits them best.

3.5/5

Iza Raittila