Archive for Rock

MAKS – 3ft No Diving

Posted in CD, Folk, Rock with tags , , , , , , on 2nd February 2018 by mickbirchy

MAKS

3ft No Diving

Rock, Southern Rock, Adult Alternative

Released: 23 June 2017

Self Released

This is definitely an interesting release to listen to. MAKS is a Dutch multi-instrumentalist singer songwriter with a very distinct sound. It’s a big old mixture of rock, new wave, country and adult alternative. His new album 3ft No Diving is certainly something very unique, I guarantee you haven’t heard anything like this. It’s an album that really stretches the length of what you’d call “rock music”. The type of album you get here is an interesting musical soup of different instrumental styles and genres which when combined make for something really interesting to listen to. All of the songs are written by him, barring the two covers which I’ll mention later, so there’s some real personal ideas here which I feel are executed well. OK, this album is not going to be to everyone’s taste, I’ll tell you now but there’s some fantastic songwriting here.

The album opens with the foreboding tone of “Portal”. However this is quickly moved into the first song on the album “Lay Down Low” and automatically you learn what type of album you’re getting. A nice fusion of electronic new wave and folky southern rock and it actually works quite well. Obviously he’s not the first to make this odd pairing but he definitely has his own vision of how it should work. The guitar being very prominent and most of the other instruments falling into the background somewhere. MAKS voice is really good, a very soothing tone for the melodies and every so often he has that blues scratchiness to his voice which is great. In particularly for his cover of “Stones in my Passway” a blues classic by Robert Johnson. The other cover “Waiting for the Man” by Lou Reed is nicely performed as well, although I’m not the biggest Lou Reed fan, I can appreciate this. It’s very clear from the sound on the album that this was a passion project and the passion definitely shines through.

However, the production is not all there, at least not for me. Everything is quite tinny and there sounds like there’s a lot of audio filters. Hey, if this is your thing then fine but for me, I like a little bass and more of a bottom to the production. The acoustic guitar sounds lovely, however everything else is quite muted and feels synthesised to a degree and that gets annoying after a while. If the drums had a little more impact to them and the bass filled the bottom of the sound, then this maybe a little easier to listen to. Other than that, I have very little problems, the songwriting is great and I love how the melodies flow, it sounds well put together on a writing level, also the riffs are well executed.  

For me I like it. I didn’t love it, but I look forward to hearing him create more music. He obviously has an ear for lyrics, melody, harmony and rhythm and with that comes something that truly sticks with you. Again, the production may not be to everyone’s taste but I think with a little bit more of a punch and a thicker tone this could be something I could say I love.  Definitely worth checking out anyway. Hope you listen and enjoy.

3.5/5

Mick Birchall

Advertisements

Projecto Sem Nome – Bulas Para Dedos E Coração

Posted in Alternative, CD, Rock with tags , , , , , , , on 23rd April 2017 by Pieni

Projecto Sem Nome
“Bulas Para Dedos E Coração”
alternative rock
Released: 8th October 2016
Via Raising Legends Records

bulas_zps7rgiqiql

Projecto Sem Nome is Portuguese for “nameless project”, and while some of you may see it as a tacky lack of imagination, I think it’s quite ingenious and liberating – “nameless” but it’s still the name they go by, so it’s a clever pun, and at the same time, having such an empty meaning, it’s up to you to give it one. Just like with their lyrical content, which is so full of metaphors that even if Portuguese is your mother tongue, you’ll be left wondering about what singer/lyricist Cristovão Siano really means with those words.

Musically, it’s not so hard to label them as “alternative rock” is probably the most comprehensive and vague genre ever. “Até Amanhã” (see you tomorrow), for instance, is a rough post-grunge piece seasoned with delicate acoustic guitar fragments. “Detalhes” (details) has a more upbeat and catchy main riff but eventually sounds somewhat heavier, and then the guitar solo is pretty dire, as if out of one of those eighties hard rock hits. The ballad “Identidade XXX” (identity XXX) features a xylophone and an intense vocalization, while “Havia Lá” (there was) is probably the fiercest track, a double bass drum backing up Cristóvão’s high-pitch lament towards the end. And the duet with Blame ZeusSandra in “Marcha Gole” (sip march) gives the song an extra refinement.

Is therefore safe to say that “Bulas Para Dedos E Coração” (leaflets for fingers and heart) offers a batch of rock songs written and performed on a basis of a myriad of styles and influences. One word: classy.

4 / 5

Renata “Pieni” Lino

Studio update from Mother Feather

Posted in Misc., News, Rock, Studio Report with tags , , on 15th April 2017 by izaforestspirit

The American glam/pop rock band Mother Feather have recently entered the Mission Sound studio in Brooklyn, New York where they will begin recording their second album. This time they have teamed up with Grammy-nominated producer Joshua Valleau and Jay Ruston, who has mixed and produced albums for Anthrax, Meatloaf and Steel Panther.

Here is an official update from their singer Ann Courtney:

The newest songs for the album were written last fall and winter in the midst and aftermath of the US presidential election. The political climate and outcome were personally devastating, but it also re-ignited my sense of purpose. I locked myself away to write, face my depression, and stare down some uncomfortable feelings. Truthfully, I went to some very dark and lonely places. So there’s a lot of fever – and intimacy – in the new music. When I emerged from my self-exile, I discovered my band waiting for me on the other side, so there’s exuberance and catharsis there too. It’s good to have friends, ya know?! Together, the five of us worked to develop the songs and shape them into some of Mother Feather’s best, most eclectic work yet. We couldn’t be more excited for this opportunity to continue our work with Metal Blade.

This will be the band’s second album with Metal Blade, following their critically acclaimed, self-titled debut which came out last year.

For more details:

https://www.facebook.com/motherfeather

http://www.motherfeather.com

 

Blame Zeus – Theory Of Perception

Posted in CD, Rock with tags , , , , , on 4th March 2017 by Pieni

Blame Zeus
“Theory Of Perception”
Alternative Rock
Self-released on 4th March 2017

Theory of Perception_zpspdwp6exh

Blame Zeus started out as progressive rock but have now engaged in a more straight-forward direction – less technicalities, same elegance. Maybe that’s why “Queen” wasn’t included in this new album (either that or they totally revamped it and renamed it, but I honestly doubt it). “Queen” was a song they introduced live almost a year ago, at the last gig with the line-up they had at the time, and I remember saying that whatever changes were on the way, that song sounded pretty much like the Blame Zeus we all knew. I’m glad I was wrong. Not that I didn’t like their original sound, don’t get me wrong! I just find it more interesting when a band has more than one side (if you’ve read my reviews before, you’ve probably seen me using the expression “diversity is the spice of life” more than once). And “Theory Of Perception” offers some heavy, feisty stuff (“Slaughter House”, “Miles”) contrasting with gracious melancholy (“More Or Less”, “Entertainment Clown”); the rough seduction of “All Inside Your Head” and the loose rock of “Redemption”; the weepy electric solo in “The Moth” and the seventies acoustic heartache of “Signs”. Twelve new songs with distinct traits but one in common – the strong but very feminine voice of Sandra Oliveira.
Tonight I’ll see how this works live. In the studio it works peachy.

4/5

Renata “Pieni” Lino

Behemoth’s Nergal launches dark folk side-project Me And That Man

Posted in Folk, Misc., News, Studio Report with tags , , , , , , , on 20th January 2017 by izaforestspirit

The Behemoth frontman Nergal has recently formed a new side-project with rock musician John Porter. The project is called Me And That Man and it is completely different from Nergal’s main band.

There are no metal elements, instead Me And That Man is more akin to the works of Johnny Cash and Nick Cave. Dark folk is the best description that I can think of.

The duo are currently working on their debut album ‘Songs of Love and Death’, which is scheduled to hit the shops on 24th March 2017 via Cooking Vinyl.

In the meantime you can check out their first video here:

For more information about the project visit:

https://www.facebook.com/meandthatman/?fref=ts

http://www.meandthatman.com/

Sister – Stand Up, Forward, March!

Posted in CD, Metal, Rock with tags , , , , , on 26th December 2016 by Pieni

Sister
“Stand Up, Forward, March!”
sleaze rock
Released: 25th November 2016
Via Metal Blade Records

 photo Sister-StandUpForwardMarch_zps4zacwzye.jpg

Sister’s debut “Hated” is a sleaze punk treat. Then for their sophomore “Disguised Vultures” they went heavier and wilder. And now with “Stand Up, Forward, March!”, they stood somewhere in-between, glamming up the sleaze and the wild.

I don’t think it’s a coincidence that this happened after Martin Sweet joined the ranks – after all, he’s responsible for all those juicy guitars in Crashdïet. But I don’t want to give him all the credit as the rest of the band has proven their writing skills aren’t raw. Still, once you hear the guitar solos in songs such as “Trail Of Destruction”, “Carry On” or “Endangered Species”, you sense a refinement which you can’t help but associate with Sweet’s work.

The album kicks off with the fiery “Destination Dust” and wraps it up with the joyful “Piece Of Shame” (“I’m too perfect to die” is a hell of a chorus to be sung at any party) – pretty much Sister style. But they also took a few new things and used them in their own way, like the hints of blues they’ve twisted for “Unbeliever”, the ritualistic chants and melancholy that “Let It Bleed” features, or the somewhat old school goth outline melody – as in The Sisters Of Mercy and such – upon which “Liberation Song” was built. And in the end, it all sounded like Sister just the same.

Sister’s best album so far? Probably. Best album of 2016 on my personal list? Definitely!

5/5

Renata “Pieni” Lino

The Answer release new video and announce U.K. tour dates

Posted in Misc., News, Rock with tags , , , , on 11th October 2016 by izaforestspirit

The Northern Irish rock band The Answer have recently release a new video for their latest single ‘Solas’. ‘Solas’ is the title track of their new album which is scheduled to hit the shops on 28th October 2016 via Napalm Records.

Here is the cover art:

The new album is inspired by the band’s Celtic background and sees them incorporating elements of Irish instrumentation, vocal style and Gaelic chanting into their music.

You can check out the new video here:

The Answer have also announced that they will be touring The U.K. next month with The Dead Daisies. So if you would like to hear some Irish rock n’rock then you can catch them live on the following dates:

NOVEMBER TOUR 2016
Sat 12th – The Lemon Tree, Aberdeen
Sun 13th – The Classic Grand, Glasgow
Mon 14th – Corporation, Sheffield
Tues 15th – Riverside, Newcastle Upon Tyne
Wed 16th – Picturedrome, Holmfirth
Fri 18th – Diamond Live Lounge, Doncaster
Sat 19th – Academy 2, Birmingham
Sun 20th – Concorde 2, Brighton
Tue 22nd – Waterfront, Norwich
Wed 23rd – Electric Ballroom, London

For more information visit:

https://www.facebook.com/theanswerrock/

http://www.theanswer.ie/