Archive for Rock

Projecto Sem Nome – Bulas Para Dedos E Coração

Posted in Alternative, CD, Rock with tags , , , , , , , on 23rd April 2017 by Pieni

Projecto Sem Nome
“Bulas Para Dedos E Coração”
alternative rock
Released: 8th October 2016
Via Raising Legends Records

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Projecto Sem Nome is Portuguese for “nameless project”, and while some of you may see it as a tacky lack of imagination, I think it’s quite ingenious and liberating – “nameless” but it’s still the name they go by, so it’s a clever pun, and at the same time, having such an empty meaning, it’s up to you to give it one. Just like with their lyrical content, which is so full of metaphors that even if Portuguese is your mother tongue, you’ll be left wondering about what singer/lyricist Cristovão Siano really means with those words.

Musically, it’s not so hard to label them as “alternative rock” is probably the most comprehensive and vague genre ever. “Até Amanhã” (see you tomorrow), for instance, is a rough post-grunge piece seasoned with delicate acoustic guitar fragments. “Detalhes” (details) has a more upbeat and catchy main riff but eventually sounds somewhat heavier, and then the guitar solo is pretty dire, as if out of one of those eighties hard rock hits. The ballad “Identidade XXX” (identity XXX) features a xylophone and an intense vocalization, while “Havia Lá” (there was) is probably the fiercest track, a double bass drum backing up Cristóvão’s high-pitch lament towards the end. And the duet with Blame ZeusSandra in “Marcha Gole” (sip march) gives the song an extra refinement.

Is therefore safe to say that “Bulas Para Dedos E Coração” (leaflets for fingers and heart) offers a batch of rock songs written and performed on a basis of a myriad of styles and influences. One word: classy.

4 / 5

Renata “Pieni” Lino

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Studio update from Mother Feather

Posted in Misc., News, Rock, Studio Report with tags , , on 15th April 2017 by izaforestspirit

The American glam/pop rock band Mother Feather have recently entered the Mission Sound studio in Brooklyn, New York where they will begin recording their second album. This time they have teamed up with Grammy-nominated producer Joshua Valleau and Jay Ruston, who has mixed and produced albums for Anthrax, Meatloaf and Steel Panther.

Here is an official update from their singer Ann Courtney:

The newest songs for the album were written last fall and winter in the midst and aftermath of the US presidential election. The political climate and outcome were personally devastating, but it also re-ignited my sense of purpose. I locked myself away to write, face my depression, and stare down some uncomfortable feelings. Truthfully, I went to some very dark and lonely places. So there’s a lot of fever – and intimacy – in the new music. When I emerged from my self-exile, I discovered my band waiting for me on the other side, so there’s exuberance and catharsis there too. It’s good to have friends, ya know?! Together, the five of us worked to develop the songs and shape them into some of Mother Feather’s best, most eclectic work yet. We couldn’t be more excited for this opportunity to continue our work with Metal Blade.

This will be the band’s second album with Metal Blade, following their critically acclaimed, self-titled debut which came out last year.

For more details:

https://www.facebook.com/motherfeather

http://www.motherfeather.com

 

Blame Zeus – Theory Of Perception

Posted in CD, Rock with tags , , , , , on 4th March 2017 by Pieni

Blame Zeus
“Theory Of Perception”
Alternative Rock
Self-released on 4th March 2017

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Blame Zeus started out as progressive rock but have now engaged in a more straight-forward direction – less technicalities, same elegance. Maybe that’s why “Queen” wasn’t included in this new album (either that or they totally revamped it and renamed it, but I honestly doubt it). “Queen” was a song they introduced live almost a year ago, at the last gig with the line-up they had at the time, and I remember saying that whatever changes were on the way, that song sounded pretty much like the Blame Zeus we all knew. I’m glad I was wrong. Not that I didn’t like their original sound, don’t get me wrong! I just find it more interesting when a band has more than one side (if you’ve read my reviews before, you’ve probably seen me using the expression “diversity is the spice of life” more than once). And “Theory Of Perception” offers some heavy, feisty stuff (“Slaughter House”, “Miles”) contrasting with gracious melancholy (“More Or Less”, “Entertainment Clown”); the rough seduction of “All Inside Your Head” and the loose rock of “Redemption”; the weepy electric solo in “The Moth” and the seventies acoustic heartache of “Signs”. Twelve new songs with distinct traits but one in common – the strong but very feminine voice of Sandra Oliveira.
Tonight I’ll see how this works live. In the studio it works peachy.

4/5

Renata “Pieni” Lino

Behemoth’s Nergal launches dark folk side-project Me And That Man

Posted in Folk, Misc., News, Studio Report with tags , , , , , , , on 20th January 2017 by izaforestspirit

The Behemoth frontman Nergal has recently formed a new side-project with rock musician John Porter. The project is called Me And That Man and it is completely different from Nergal’s main band.

There are no metal elements, instead Me And That Man is more akin to the works of Johnny Cash and Nick Cave. Dark folk is the best description that I can think of.

The duo are currently working on their debut album ‘Songs of Love and Death’, which is scheduled to hit the shops on 24th March 2017 via Cooking Vinyl.

In the meantime you can check out their first video here:

For more information about the project visit:

https://www.facebook.com/meandthatman/?fref=ts

http://www.meandthatman.com/

Sister – Stand Up, Forward, March!

Posted in CD, Metal, Rock with tags , , , , , on 26th December 2016 by Pieni

Sister
“Stand Up, Forward, March!”
sleaze rock
Released: 25th November 2016
Via Metal Blade Records

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Sister’s debut “Hated” is a sleaze punk treat. Then for their sophomore “Disguised Vultures” they went heavier and wilder. And now with “Stand Up, Forward, March!”, they stood somewhere in-between, glamming up the sleaze and the wild.

I don’t think it’s a coincidence that this happened after Martin Sweet joined the ranks – after all, he’s responsible for all those juicy guitars in Crashdïet. But I don’t want to give him all the credit as the rest of the band has proven their writing skills aren’t raw. Still, once you hear the guitar solos in songs such as “Trail Of Destruction”, “Carry On” or “Endangered Species”, you sense a refinement which you can’t help but associate with Sweet’s work.

The album kicks off with the fiery “Destination Dust” and wraps it up with the joyful “Piece Of Shame” (“I’m too perfect to die” is a hell of a chorus to be sung at any party) – pretty much Sister style. But they also took a few new things and used them in their own way, like the hints of blues they’ve twisted for “Unbeliever”, the ritualistic chants and melancholy that “Let It Bleed” features, or the somewhat old school goth outline melody – as in The Sisters Of Mercy and such – upon which “Liberation Song” was built. And in the end, it all sounded like Sister just the same.

Sister’s best album so far? Probably. Best album of 2016 on my personal list? Definitely!

5/5

Renata “Pieni” Lino

The Answer release new video and announce U.K. tour dates

Posted in Misc., News, Rock with tags , , , , on 11th October 2016 by izaforestspirit

The Northern Irish rock band The Answer have recently release a new video for their latest single ‘Solas’. ‘Solas’ is the title track of their new album which is scheduled to hit the shops on 28th October 2016 via Napalm Records.

Here is the cover art:

The new album is inspired by the band’s Celtic background and sees them incorporating elements of Irish instrumentation, vocal style and Gaelic chanting into their music.

You can check out the new video here:

The Answer have also announced that they will be touring The U.K. next month with The Dead Daisies. So if you would like to hear some Irish rock n’rock then you can catch them live on the following dates:

NOVEMBER TOUR 2016
Sat 12th – The Lemon Tree, Aberdeen
Sun 13th – The Classic Grand, Glasgow
Mon 14th – Corporation, Sheffield
Tues 15th – Riverside, Newcastle Upon Tyne
Wed 16th – Picturedrome, Holmfirth
Fri 18th – Diamond Live Lounge, Doncaster
Sat 19th – Academy 2, Birmingham
Sun 20th – Concorde 2, Brighton
Tue 22nd – Waterfront, Norwich
Wed 23rd – Electric Ballroom, London

For more information visit:

https://www.facebook.com/theanswerrock/

http://www.theanswer.ie/

 

 

Volbeat – Seal The Deal & Let’s Boogie

Posted in CD, Metal, Rock with tags , , , , on 22nd May 2016 by mickbirchy

Volbeat
Seal The Deal & Let’s Boogie
Heavy metal, Hard Rock

Released: 3 June 2016
Via Universal Music Group

Volbeat are one of those bands that just have it.  I couldn’t tell you for the life of me what ‘it’ is, but they definitely have it.  Over the years they have put out splendid record after bombastic hit. Once again I think they’ve done it again, well they have for me at least. Seal The Deal & Let’s Boogie, is their 6th studio album and it’s more of what have done over the years, it has a big sound, a lot of emotional power and the songs are catchy and anthemic.  It is also the first album not to feature bassist, Anders Kjølholm who left in November 2015.

This album has a lot to enjoy about it.  From the big sounding production to the consistent and commanding song structure.  All designed to be lodged in your head and to sing at the top of your lungs at live shows. Michael Poulsen’s vocals are crystal clear and have a lot of emotional weight to throw around and it’s matched by his own superb guitar work with Rob Caggiano’s blinding guitar skill as well. Everything on this album sounds big and expansive, it makes me want to track down all of the lyrics and sing them loud as I’m sure you will  too. The pure emotion on the album is wonderful as every song has weight and they’re not just throw away rock songs to get as many people in a concert venue.  The songs are quite frankly beautiful.  Especially songs like For Eveigt (featuring Johan Olsen from Magtens), Mary Jane Kelly & Goodbye Forever.  For Eveigt has this sweetness to it and the addition of Johan’s vocals only serves to add to the power of the song.  Whilst Mary Jane Kelly & Goodby Forever have the aura of real honesty and the anthemic choruses are genuinely fun to sing along to.  By the way the gospel choir on Goodbye Forever nearly brought me to tears, it’s not a sad song, but it just was done so well that it got me emotional.

Then you get to the other thing that Volbeat do exceptional well. Kicking you in the arse with hard rock awesomeness (side note: is it strange my spellchecker recognised that word?).  Oh well,  songs like the album’s lead in single The Devil’s Bleeding Crown and Seal The Deal are sure to keep old school rock fans satisfied. With Caggiano’s signature guitar stings and sweeping solos mixed with the incredible riffs that keep you pumped for hours.  Volbeat really have made something amazing here.  Mixing all rock styles, from hard rock to metal to blues to ballads.  There’s seemingly no style that they can’t take and make their own.  This is a definite must for anyone in 2016.

5/5

Mick Birchall