Archive for the Festival Category

Bloody News Online Fest live stream next week

Posted in Festival, Misc., News with tags , , , on 17th August 2020 by izaforestspirit

The world wide Covid 19 pandemic is still at large. Some live events are going ahead with restricted access and new safety measures but it will be a long while before large scene shows can resume. 2020 saw the rise of live steams with many artists and organisers getting together on virtual platforms to entertain their audiences.

GlobMetal Promotions have teamed with up Bloody News Metal Magazine to bring you the first ever Bloody News Online Fest. This will be a two day free live stream event taking place on 28/08/2020 and 29/08/2020.

The line-up will include: Belle Morte, Judgement, Arida Vortex, Rusted Nail plus many more. For the full band list check out the poster below:

The event will be streamed online via the Bloody News Metal website.

http://bloodynews.ro/

For more information visit the event page on Facebook: https://www.facebook.com/events/335636320939954/

Lumous Gothic Festival XX – Final Episode

Posted in Editorial/Opinionated, Festival, Gig with tags , , , , , , , , , on 13th July 2020 by izaforestspirit

Finland’s biggest Gothic music event Lumous Gothic Festival celebrated its twentieth anniversary this year. The original plan was for this year to be the last Lumous with the final edition of the festival taking place in July 2020. The on-going worldwide coronavirus pandemic meant that the plans had to be drastically altered. There was a very realistic possibility that the event would have to be canceled like many others have been. Luckily, thanks to the low infection rates within Finland and successful preventative measures, small scale events were permitted with restricted access based on the capacity of the venue. Due to the international travel restrictions, only a handful of local bands were able to perform and the only venue available to host the event was a small pub in the city centre called Dog’s Home. In addition to the live performances, the event was also streamed live via the festival’s Facebook page.

Now before I go into more detail about this year’s event, I would like to tell you a bit about my own personal experience of Lumous Gothic Festival. 2020 marks the eighth year of my participation in the festival. My first Lumous was in 2012. Since then I have not missed a single Lumous Gothic Festival. It has become one of the highlights of my summer. I have met some really nice people there and I discovered several new bands including: Das Ich, Shiv-R, Auger, Raven Said, Sleetgrout and Sekret Teknik.

Shiv-R, archive photo from their show at Lumous Gothic Festival 2016
DAS ICH
Das Ich, archive photo taken from their performance at Lumous Gothic Festival 2019

Sadly this year I was unable to attend it due to the restricted access and the limited capacity of the venue but I still managed to stream the event online from their Facebook page.

This time line up comprised four Finnish bands: Chaos Research (neo-classical/darkwave/ambient), Old School Union (EBM with punk influences), Sekret Teknik (synth-wave) and Gothic rock legends Two Witches.

Friday 10th July 2020 (live stream)

I have actually seen Chaos Research live at the same venue two years ago so I pretty much knew what to expect from the live stream. They managed to create a chilled-out atmosphere thanks to the operatic vocals combined with the electric cello and drums. Not my kind of music but if you are into neo-folk or dark ambient then you will probably enjoy this.

Archive photo, taken from the performance at Lumous Gothic Festival 2018

https://chaosresearch.bandcamp.com/

Oldschool Union were highly entertaining to watch. I like some some old school EBM but I’m not the biggest fan of punk. The performance was fun and amusing to see. I particularly liked the song ‘Vartalovasara’.

Image may contain: one or more people

https://www.facebook.com/Oldschool-Union-

Saturday 11th July 2020 (live stream)

I have only just discovered Sekret Teknik a few days ago. I liked their performance and their take on the synthwave genre. My personal favorite part of the show was the song ‘Nightsky’.

Image may contain: 3 people, people sitting and sunglasses

https://sekretteknik.bandcamp.com/

Then it was time for the band that has been involved with the festival right from the start. Two Witches front-man Jyrki Witch is one of the organizers of the event. Two Witches were the first band at the very first Lumous Gothic Festival back in 2001 so it was only fitting for them to be the closing act the final chapter of Lumous. It was an acoustic show. They played some of my favorites including ‘The Dark Angels of Sin’ along with some newer tracks such as ‘Spirit Sacrifice’. Unfortunately I missed some of the live steam due to a connection problem.

Archive photo taken from their performance at Lumous Gothic Festival 2016

https://www.facebook.com/Two-Witches-Official-

Jyrki Witch also announced the winners of the Lumous 2020 Award – Club Gothic Night.

So that was it. After twenty years Lumous Gothic Festival has come to end. I am very grateful to have had the opportunity to participate in the event for the past eight years. Hopefully there will be something new emerging from the Finnish Gothic scene to fill its place. Kiitos Lumous Gothic Festival! You will be missed.

Iza Raittila

Hellsinki Industrial Festival 2019

Posted in Festival, Live with tags , , , , , , , , on 24th November 2019 by izaforestspirit

Cygnosic, Priest, Blutengel
Nosturi, Helsinki
22-23 November 2019

Helsinki…It’s been a while…The last time I visited the city was for the Memmaker and Zardonic concert back in 2016. Since then I really have not had much time to travel there. I hoped that I would go back someday if there was a reason to go there. Earlier this year the German synth-pop duo Blutengel were announced as the headliner for Hellsinki Industrial Festival. So that was it, my reason to go.

Saturday 23 November 2019

I decided to attend only one day of the festival, Saturday. The venue was Nosturi, which is located by the seaside in the Hietalahti district of Helsinki. I have been there many times before but sadly this festival will be my last time at Nosturi. The venue is due to close by the end of the year and the building will be knocked down to make way for residential premises in 2020.

First up was the Greek dark electro artist Cygnosic. This was one of those cases when it took a live performance for me to notice and really get into a band. I have heard the name Cygnosic before but I never really got round to checking out his music until now. Great show! The music was creepy, atmospheric and very danceable. Just how I like my dark electro. I will definitely check out more of his music.

Next was a Finnish industrial metal band called Fear of Domination – the only metal band in the whole festival line-up. Whilst their show was entertaining to watch, I struggled to get into the music. It sounded like a mish-mash of industrial metal and melodic death metal. They have two vocalists, a man doing the death metal growling and a female singer doing the clean vocals. That worked well enough for most of time but the cacophony of melodeath guitar riffs and the overuse of Pain-esque “disco” synth was a little too much for my liking.

I did like the Swedish synth-pop trio Priest though. The band was formed back in 2017 and the original line-up featured former members of Ghost. There has been some line-up changes since then but the concept remains the same. Three guys known as Sulphur, Salt and the vocalist Mercury came to the stage draped in elaborate gimp-like outfits and masks. Mercury has a multi-faceted and very unique voice. The music was entertaining and fun to dance to. They did a good cover of Radiohead’s ‘Street Spirit (Fade Out) at the end.

Then it was time for the headliners Blutengel. This was their first time in Finland. Great show. The front-man Chris may not be that used to speaking to a non-German speaking audience. Sadly the Finnish crowd were not that well versed when it came to singing along to the lyrics of ‘Engelsblut’ but that did not stop them from enjoying the show. I certainly did. It was great to hear some of the Blutengel classics such as ‘Children of The Night’ and ‘Bloody Pleasures’ along with the new hits such as ‘Black’ and ‘Morningstar’.

Overall, I am glad that I decided to travel to Helsinki for Hellsinki Industrial Festival. I finally got to see Blutengel live and I discovered Cygnosic. Priest were pretty good too. It’s a shame that Nosturi will be closing this year. Hopefully they will open a new music venue in Helsinki in the future.

Iza Raittila

Lumous Gothic Festival 2019

Posted in Festival, Live with tags , , , , , , , , , , on 14th July 2019 by izaforestspirit

Golden Apes, Danse Society, Das Ich
Pakkahuone and Dog’s Home, Tampere, Finland
12-13th July 2019

Summer is here again. One of my summer traditions since 2012 has been to attend the Lumous Gothic Festival. This year was no exception. The only minor change was that of the main venue. Throughout the time that I have been going there it the main acts have always performed place at Klubi. However Klubi is currently being renovated so the event was moved to Pakkahuone, a much larger venue located in the same building. I have seen several metal shows there before but this was a first for Lumous Gothic Festival.

Friday
This was the main day for me as most of the bands which I wanted to see were playing then. I was mostly looking forward to Das Ich and I had limited knowledge of the other bands.

First up was a Spanish darkwave band called My Own Burial. These guys are really into old horror movies and the performance had lots of eerie visions. The music was catchy and fun to dance to. They reminded me a little of Los Carniceros del Norte minus the punk elements. So a good start to the night. 3.5/5
My Own Burial

Then it was time for a German Goth rock band Golden Apes. I’m not a massive fan of Goth rock but I have to admit that the vocals were pretty good. Their singer’s vocal style sounded like a cross between Elvis and Jyrki from The 69 Eyes. 3.5/5
Golden Apes

Finally it was time for the main band that I came to see. I discovered Das Ich at the same festival four years ago and it was great to see them live again. I loved the stage actics and the music was fantastic. They played some new material plus some classic hits including ’Destillat’, ’Gott ist tot’, Das dunkel Land’ and my personal favourite ’Reaminat’. 5/5
DAS ICH again

DAS ICH

DAS ICH -Bruno

Saturday

Day Two of the festival started a little earlier since I decided to catch some of the bands playing on the second stage located at a different venue called Dog’s Home. Dog’s Home is essentially a pub or bar near the train station. Unlike Pakkahuone which is primarily an event venue, Dog’s Home is mostly used as a bar but it also doubles as a small gig venue. The stage is pretty small and rather low down.

The Swedish occult dark electro solo artist Blood Magick was on first. The project was originally known as My Own Sorrow and the lyrical themes are centered around horror and the occult. Sadly the venue didn’t do the performance justice. That place really isn’t ideal for an electronic show. For instance, the stage is tiny and there is limted space for props and no means to project any visual imagery. Still, Blood Magick did his best with the limited resources. He managed to convey the creepy atmosphere through which was good. 3.5/5
Blood Magick

Next up was a Finnish goth rock band called Murnau’s Playhouse. These guys drew in a bigger crowd and they put on an entertaining show. 3.5/5
Murnau's Playhouse

Then it was time to move to Pakkahuone for the remainder of the night. The main band that caught my attention, my new discovery was the Russian Gothic rock duo Raven Said. The clue is in the name, Raven Said… I guess that ”Quoth the Raven” might have been a bit too obvious. Oh yes, this band is all about Gothic horror and the works of Edgar Allan Poe. They even have a song called ’Lenore”. The visuals worked a treat too. I will definitely have to give their music a listen. 4/5
Raven Said

Sadly I was unable to stick around for the main headliners, Inertia. So the last band I saw was a British Goth rock band called The Danse Society. More Goth rock… There is not a lot that I can say about their performance. It was fairly good as far as Goth rock goes, I’m just not a massive fan of the genre. Also with a name like The Danse Society, I expected something a bit more dance-inspired. 3.5/5
The Danse Society

In summary I had a great time at Lumous Gothic Festival. Das Ich were excellent and I made a new discovery in Raven Said. Blood Magick’s performance would have worked better at a different venue. Kiitos Lumous Gothic Festival! See you next year!

Iza Raittila

Speed Metal Party

Posted in Festival, Gig, Live with tags , , , , , on 11th August 2018 by izaforestspirit

Dethrone, Prestige, Razor
Klubi, Tampere, Finland
10th August 2018

Speed Metal Party is celebrating its 30th anniversary this year. It was originally held in Tampere back in 1988 with local thrash metal legends Dethrone and Prestige. Now thirty years on, they decided to re-create the same line-up as it was back then with some new additions in the form of death-thrashers Dead Samaritan and Canadian speed-metal band Razor. For the Canadians, this was their very first show in Finland.

First up was Dead Samaritan, a female-fronted death-thrash metal band. They reminded me of mid-career Arch Enemy, a good mix of melodic death metal and thrash metal. It was good performance even if it started out a bit slow. 3.5/5

Next up was a local thrash metal band Menticide who haven’t played a live show since 1992. They were brought in from retirement specially for this occasion. I couldn’t really get into their show. The music sounded a bit demo-esque at times. The vocalist didn’t have much of a stage presence. 2/5

Dethrone have been around since the late 1980s. They keen to share some stories from the past and pay to their fallen brother, bassist Jouni Rinta. I really enjoyed their show, especially their cover of The Misfits ‘Last Caress’.5/5

Prestige was originally formed about the same time as Dethrone, then had a long-ish break but they are nowadays very much active again. They are one of the more established bands in the local thrash metal scene. By the time they came on stage the venue was packed and there was a mosh-pit forming. These guys don’t take themselves too seriously.They clearly like to add humour to their lyrics and crack a few jokes during the show. Maybe a bit too many jokes at times. I can’t fault the music though. It was a good show. 4/5

Then it was time for the night’s main headliners – Razor. As mentioned earlier, this was their very first time in Finland and I sincerely hope that it will not be their last. This was my favorite performance of the night. Top class speed metal. The highlight for me was when they played ‘Evil Invaders’. 5/5

 

 

In summary I had a great time at Speed Metal Party. I’m not that well versed in Finnish thrash metal but that didn’t stop me from enjoying Prestige and Dead Samaritan. Razor were excellent live. Happy Anniversary Speedy Metal Party! 30 years and still going strong…

Iza Raittila

 

Laurus Nobilis Music Famalicão 2018 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , , on 5th August 2018 by Pieni

The Godiva, Dark Tranquillity, Tarantula, Crisix, The Temple, Revolution Within, Low Torque, Legacy Of Cynthia
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
28th July 2018

dt1

LEGACY18No “alternative metal” band had played yet so Legacy Of Cynthia had the pleasure of doing so, kicking off the third and last day of Laurus with their brilliant “Rats And Rattlesnakes”. Their sound is too exquisite to describe but that exquisiteness is also unique, and it works perfectly live – especially in an open air festival. Their vitality spread out to the crowd, and even when bass player Caesar made a “small” thank-you speech – he himself recognized he was a pain in the ass and that those who’ve been to Legacy Of Cynthia gigs before were surely sick of listening to him – everyone applauded, clearly amused. I admit dancing to “Cabaret”, which wrapped up their set.

https://www.facebook.com/legacy.cynthia/
LOWTORQUE18

Late last year, rockers Low Torque released their third album, “Chapter III: Songs From The Vault”. They’ve brought along some juicy tracks like “Dust Mojo” and “Mutant”, endorsing heavy headbanging and body movement in general. And that’s it, not much else to say – pure rock’n’roll is that straightforward.

https://www.facebook.com/lowtorque/
RW18

It was the first time I’ve seen Revolution Within’s new drummer Rúben Moreira (apparently also known as Tozé…) and the kid’s got my personal approval. He also plays in One Step To Fall and their singer Diogo Pardal would join Raça later on to roar “Pull The Trigger”, but that was closer to the end. Way before that the crowd had already gone wild with the band’s other hits and usual violence. In the end, Raça thanked everyone and paid respects to the Abbott fallen heroes: “Dimebag, Vinnie Paul – rest in peace, wherever you are”.

https://www.facebook.com/revolutionwithinband/
TEMPLE18

Time to head back to the main stage Porminho and watch The Temple. They were still sound-checking, playing their cover of Mão Morta’s “Budapeste” – which sadly they didn’t perform “for real” afterwards. But then again, their own songs set the crowd on fire, starting up a really peculiar mosh pit that included laughter, capoeira moves and guys on other guys’ shoulders. Its climax was certainly “War Dance”, when singer João and guitarists Marcelo and Tiago joined drummer Rui in a tribal percussionist feat.

https://www.facebook.com/thetempleband/
CRISIX18

Crisix is not your average thrash metal act. The music is thrash through and through: you’ve got the shredding guitars, the long shrills, the strong bass and the powerful beats. But the performance is much more than angry faces and neck-breaking headbanging. They run, they jump, they laugh… Fiesta all the time! In fact, that’s the exact term they use at some point, when they all change instruments and guitarist B.B. Plaza and bassist Dani Ramis take over the microphone. A medley of covers, including Beastie Boys’ “Fight For Your Right (To Party)” and RATM’s “Killing In The Name Of”, put the Barcelona band at the top of Laurus’ most amusing artists. And their own songs, such as “Get Out Of My Head”, “Conspiranoia” or “Ultra Thrash”, made a huge cloud of dust rise up out of the mosh circles.

https://www.facebook.com/CrisixOfficial/

TRTL18Getting Tarantula to play between Crisix and Dark Tranquillity wasn’t the best of options – unless the idea was for the crowd to recharge batteries. Their old school heavy/power metal is legendary around these parts, but even with the crowd echoing loudly the choruses to “Face The Mirror”, “You Can Always Touch The Sky” or “End Of The Rainbow”, something felt amiss. It’s been less than two years since I’ve last seen them live and they were in pretty good shape. Now it seemed like the spark was gone, or at least dimmed. It was a bit disappointing. And I’ll never understand why, despite someone always screams for “Power Tower”, they still refuse to play it…

https://www.facebook.com/Tarantula.Official/
dt2

There’s this Dark Tranquillity song called “The Mundane And The Magic” (which they’ve played in Laurus, by the way) and I believe “magic” is just the right word to describe what happened when the Swedes got on stage. Their current album “Atoma” was released over a year-and-a-half ago (review here) but as Mikael Stanne said, “it still felt pretty new”; the title-track, “Clearing Skies”, “Force Of Hand” and a couple more were just as rejoiced as old classics like “Monochromatic Stains”, “Therein” or “Terminus (Where Death Is Most Alive)”.
The encore started with “State Of Trust” and then Stanne said that it was always a pleasure to come back to Portugal and that we knew they’d keep coming; he’d learnt over the years that we were very passionate, that we weren’t “Lost To Apathy”. And “Misery Crown” was just… well, what I’ve first said: magical.

https://www.facebook.com/dtofficial/

GODIVA18This year’s festival finished with a local band, that came back together after almost a decade-long hiatus (I think it was an actual split-up, but whatever it was, it’s over). The Godiva was the first band I’ve shot with a digital camera, back in 2005, and for me it was enthralling to see this new version of them, all re-vamped and full of life – despite their “deadly” make-up, ha ha. And those who only knew them from the brand new single “Empty Coil”, or didn’t know them at all before this show, seemed to enjoy the old songs such as “Spiral”, “Fallen” or “Oblivion”. A great new era for the band, closing what represents a new era as well for this great festival. See you in 2019, Laurus Nobilis!

https://www.facebook.com/thegodivaband/

Text & photos by Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , on 2nd August 2018 by Pieni

Web, Mata-Ratos, SepticFlesh, Equaleft, Hills Have Eyes, Nine O Nine, In Vein, Sotz’
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
27th July 2018

sflnmf18

sotzlnmf18The second day started at mid-afternoon, with Sotz’ doing the honors. Here’s a band that’s been improving their performance at every show, and consequently winning over more fans – 4:30 p.m. and a large number of people ready to shout out and mosh around their support. Without any kind of disrespect for previous line-ups, I believe the current one is the most efficient in living up to the aggressive impact the band yearns for their sound.
I’m not sure if the crowd was singing along – Dan Vesca is pretty hard to follow up – but they clearly recognized the tracks off the EP “Tzak’ Sotz’” and the recent single “Baak’”.

www.facebook.com/sotzband/

INVEINLNMF18Another band that’s grown a lot since the first time I’ve seen them a couple of years ago is In Vein. Raising Legends has been doing a hell of a job managing them, getting them to play practically everywhere, to the point where I confess I rolled my eyes when seeing their name on this bill. My sincere apologies – it was well deserved. Songs such as “S.A.T.A.N.”, “Paranoia” or “Infinite Night” fueled the headbanging and the horns in the air – singer António Rocha tried to convince the firemen to join the latter at some point, but they just smiled.

www.facebook.com/invein.band.pt/
NONLNMF18

Representing a rockier side of metal, we got Nine O Nine, guitarist Tó Pica’s new band. Introducing their debut “The Time Is Now”, released in February, Louro was filled with the enthralling melodies of “Big Event”, “Beauty Femme” and “Sofia” – dedicated not just to all Sofias but to every woman in the audience. Singer/bassist Sérgio Duarte didn’t want us to get the idea that NON were mellow, so they finished their set with the brisker “The Rush”.

www.facebook.com/NON909/
HHELNMF18

The Estrella Galicia stage closed for the moment and the spotlight turned to the main stage, Porminho, with Hills Have Eyes spreading their usual vitality. Fábio Batista’s voice was a bit worn down but he himself was jumping all around, so it made no real difference in the intensity of the music. Plus bassist Luís Silva backed him up, making sure all lines were sung. Splitting their setlist between the two most recent albums, but visiting “Black Book” through “Unneurotic” and the new single “Never Quit”, Fábio thanked the people that probably weren’t much into their sound but still were there, watching them and showing them respect. This and the little speech that always goes along “Anyway It’s Gone”, about music being music, no matter the label, hence they’d never decline an invitation for a “metal festival”.

www.facebook.com/hillshaveeyes/
EQUALEFTLNMF18

From metalcore to groove, Equaleft was the epitome of the “may the force be with you” slogan which their singer Miguel Inglês loves so much. They’ve been recording the successor to “Adapt & Survive” and even if the title or release date weren’t revealed yet, a live promotion is running already: “We Defy”, “Once Upon A Failure”, “Strive”, “Endless” and “Overcoming” made part of the band’s set and were tremendously cherished. Still, the highlight was “the lightsabre song” – the classic “Invigorate” – where Sotz’-Dan Vesca was a spontaneous guest. During the last song, “Maniac”, Miguel crowdsurfed while singing and then rewarded the fans with cookies. As usual.

www.facebook.com/equaleft/
sflnmfii18

When promoter Aguiar Silva got on stage to address the audience, I thought he was going to introduce the headliners; it was something much more noble than that. In case you don’t know, SepticFlesh come from Greece, where several wildfires have taken about a hundred lives. Portugal went through a similar tragedy last summer, so more than sympathetic with the situation, we related. Therefor when Aguiar asked not for a minute of silence but half a minute of applause for the souls lost in those fires, Louro trembled. Singer/bassist Spiros Antoniou himself would dedicate “Prometheus” to the same souls – after all, in Greek mythology, Prometheus was a Titan who stole fire from the gods and gave it to the humans. But before that, songs such “Martyr”, “The Vampire Of Nazareth” or “Prototype” had already left the crowd in total rapture. Spiros dislocated his shoulder a few weeks ago, and even if everything’s okay now, he still couldn’t raise his arm/fist as high as he wished to, so he wanted our help to do it for him. We obviously complied. 10-year-old “Anubis” and last year’s “Dark Art” built the encore of a stellar show.

www.facebook.com/septicfleshband/
MATARATOSLNMF18

Mata-Ratos spent almost a decade without any new material but their life on the road rarely took a break – that being the reason why their original schedule on Saturday was anticipated to Friday (something about a show in Spain). “Banda Sonora do Apocalipse Anunciado” was released in 2016, but needless to say that it was songs from almost 20 years ago – “A Minha Sogra É Um Boi”, “Amor Eterno” or “CCM” – that brought out the inner punk in all of us. Singer Miguel Newton still paces the stage through and through like a lion in a cage, but I’ve managed to frame him more clearly – he’s either slowed down a bit with age or I’m just getting more skilled.

www.facebook.com/infamesmr/
WEBKNMF18

Back to the Estrella Galicia stage to watch the final band: only Web to have such a numerous and loud crowd at 2 in the morning. They’ve been somewhat away from the stages, writing the successor to “Everything Ends”, but unlike Equaleft, nothing new was revealed – well, except for the intro, that was a new one. And guitarist Filipe Ferreira’s posture! Web is the band I’ve seen the most in these +20 years of attending metal concerts and this was the first time Filipe made me wonder if they got sponsored by some energy drink. “Vendetta” was the last live song of the night, before António Freitas assumed the role of DJ.

www.facebook.com/web.bandofficial/

Text & photos: Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , on 31st July 2018 by Pieni

Infraktor, Cruz de Ferro, Booby Trap, Atreides
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
26th July 2018

DSC_0497 copy

Fourth edition of Laurus Nobilis Music Famalicão, first one fully dedicated to metal in all its varieties. Those first three editions we’ve covered the first day only, which was the heaviest one. Now we’re proud to bring you coverage of the whole fest.

001Last year the organization had already set a second stage for big bands still climbing the popularity ladder (calling them “smaller bands” wouldn’t be fair or accurate at all). This year that stage was a bit larger and endorsed, hence named after, the Spanish beer Estrella Galicia – Galicia being the community where the first band Atreides came from as well. The opening day served as a warm-up, with only the Estrella Galicia stage active and four acts on the bill, so the melodic heavy metal of Atreides started echoing around eight-thirty in the evening. The crowd wasn’t big, true, but I confess it was much bigger than I’d expected – and also more responsive towards a band clearly unknown to them, despite their two studio albums. Songs like “Frágiles” or “Laberintos” caused quite an impression – including in some little kids who were tagging along their parents but having a ball on their own.

www.facebook.com/atreidesgrupo/

btlnmf18Things got a bit more hardcore with Booby Trap’s crossover. The most veteran band on that day’s bill got a more aggressive feedback, just like their sound, but still they tried to convince the people in the back to get closer to the stage and join the party – unsuccessful, not even after guitarist Wild Bull provoked them by calling them something like “pussies”. Anyway, “Survive”, “Overloaded”, “Drunkenstein” (my favorite) or Motörhead’s “Ace Of Spades” (which they covered long before Lemmy’s death) kept the audience pretty hyped.

www.facebook.com/boobytrap.pt/

CFLNMF18Cruz de Ferro is Portuguese for “iron cross”, so that alone gives you an idea what kind of metal they play and what they sing about – yep, traditional heavy metal about Portuguese battles and history in general. They had a handful of devoted fans in the front row, raising their fists and singing along loudly. To those, singer/guitarist Ricardo Pombo exclusively dedicated “Ritual da Cruz” (ritual of the cross), apologizing to the rest of the people attending the festival. But since they’ve played for the very first time a new song called “Soldado Desconhecido” (unknown soldier) – in memory of all Portuguese soldiers who lost their lives in the second Great War – I guess no one minded to be left out of the aforementioned dedicatory.

www.facebook.com/cruzdeferro666/

INFLNMF18But it was Infraktor’s “ferocious metal” that got the most out of the crowd, proving the promoters right when they chose such a young band to headline the first day. Well, young as Infraktor, who released their debut album “Exhaust” early this year – the members are all old-school ambassadors of the national underground, as I’ve told you when I reviewed said debut (here).
From “Blood Of The Weak” to “Ferocious Intent”, this was the night’s most intense performance – both on and off stage. Some people were singing along the choruses, but in order to everyone give use to their vocal chords, Pantera’s “Strength Beyond Strength” wrapped up the show, as someone in the crowd “guessed”. Singer Hugo Silva joked, asking him if he had peeked at the setlist, but knowing that he’d just attended some previous Infraktor concert.

www.facebook.com/infraktor.metal/

DJ Nattu taking over in the end wasn’t the best idea, but apart from that, my heartfelt congratulations to everyone involved in putting together this event. And this was just the first day.

Photos & text: Renata “Pieni” Lino

Lumous Gothic Festival 2018

Posted in Festival, Live with tags , , , , , , on 15th July 2018 by izaforestspirit

Novus, Auger, Terrolokaust
Dog’s Home and Klubi, Tampere, Finland
13-14th July 2018

One of my favorite things to do in the summer is to attend festivals. Lumous Gothic Festival is the biggest Gothic event in Finland and it just happens to take place in the city where I live. I’ve been attending this every year since 2012. The music ranges from Goth rock, darkwave, neo-folk to various forms of industrial and EBM.

Friday

This time I was mostly interested in the Saturday line-up. There was however a free show happening at The Dog’s Home (a pub next door to the main venue). So I went to check it out. I did not know anything about the band except their name – Chaos Research. It turned out to be a mixture of neo-folk, neo-classical, darkwave and ambient. Eerie operatic vocals, electronic with some additional instruments such as an electric cello and drums. Their show produced a relaxed atmosphere in the venue. 3/5

Saturday

The main day of the festival. I was mainly interested in the industrial rock band Terrolokaust but I checked out the rest of the line-up as well. First up was a British electronic duo called Novus. I quite enjoyed their show. It was fun to dance to. So a good start to the night. 3.5/5

I really liked the next band, Auger – darkwave and also from the UK. Their music sounded like a mixture of Blutengel with the Gothic horror atmosphere of The Vision Bleak. Very theatrical performance, powerful vocals, haunting keyboards and good guitar work. Great show! I really want to check out some of their music. 4.5/5

Then it was time for the night’s headliner – the industrial rock band from Cataluña, Terrolokaust. I’ve seen them live once before at Resistanz Festival in 2016, so I pretty much knew what to expect. They played a very energetic show featuring a mixture of old and new material from all their albums. My personal favorites included ‘El Mundo Sigue Girando’, ‘Reasons’ and their cover of The Prodigy’s ‘Spitfire’ which they played as an encore. 5/5


In summary I had a great time. Terrolokaust was my favorite performance of the night. I also made a new discovery in the form of Auger. I really liked their show. Lumous Gothic Festival was pleasure as always. See you next year!

Iza Raittila

 

South Park Festival 2018

Posted in Festival, Live with tags , , , , , , on 10th June 2018 by izaforestspirit

Helloween, Accept, Amorphis
Eteläpuisto, Tampere, Finland
8th-9th June 2018

Tampere’s prime metal festival South Park was back on this year after a brief hiatus in 2017. It’s a two day event but I only attended the Saturday. This year marked the return of the band that I discovered at the same festival three years ago – the one and only German power metal legend Helloween.

I arrived a little later so I missed the first two bands but just in time to see some of Amorphis. They’re one of the most recognizable bands within the Finnish metal scene and they seem to feature in most of the country’s festivals. I’ve seen them live a bunch of times before so I pretty much knew what to expect. I like their old albums though I lost track of them after ‘Silent Waters’. This was another solid performance, well executed melodic death metal. It’s always good to hear ‘House of Sleep’ and other favourites. So a good start to the night. 4/5

Next up was the Finnish thrash metal quartet Lost Society. They played some fairly decent-sounding thrash metal; sadly I’m not too familiar with their music so I could not appreciate it fully. 3/5

I did enjoy watching the Swedish heavy metal outfit Mustasch though. Their music is a mixture of Motörhead-style heavy metal with some elements of stoner metal. It’s probably not the kind of thing that I would listen to at home but it was fun to watch at a summer festival. 3.5/5

This was the second time that I’ve seen S-Tool live. For those who haven’t heard of them before, it’s a new band from Ville Laihiala (ex-Sentenced, Poisonblack). As a big a fan Mr. Laihiala’s other bands, particularly Sentenced, I was looking forward to seeing S-Tool. Music-wise, it’s essentially picking up from where Poisonblack left off only without the Gothic elements. Good show! I enjoyed it a bit more than the last time. 4/5

German heavy metal legends Accept were one of the day’s headliners and one of the main bands that I wanted to see. They put on one hell of a show. I’m not familiar with their recent material but it was great to hear some of the old classics such as ‘Balls to The Wall’, ‘Fast as a Shark’ and my personal favourite ‘Metal Heart’. 5/5

There’s not an awful lot I can say about Mokoma. They have a sizeable following here in their home country. Their performance was good but I’m not familiar with their music. 3.5/5

Then it was time for the night’s main headlining act Helloween. This show was special because it featured all three of the band’s vocalists from past to present together on stage. That’s right, all of them – Kai Hansen (the original founder of the band), Michael Kiske and their current vocalist Andi Deris performed together as part of the Pumpkins United tour. It was really good to hear some of the old classics such as ‘Heavy Metal (Is the Law) and ‘Halloween’ along with some of the more recent hits such as ‘Are You Metal?’ They also played one of my personal favorites ‘If I Could Fly’ from ‘The Dark Ride’ album. Fantastic show! 5/5

 

In summary I had a great time at South Park even if it was just for one day. It was worth it especially for Accept and Helloween. Amorphis and S-Tool were pretty good too. If the line-up is this good next year I will definitely come back again.
Iza Raittila

Stone Free Festival announce headliners

Posted in Festival, Misc., News with tags , , , , on 10th March 2018 by izaforestspirit

London’s prime classic rock event Stone Free Festival is now in its third year. This time it will take place on Saturday 16th June – Sunday 17th June 2018 at The O2 in London, The UK.

This year the headliners will include Scorpions, Megadeth (exclusive UK shows) along with YES and former Supertramp frontman Roger Hodgson. 

In addition to the main performances the festival will also have a range of other unique attractions such as the Speak Easy Lounge, an acoustic beer garden and a vinyl record fair.

Here’s the official poster:

For more information visit:
http://stonefreefestival.com/

https://www.facebook.com/StoneFreeFestival/

Laurus Nobilis Music Famalicão 2017 – metal day

Posted in Festival, Live with tags , , , , , , , , , , , , on 5th August 2017 by Pieni

Holocausto Canibal, Amorphis, Heavenwood, Urban War, Final Mercy, In.Verno, Skinning, Stucker
Louro, Famalicão (PT)
28th July 2017

amorphislaurus

stuckerlaurusThe 3rd edition of Laurus Nobilis Music Famalicão experienced a few changes but having its metal day on Friday wasn’t one of them. And with the addition of a second stage, the number of heavy acts doubled. First one on the “breakthrough stage” was Stucker. It was around 5 p.m., the crowd wasn’t exactly massive, but when you’re in a thrash metal band playing in a metal fest, chances are that you’ll get a good feedback, no matter how scarce the number of people giving it. And Stucker have improved their posture quite a lot since I’ve last seen them, more committed. Musically they sound stronger too. They’re currently in studio, recording an EP which I was told it’s a “back to the thrash roots” ride; promising.

https://www.facebook.com/StuckerPT/

SKINNINGLAURUS

After two albums, Skinning’s death metal is quite praised among the national underground – therefore the feedback was more intense, even if the crowd was just a little larger than before. But a seven, maybe eight-year-old kid was eagerly headbanging, and for what I could gather, he was no relative of any member of the band – that alone was worth as much as a vicious mosh pit.

https://www.facebook.com/SkinningMetal/

invernolaurus

Then from Spain came the “dark metal” of In.Verno – meaning heavy melodies spiked with synths, with a beautiful female voice mingled with male growls. This was still part of the band’s Insanity Tour, promoting their second album “The Reasonable Choice Of Insanity”, and it was a pleasant and refreshing way of closing down the so-called first part of the day.

https://www.facebook.com/invernospain/

FINALMERCYLAURUSThe action moved to the bigger stage, with Final Mercy literally storming it. It had been about seven years since I’d last seen them and probably as many line-up changes since the first, a decade ago; and while some bands may look unstable after so many adjustments, this was probably the best that could have happened to Final Mercy. Guitarist Ricardo Ribeiro and bassist Arcélio’s technical skills made the music more mature, and singer Dan’s posture filled their live performance with much more vitality. A couple of days before the fest they released a video for the title-track of their latest album, “Revival” (June 2017), which I strongly recommend.

https://www.facebook.com/FinalMercy/

URBANWARLAURUS

Despite being announced on the fest website that Urban War would close the bill of the smaller stage, it seems the plan was for them to play on the prime one all along. Well, the energy of singer Márcio Pinto needed indeed a bigger space to be fully discharged and so there he was, jumping all over amidst smoke and strobe lights, promoting “Flesh Upon The Feelings”. Pretty vibrant groove metal, well-deserved of the main stage

https://www.facebook.com/urbanwar/

HEAVENWOODLAURUSI dare saying that Heavenwood were awaited just as eagerly as the headliners – and that eagerness was rewarded. In the 25 years they’ve been around, there’s close to nothing in their songwriting that one can finger-point; their live performances, however, have always been their weakness… until a couple of years ago. Don’t know if it was something about the conceptual latest album “The Tarot Of The Bohemians”, if it was the new line-up or simply the natural process of growing up… but who cares? They now kick ass on stage and that’s all that matters. I was just a bit disappointed that Equaleft-Miguel didn’t join them on stage. Due to his day job, there were a few shows that singer Ernesto was forced to miss and it was Miguel who replaced him. Given the difference in styles, I was really curious to see how that worked out. My curiosity wasn’t fulfilled, but still my satisfaction reached the top.

https://www.facebook.com/HeavenwoodOfficial/

AMORPHISLAURUSIIWhen Amorphis last played in Portugal, it had been in celebration of “Tales From A Thousand Lakes” 20th anniversary and about a month before “Under The Red Cloud” was out, so despite such release has occurred two years ago, the title-track, “Sacrifice” and “Death Of A King” were performed live for the first time in our country – and they were welcomed accordingly. But then again, all songs caused similar thrill. Always addressing us as “my friends”, Tomi Joutsen asked for our help in “House Of Sleep” and our opinion about playing “Into Hiding”, now that original bass player Olli-Pekka Laine was back. Without surprise – but obviously with loads of emotional feedback – the gig ended with “Black Winter Day”.

https://www.facebook.com/amorphis/

HOLOCAUSTOLAURUSDeath-grind isn’t for everybody’s ears, so having Holocausto Canibal closing the bill was the right decision – the ones who couldn’t endure such extreme sound could leave (and a lot did…) and those who enjoyed it had the chance of seeing a great band of the genre on a big stage. As singer Ricardo said himself, it doesn’t look like but they’ve been around for 20 years. They’ve released a vinyl re-recording of both their debut demo and album under the inkling title “Catalépsia Necrótica: Gonorreia Visceral Reanimada”, which is Portuguese for something like “necrotic catalepsy: reanimated visceral gonorrhea”. Musically and lyrically, the brutality prevails, but they’ve toned down the theatrics a bit – less blood and entrails, that is – focusing more on sound than image. Whether you like it or not, one must acknowledge the big act they are.

https://www.facebook.com/hcgore/

And so the metal day of Laurus 2017 came to an end. I tip my hat to everyone involved in this venture, not just from an event-promotion point of view but also for the support given to national metal, still so underestimated by many.

Text & photos by:

PRESS

Blaze Bayley Interview

Posted in Festival, Interview with tags , , , on 4th August 2017 by Mickelrath

Mick had a little chat with Blaze Bayley (ex-Iron Maiden, Wolfsbane) before his show at SOS Festival. Here’s the interview:

Mick: The new album Endure and Survive – Infinite Entanglement Part II has dropped this year. How has it been releasing the second part to this massive concept?

 

Blaze: Oh it’s been fantastic. The whole tour of Endure and Survive has gone so much better than we could have hoped for really. All of the new songs [from the new Endure and Survive album] that we have put into the set have gone down really well and people have said this album is the best album I have ever done, in my entire career. So, it’s gone really well and as for something that is such a big concept, I think people are just ready for these kind of albums. It’s a narrative that carries over three albums, the “Infinite Entanglement” trilogy. The first part being Infinite Entanglement, the second being this new album and we’re currently working on the songs for the third album right now.  Those songs will be recorded in October/November time. It’s going really well.

 

Mick: I’ve been listening to the new album and I have been enjoying it. The one song that stood out to me was “Remember”. I think it stood out because it a bit more slowed down and had a lot of folk-y instrumentation. Could you tell a bit more about that song and what it means in context? As I have developed my own meaning and I wanted your thoughts on it.

 

Blaze: Well, in the scheme of the album, the whole theme is of a man has to decide whether he is human or not as his consciousness has been loaded into a machine body. So what he has left is the memory of being human. He has the consciousness, he thinks of himself as human but in fact he has a machine body. This song “Remember”, goes back to a time where there was happiness, a rare thing in the life of this central character, and that’s what they are remembering when someone says ‘You have to let go and sometimes you have to just live in the moment, you have to remember that this life is just a series of moments’. That’s why it’s called “Remember”, the character has had some great moments you had these things happen to them. They have to remember how it felt in that moment and then perhaps they can get that feeling back of being in this moment.

 

Mick: I think that’s why it stuck out to me. I took it out of context of the album and applied it to myself. I have been through some hard times in my life and I just remember being happy in myself. I just like how you can take a part of a grander story, such as a concept album, and it makes sense on it’s own. When it comes to songwriting is that something you have to take into account. Not just the album will work as a concept, but making every song make sense in themselves?

 

Blaze: I realise it’s quite a big thing that we set ourselves and it’s always a challenge. What we said was, if you know nothing about the story and don’t know it’s part of a trilogy of albums, you still have to listen to every song on their own. Without knowing the story and what should happen, is a similar thing that happened to you. A song will catch you and you’ll want to figure out what that song means in relation to the other songs of the story. I had to be a good album that you could listen to on it’s own and didn’t know it was connected to the others, but if you became more into it and got more interested in the lyrics then perhaps you would start to find the rest of the story. This journey that this person goes on.

 

Mick: So, in saying that are there any tips you could give a band or artist who maybe wants to make an album(s) like this one?

 

Blaze: I think in recent times, what I would say to any bands starting off or before making their first big records, is that the world has changed so much since I started. You can’t be in the mindset of, I play my guitar really well, that’s enough, it’s not. What you’ve got to do is get confident with recording yourself well. Get used to doing it yourself, the technology exists now where you can make your own album quality demos. So you have to do that. It’s your duty now. If you want freedom, true freedom as an artist, it can’t be just singing and playing well. You have to master recording that instrument, no matter what it is. The technology exists and it’s nowhere near as expensive as it was a few years ago. I didn’t exist when I started, we used cassette tapes but even so we tried to get good demos together. You can’t get bound up in the demo, I think what you have to is jam through the idea and live with that idea. Then put it away, walk away from it and come back to it. Everybody I’ve met who’s learnt to record themselves did so because they were pissed off by an engineer who didn’t have a clue how to make an electric guitar sound like an electric guitar. They’ve said how come I, with one guitar, and one microphone can make it sound right. But the guy in the £25 an hour studio makes it sound like it’s in a colander in a shed. It doesn’t make sense. Everyone I’ve met who’s now in production, did so because they had to because no one could make their instruments sound right.

 

Mick: Do you see an advantage of being independent rather than being on a big record label?

 

Blaze: As an artist I’m completely independent, I don’t have a big label, I am the label. The reason I can do what I do is because people pre-order my albums without knowing what it’s going to be like. They send the money for it, I’m then able to make the album and then send it to them. So far that’s worked. I have this incredible support from hugely loyal fans that enables me to make the music that I want to make and tour in the place I want to tour. So I can come here and play this great festival, SOS, where it’s all independent and original bands. Then I can play smaller venues across Europe, I can do bigger festivals. The luxury of it is that I don’t go back to anywhere I don’t like. So anywhere they don’t care about the sound, anywhere that doesn’t treat fans with respect, I don’t go back.

 

Mick: You’ve have a career that has spanned a long, long time now. What is the one piece of work that you are particularly proud of. Be it a gig or a song or an album. What sticks in your head about your career?

 

Blaze: Well, I think having a song that went into the top 10, around the world. When I was in Iron Maiden, Madonna was at the top of the charts. The X Factor, knocked Madonna off the top of the charts in some countries. “Man on the Edge” was a song I wrote with Janick Gears in Iron Maiden. That song went to the top 10 in many countries around the world and actually hit number 1 in some countries as well. That was such a huge achievement for someone who comes from a working class family and had a dream. I used to work in a hotel, working nights, cleaning the hotel, cleaning the toilets such and such. I’ve had all manner of jobs and the reason I do what I do is because I love to sing and now 30 odd years after I started, I’m independent doing my own thing.

 

Mick: How do you feel like you’ve evolved as an artist over the years, if at all?

Blaze: I think I really found my voice in Iron Maiden. You know, in Wolfsbane, I loved doing that and we’re still together and we have a reunion coming up in December. But my voice back then didn’t really have the range that I would later develop. I had the enthusiasm and the emotion but I didn’t have the range nor the soul. In Iron Maiden, when recorded the  The X Factor and Virtual XI being in that studio I really found that other part of my voice. After Maiden that’s when I started using my voice in a new way so I think as I got to my acoustic album Russian Holiday that’s when I really felt like I had a really good control of my voice. As I came to these most recent album I felt like now I have the tools, now I can have a lyric and I can say what tone, what breadth, what texture do I need to create so that the emotion shines through to the listener. My ultimate goal is, if English is not your first language you still know what the song is about.

 

Mick: My final question is one I always love ending on. What’s the hardest thing you’ve had to overcome and how did you overcome it?

 

Blaze: That’s a really good question and I don’t know what the answer is really. However, I suffer with nerves and people are very disappointed when they ask, ‘What kind of rituals do you have backstage’ and I know they’re expecting me to be jumping and getting hyped. You know swigging Jack Daniels and doing lines of coke. It’s the complete opposite for me, I get nervous about going out on stage and I have to put myself into a place of complete calm. When you come into the Blaze Bayley dressing room, it’s most boring place you have ever seen at any gig. You’d probably think to yourself ‘How are they going to bring the roof down, when they’re this boring’. Just no excitement in the dressing, because all of that get’s in the way of the thought process that brings lyric to the place where my voice will connect with it. To bring this fresh feeling and emotion to the lyric.

It’s a thing that I’ve learned over the years. There have been times where I got over excited. Then I’ve forgotten the word to the song. The worst thing that ever happened was when we supported Helloween, and I went on and thought ‘god the band sounds shit’, then I realised that I was singing the words and melody to a totally different song. That’s what happens when I get over excited. So the biggest thing I’ve had to overcome is nerves really and the way I cope with it is to remain calm and keep focused on those first few songs.

 

Mick: Fantastic, thank you for taking the time to talk with us.

http://www.blazebayley.net/

https://www.facebook.com/officialblazebayley

SOS Festival, Day 3 Review

Posted in Festival, Live, Uncategorized with tags , , , , , , , , , , , on 30th July 2017 by Mickelrath

SOS Festival, Longfield Suite, Prestwich, UK

16th July 2017

Resin, Faith In Glory, Eternal Breath, The Deep, Harriet!, Dorja, Chris Appleton, Fire Red Empress, Fahran, Triaxis & Power Quest.

Day three of a festival is always going to be a slower one. Everyone is worn out and it’s usually the day where the crowd winds down a little. Yeah, the same is true here. Even I was trying to take it a little easier. What wasn’t going easier, was the bands. Once again every band really brought it to the stage. Even if I might not have enjoyed every moment, I can still respect the effort that they put into it. I was once again in and out of the press room so I may miss some bands here and there. Yet, I think the Sunday was still a pretty strong day.

The day kicked off with a hard rock band, Resin. Wow, the feedback. From the get go the set was bogged down with technical issues. The sound was muddy and there was feedback so piercing I think everyone was feeling it. The production was muddy and I felt like the sound was really over cluttered. Even as the production issues were resolved, I just couldn’t get over the songs. It was just bland tunes and over kill on the instrumentation. There was just too much going on in the songs. So nothing felt right. There are too many string instruments into the band and it felt like a calamity. It certainly wasn’t best way to start the day. There maybe a fan-base for this but I’m not in it.

After that disheartening start of the day, salvation came in the form of Faith In Glory. I really loved this set. Their presentation was excellent. Big riffs and a big booming vocal performance from lead vocalist, Jack Collins. It was really impressive. They were a very dynamic band with lots of grooves and lots of tones to keep the audience captivated. All of them were very energetic in their delivery, they looked so enthusiastic when up on the stage. Big smiles on their faces throughout the whole set. They were clearly enjoying themselves and the audience was right their with them. Adding in a cover of Black Stone Cherry’s “Blame It On The Boom Boom” was enough to sell me on them. Let me tell you, anyone that can convincingly cover Black Stone Cherry (one of my favourite bands) then I know they’re doing something right. Keep on rocking lads, that was awesome.

The next act I managed to catch only a little bit of were, Belgium power metal band, Eternal Breath. Like I said I only caught a bit of them but they was spectacular. There was just a great sense of command and power to them. The guitars chugged away and the vocal performance soared over the production. The whole thing reminded me of the real old school metal acts of yesteryear. They paid their respects to the late Philippe Beauprez, from Wizz Wizzard, which got a big ovation from the crowd. Everything about their set was technically perfect. The band was tight, the music was cranked up loud and there was a lot of enthusiasm to go around in the venue. I really liked them. The same can be said for the next band The Deep. It was, once again, a classic type of sound. This was one really fun set. I was standing there with them and  I enjoyed every moment .They brought awesome old style grooves to the table. It was sharp and crisp and the solos blew me away. It was just that real pumping classic rock sound that I grew up with. It got me up and moving. It was loose and fun and and they didn’t look like they taking themselves too seriously. They just worked well. Again not too much to say about them, I just had a really good time.

I think I’ll cover the acoustic stage now as I didn’t really get around to watching much of it. First of all acoustic artist, Harriet!. She was absolutely fabulous. Almost a country style of music, she had a beautiful and soulful voice that was excellent to listen. It was simple and elegant. She threw in a cover of Evanescence’s “Bring Me To Life” which actually sounds great acoustic. She had this incredible sound that was so pure and emotional to listen to. This is someone you should check out immediately. The talent parade continued with, Dorja. These girls can really play. I mean really play. The technique on display was impressive. The stripped back set sounded really nice and I would be really interested in hearing them in a cranked up set. The vocal harmonies were absolutely beautiful and the instrumentation was superb. The guitar solos were really nice to listen to and in this more relaxed set the girls just really put on a spectacular show. This was a really nice discovery for me, five really talented musicians playing some really great music.

The last band I want to talk about from the acoustic stage is Chris Appleton. A day removed from playing the headline set with Blaze Bayley, Chris was back at SOS Festival bringing his songs to the acoustic stage with his brother Luke Appleton. The chemistry was excellent and the songs flowed from the stage. Being the final act on this stage for the weekend they really brought it and showed off exactly what they were all about. They had a great chemistry with the audience that made their set feel electric. It was a superb way to end the day, and the weekend on this stage.

Next on the main stage was my MVP’s of the whole weekend, Fire Red Empress. All I can Say is freaking WOW. They just blew me away. I’ve not seen these guys in a while so getting the chance to hear them live again was freaking excellent. Armed with new lead vocalist, Jennifer Diehl they’re a totally different beast now. The bass boom, the guitars roared and the vocal performance was simply incredible! The new songs sounded wonderful and it has just made me really hyped for a new album from them. The band had this vibrant energy to them that looked great and the room filled with enthusiasm for them. The sound was big and impressive and I’m just stoked to hear and see more from them.

The fun didn’t stop because after that we had Nottingham rockers, Fahran. A few years ago I discovered these guys in a small bar in Manchester and every time I see them or hear anything from them they just get better with time. They were full of life and really brought a great show to SOS Festival. Their song have these huge choruses and these really hard hitting riffs. They used this show to debut some new material. The new songs were “Pyre” and “Some Kind of Family”. Which were bursting with riffs and melodies that sound great. I am really excited for new music from them.  They had an instant connection to the crowd. Their classic sound is instantly recognisable and likeable which I think is the secret to their success as a band. They’re just a younger version of the classic rock band we all grew up with. They play with passion and great technique. Genuinely an awesome band.

Unfortunately I missed a lot of Triaxis’s set. It’s a shame too, as Triaxis are on their way out and this maybe the last time I get to see them live. From what I saw they were really good. Like I said I can’t comment on much but I did see that the crowd was really into it.  A well put together band with a really tight sound. Just really nice metal music. The vocal performance was really good and the vocals just floated on top of the production. The metal was fast pace and had a lot of energy to it. Just absolutely intoxicating. As I said I didn’t catch much of the set but I enjoyed what I saw. 

Finishing off the weekend where power metal champions, Power Quest. Everything just sounded so glorious. Every element of the band worked really well and the production came through loud and clear. From the synth and keys to the powerful guitars the booming rhythm it all just hit home. Songs that lept out for me were songs like “For Evermore”, “Better Days” and of course the self-titled songs “Power Quest”. They beamed with confidence and you can tell that the crowd were really into the performance. Vocalist, Ashley Edison really showed off some amazing ability that completely blew me out of my socks. They were a really enjoyable end to an incredible weekend.

Words: Mick Birchall

Photos: Rich Price and Holly Price (Rich Price – Photographer & Music Journalist)

 

SOS Festival, Day 2 Review

Posted in Festival, Live, Uncategorized with tags , , , , , , , , , , , , , , on 29th July 2017 by Mickelrath

SOS Festival, Longfield Suite, Prestwich, UK

15th July 2017

Crowsaw, Core of Nation, Vice, Damaj, Sister Rose, Luke Appleton, Primitai, Die No More, Gemma Fox, Pythia, Bad Pollyanna & Blaze Bayley

Day two kicked off a little earlier and a killer line up lay ahead. I was excited for a few of the names and in terms of quality this had to be the strongest day. Saturday was a really busy day because I was in and out of the press room, doing interviews and getting into the main hall for the bands. There were too many highlights to count  for me and I discovered some great bands that I took home some of their music. There’s plenty to talk about so let’s get on with the day two review.

First things first on main stage was, Crowsaw. They were pretty decent three piece heavy metal act and played an all around entertaining set. The music had some excellent blues riffs that carried the set beautifully. The impressive part for me were the three part harmonies. All three members sung together so well and it fitted into the music so nicely. It just added something to their set. The riffs were good and meaty, they had a real groove to them and the bass locked in the drums to create a nice rhythm. I did like them but I don’t really have a lot to say they were a good band with some solid tunes. For me, Core of Nation were one of the biggest surprises of the weekend for me. They were simply stunning. Their sound was bold and atmospheric. Their songs were a doom style sound with thick riffs and a well produced tone. Every moment was packed with great songs and the outstanding musicianship. Core of Nation sparked with precision music, great riffs, well done solos and frontman, Rolf Berg’s vocals were simply breathtaking. Everything was nicely mixed and sounded great. I definitely came away from this set completely in love with their sound.

Local lads, Vice were up next on the stage. Their set was pure fire with lots of energy and tonnes of passion thrown into it. The guitar tone was crisp and the solos were coming through fast and thick. The production was clear cut and it really hit hard. Every member really brought the passion to the stage with them and the band making for a fun set that everyone was getting into. Being the hometown lads they certainly got the punters in the door and the room felt like it had that vibrant energy to it. The new album tracks went down a storm. They filled the stage and boasted an impressive stage presence. They felt so impressive and I hope they have a good future ahead. They are an excellent live and with the tunes to back it up. After a short break and turn around, we had Damaj take the stage and for the first time this weekend I was a little disappointed. OK, they’re not bad per say, but it was a little bland. The music was simply ok. From a technical standpoint they were really good. Great guitars, great flow, amazing vocals. However talent is not the same thing as quality and I just don’t think the songs were there. I’ll say this for them they had passion and were really into their songs. Yet, I just could not get into them. It all felt very generic. There wasn’t much of a bite to their sound and it left me a little cold. I’m sure there is a market for them, however, I could not get into this.

Meanwhile, on the acoustic stage. Instead of Regulus, who were unable to make it. We had Iced Earth’s, Luke Appleton performing an acoustic set. His set was beautifully put together. Luke’s vocals were really nice and he sounded great. He was very humble and his personality shone through. It made me enjoy his music even more. The sound was almost country with all the emotion in his vocals. His vocals are amazing and has a lot of power to his voice. The guitar was very simplistic but effective all of the same. A powerful set for something that was put on in such short notice. After that we were treated to the glam rock stylings of Sister Rose. I have to say the thing that caught my eye straight away was their merchandise. Bright and colourful and I think they were the only band of the weekend with something other than just t-shirts and CD’s. How was their set though? In a word… Solid. They had this fantastic glam rock sound that filled the room. The songs flowed really nicely into each other with that sleaze rock style that they make. Every tunes had this real grittiness to it, every twang of the guitar and every pulsating beat of the bass had a lot of drama in there. They definitely had a classic rock meets sleazy punk thing going on. Every second they were on stage the they just sold themselves. Somehow though, it just didn’t work for me. I don’t know, maybe because the market for this type of music has been completely oversaturated over the years and if you’re going to make this style of music you have to do something to really stand out. Unfortunately, nothing did. They were just another band. They were kind of unique for this weekend, but as for the genre in general, they’re not exactly pushing boundaries. Like I said, really good set and strong performance but I’ve just heard this type of music way too much.

 

I was slightly blown away by the technical stylings of Primitai. Every moment of their set was filled with impressive, riffs, licks, solos and powerhouse choruses. The sheer energy and intensity from them was simply brilliant. Primitai weave in and out of metal stylings like it was nothing. It was really impressive how they went from style to style like it was nothing. Every part of this performance was excellent. From the technical ability on display to their enjoyment that was blatantly apparent through their set. Again they were another one of these bands were I didn’t take notes and enjoyed the music and yeah this is great. It was amazing to watch these just show off what they can do. Songs like “Black Rider” and “Power Surge” just flowed so well out of the speakers and I loved it. Primitai were really enjoyable, just a brilliant band that have really great on stage chemistry and presence. One to check out for sure. Nothing got my blood pumping more than the heavy metal stylings of Die No More. There was so much to the set and the sound. Every song just crackled and popped with excitement and had a real power to it. They had a command of the stage and the music was tight with sharp guitar tones and a crashing beat. It was aggressive yet clean. It’s really sad that is the last show from them as I would be interested to see them again and I would recommended them. If you can, definitely check them out. They were very different from what expected and I don’t think they were explained to me quite right. They were far more heavy than I expected, which was a good thing. With a booming set of drums and well executed guitars. I really did enjoy this one. Not much to say here. Just a really fun band.

 

Over on the acoustic stage Collibus frontwoman, Gemma Fox. She played a bunch of covers from “Feels Like Making Love” by Bad Company to “Wrecking Ball” by Miley Cyrus. As you can tell there quite the range of songs in the set. Gemma is known for having an amazing voice. I have heard her before with her band and I have always been blown away by her voice. Once again there was no difference here. She is absolutely stunning. Also a stripped back performance was really nice. Just and acoustic guitar and her voice and it sounded beautiful. It was simple yet effective. It was such a passionate and pure set set from Gemma. Just a nice small set from her and that was all that was needed. Up next, was a superb treat. Pythia, was incredibly impressive. It was something a little different. Having a symphonic metal band in the middle of all of the thrash, glam and NWOBHM was so refreshing for my ears. The sound was big and bold, and frontwoman, Sophie Dorman’s voice was absolutely pitch perfect. The crowd was 100% behind them and they belted out tune after tune. Songs like “Betray My Heart” were real crowd pleasers. Every element of the band just clicked and the synth and keys created this atmosphere that the metal was overlaid onto. They are a very technically gifted band and they had bundles of chemistry that you could just see click on stage. They also debuted a new song “Ancient Soul” which sounded really nice and made me excited for a new album. Pythia worked so well on this stage a I really want to see them again.


Finally on the acoustic stage today was one of my absolute favourite bands, Bad Pollyanna. I’ve heard them a few time but always in a full band. In this more stripped down acoustic performance they really stepped up to the plate. I am very familiar with there songs but usually in this loud confident style. Here these songs almost took on new meanings. This more exposed subtle sound really fitted them. Vocalist, Olivia Hyde’s voice was incredible. Such power and emotion behind her voice. The sheer passion was clear and it was matched by the harmonising vocals of Nikki Kontinen. The acoustic guitar sounded really nice and it all came together so beautifully. I loved the way they transformed their songs like “Awake Now” and “Define Me” into these deep and powerful ballads by stripping the production back. It really worked and it just made think, damn I want more Bad Pollyanna music.

 

Finishing off the day was a legend of the industry. Blaze Bayley, was so captivating. It’s clear that he’s been doing this for so long. The calm control he had on the crowd was amazing. Just the way he held himself on that stage was awesome. His voice was excellent. His band played a blinder too with Chris Appleton manning the guitar duty. He belted out riffs and solos like it was nothing. The thick tones and imposing presence,  it all felt so huge. Then you have Karl Schramm on bass and Martin McNee on drums. The two locked in together and created some amazing grooves and rhythms that got the place jamming and moving along. It was so awesome to see the connection that Blaze has to his fans and he was clearly enjoying himself as he did what he does best.

Overall it was an incredible set that blew me away. The music was great, the atmosphere was awesome and the band were relaxed and looked like they were enjoying themselves. It was a great way to end a Saturday at a festival. Bravo.

Words: Mick Birchall

Photos: Laura Piggford (LorathNahhr Photography)

SOS Festival, Day 1 Review

Posted in Festival, Live with tags , , , , , , , , on 28th July 2017 by Mickelrath

SOS Festival, Longfield Suite, Prestwich, UK

14th July 2017

I Saw The World Burn, Amethyst, Prognosis, Prometheum, Go Primitive, A Jokers Rage & Kill II This

 

SOS Festival celebrated 10 years this year and did so in style. The line up was killer and I was immediately interested in coming. The headliners looked great, and the under-card was immaculate. This was my first year attending this festival but I have always heard good things about it. I was definitely excited to check things out. The weekend was broken down between two stages: the main stage, where all the bands played at full blast and the acoustic stage, where things went slower. So there was a nice mix over the weekend. Not just in style but also in genre, with a wide range of rock and metal to please any fan. I had a busy weekend, running around between the two stages and also conducting interviews on top of that. I will say that I had a lot of fun. I mean, I’m completely knackered, but I loved every moment.

Friday night, was a pretty damn heavy one. With all the bands meeting the intensity and power of headliners, Kill II This. I didn’t know what to expect from any of the bands playing on the day. Yet, I remained optimistic for what was to come. Opening it up proceedings was UK metallers I Saw The World Burn. Wow, I was completely blown away! They were loud and impressive. They had complete control of the stage. In particularly the front-woman, Katie Cairns who had a real stage presence. Her voice was really powerful and roared above the music. The riffs were large and the early crowd of SOS Festival were really into it. The music was quite consistent. With the vocals being even more impressive with every song. They weren’t the most dynamic of band with every song hitting the same notes all of the time. Yet, it worked somehow. Like Hatebreed or Darkest Hour they had the intensity and energy to make this kind of set work.

Following that performance was the always enjoyable Amethyst. The thrash metal band exploded with big riffs and big solos resulting in big ass tunes. Their sound is classic thrash with sharp tones and a tight production. They brought the fire with this set. They had an almost instant connection with the crowd. As they played, the people kept funnelling in and the atmosphere just got better from there. The guitars screeched and the bass was thundering down on the Manchester crowd. Everything just felt massive. The songs were really well written and I think that really came across to the audience. Although thrash metal isn’t 100% my thing, they definitely impressed and they worked well for a Friday evening.

In quick succession, we had Manchester based progressive metal band, Prognosis. They were as interesting as they were talented. The technical skill was actually mesmerising. With sweeping guitar solos and complex riffs they sounded great. The songs were filled with broken riff patterns and winding melodies. It made for an interesting listening experience. They had a groove to them and the bass was laid on thick. Definitely an interesting sound. Maybe it’s not for everyone, but I got into it more and more as the set went on. There was a lot of passion to the music but their stage presence might need some work. Even though they had the tunes, they didn’t really feel like they were owning the stage. I would like to see some more energy and intensity from their sets. They need to really take command and show their personalities more. Their music is good, I recommend it, if you’re into heavy, doom style prog music.

The acoustic stage boasted some impressive acts as well. First of all we had Prometheum. They had a simply lovely sound. Simple music and beautiful vocals they were captivating in every moment with both of their 15 minute sets. I also got the opportunity to watch a bit of Go Primitive, they were fun and hit some incredible vocal harmonies. They had some real personality to them and I enjoyed their sets as well. Overall the acoustic stage was strong on the day and it was only going to get better as the weekend went on.

 

Next in store was my biggest shock of the weekend. A Joker’s Rage, won me over in a heartbeat. Their music was really enjoyable matched by the band’s personality. There was an energetic vibe throughout the venue. The production was tight and the band just completely dominated the stage. I loved songs like “Bounce” and “Temptress”, and yes I was definitely having a dance and a boogie to them. It always says something when I immediately buy a band’s music as soon as the set has finished. Yet, I enjoyed them way too much not to. The riffs were good, the solos were well executed and ending the set strong with a tribute the late Chris Cornell. They played a cover of “Cochise” by Audioslave, which got my nostalgia senses tingling. Just like me, the crowd went nuts for it. Ending the day of were headliners, Kill II This. This was my first experience of them and I have to say they were interesting. Although, I don’t feel like I could get fully into them. After the set from A Joker’s Rage this was a bit more of a tamer set.

 That’s not to say they weren’t entertaining, they really were, but it was just a totally different set. They had a very urban style production to they songs, the music was very ominous and primal with an intense groove to the bass and drums. The guitar was roaring and vocalist was belting out his words. It was a blunt and hard hitting set and a great way to cap off a brilliant first day of a festival.

 

Words: Mick Birchall

Photos: Laura Piggford (LorathNahhr Photography)

 

Hordes Of Belial – The Burning H8: Final line-up

Posted in Festival, Live, Misc., News with tags , on 18th July 2017 by Paul Macmillan

Organisers of Scottish hard rock and extreme metal showcase, Hordes Of Belial, have announced the full line-up for their 8th yearly edition of the event. Sub-titled “The Burning H8”, it again fills two stages with veterans and newcomers from across the underground spectrum. Travelling from classic thrash with Virus to brand new filthy doom with Dolour, the HOB battle train stops off at some of the best, secret beauty spots of death, trad, black, crossover, and just straight up metal along the way.

13 bands in all will take to the two stages this September 30th, two less than the 15 which have featured in recent years. The quality is convincing, though, especially when looking back at the event’s history. HOB is one of the places where Scottish bands such as Dog Tired, Ramage Inc, and Party Cannon started rubbing shoulders with bigger names, and where the likes of De Profundis and Diesel King based their first forays north of the border. There may be bigger shows, but few are as focused on diving into the depths to retrieve the treasures which grace the Hordes Of Belial stages each and every year. Even if you hadn’t heard of any of the bands, you can still be sure there are some priceless gems within.

 

Event Details:

Hordes Of Belial – The Burning H8

Beat Generator Live, 70 N. Lindsay St., Dundee

Saturday September 30th 2017

Doors: 15:25

Ages 14+

Virus, Dog Tired, Damaj, Overoth, Rabid Bitch Of The North, Drekavac, Perpetua, Catalysis, Drive By Killer, Somaesthesia, Multistorey Lover, Dolour, Volcano X

 

Advance tickets now £10 from www.wegottickets.com

Blindagem Metal Fest – Ponte de Vagos, Portugal

Posted in Festival, Live with tags , , , , , , , , , on 7th May 2017 by Pieni

Chaos Synopsis, Aneurose, Nuclear Warfare, Infraktor
Origens Caffé, Ponte de Vagos (PT)
29th April 2017
Promoted by Paulo Perdiz & Blindagem Metal Show

DSC_0470 copy

Blindagem is Paulo Perdiz’s baby, a radio show that’s been promoting metal since 1990. At some point the spreading of news wasn’t enough and concerts were added to the bill, giving birth to these Blindagem Metal Fests. Last weekend, Origens Caffé witnessed another one of these events with a quite packed house.

www.facebook.com/blindagem

DSC_0091 copyFirst band getting on stage was Infraktor, “ferocious thrash” straight out of Escapães. It was the only national band on the bill and made it right by their country – I used the quote marks in “ferocious” because that’s the band’s own tag line, but they lived up to it and there’s no better word to describe the show.
Their debut “Exhaust” has no release date yet but the recordings are done. In a perfect world, that should mean the album would soon be blasting off your listening devices, but I’ve been engaged in this biz for way too long to know that there are no accurate predictions until all processes are complete. What I can assure you is that I will let you know as soon as it’s announced.
They were asked to play 45 minutes instead of the usual 30, so “Unleash The Pigs” was back on the set (it had previously been replaced by “Son Of A Butcher”) and “Confront” got its riff sequence altered in order to extend it a little bit. Infraktor topped my expectations-for-2017 list (see here) and they’ve been meeting said expectations so far.

www.facebook.com/infraktor.metal

DSC_0349 copyThere’s a reason for German thrash to be so popular and Nuclear Warfare reminded us why, inflaming mosh circles practically from the first minute. Singer/bassist Fritz knew a few words in Portuguese – after all, the band has a Brazilian drummer, Xandão – but we were happy to teach him some more. Cursing words, obviously, in good ol’ cheerfulness.
The hymn “Just Fucking Thrash” and The Ramones’ cover of “Rockaway Bitch” were probably the catchiest moments of a fierce and beer-drenched gig.

www.facebook.com/ThrashMetalTank

DSC_0443 copyBrazilian thrashers Aneurose released their sophomore album, “Juggernaut”, last July and Blindagem was one of the Portuguese dates in its promotional tour. I don’t know if they already had fans here, as the reaction of the crowd was so fulsome; but then again, it was my first time watching them and the adrenaline rush I’ve felt was simply overwhelming. Straight-forward, in-your-face metal music, headbanging and mosher friendly, lots of rebellious gang backing vocals to sing along… And speaking of “along”, singer Wallace joined the circle pit at some point. Songs such as “Butcher” or “Drunk As Skunk” got such a crazy feedback that all of a sudden it seemed that we were in a sold-out show, people pushing everywhere to stand up front. To the point that when Wallace called Infraktor-Popas on stage to help him sing Sepultura’s “Roots Bloody Roots” I couldn’t even see them – just listening to them. And what a duet that was.

www.facebook.com/aneurose

DSC_0490 copyLast but not least, also hailing from Brazil and also playing thrash metal – although with a bit more death to it -, Chaos Synopsis. “Gods Of Chaos” is their most recent work, released a little over a month ago, but three others have come before it and therefore they had a rich set for us. “Burn Like Hell”, “Storm Of Chaos” or “Gods Upon Mankind” are just some of the songs that you should look into if you’re in this genre. The crowd that night surrendered to them.

www.facebook.com/chaossynopsis

Text & photos by Renata “Pieni” Lino

Quinphonic Festival 4 – Birmingham, UK

Posted in Festival, Live with tags , , , , , on 22nd April 2017 by Mickelrath

Quinphonic Festival
Bands: Temperance, Serpentyne, Metaprim, Dead of Night, Fourth Circle
Venue: The Roadhouse, Birmingham, UK
Date: 16-APR-2017

 

Another year, another pilgrimage to Birmingham for Quinphonic Festival. I wasn’t able to attend the third edition of the festival in the October of last year. Yet, I was more than ready for the fourth one. This one had a stacked line-up with too. Including Italian hard-hitters, Temperance. The UK debut of, Fourth Circle. Along with three of the best live bands that the UK have to offer in Dead of Night, Serpentyne and Metaprism. A spectacular day of music lay ahead and I was pumped for the day to come. Quinphoinc Festival is all about quality over quantity. Five band all given a headline sets worth of time to show off what they can do. This allows the bands to breathe on stage and the crowd can experience what they’re actually like.

Before I talk about the actual day itself. Let me take you back to the night before, at the Barge and Barrel is Tipton for the Pre-Festival showcase night. A night that I won’t soon be forgetting. It was a great night of music featuring three fantastic UK up-and-comers. Darkest Obsidian, A Clockwork Opera and The Loved and Lost. All three bands were on top form and delivered a great performance. That really showed off their styles well. As a night it really came together with a great crowd. I really enjoyed all three acts, from the pageantry of A Clockwork Opera. To the soaring choruses of Darkest Obsidian with the finesse and energy of The Loved and Lost. It was a great night had by all and I hope to see more from all these bands sooner rather than later.
Now on to the festival itself. I got to the venue early to soak in the atmosphere. It was going to be a great day. All the bands have their own respective niche so there should have been something for every type of fan. As for myself I was looking forward to hearing something new. The only band I was really aware before going to the venue was, Temperance. So no matter the result of the day. I was going to hear something different and new for certain. Now, onto the review!

Fourth Circle

What a firecracker of an opener. This was exactly what was needed to start the day. The French band, Fourth Circle were debuting in the UK and let me say, what a way to make and entrance. The band were energetic and and fun. Their presence was in your face and and bold. Their live production great with every element of the band working outstandingly well. I have to say I was taken completely off guard by their performance. With pomp and pageantry, their music sounded huge with bombast. The music was filled with excellent hooks sinking into your head and this made their songs easy to remember. The band’s on stage chemistry really made these songs larger than life. They seemed to be having a lot of fun up there and this made it easier to enjoy their set. I only had a couple of problems with their set. Firstly, their set felt a little repetitive and it got a little tedious at times. Although those hooks constantly drew me back in. The only other thing that let their set down a bit was that the crowd started to thin out throughout the set, which ruined the atmosphere a little bit. Overall I had a fantastic time watching them. I would say their UK debut was successful and I for would welcome them back anytime!

Dead of Night

Next up was British newcomers Dead of Night. This was a really good set. Even if the songs were a little bland in composition, they more than made up for it in their theatrical stage presentation. Their sound was nice and I enjoyed some of the songs. Their stage presence was exciting and their chemistry was excellent. Really giving a complete package of a show. The vocals were clear and frontwoman, Briony Featon was an exciting presence on the stage. With light up black angel wings she truly gave the band that little bit of an edge. Their music had a decent atmosphere to it and the songs felt well put together. Their music had this really slick vibe to it. More of an old school rock ’n’ roll format to the songs rather than your typical symphonic metal or power metal sound. The centrepiece of the set for me was a gorgeous ballad that invited imagination and let the band really breathe. In all honesty they really won the crowd over. I did feel that their songs were just bland on a compositional level and that let them down a bit for me. However, I will concede that they were incredibly likeable and they presented themselves really well. I thought they were pretty good and I hope they evolve and grow in the future.

Metaprism

Now for the best band of the day and no, I do not make that statement lightly. Metaprism burst on to the stage with life and excitement. They were probably the “heaviest” band of the day and I feel they were the band with the best set. Their songs were high energy and filled with awesome riffs and well executed solos. Their presence had a sense of command to them. When they were performing, the audience were definitely paying attention. Their set was really an intense atmosphere upon the venue and the contrasting duel vocals of the band really gave them that little bit of an edge. It’s like they took the European standards of this style of music and added the British elements to it to make this sound. They came across a really likable people, they were very genuine and humble on the stage as they tried to get the crowd involved more and more into the set. Their set built up and got slowly better and I was completely enthralled with their set and I immediately rushed to the merch table right after their set was over. Which I guess was a good sign. Yes, this was definitely my favourite band of the day. Everything about them was excellent, from their songs to their personalities. They were an exciting and dynamic band, and I can say for certain that I became a fan.

Serpentyne

British folk-rockers Serpentyne took to the stage with finesse and and grace. This had to be one the most interesting sets of the day. On a pure technical level they were incredible but I really couldn’t get into it. Maybe it just wasn’t my sort of music but there was just certain aspects to their performance that turned me off. However, I did like parts and ideas used in the set. The musicianship was excellent and every instrument was played to an expert level. I also really enjoyed the dancer that was in the crowd it added to the enticement of the band. The music had these really good rock n roll elements mixed with the fantastical folk music to make something truly inventive. All of the songs were character piece with stories of vikings, medieval society and fantasy characters which were rich and engrossing. This really peaked my interest. However after the energetic, high pace set from Metaprism, this set felt a little deflating. Also I felt the vocals were a bit overdone. The singing could have been toned down a little. The set ended on a over of the Game of Thrones theme tune which was really well done for what it was. I like this band but I didn’t love it. They are all incredible musicians and the performance was well done, it just may have not been my type of music.

Temperance

Now for the main event of the evening and the only band that I came to this show with any familiarity. Temperance, are one of those band that just use everything at their disposal to entertain a crowd. Their songs are catchy and their energy are infectious. Other than some tech issues with the microphone they set went down without a hitch. The band blasted through their set with great songs. Coming hot off their third album “The Earth Embraces Us All” the set was a great mixture of all three albums. The crowd was really into it as was I. I mean I put down my notepad and just watched the show. The live production was really good, although the drums were a little loud at times. Also the backing tracks they were using didn’t come through the best at times. Frontwoman, Chiara Tricarico was an engaging presence on stage as was guitarist, Marco Pastorino. You really couldn’t keep your eyes off of them. Also with the sheer technical ability of them they made an impressive show as the final band of the day. They really were the cherry on top of an excellent day.

Words by Mick Birchall
Photos by David Sarah

Tampere Black Mass III

Posted in Festival, Live with tags , , , , , , on 3rd December 2016 by izaforestspirit

Ragnarok, Barathrum, Thyrane

Kuivaamo, Tampere, Finland
2nd December 2016

Kuivaamo is a brand new event venue located outside Tampere city centre in one of the nearby suburbs. It opened a couple of months ago and it has hosted only a handful of events so far. Last night it acted as the venue for Tampere Black Mass III – part of a series of black and extreme metal events happening in Finland known collectively as Black Mass Finland. The line-up featured some of the biggest bands from the local black metal scene including: Barathrum, Thyrane and Horna along with the Norwegian black metallers Ragnarok.

The night was supposed to begin with a show by the death metal band Vorum. Sadly they had to cancel their performance for personal reasons. Their replacement was a black metal band called Charnel Winds. I wasn’t quite sure what to make of their show. They started out playing some decent-sounding black metal before shifting towards a slower, more progressive style later on. Their set was a bit of a mixed bag – some good, some rather dismal-sounding music. 2/5

I’ve seen Barathrum live a few times before. Their shows tend to be “hit’n’miss”, ranging from the sublime to the ridiculously bad. It all depends on their frontman Demonos Sova’s state and his ability to perform. I’ve seen the extremes; one show during which he was too drunk to even stand let alone remember his own lyrics and one great show (at Tampere Metal Meeting Festival) where he was in top form. This one can be counted as one of their good shows. Whilst clearly no longer sober, Mr. Sova still managed to agitate the crowds and deliver a decent performance. Highlights included: ‘Black Goat’, ‘Witchmaster’, ‘Saatana’, ‘Legions of Perkele’ and ‘Angelraper’. 3/5

Next up was the symphonic black metal band Thyrane. This was easily the best performance of the night. It was a very energetic and entertaining show even if they only played old songs. They have recently reformed after a long hiatus so hopefully there will be some new material coming soon. 5/5

I’ve seen Baptism live before. They generally sound slightly better live than on the albums. This show was a little different because they had a member of Horna as a guest vocalist on some of the songs. It was a decent performance but a lot of their songs sounded similar without much variety. 3/5

Ragnarok had a late start, almost half an hour past the scheduled start time. They experienced some serious problems with the sound that was never fully fixed. There were times when you could barely hear the guitars or bass. Things improved a little towards the end but it wasn’t as good as it could have been. At least I got to hear some of the hits such as ‘Blackdoor Miracle’, ‘In Nomine Satanas’ along with several tracks from their latest album. 3/5

Sadly I did not get to see Horna because of the confusion with the timetable and the problems with the sound system.

In summary, this was my first time at Tampere Black Mass. The new venue has its quirks and it did not yet look like the finished article. It’s outside of the city centre making it somewhat more tricky to get to. As for the bands, I really enjoyed watching Thyrane, Barathrum was decent and Ragnarok turned out to be a disappointment due to the sound problems. It’s a shame because I’ve heard their albums and I know that they have the potential to put on a great show.

Iza Raittila