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Three founding members leave Children of Bodom

Posted in Metal, Misc., News with tags , , , on 3rd November 2019 by izaforestspirit

It’s been over twenty years, thousands of live shows, world wide tours and ten albums. Now it looks as though this might be the final chapter for Children of Bodom. A few days ago Henkka, Janne and Jaska (three of the band’s founding members), made a shocking announcement that they will be leaving the band before the end of the year. Here is an extract from the official statement:

”It is with heavy hearts that we announce that 2019 will be the last for Children Of Bodom with this line-up.

After almost 25 years with Bodom, thousands of shows & 10 albums it is time for Henkka, Janne and Jaska to step back and change direction within their lives. All three will miss the fans and supporters in every city in every country the band ever played.

The last show of this line-up will be on the 15th of December at Helsinki Ice Hall. Tickets still remain for some of the Finnish shows in December.

Alexi and Daniel will have further announcements about their plans to keep creating new music in the future.

Thanks again for everything – Children Of Bodom”

The band’s front-man, Alexi Laiho has yet to comment on what will happen next. The band’s latest album ‘Hexed’ was released earlier this year via Nuclear Blast Records.

Finnish fans can still catch the band live with the current line-up on the following dates:

5.12.2019 Seinäjoki, Rytmikorjaamo
6.12.2019 Oulu, Teatria
7.12.2019 Tornio, Teatria
10.12.2019 Helsinki, Tavastia (Sold Out)
11.12.2019 Tampere, Pakkahuone
12.12.2019 Turku, Logomo
13.12.2019 Jyväskylä, Lutakko (Sold Out)
14.12.2019 Jyväskylä, Lutakko (Sold Out)
15.12.2019 Helsinki, Black Box

Children of Bodom - Photo

For more information visit:

https://www.cobhc.com/

https://www.facebook.com/childrenofbodom/

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Nile – Vile Nilotic Rites

Posted in CD, Metal with tags , , on 29th October 2019 by izaforestspirit

Nile
Vile Nilotic Rites
Released 1st November 2019
Technical Death Metal
Released via Nuclear Blast Records

Nile - Vile Nilotic Rites

Regardless of whether you love or hate them, there is no denying that Nile have left their mark on death metal music. For over two decades now, Karl Sanders and the gang have treated the metal community to their signature sound – their own unique blend of technical death metal and ancient Egyptian themes or “Ithyphallic metal” as they call it. Personally I have a somewhat complicated relationship with their music. As far as death metal goes, I like them but they have never been a favorite of mine and I like some of their albums more than others. My favorite album by them is ‘In Their Darkened Shrines’ and ‘Ithyphallic’ is the one that I like least. I quite liked their previous effort though, so I decided to give this new album ago.

Well, the good news is that Nile have managed to successfully replicate the same level of brutality and technical guitar work as they have done in the past. Sanders’s growling sounds just as vicious as ever and shredding guitars are just as savage. Yet that is not what makes Nile stand out. If all I wanted was to hear some growling and shredding guitars, there is no shortage of brutal death metal bands that do the same thing. What makes Nile so memorable is the atmospheric instrumentals and the prominent Egyptian themes. For that you have to skip to the fourth track Seven Horns of War. The intro really sounds like an ancient army on the march, complete with war horns and battle drums . Then mid-way through, they slow the pace down and the song adapts to an atmospheric tone with keyboards, eerie whispers, choirs and chanting audible in the background. For a brief period you can still hear the battle horns just as the death metal guitars and growling re-emerge.

Seven Horns of War isn’t the only track to feature atmospheric instrumental parts. There are many others on here. For example, the short ambient instrumental Thus Sayeth the Parasites of the Mind deserves a mention. Nice work Mr. Sanders! The melodic sounds of the bağlama and ethereal voices almost made me forget that I’m listening to a death metal album. On the opposite end of the spectrum there are tracks such as Snake Pit Mating Frenzy which is just pure, brutal death metal.

In summary, ‘Vile Nilotic Rites’ is a multi-faceted and complex technical death metal album that might take a few listens to get into. I cannot say that I enjoyed all the songs but I would be happy to play most of them again. As far as Nile albums go, this is one of their better releases.

7/10
Iza Raittila

Rytmihäiriö live in Tampere

Posted in 'Core, Gig, Live, Metal, Punk Rock with tags , , , , on 19th October 2019 by izaforestspirit

I Revolt, Rytmihäiriö
Jack The Rooster, Tampere, Finland
18th October 2019

Autumn is here. The leaves are falling, the nights are getting longer and Halloween is only weeks away… I haven’t been to a live show since the Rammstein performance back in the summer. There have been a few gigs that caught my attention but I simply did not have the time. Last night I decided to take a gamble and try something new. This was one of those occasions when I knew very little about either of the bands. Rytmihäiriö is a band that I have heard of but I am not too familiar with their music. Someone claimed that they are similar to Turmion Kätilöt, whom I like, so I decided to check them out.

The event took place at rock pub called Jack The Rooster. The pub serves food in the day time then it is transformed into a small live show venue at night.

First up was I Revolt. This is an up and coming Finnish band which was established two years ago. Their style is pretty difficult to classify. It sounded like an amalgamation of thrash metal, metalcore and Entombed-esque melodic death metal. I wasn’t super keen on their cover of a Slipknot song but the show had its good moments.

Someone told me once that there is a thin line between what is hardcore punk and what is thrash metal. Well, Rytmihäiriö is somewhere around the boundary zone. The guitar riff patterns bear some resemblance to thrash metal but the vocals and the overall attitude is decisively more hardcore punk. Perhaps a little too punk for my liking. They have their fans and they drew in a sizable crowd. Sadly the music was not something that I enjoy.

Overall, it was a decent night out. Now I know what Rytmihäiriö are all about. I like thrash metal but hardcore punk has never really been my thing. I Revolt put on a good show and it would be interesting to see how their sound develops.

Iza Raittila

Mgła – Age of Excuse

Posted in Metal with tags , on 18th October 2019 by izaforestspirit

Mgła
Age of Excuse
Released 2nd September 2019
Black Metal
Released via Northern Heritage Records

Mgła - Age of Excuse

The Polish black metal outfit, Mgła have come a long way since I first discovered them back in 2006 when the two Eps ‘Presence’ and ‘Mdłości’ were released. The line-up has not changed, Mgła is still a two-man team comprising multi-instrumentalist singer M. and drummer Darkside. They have additional live musicians for the live performances.

So this brings me to the duo’s latest work – ‘Age of Excuse’. There are six tracks, all labelled as Age of Excuse I – VI. A key part of what makes a good black metal song is the atmosphere, the creepier and the more bleak it sounds the better it gets usually. Everything about this album conveys eerie and nihilistic vibes. First there is the ultra-grim looking front cover. Then the first things you hear as soon as you press the play button, are the disturbing sounds of vocalist M. gnashing his teeth just before the guitars kick in. When the guitars enter the frame, they only add to the overall bleak atmosphere as do the vocals. It must be pointed out that this sounds a lot like their other project Kriegsmaschine.

It’s pretty pointless to discuss the tracks individually as the are essentially just six parts of the same concept. These guys have managed to maintain a good balance between the coarse guitar riffs, the drum work and the melodic tones without compromising the overall atmosphere. Even with the odd melodic guitar part, the music still sounds very bleak. It’s like walking through a forest at night, in deep fog. You can get accustomed to it but definitely is not pleasant.

In summary, ‘Age of Excuse’ is easily one of the best black metal albums that I have heard this year. It is great to see just how far Mgła have come and how much their sound has developed over the years. I would happily recommend this to any black metal fan.

8/10

Iza Raittila

Ozzy Osbourne postpones European Tour again

Posted in Metal, Misc., News with tags , , on 10th October 2019 by izaforestspirit

Bad news for Ozzy Osbourne fans… If you were planning to catch him live in Europe next year, sadly you will now have to wait even longer. The legendary heavy metal frontman recently announced that he has been forced to postpone the European part of the ‘No More Tours’ tour until 2021 due to a neck injury.

Here is an official statement from Ozzy:

The new dates have yet to be announced. Ticket holders have been advised to wait for further information.

We wish Ozzy a speedy recovery! For more details go to:

https://www.facebook.com/ozzyosbourne/

Ozzy Osbourne official

Prime Creation – Tears of Rage

Posted in CD, Metal with tags on 15th September 2019 by izaforestspirit

Prime Creation
Tears of Rage
Released 27th September 2019
Melodic Heavy Metal/Power Metal
Self-Released

Prime Creation - Tears of Rage

’Tears of Rage’ is the second album from the Swedish heavy metal band Prime Creation. The band was formed back in 2015 and it features several former members of Morifade as well as $ilverdollar vocalist Esa Englund.

I wasn’t quite sure what to expect from this based on the description. What exactly do they mean by “melodic heavy metal”? It is one of those vague descriptions that can encompass practically anything from power metal, NWOBHM, melodic thrash metal, classic heavy- and possibly even progressive metal. So where does Prime Creation fit in? Well, after a few listens I would say that they best fit the power metal category. The good news is that it’s not progressive or ultra cheesy and most of the focus is on the vocals and the guitars. So we’re off to a good start…

I enjoyed the opener Fingers Crossed, an uplifting song with a good mix of guitar melodies, especially the rhythm guitar. The vocalist reminded me a little of Andi Deris from Helloween. Then there’s Before The Rain with its symphonic intro, good riffs and melodic vocals. There is also a hint of electronics in the guitars. It’s a kind of inorganic guitar chugging with some distortion added. This style is more commonly used by industrial metal bands such as Fear Factory. So, it’s not exactly what I expected to hear but it seems to work. It gives the music a bit more aggressive edge.

Then last and my least favorite is the peaceful, slow-paced closing ballad Endless Lanes. That song feels like it was initially meant to be an a completely different album. It is all about the vocals and piano. It’s very melodic and atmospheric, which is fine, but it feels somewhat disconnected with rest of album.

In summary, ‘Tears of Rage’ is a multifaceted album which warrants a few listens to fully appreciate its intricate nature. I like some songs more than the others but overall impression I got from it was a positive one.

7/10

Iza Raittila

Rammstein live in Tampere

Posted in Gig, Industrial, Live, Metal with tags , , , , on 10th August 2019 by izaforestspirit

Duo Jatekok, Rammstein
Ratina Stadium, Tampere, Finland
9th August 2019

Last night Tampere’s Ratina Stadium was literally on fire. But not to worry, there is no need to call the fire brigade. The world-renowned industrial metal legends Rammstein were in town. Words cannot describe how much I love this band. They have been my obsession since my early teens. I have seen them live twice before. This time they came to play at my local stadium so this was an opportunity not to be missed.

This was the first out of two sold-out shows at Ratina Stadium in Tampere. The support was a French group called Duo Jatekok who played piano instrumental covers of Rammstein songs. While it was interesting to hear alternative versions of these well known Rammstein classics, the band didn’t do much to entertain the crowd. It acted as a pleasant background noise.

The night’s headliners, Rammstein had a bit of a slow start. The first few songs, bizarrely enough including the usual crowd pleaser ‘Links 2 3 4’, failed to agitate the audience. It wasn’t until ‘Mein Herz Brennt’ came on that things really got going. These guys are known for their elaborate pyrotechnics and they definitely lived up to the hype. I’m not the biggest fan of the song ‘Puppe’ but the massive burning pram on stage was a quite the sight. ‘Ausländer’ was really good too. The real highlights for me though were ‘Deutschland’, ‘Du Riechst So Gut’ (a personal favourite) and the classics ‘Sonne’ and ‘Du Hast’. The only minor downside of the flames and the light show was that, at this time of the year in Finland, the darkness doesn’t fall soon enough. Once it got dark the flames and the light show were all the more visible to the fullest effect.

In summary, this was another amazing show by Rammstein. I’m really glad that I got to see them live again. Like an old diesel engine, it takes a while to warm up but when it gets there the engine is roaring.

Iza Raittila