Archive for Tarantula

Laurus Nobilis Music Famalicão 2018 – 3rd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , , on 5th August 2018 by Pieni

The Godiva, Dark Tranquillity, Tarantula, Crisix, The Temple, Revolution Within, Low Torque, Legacy Of Cynthia
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
28th July 2018

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LEGACY18No “alternative metal” band had played yet so Legacy Of Cynthia had the pleasure of doing so, kicking off the third and last day of Laurus with their brilliant “Rats And Rattlesnakes”. Their sound is too exquisite to describe but that exquisiteness is also unique, and it works perfectly live – especially in an open air festival. Their vitality spread out to the crowd, and even when bass player Caesar made a “small” thank-you speech – he himself recognized he was a pain in the ass and that those who’ve been to Legacy Of Cynthia gigs before were surely sick of listening to him – everyone applauded, clearly amused. I admit dancing to “Cabaret”, which wrapped up their set.

https://www.facebook.com/legacy.cynthia/
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Late last year, rockers Low Torque released their third album, “Chapter III: Songs From The Vault”. They’ve brought along some juicy tracks like “Dust Mojo” and “Mutant”, endorsing heavy headbanging and body movement in general. And that’s it, not much else to say – pure rock’n’roll is that straightforward.

https://www.facebook.com/lowtorque/
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It was the first time I’ve seen Revolution Within’s new drummer Rúben Moreira (apparently also known as Tozé…) and the kid’s got my personal approval. He also plays in One Step To Fall and their singer Diogo Pardal would join Raça later on to roar “Pull The Trigger”, but that was closer to the end. Way before that the crowd had already gone wild with the band’s other hits and usual violence. In the end, Raça thanked everyone and paid respects to the Abbott fallen heroes: “Dimebag, Vinnie Paul – rest in peace, wherever you are”.

https://www.facebook.com/revolutionwithinband/
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Time to head back to the main stage Porminho and watch The Temple. They were still sound-checking, playing their cover of Mão Morta’s “Budapeste” – which sadly they didn’t perform “for real” afterwards. But then again, their own songs set the crowd on fire, starting up a really peculiar mosh pit that included laughter, capoeira moves and guys on other guys’ shoulders. Its climax was certainly “War Dance”, when singer João and guitarists Marcelo and Tiago joined drummer Rui in a tribal percussionist feat.

https://www.facebook.com/thetempleband/
CRISIX18

Crisix is not your average thrash metal act. The music is thrash through and through: you’ve got the shredding guitars, the long shrills, the strong bass and the powerful beats. But the performance is much more than angry faces and neck-breaking headbanging. They run, they jump, they laugh… Fiesta all the time! In fact, that’s the exact term they use at some point, when they all change instruments and guitarist B.B. Plaza and bassist Dani Ramis take over the microphone. A medley of covers, including Beastie Boys’ “Fight For Your Right (To Party)” and RATM’s “Killing In The Name Of”, put the Barcelona band at the top of Laurus’ most amusing artists. And their own songs, such as “Get Out Of My Head”, “Conspiranoia” or “Ultra Thrash”, made a huge cloud of dust rise up out of the mosh circles.

https://www.facebook.com/CrisixOfficial/

TRTL18Getting Tarantula to play between Crisix and Dark Tranquillity wasn’t the best of options – unless the idea was for the crowd to recharge batteries. Their old school heavy/power metal is legendary around these parts, but even with the crowd echoing loudly the choruses to “Face The Mirror”, “You Can Always Touch The Sky” or “End Of The Rainbow”, something felt amiss. It’s been less than two years since nI’ve last seen them live and they were in pretty good shape. Now it seemed like the spark was gone, or at least dimmed. It was a bit disappointing. And I’ll never understand why, despite someone always screams for “Power Tower”, they still refuse to play it…

https://www.facebook.com/Tarantula.Official/
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There’s this Dark Tranquillity song called “The Mundane And The Magic” (which they’ve played in Laurus, by the way) and I believe “magic” is just the right word to describe what happened when the Swedes got on stage. Their current album “Atoma” was released over a year-and-a-half ago (review here) but as Mikael Stanne said, “it still felt pretty new”; the title-track, “Clearing Skies”, “Force Of Hand” and a couple more were just as rejoiced as old classics like “Monochromatic Stains”, “Therein” or “Terminus (Where Death Is Most Alive)”.
The encore started with “State Of Trust” and then Stanne said that it was always a pleasure to come back to Portugal and that we knew they’d keep coming; he’d learnt over the years that we were very passionate, that we weren’t “Lost To Apathy”. And “Misery Crown” was just… well, what I’ve first said: magical.

https://www.facebook.com/dtofficial/

GODIVA18This year’s festival finished with a local band, that came back together after almost a decade-long hiatus (I think it was an actual split-up, but whatever it was, it’s over). The Godiva was the first band I’ve shot with a digital camera, back in 2005, and for me it was enthralling to see this new version of them, all re-vamped and full of life – despite their “deadly” make-up, ha ha. And those who only knew them from the brand new single “Empty Coil”, or didn’t know them at all before this show, seemed to enjoy the old songs such as “Spiral”, “Fallen” or “Oblivion”. A great new era for the band, closing what represents a new era as well for this great festival. See you in 2019, Laurus Nobilis!

https://www.facebook.com/thegodivaband/

Text & photos by Renata “Pieni” Lino

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Porto Best Of – Porto, Portugal

Posted in Festival, Gig, Live with tags , , , , , , , , , , on 31st October 2016 by Pieni

Tarantula, Equaleft, Redemptus
Rivoli Theatre, Porto (PT)
19th October 2016
Promoted by Miguel Guedes and Porto City Hall

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In a country with deep roots in metal but where such music is still much frowned at, having the City Hall backing up a metal event is a big thing. Even if we had to watch the concerts sitting down… I confess I was expecting the audience would eventually stand up, but that didn’t happen. Guess we wanted to prove the City Hall and the classy Rivoli theatre staff that we were all civilized, law-abiding citizens.
Calling it “Porto Best Of” is probably a tad pretentious, especially when there was only three bands on the bill, but then again, it showed respect for who was performing.

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The first of those bands was Redemptus, a sludge/post-metal act that was formed two years ago in S. João da Madeira (yeah, the “Porto” part is also misleading). Why them and not some other with a longer career? Well, first, they’re good, and that’s reason enough; but there’s a second, which lies in their members having been around way longer and built quite a career in several different projects. Surrounded by smoke and dim-lit by red lights, the trio performed pieces featured in their debut “We All Die The Same”, released by Raging Planet Records early last year.

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For Equaleft the darkness remained but now in shades of blue. At least now we had permission to shoot the first two songs in front of the stage (thanks for that, André). This was the second to last show promoting “Adapt & Survive” (review here) and, sadly, also the next-to-farewell performance of drummer Marcos – his personal life got to a point where playing in such an active band as Equaleft wasn’t possible anymore.
It was really weird watching Equaleft sitting down. While it’s easily manageable to headbang in that position to Redemptus’ sound, Equaleft’s groove makes your whole body pulse and the urge for movement is harder to control. But we did it, somehow. As for the band themselves, they didn’t stop and the floor literally throbbed to songs like “New False Horizons”, “Invigorate” (the light-saber song) or “When Ruin Becomes A Bliss”.

 photo JORGEMARQUES_zps265pomke.jpgTarantula is one of the biggest names in our heavy metal history so even though they haven’t been playing much and their latest record dates from 2010, it made sense to have them headlining this event. Their career hits the 35-year mark, if we count the four years going by Mac Zac. In 1990 they would release what’s considered their most significant album, “Kingdom Of Lusitania”, and that’s the album they celebrated that night. Among the big hits of the rest of their discography, that is, such as “You Can Always Touch The Sky”, “Freedom’s Call” or “Face The Mirror”. No “Power Tower”, though a few fans asked for it… Still, in the end, I didn’t see any disappointment in the almost sold out theatre except for that – that it had ended. After more than three decades, Tarantula still know how to pull a great heavy metal show and make you sing along and raise your fists like there’s no tomorrow.
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I believe bands and audience proved that metal is something worth supporting and that more events like this will follow. I just hope they reconsider the chairs…

Text & photos by Renata “Pieni” Lino

Vagos Open Air 2013 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , on 18th August 2013 by Pieni

Testament, Gamma Ray, Iced Earth, Rotting Christ, Tarantula, Web
Quinta do Ega, Vagos (PT)
10th August 2013

Photos originally taken for Portuguese webzine Sound(/)Zone.

The second day of the festival was much heavier. And more experient, having all bands been founded in the eighties.
Without any record label to pull the strings, Web got a well-deserved opening spot all by themselves. And they simply tore the stage down! I’ve seen these guys literally dozens of times and this was one of their best shows, despite one of the shortest as well. The crowd seemed to agree with me, and right from the beginning the security guys had their hands full with the moshers and crowdsurfers, as “Life Aggression”, “(In)Sanity” or “Beautiful Obsession” sounded sharper than ever.

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When Tarantula got on stage, their power metal didn’t sound so powerful. Maybe we were all still too high from the adrenaline shot of the previous band, but whatever the reason, when “Spiral Of Fear” first echoed, the general feeling was a bit dull – and I don’t mean just the crowd reaction. Eventually things got a little better and there were loud shouts and fists in the air during songs such as “Afterlife” or “You Can Always Touch The Sky”. Still they lacked a little spunk. It wasn’t a bad show, not at all, but it was far from great.

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Rotting Christ restored the high spirits of the crowd, with a fierceness that is no stranger to their live performances. From the early days with “The Forest Of N’Gai” and “Transform All Suffering Into Plagues”, to the more recent “Kata Ton Daimona Eaytoy” and “In Yumen – Xibalba”, going through the Thou Art Lord cover “Societas Satanas” and the iconic “Athanati Este”, the Greeks put up a hell of a show (no pun intended).

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Iced Earth was probably the biggest surprise. I know it was for me. The band has been in a kind of downfall since the first time Matt Barlow left, and even if “Dystopia” was considerably better, it still didn’t impress me. I might listen to it again more carefully now, after seeing what “new” singer Stu Block is really capable of. He gave this band a fresh air, bringing back to life songs like “Burning Times”, “Pure Evil” or “I Died For You”. Also the songs from “Dystopia” – by the way, in “V” Stu wears the matching anonymous mask – get a whole new vibe when performed outside the studio. After “Iced Earth” there was still time for one more, and they chose “The Hunter”, promising to come back soon, maybe when promoting the new album, due for early 2014.

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It seems that Biff Byford suffered an injury of sorts and Saxon had to cancel in the last minute. Gamma Ray stepped in and they’re the kind of band to pull through a kiss-ass show with a 24-hour notice – even if Kai Hansen felt he needed to trade some of the high pitches for low ones, but I’m guessing that has nothing to do with unexpected shows…
“Anywhere In The Galaxy”, “New Order”, the new “Master Of Confusion”, “Rebellion In Dreamland”, “To The Metal”… a parade of traditional heavy/power metal tunes. And, of course, the mandatory Helloween cover, that this time came in double: “Future World” and “I Want Out”.

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I don’t know if Chuck Billy was tired or sick, but his voice was a bit hoarse. Not his presence, though – Testament hit the stage with full force and kept it up like that for almost one hour and a half.
First they promoted their recent stuff – a few songs from “Dark Roots Of Earth”, “More Than Meets The Eye” from the previous one – and then it was old school non-stop: “Into The Pit”, “The Preacher”, “Alone In The Dark”, “Over The Wall”… They didn’t come back for an encore and a few more classics – like I said, Chuck wasn’t at his finest – but that didn’t change the fact that Testament was one of the best bands of this year’s Vagos Open Air.

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Text & photos by Renata “Pieni” Lino