I’ve been a Sparzanza fan for some five years, since I’ve first heard “My World Of Sin”. That song was featured in their 4th album “In Voodoo Veritas” and they’ve released three more after that, none of them ever disappointing me. So I was more than thrilled for this chance to interview bassist Johan Carlsson and get to know a little bit more about their latest “Circle”, among other things.
RL: Since this is the first time Valkyrian Music is talking to Sparzanza, I’d like to go back in time a bit. So my first question is… what does Sparzanza mean?
JC: Well, it comes from some old Blaxploitation movie from the 70’s. I believe it was the name of a very unpleasant pimp. Although, it was a long time ago. It was the first singer (Peter Eriksson) who came up with the name for a song first, and then the band used it as a band name. Do not ask me what movie it was, ‘cause I have absolutely no idea!
RL: You’ve been hardening your sound for some time now, but “Circle” is definitely your heaviest album so far. Was that intentional, at the beginning of the songwriting process, or it just turned out that way?
JC: This time it was really not intentional. It has been intentional on some of the albums, but not this time. This time we wanted to make a great record and have absolutely no boundaries. We have experimented a bit more this time, different guitar sounds, tunings, double bass drums and stuff, but in the end the song is what is in focus. And has always been.
We also wanted to have a more honest production, without too much overdubs and drum triggers and so on. More natural.
RL: Still, you manage to always keep that “something” that identifies it as a Sparzanza song. How would you describe the Sparzanza sound to someone who has never heard you before? What would you say it’s your best quality in order to convince that person to go and listen to it?
JC: I would say that it lies within the melancholy of the melodies. We have very strong melodies, which are very dark most of the times. Especially on the former album “Death Is Certain, Life Is Not” when we really dug us down into darkness. Still it’s not goth- or depressing music. It is really heavy hard rock/metal with great melodies. And with one of the best and most various rock and metal singers available (Fredrik Weileby).
RL: That “trademark” sound is also heard in covers – five years ago, you’ve released your own version of Billy Idol’s “Rebel Yell”. How did that idea come about, to release it at that particular time and why that song?
JC: We did it because we needed some attention at that time, actually. I don’t remember why we chose that particular song, but it might have to do with us thinking Mr. Idol is pretty cool. Also, since we wanted to do a cover a lot different than the original (otherwise don’t do it) and the production of that song is a bit lame, we thought we had something to work on. Our cover version, unlike other cover versions of that song, is very dynamic and has a cool Sparzanza feeling over it.
RL: And if Sparzanza would ever do something like that again, what song would you like to cover?
JC: Oh, that is a hard question. We actually talked about it the other day but never decided anything. Personally, I would like us to try a cover we did about 15 years ago – “Skirtlifter” by a band called Buffalo.
RL: Like it’s said on the website, “a circle is not something that has one specific meaning”. Is that why it was chosen as title for the album? For its diversity?
JC: Our street team, called The Black Cult was actually an inspiration. We wanted something on the cover that could be interpreted as a cult, something that is boiling underground without the public really knowing about it. The title is chosen out of that, and it’s a good title since it can be interpreted in several different ways.
RL: Of all the meanings it can have, which one is your personal favorite?
JC: The occult thing – a circle unknown to all!
RL: And still speaking of favorites… which song of “Circle” do you like to listen to the most and which one do you like to play live the most?
JC: Personally I think “Black” is a great song. It turned out one of the heaviest songs we have ever written. “Pine Barrens” is the coolest song to play live I think. The riffs are cool to play and it’s a great… no, it’s an amazing show opener!
RL: Why did it take so long for “Circle” to be released worldwide? (Note: “Circle” was released in the Northern countries in March and is set to be released worldwide on the 26th September)
JC: There are only 24 hours in a day and 7 days in a week! We concentrated on the Scandinavian countries first and needed some more time to plan the release outside of Scandinavia. We are doing a lot of work ourselves. We have our own label who releases the albums outside of Scandinavia and with all the touring and stuff we did not have the time to release it properly until now. I hope it was worth the wait!
RL: And can we expect live shows outside the Northern countries?
JC: Hell yeah! Right now there are plans for shows in Germany, Spain and UK in 2014. Then we will do the Benelux countries as well as China in 2015. That is the plan now, but there might be additions to that tour schedule.
RL: You’ve mentioned on Facebook that there’s a new song already, “Plainfield”. Was it born spontaneoulsy or are you already working hard on the next release? Is it too early to ask if you’ll keep on the heavy path of “Circle” or keep moving into something else?
JC: We’re always writing songs. This time, though, it was a spontaneous thing. We have not started to write a lot for the next record, but there are always plenty of ideas to be worked on. I think it might be a little premature to talk about how the next record will sound, but it won’t be less heavy than “Circle”, I can guarantee you that!
RL: In the band’s bio the drums are mentioned as being “in your face” in this album, and that the sound is different due to the “use of alternate tunings of the guitars”. Does this include the bass guitar or would you like to add something else about the input of your bass in “Circle”?
JC: Well, since the guitars are tuned different I had to tune the bass different too sometimes. But I have been trying to keep the low tuning that I always use on my basses. It sometimes makes it harder to play the songs but the sound stays heavy. Otherwise than that I really like to keep both the playing and the gear pretty simple. Just the amps I always use, my Sandberg basses and a pre-amp, that’s it. Me and Anders (the drummer) also rehearsed by ourselves a lot this time before recording, to make it even heavier.
RL: Well it’s been a pleasure talking to you! All the best with those plans!
Interview by Renata “Pieni” Lino