Archive for Porto

Sabaton w/ guests – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 28th January 2017 by Pieni

Sabaton, Accept, Twilight Force
Coliseu, Porto (PT)
20th January 2017
Promoted by Prime Artists

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“The Last Tour” – named after the album “The Last Stand”, not after some early desire of retirement – hit Porto at one of its biggest and renowned venues. A bit bold, as it turned out. True, the last time Sabaton played here, Hard Club sold out its 1000-person capacity, but Coliseu holds six times that number. On the other hand, with the background videowall and all the apparatus, Hard Club’s stage wouldn’t have been big enough.

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dsc_0014-copyThe name Twilight Force hinted of power metal, and the dragon in the backdrop brought a positive certainty, even before the fast, chirpy melodies flooded the halls. A strange mix but they’re from Falun too and Chrileon was even Sabaton’s live backup singer back in the day (and rumor has it that the Spartans in the Sabaton song are played by four of them but I haven’t been able to confirm it) so from a friendship point of view, a fantasy power metal band opening for a militant heavy metal one makes perfect sense.
Chrileon got on stage wielding a sword to the sound of “Battle Of Arcane Might”. I don’t think many people knew them, but their high-spirits were contagious and soon everybody was riding along their “adventurous metal”. Funny blokes too, always teasing each other with a smile on their faces. “Gates Of Glory” was particularly welcomed by the crowd but the whole show left a positive mark.

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www.facebook.com/twilightforce/

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00000196-copyThe “Generation Clash” – song they sadly didn’t play – went wild the moment Christopher Williams stood behind the drums screaming in salute. We have a saying in Portugal that goes something like “old are the rags”, meaning that “old” is a word that shouldn’t be applied to people, and the youthful attitude that Wolf Hoffmann & Co. put on that night could as well be the incarnation of such saying. From recent tracks like “Stampede” and “Stalingrad” to classics such as “Princess Of The Dawn” and the mandatory “Metal Heart” and “Balls To The Wall”, there wasn’t a single moment where “age” meant nothing more than “experience”. The synced headbanging and guitar hero poses, which I usually find so cliche, just felt right this time. I guess it all depends on who’s bringing the cliches to life after all. My heart was full.

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00000426-copyEven though I was happy to see the old schoolers getting off their couches to support Accept, I was sad to see many of them leave and not give a chance to Sabaton. Well, their loss – as usual, the Swedes kicked ass. Even if I appreciated the 2014 gig more, their performance skills are unquestionable.
00000433-copyThey’ve been using their cover of Status Quo “In The Army Now” as intro since the beginning of the tour, so it’s not in memory of the Quo guitarist Rick Parfitt, who died last Christmas Eve. But it was a beautiful coincidence, and nice change – as much as I love Europe’s “The Final Countdown”.
Besides the powerful songs – “Ghost Division”, “Carolus Rex”, “Primo Victoria”, “To Hell And Back”, just to name a few – and their lively presence, their good humor and empathy towards the public are just as popular. When the show was halfway through, a roadie brought a keyboard and Joakim reminded us (well, informed, as some may not know the origins of the band) that he started out as Sabaton’s keyboard player. But when he started playing Van Halen’s “Jump” it became clear he wasn’t going to resume the role that night. Chris Rörland claimed that Tommy Johansson really knew how to play piano and to prove so, the new guitarist played a little of Beethoven’s “Für Elise”. From there, he engaged on their own “The Final Solution”, in a beautiful acoustic version.

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Later on, someone would throw a horned helmet with the Swedish colors that Joakim put on, saying that he probably looked like a “palhaço”. That’s Portuguese for clown, and the whole venue burst out laughing. And in the end, he tied a Portuguese flag on his back, like a cape, super-hero style, wondering if his super power would be being the best football player in the world. Great musicians, great performers and funny – what more could one ask from a metal show?

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Text & photos by Renata “Pieni” Lino

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20 years of “Diva” – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 14th January 2017 by Pieni

Heavenwood, La Chanson Noire
Hard Club, Porto (PT)
30th December 2016
Promoted by Raising Legends

Heavenwood’s debut album “Diva” was released on the 27th of August in 1996. I won’t say it feels like yesterday but it certainly doesn’t feel like 20 years ago either. “They went by quickly”, to quote singer Ernesto Guerra.

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Carlos Monteiro, a.k.a. Charles Sangnoir, and his one-man project La Chanson Noire was invited to open up the night. I was surprised with the choice, but then again, after seeing thrashcore and prog-rock acts playing with Heavenwood before, the “bleak pop” of La Chanson Noire made perfect sense. A piano backed up by some samples and a single voice, playing satirical “cabaret goth” songs. A weird mix, yes, but that’s what makes it interesting. The crowd preferred to stay back, but they were clearly enjoying themselves to songs such as “Familia Chantilly” (chantilly family) or “O Bordel de Lúcifer” (Lucifer’s brothel) – the latter even played by request, although it would surely be played later on.

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www.facebook.com/chansonnoire

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Any proper anniversary show includes the celebratory album performed in full and “Diva” was no different. Hmm… no, that’s not right. I mean, they did play the whole album, in the same order as the studio version, but the feeling they put on it wasn’t like anything I’d ever seen by them. Well, in Vagos it was really close, but let’s face it – nothing like a debut album released 20 years ago to make things a lot more special. It’s funny how I hadn’t heard some of those songs in ages and still knew the lyrics word by word. Ah, the power of good music.

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At some point, Ernesto thanked everybody for their presence and also the past members who helped making that record – Zé, Mário, João and Bruno – and also thr.e one member who departed way too early but is always on their minds, Rui Santos (R.I.P.). Last but not least, roadie and jack-of-all-trades Paulo Magalhães. It felt really good to hear all those names acknowledged out loud, after all these years.

 photo DSC_0644 copy_zps99yi7jb9.jpgAfter the stellar performance of “Diva” the band left the stage to return moments later with “The Arcadia Order”. 2016 also saw the birth of “The Tarot Of The Bohemians” and its songs were the ones the crowd knew the lyrics best, but the enthusiasm was equal, no matter which track/album. Blame Zeus-Sandra couldn’t make her usual appearance at “The High Priestess”, and in no way would I ever discredit her, but Ernesto singing her parts sounded quite exotic and the song got a new dynamic. It was one of those nights when nothing went wrong.

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www.facebook.com/HeavenwoodOfficial

Text & photos by Renata “Pieni” Lino

Porto Best Of – Porto, Portugal

Posted in Festival, Gig, Live with tags , , , , , , , , , , on 31st October 2016 by Pieni

Tarantula, Equaleft, Redemptus
Rivoli Theatre, Porto (PT)
19th October 2016
Promoted by Miguel Guedes and Porto City Hall

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In a country with deep roots in metal but where such music is still much frowned at, having the City Hall backing up a metal event is a big thing. Even if we had to watch the concerts sitting down… I confess I was expecting the audience would eventually stand up, but that didn’t happen. Guess we wanted to prove the City Hall and the classy Rivoli theatre staff that we were all civilized, law-abiding citizens.
Calling it “Porto Best Of” is probably a tad pretentious, especially when there was only three bands on the bill, but then again, it showed respect for who was performing.

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The first of those bands was Redemptus, a sludge/post-metal act that was formed two years ago in S. João da Madeira (yeah, the “Porto” part is also misleading). Why them and not some other with a longer career? Well, first, they’re good, and that’s reason enough; but there’s a second, which lies in their members having been around way longer and built quite a career in several different projects. Surrounded by smoke and dim-lit by red lights, the trio performed pieces featured in their debut “We All Die The Same”, released by Raging Planet Records early last year.

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For Equaleft the darkness remained but now in shades of blue. At least now we had permission to shoot the first two songs in front of the stage (thanks for that, André). This was the second to last show promoting “Adapt & Survive” (review here) and, sadly, also the next-to-farewell performance of drummer Marcos – his personal life got to a point where playing in such an active band as Equaleft wasn’t possible anymore.
It was really weird watching Equaleft sitting down. While it’s easily manageable to headbang in that position to Redemptus’ sound, Equaleft’s groove makes your whole body pulse and the urge for movement is harder to control. But we did it, somehow. As for the band themselves, they didn’t stop and the floor literally throbbed to songs like “New False Horizons”, “Invigorate” (the light-saber song) or “When Ruin Becomes A Bliss”.

 photo JORGEMARQUES_zps265pomke.jpgTarantula is one of the biggest names in our heavy metal history so even though they haven’t been playing much and their latest record dates from 2010, it made sense to have them headlining this event. Their career hits the 35-year mark, if we count the four years going by Mac Zac. In 1990 they would release what’s considered their most significant album, “Kingdom Of Lusitania”, and that’s the album they celebrated that night. Among the big hits of the rest of their discography, that is, such as “You Can Always Touch The Sky”, “Freedom’s Call” or “Face The Mirror”. No “Power Tower”, though a few fans asked for it… Still, in the end, I didn’t see any disappointment in the almost sold out theatre except for that – that it had ended. After more than three decades, Tarantula still know how to pull a great heavy metal show and make you sing along and raise your fists like there’s no tomorrow.
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I believe bands and audience proved that metal is something worth supporting and that more events like this will follow. I just hope they reconsider the chairs…

Text & photos by Renata “Pieni” Lino

Gojira + Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 9th July 2016 by Pieni

Gojira, Equaleft
Hard Club, Porto (PT)
7th July 2016
Promoted by Prime Artists
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July and this was the first time this year that I’ve worked with Prime Artists. They’ve promoted several gigs lately but all in Lisbon and I haven’t had the chance to cover those almost 200 mi. And even though it makes sense to promote a show in a more central, strategic city like the capital, after last night I start wondering if it isn’t also related to the conditions offered by the venues. Hard Club, seriously, what the hell happened to you?! After Ghost, last November, I thought you’d realized it was time to do something about the sauna-temperatures that place can achieve. You indeed bought huge fans to help the AC system in its job, but unless you actually turn them on… And you may think that I’m overreacting, that just a couple of lines on the subject would suffice, but when a band like Gojira is playing a sold-out show and it’s forced to shorten the set because the musicians are close to passing out due to the heat, yeah, a whole paragraph on Hard Club’s greed and lack of professionalism is appropriate.

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Now let’s focus on the good things – the concerts. There’s always some disregard for local, smaller bands, but this time almost everybody was present when Equaleft got on stage, at nine o’clock sharp. When Gojira headlined Vagos Open Air a couple of years ago, there was a petition for Equaleft to be included in the bill, as their sound is the best match to the French’s. At the time it wasn’t possible but I guess you can’t fight what’s meant to be. This was also the first gig of guitarist Miguel Martins, after a short introduction in December, when he played just a couple of songs (report here), but it was such a milestone in Equaleft’s career that former guitarist Veggy flew all the way from Brazil to take part in it.
 photo _DSC0635 copy_zps5jodxrcg.jpgI’ve been to too many Equaleft shows to know how good they are and what kind of positive feedback they get from the crowd, but this being their first time playing in front of so many people, it brought me a special sense of joy & pride – there was a fair share of longtime fans, but they were a novelty to the majority and I saw them surrender to their power groove. And to the chocolate butter cookies they gave away in the end of the show, as it’s their tradition, when singer Miguel returned on stage after a little crowdsurfing (also his usual).

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 photo _DSC0766 copy_zpsn7lmusgx.jpgIn thick smoke, strobe lights and louder-than-hell roars, Gojira took the stage with “Toxic Garbage Island” – and from the very first second to the last, the crowd gave a new meaning to the words enfants sauvages. They were restless ven during the tribal drum solo of Mario Duplantier, clapping their hands to the rhythm nonstop.
When Joe Duplantier addressed the audience, apart from the little pleasantries that he knew how to say in Portuguese, he said they loved our country and compared the city of Porto to a fairy-tale. Later he would mention the UEFA Euro 2016, saying “congrats on the final”, and as France had beaten Germany minutes before the show, he said how the victory would be good to France, given all the social-economical crisis their country was going through. We didn’t take it bad – there wasn’t a single whistle or boo – but the way “POR-TU-GAL! POR-TU-GAL!” echoed through the venue, showed him we weren’t keen on letting them win easily.
“Shooting Star” would end the show after about one hour and a quarter, with Mario stage-diving into the eager crowd. “Explosia” should have been the last, but they couldn’t take the heat any longer, as aforementioned. Still, band and audience left “hot club” (as Joe called it) with their hearts full.

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www.facebook.com/GojiraMusic

Text & photos by Renata “Pieni” Lino

Full gallery in our Facebook page here.

Heavenwood w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , on 1st April 2016 by Pieni

Heavenwood, The Temple, Blame Zeus, Gates Of Hell
Hard Club, Porto (PT)
26th March 2016
Promoted by Raising Legends

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In late February, Heavenwood released their fifth record “The Tarot Of The Bohemians” (review here) and the first release party took place about a month later, in a full-enough Hard Club. Other three top-notch bands from the national scene were on the bill, all of them so different from each other, making this a diverse event, even more interesting than “just” a release show.

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First band on stage was Gates Of Hell, delivering their thrash-death-’core like they owned the place. I guess one can still call Márlon “the new guy”, as he was introduced as the new singer only last December (report here), but to me it feels like he’s been there all along.
There was a couple of missteps but I believe it wasn’t entirely their fault – trust me, I’ve seen them over a dozen times by now; the sound was a bit messy at first, so my guess is that they were having trouble listening to each other. Whatever or whoever was to blame, they went on so passionately that no one cared about such slips.
The show had begun at nine, half an hour later than scheduled, but still Márlon thanked the crowd for getting there so early to see them (20:30 is pretty early for a gig here in Portugal). The title-track of their debut (and so far only) album “Critical Obsession” closed their set.

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www.facebook.com/gatesofhellband

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Things cooled down considerably with Blame Zeus, as their more progressive approach is spirited but much less aggressive. They’re about to go through some major line-up changes – both guitarists and the bassist still played the show but have already announced their departure – which Sandra called “a new cycle”. And with the beginning of that cycle, she introduced a new song, “Queen”, about her career and what she had done to get that far and how it meant having to be mean sometimes… The new song has pretty much the same vibe, so the fans don’t need to worry about these changes, as Blame Zeus will continue the path of their usual sound.
Speaking of fans, there were plenty there that night and one in particular was celebrating his birthday. Sandra spared us from singing the happy birthday theme, dedicating him his favorite song instead, “Incarnate”.

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www.facebook.com/BlameZeus
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Then veterans The Temple brought down the house with their fiery alternative rock. Personally, it was the band I was most eager to see, since it had been eleven years (yes, eleven!) since I’d last seen them. And they didn’t let me down, nor the public in general. I believe they’ve made a lot of new fans. And spicing up their own great music with a cover of Mão Morta’s “Budapeste” (yeah, I know this won’t say anything to people outside of our country, but to us, it does a lot) and a tribal drum solo to which singer João and guitarist Marcelo gave both of their helping hands, their performance was a 5-star one.

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www.facebook.com/thetempleband

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I’m having mixed feelings about Heavenwood’s gig. Maybe I had set my expectations too high, maybe I was still in an adrenaline rush from The Temple show, but the truth is that I felt something was missing. The setlist was perfect; they’d promised to revisit their whole discography and so they did, and not just one song from each previous album, as some people had joked. However they tweaked the synths of the older ones to the point that I didn’t even recognize them at first. It seems the idea was to make them  photo _DSC0141 copy_zpsubhe4jzm.jpgsound heavier, but at least “Emotional Wound”, my all-time favorite, sounded anything but. I already didn’t like its softer version in “Diva”, as the original, while they still went by Disgorged, was way heavier; and somehow they managed to tone it down even more that night. That might have helped with my mild disappointment.
The new live musicians made an impression – drummer Eduardo is quite skillful; guitarist Victor smiled and headbanged all the time; there isn’t a spot on stage that bassist André didn’t cover. Frontman Ricardo also looked to be “feeling it” deeper than usual, but his voice went out of tune a few times. As for Ernesto, it was the other way around: his voice sounded better than ever, but his mind seemed somewhere else. Something missing, I keep saying. Me and a few others, but luckily, the majority of the fans left with a smile on their face, after the “Frithiof’s Saga” and “Suicidal Letters” encore. And I won’t let one less good gig destroy my belief in them. Plus, at some point Ricardo said that “stopping is dying”, referring to the band’s sound evolution. I’ve been keeping tabs on that evolution since the first album, I definitely won’t stop now.

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www.facebook.com/HeavenwoodOfficial

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Text & photos by Renata “Pieni” Lino

Raising Legends Xmas Special – Porto, Portugal

Posted in Festival, Live with tags , , , , , , , , on 24th December 2015 by Pieni

Equaleft, Gates Of Hell, Tales For The Unspoken, Wrath Sins
Hard Club, Porto (PT)
19th December 2015
Promoted by Raising Legends

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Raising Legends Records, by the hands of its CEO André Matos, gathered its finest bands and put up a 2-day festival, naming it after the current season – after all, Christmas is about love and joy and family, and Raising Legends Xmas Special was full of those, along with the top-notch music.
Sadly, I couldn’t attend the first night, where the alternative/more-rock-oriented bands played. Would have loved to witness Cristovão Siano’s (PROJECTO SEM NOME) on-stage reveries, as well as EQUALEFT-Malone debut as the new BLAME ZEUS bassist, but I had already confirmed my presence at another gig.

 photo _DSC0618 copy_zpsyhice6a3.jpgPeople here are used to underground events starting late but forgot that Hard Club is an on-time venue (especially when it has other shows taking place afterwards). Such neglect resulted in WRATH SINS being welcomed by a far smaller audience than they deserved, but their performance didn’t suffer from it – they still thrashed away like there was no tomorrow. Which is where they got most of their popularity, actually – their debut album, “Contempt Over The Stormfall”, was released late September (review on the way) but they already had a solid fan base due to their heated live shows, the aggression of Miguel’s main vocals backed up by the graver tone of bass player Ricardo’s working pretty swell. That and the medley of cartoon themes, thrash metal style, which pumped the mosh squad that night as well. Promoting the aforementioned album, the rest of the set was comprised of songs from it, like the title-track and “Watching Time Collapse”.
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www.facebook.com/Wrathsins

 photo _DSC0788 copy_zpsfll2zcce.jpgWhen TALES FOR THE UNSPOKEN got on stage, the crowd had considerably grown bigger, but it wasn’t at its full yet. The absentee’s loss – TFTU are always great live but there was something about this gig that made it better than the several others I’ve seen of them.
2015 saw the release of the band’s sophomore album, “CO2” (review here), which features EQUALEFT-Miguel Inglês – who went by “Jedi Mig” that night… – in the song “I, Claudius”. He was obviously called on stage and singer Marco Fresco told the crowd that later it would be EQUALEFT’s last show with drummer Marcos, as the band had already found a replacement named Miguel. It was a joke, of course, regarding the recent announcement of new guitarist Miguel, making him the third member in the band with the same name. The singer called it the “Miguelification process”. Fresco, the everlasting amuser.
Other recent songs included “Taken” and “Soul For A Soul” (introduced as “soul for a fucking soul”…) but also oldies, from “Alchemy”, like “Say My Name” or “N’Takuba Wena”, had a major role in this party.
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www.facebook.com/talesfortheunspoken

 photo _DSC0272 copy_zps7donk7gy.jpgGATES OF HELL’s show was highly anticipated – not just because they’d been away for a while, but also because they would finally reveal the identity of their new singer. A new song/single, “My Path”, from the band’s upcoming second album, had been made available about a week before, but the name of the singer remained a secret. We were teased to guess, but no one could, since he indeed has some name in the underground scene but for his work behind the drumkit! The new GATES OF HELL singer is no other than Diogo Márlon, the WRATH SINS drummer. And boy, can he sing! Also, if he was any nervous – I can only imagine the difference between holding the mic instead of the drumsticks – one couldn’t tell. He just belonged there – in that role, in that band. Without any kind of disregard for the previous singers, but I feel like Márlon is the best fit in GOH so far – third is the charm indeed.
“My Path” was the only new song performed, everything else came from the debut “Critical Obsession” – the title-track finishing the set – but they also played “happy birthday” to a fan named Jessica. What a great comeback!
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www.facebook.com/gatesofhellband

 photo 2904_zpsv2fqtvjy.jpgIt wasn’t Marcos last show with EQUALEFT but it was Veggy’s. We told you about the guitarist’s departure (read article here) but since he had come to visit family and friends for Christmas, he took this chance to say a proper goodbye to the fans. EQUALEFT is one of those bands that never lets you down, but given the significance and emotional level of such show, it’s impossible to put into words just how intense their performance was. And the matching response of the crowd.
Near the end of the show, for “Hymns Of Obedience” and “Invigorate”, Veggy gave place to Miguel Martins, making this also a welcome party and official introduction of “the new guy”. And while Jedi Mig was wielding his lightsabre in the last song, Veggy stagedived and crowdsurfed.
But there was still one minute and half left, and they wanted to make the best of every second; so they went back to the EP “… The Truth Vnravels” and played “Uncover The Masks” – a song that originally lasts 2:11. Not sure if they simply played it faster or improvised some tweaks – the whole night had been a bliss for me to notice – but whatever it was, it worked wonders.
Before the group pic with the fans in the back, Jedi Mig gave away cookies to the fans in the front. He gives a whole new meaning to “Come to the Dark Side – we have cookies”…
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www.facebook.com/equaleft

Text & photos by Renata “Pieni” Lino

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Hills Have Eyes’ “Antebellum” release party – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 28th October 2015 by Pieni

Hills Have Eyes, Ash Is A Robot, The Year, Dimension
Hard Club, Porto (PT)
23rd October 2015
Promoted by Hell Xis Agency www.facebook.com/hellxis/

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Hills Have Eyes released their third album “Antebellum” early this month (review here) but gave their fans a couple of weeks to learn the lyrics before presenting it live in two shows – one in Porto and another in Lisboa (Oporto and Lisbon, as you like to call them).

 photo _DSC0023_zps55cl8mfw.jpgAlong with that enthusiastic crowd of 200 people, give or take (I’m terrible with numerical estimations, sorry), three other bands joined the party. First one on stage was Dimension. I’d seen them back in August, at Casainhos Fest, but this was the first time they were playing in Porto, promoting their own debut album “Life Is A Mystery”. The latter has been getting a very positive feedback and their shows are a match, but it took a little while for the crowd to engage completely in their groovy hardcore. Singer Poli himself said he wasn’t “recognizing the people of Porto” (he has played there several times before with his other band Devil In Me). He was also a little disappointed when no one seemed to know about Luaty Beirão, the Portuguese Angolan musician and activist who had been on a hunger strike after being arrested for speaking his mind (the Angolan authorities saw that as an overthrow attempt…). But after Poli enlightened them and dedicated a song to Beirão (“Times Of Grace”, if I’m not mistaken), everybody applauded. Meanwhile the mosh circles had gained strength and the overall response to Dimension had grown intense, so when they finished their set with the title-track of “Life Is A Mystery”, Poli had a big smile on his face.

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www.facebook.com/dimensionptband/

 photo _DSC0288_zpsomgsdkq8.jpgI confess The Year was a novelty to me, but many in the audience were happily singing along most of the songs, so I’m guessing they have a fair share of popularity. Deserved, for what I could see in this show – not only for the music but for the posture on stage. And the professionalism when facing sudden setbacks – Jaca’s guitar was silent for a while (I saw him fumbling with the wire, maybe it got disconnected, but I’m not sure) and the rest of the band went on playing, singer Johnny jumping around, while waiting for the problem to get solved. Improvisation is always a plus.
They’re working on a new album – two days prior to this show they even released a teaser for an upcoming video/song, “Omotenashi” – but they’ve only played “oldies” that night, like “Karma Farmer” or “Death By Media”.

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www.facebook.com/theyearofficial/

 photo _DSC0654 copy_zpshncibefg.jpgAsh Is A Robot’s exquisite sound – a kind of progressive post-hardcore, seasoned with synths – may not agree with everybody’s ear, but Hard Club’s audience that night was pretty open-minded and overjoyed with those Hills Have Eyes neighbors (Setúbal, a little south of Lisboa, is turning out a big talent breeder). And even if the music was taking a bit to sink in, singer /keyboard player Cláudio surely got the moves to catch your attention: that guy’s restless! And funny. Like when no one reacted to his mention of supporting the underground national bands and so he repeated it, slowly, with a cursing word in the end. Or when he said they were going to play a new song (don’t think he introduced the title – if he did, I missed it) and so it would be shit. Or when he asked for a wall of death as soon as “the following relaxing moment” was over – the latter being no other than Rick Astley’s “Never Gonna Give You Up”. Impossible to stay indifferent.
Like in their self-titled album (the follow-up it’s in the making, by the way), Dado Nunes from Ella Palmer joined on stage to sing “Philophobia Part 1”. And it’s also worth saying that Cláudio joined the mosh pit twice and, unlike last time I’ve seen them, managed to come out of it without bleeding (it seems he needed to go to the hospital after the Lisboa show the next day, though, so I wish him a full recovery soon).

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To the sound of a snippet of The Weeknd’s “The Hills” (yes, you’ve got it – the part where Mr. Tesfaye sings “the hills have eyes, the hills have eyes”), the party hosts got on stage and… well, singer Fábio said something about starting a fire before the last song “Strangers”, as that’s precisely its first verse, but the arson lit up right on the first moment of their show. The sound was a bit messy at first (eventually it got straightened out), but the crowd was singing along so loud –  photo _DSC0961_zps9fb6bbda.jpgmyself included – that I believe only a few of us noticed it. And no one cared. The passion HHE put in their performance makes up for any technical detail. After all, as said in the aforementioned album review, I call them “probably the best Portuguese metalcore band” – that includes the live aspect of the thing as well.
“A new phase in HHE’s life”, using Fábio’s own words, so they went through all the previous ones – even the one that included a split album with My Ocean and Last Reunion, in the form of the song “Ending The Cliché”. And because a party needs its special guests, this was the first song of the set featuring one – Ricardo “Congas”  photo _DSC0984 copy_zpsnubriidl.jpgDias, from For The Glory. Then Vasco Ramos from More Than A Thousand – a good friend and producer of the band – joined in to his usual “Anyway, It’s Gone”, and also Di Noise gave her beautiful voice to “The Bringer Of Rain”, just as she does in the studio version.
I’ve lost count of how many times we were told “thank you”, not just during the show but afterwards, on social media. But I think I speak for everyone who was there that we’re even on gratitude grounds – we all had a blast of a night. When the time comes to write an overview about 2015, “Antebellum” will be listed as number 1 in my album chart. And this gig of Hills Have Eyes will surely top the live performances.

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Full gallery here.

Text & photos by Renata “Pieni” Lino