Archive for Mick Birchall

Siena Root – A Dream of Lasting Peace

Posted in CD, Folk, Rock with tags , , , , on 22nd May 2017 by mickbirchy

Siena Root

A Dream of Lasting Peace

Rock, Folk, Psychedelic

Released 26th May 2017

via Hänsel & Gretel, MIG-Music

 

This has been a listen for me. Lately I’ve been really into my mellow music, instead of in your face heavy metal. When I first played the album I was immediately interested in the sound that was coming from the speakers. The sheer imagination these guys bring to the table is outstanding. The music is this psychedelic folk sound that’s really hard out of your head.  Their tone is just unlike anything I’ve really listened to in recent memory. The sweeping guitar tones, the excellent production and the fantastic songwriting. It all sounds so glorious. A Dream of Lasting Peace is a just a excellent listen from start to finish.

The production of this album is really damn good. The instrumentation is exquisite, with every member really making an impression on you. Samuel Björö’s vocals are just so emotional and they soar above the production and really resonates with you. He is just one of those front men that can really paint a picture with his word and draw you into the world he creates. All the while the band plays an amazing score to accompany the great lyrics. The way the music swells around the lyric is a magical experience, particularly on tracks like “The Piper Won’t Let You Stay” & “Empty Streets”. I was simply entranced the whole time. It’s just excellent from start to finish. I really can’t stop listening to it.

This feels like a band that just know how to create a great musical experience, This being their sixth studio album, the band have just gelled at this point. Everything about their sound is so natural and almost comes off as effortless. It’s such a nice album just to play and have a good time to. Just let the music entrance you into a state of euphoria. It’s seriously a great trip.  I’m so happy to have found this band. This one album is definitely worth your time.

5/5
Mick Birchall

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Perfect Blue Sky – The Eye of Tilos

Posted in CD, Folk, Rock with tags , , , , , , on 6th May 2017 by mickbirchy

 

Perfect Blue Sky

The Eye of Tilos

Soft Rock, Psychedelic Rock

Released: 19th May 2017

via Scarecrow Music Group (SE) Right Recordings (UK)

Perfect Blue Sky, is the highly anticipated collaboration between one of the founding members of the Swedish metal act Netherbird Pontus, Pna Andersson and Australian solo rock vocalist, Jane Kitto. Together they formed the band in 2014 based out of Stockholm, Sweden. I have to say going into this album, The Eye of Tilos, I knew little to nothing about them. With that, I had absolutely no expectations when first playing this. On first listen I had no idea what I was in for.  Just vague non-descriptors from a PR statement. With a clear mind I listened on and found that this is one of the most pleasant sounding albums I’ve listened to in a while.

I was hit with tight songwriting and smooth production.  The music was this 70’s style soft rock, you know the kind of stuff that we don’t usually cover here on Valkyrian Music. This really beautiful soft acoustic soft rock, with light elements of psychedelic indie rock music. The sounds are so fluent and cerebral.  It has this way of getting lodged in your brain. It’s not catchy as such, there are no real ear worms here. More just beautiful tones that sink into your memory without you even realising it.  There’s some creative riffs and superbly simplistic, but effective, writing ideas. The harmonies really grab your attention in a way that you wouldn’t think.  All of the songs are designed so that you pay attention to them as a whole, instead of nitpicking the individual aspects. It’s the same joy I feel from listening to stoner metal or outlaw country music.  Just music that switches off my overthinking capacity and switches on my pure enjoyment.

I don’t want you to think that this production is small scale or under planned.  There’s a lot of work that goes into making music that sounds like this.  To achieve this the duo have recruited a pretty nice backing band that really bring all of the elements of this album together. Names like, Frank Bessard (Joe Satriani, Stanley Clarke) and Dave Getz (Big Brother Holding Co.) on Drums. Danny Oakhill on Keyboards (Queen Tribute, Turk Tresize).  Jerry Donahue on Guitar (Fairport Convention, Hellecasters). All of them bring their energy to the album, yet like I’ve said the production never lets any one member really over shine the others.  There is is this really nice balance to it all. So the listener never feels overwhelmed by any one part of the production.

Genuinely, I have loved this album. It’s a beautiful sounding record with a lot to offer in its production and in its songwriting. With songs of passion, abstract concepts and social commentary. The Eye of Tilos is such a nice sounding album.  It mixes old school hippie jams with classic rock and adds some modern style production to really keep it in today’s market. I am really liking this band.  Hopefully this won’t be the last I hear from them. Also, it makes for awesome driving music.

5/5

Mick Birchall

Interview with Janne Wirman (Children of Bodom)

Posted in Gig, Interview, Live, Metal with tags , , , , , on 19th March 2017 by mickbirchy

Before their set in Manchester, our writer, Mick Birchall sits with Janne Wirman from Children of Bodom to talk about 20 years of the band and how they kept up in the music industry. Also, touring and the music scene in general.

This year marks 20 years of Children of Bodom. How does it feel to be able to say that you have actually been going that long?

Yes, it’s crazy it really is.  We weren’t really expecting that when we started. Back then we were just kids and we played heavy metal metal. Yeah it’s great it really is. Just the though that we’ve made it this far.

You guys have played all around the world.  Would you say there a difference in audience, depending on where you go?

You be surprised on how little the differences are really. Metal heads are metal heads no matter where you go.  If there are differences then they’d be small things. Such as in Japan, the crowd will probably go completely silent between the songs, it feels a little awkward. However, it is a show of respect. So it’s things like that but when the music is on, it’s on!

Going for 20 years now and with 9 albums.  How do you feel you keep your music sounding new without wearing out the same sound, but also without compromising the core of the band?

That’s becoming a challenge after releasing so many albums and we definitely don’t want to be stuck to a formula or get stuck the mindset of “this worked well, let’s just do that again”. As a band you have to keep creating something new and you have to take a risk with something eventually. I mean there’s only so many bands that can release the same album over and over.

Over the years what is the one song you wish you had written as a band?

I would say Redneck by Lamb of God.

What would be the best band that you have opened for and what’s the best band that’s opened for you?

I’d say the best we’ve opened for is Slayer. We did a couple tour with them and it was just great.  Their level of production and how well the opening bands were treated it was just amazing.

On the other hand we’ve had the pleasure of having so many killer band open the show for us. We had this band recently play with us.  Havok they were really great, we’ve heard them play and every audience they’ve played for people have just loved them.  Also we have Oni with us on this tour. They’re really cool, with a xylophone player. If you’re into the weird stuff then Oni is for you.

What’s your impression of the more gimmicky bands out there.  The ones who will dress up and get into character for a show?

I mean, there’s nothing wrong with it. Just don’t paste it over your image, if your band sound sounds fine without gimmicks then don’t paste it over the top of it.  Only do it if it’s natural to the kind of music that you’re trying to create. Also, if you’re going to do it, make it your own thing.  Don’t take another band idea and slap it over your band, try to be original with a concept.

So to end on. What was the hardest thing you had to overcome and how did you overcome it?

We’ve had some obstacles in band. Obviously letting Roope (Latvala) go was a tough decision. We were struggling without him for sometime. When you’ve been in the industry for this long you’ve had up and and downs. At the end of the day, everyone in the band has to believe in the same thing, then between all of you you get through rough times. As long as you have you bandmates there’s very little that they’ll let you do wrong.

 

Interview and words by Mick Birchall

The Charm The Fury – The Sick, Dumb & Happy

Posted in 'Core, Alternative, CD, Metal with tags , , , , , , on 15th March 2017 by mickbirchy

The Charm The Fury

The Sick, Dumb & Happy

Metalcore, Groove Metal

Released: 17 March 2017

via Nuclear Blast

This is an album that I have been particularly excited for. I first caught wind of The Charm The Fury a few years ago via an article in Metal Hammer magazine.  I looked them up and I was really blown away by them.  I hadn’t heard anything like them before.  I would go on to discover a lot of bands in with this sound and I do have The Charm The Fury to thank for that. Their first album A Shade of My Former Self was an exciting bold record with a lot of passion and intensity. It was genuine smash of an album. So, I’ve really been getting into their new album The Sick, Dumb and Happy. They have made some interesting stylistic choices with this album to keep things fresh without losing their core appeal.

This album is more of a groove metal album then metalcore.  The gritty riffs the, groovy bass lines and more of an appealing tone. It fits them it really does. I think every member of the band carries their weight very well on this album. The sound is massive and all of the songs have the potential to be crowd pleasers.  From the old school sound of “Down on the Ropes” to the more modern sounding, “Weaponized”. They hit the mark nearly perfectly.  The production is bold and really gives a firm punch when the tunes get going. On this album the band feel way more palatable. These are songs more likely to get airplay in more mainstream and that’s really not a problem. They sound great doing it and I would say that these songs deserve the attention.

This is a major step in the right direction for The Charm The Fury. It’s really nice to see a band evolve like this.  It proves you can make your songs appealing to a wider audience without selling out.  They have just made a natural step forward with their music. There’s really not much else to say if you want a great album with a fun sound with some truly pump-up choruses, the look no further that this album.

5/5

Mick Birchall

As Lions – Selfish Age

Posted in CD, Rock with tags , , , , on 15th January 2017 by mickbirchy

Artist: As Lions

Album: Selfish Age

Genre: Rock

Released: 20 January 2017

via Eleven Seven Music

 

I’ll admit I was a fan of the past project of Austin Dickinson, Rise To Remain.  I thought they were a fun group. Austin always came across as a competent and energetic front man. Every time I saw him live he did everything keep the show moving at a good pace and kept the crowd involved. I’ll admit I’ve not taken that much notice of his new band As Lions. So, when I saw the new album was up for a review, I thought that it might be worth checking out. I’ve heard bad things here and there but I’m going to listen to this album with fresh ears and relay some thought.

Selfish Age, for the most part is a pretty average album. I wouldn’t say bad, as they’re not doing anything wrong. There are nice melodies. The singing is clear and in tune, and there are flashes of inspiration here and there. Yet, there isn’t a point that I became invested in the album or what they’re singing about. Save for a few tunes that did stick with me a little. I just feel that this album could be much better.  The guitars feel watered down a touch and all the songs have this really processed feel to them. It feels like a pop-rock album that wants to be treated like a heavy metal album and it doesn’t work like that. All the songs just meld together into one melody at times. Seriously, on certain play-throughs they do just mash up together.

I’ve been bad mouthing this album a little too much. There are good songs on the record. In fact, there are moments that I really enjoyed myself. Austin Dickinson’s vocals are absolutely brilliant. He brings so much emotion and finesse to the album. He oozes with charisma and brings a lot of energy. I like some of the tunes and some of the choruses are rather ear-wormy. It does come together at times. Although, it does come off as a little bland for my taste.

I liked it and I’m sure that they’ll have their fans. Though lyrics are powerful and deep with a strong focus on the problems of the current day. The production is a little flat and it feels washed out. It could have been so much more than what it is. If it was more full force rock, with more of a crunch to the guitar tone, it could have really work. Yet, as is it’s just an okay album. Not amazing but not terrible either. Just meh.

3/ 5

Mick Birchall