Archive for Soilwork

Soilwork – Verkligheten

Posted in CD, Metal with tags , , , on 8th January 2019 by Pieni

Soilwork
“Verkligheten”
Melodic death metal
Released: 11th January 2019
Via Nuclear Blast Records

soilwork - verkligheten - artwork

When I reviewed “The Ride Majestic”, about three and a half years ago (damn, feels like yesterday!), I said something about being surprised with how Soilwork could still impress me. Well this time they didn’t catch me off guard: I’m still impressed but I was counting on it.

A fellow reviewer said they’ve gone more melodic but I don’t think that’s quite it; I mean, sure, “Verkligheten” is a more melodic record, but I don’t think it was intentional. I believe they’ve just focused more on being intense than actually heavy, and such deeper sound enhanced the melodies which have always been a part of Soilwork. Take the latest single, “Stålfågel”, for instance; those initial synths bearing an Alan Parsons whiff, the growls of someone who Wikipedia claims to be Alissa White-Gluz (but it’s not) a mere shadow in the background of the chorus and the so straightforward solo result in an enthralling combination that’s way more than just “melodic”. it’s still my favorite song, by the way, even if I stood a bit disappointed when the lyrics didn’t match the title’s tongue. In fact, despite the Swedish album title, all songs are sung in English. Shame. At least one should be pretty interesting.

Tomi Joutsen was also invited to snarl over “Needles And Kin” but his presence is much more highlighted – the own nature of the song enabling it. I dare saying this is the heaviest song (“Arrival” right behind it), the riffing and drumming even reminding some black metal refined act, but the chorus always featuring some harmony to go along with the rest of the album.

I really hope “The Ageless Whisper” makes it to the live shows as it’s a very anthem-like track which I already imagine everybody clapping their hands to, in sync with the drums in its intro and later on, right before the solo. But several others, and for several reasons, are prone to turn the crowd into a bunch of happy campers ‘cause I’m pretty sure I’m not the only one loving “Verkligheten” as a whole.

5/5

Renata “Pieni” Lino

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Narcotic Self – Cut The Chord

Posted in Metal with tags , , , , on 5th June 2016 by izaforestspirit

Narcotic Self
Cut The Chord
Released 6th May 2016
Thrash Metal/Heavy Metal/Groove Metal
Self-Released

‘Cut The Chord’ is the third album from the American heavy metal band Narcotic Self. They have toured with a number of renowned metal bands including Slayer, Exodus and Soulfly. Their music is a mixture of classic thrash metal with other metal genres along with some experimental elements. This album features Björn “Speed” Strid of Soilwork as a guest vocalist on one of the songs.

Kicking off the album is the title track, an aggressive and brutal metal song filled with thrashing guitars, pummeling drums along with abrasive and angry shouting. Then, when you least expect it, they slow down the pace towards the end of the track and treat you to a short but well executed melodic instrumental. It’s just enough for you to take a deep breath and relax before the usual onslaught of guitar, drums and shouting returns, raising hell inside your eardrums. Generation Victim (feat. Björn Strid) is a fairly straightforward piece of aggressive, thrashing groove metal which reminded me of the early works of Machine Head, DevilDriver and to a certain extent Lamb of God.

Hell in My Head caught my attention due to the deceptively melodic guitar intro at the start. There’s some experimentation in the guitar parts and briefly a change to a softer, more melodic vocal style halfway through the song. This time the melodic elements last a little longer than they did in the title track. The problem is that I’m not entirely convinced that the random changes suit the rest of the song. The transition between the two is just not as fluid as it should be. Then it seems that Narcotic Self decided to have another go at the more melodic side of metal/rock so they created Creeper, a song which is predominantly slow and melodic. At least for the most part… Then, all of a sudden, the aggressive shouting and thrashing monster re-emerges. It’s almost like the other half of the song was composed by another band. Luckily the rest of the album marks a return to good old brutal and vicious thrashing groove metal with only occasional bits of clear vocals sprinkled in to soften the blow. For example, Brainslave shows how well executed guitar work can make a song memorable for all the right reasons.

Overall, this album left me feeling a little confused. I’m not entirely sure that I understand what Narcotic Self are trying to achieve here. I would have been perfectly happy had these guys just stuck to a specific style be it thrash or groove metal but the random mid-song experimentation is very off-putting. Those bits aside ‘Cut The Chord’ should appeal to fans of Lamb of God and Machine Head.

3/5

Iza Raittila

Soilwork – The Ride Majestic

Posted in CD, Metal with tags , , , on 18th August 2015 by Pieni

Soilwork
“The Ride Majestic”
Melodic death metal
Release: 28th August 2015
Via Nuclear Blast Records

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Soilwork haven’t had the need to prove themselves to me for a long time now. After albums such as “Figure Number Five”, “Stabbing The Drama” or the previous “The Living Infinite”, they’ve achieved a solid rank on my list of bands. But I confess I didn’t think they could impress me more either. Well I’m biting my tongue right now.

The richness in details was taken to the next level and the result is a classy mix of extreme rhythms with vibrant melodies. The first title track (yes, first – there are two, although the second adds “(Aspire Angelic)”, to make the difference) is the bridge between “The Ride Majestic” and “The Living Infinite”, given the similarity in riffs and licks. If you listen to one album after the other, this track makes a smooth, natural transition between them. Because “Alight The Aftermath” will then sound like an outburst of power; way faster, way heavier, way darker.

“Death In General”, on the other hand, is the least heavy track (which doesn’t necessarily mean light). Its composition is too enthralling and seductive, the drums achieving a tribal beat on a couple of occasions, and Mr. Speed showing he can do whatever he wants with his voice.

The bluesy intro of “Enemies In Fidelity”, which underlines some further parts in an otherwise thrash/death composition. The earworm-ish chorus and break of “Petrichor By Sulphur”. The epic, extreme piece that “The Phantom” is through and through (definitely my favorite). The sharpness of “The Ride Majestic (Aspire Angelic)”, in contrast with the gloominess of “Whirl Of Pain”. A gloominess that continues on “All Along Echoing Paths” but at a heavier pace. The mosher-friendly of “Shining Lights”, featuring a massive guitar work. And the deep grand finale of “Father And Son Watching The World Go Down”. Eleven new tracks, all majestic indeed.

5/5

Renata “Pieni” Lino

Soilwork to release first live DVD/BlueRay

Posted in News with tags , , , , , on 5th February 2015 by Pieni

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After an almost-20-year career and 9 studio albums, Soilwork are about to release their first ever live DVD/BlueRay, with its corresponding audio CDs – “Live In The Heart Of Helsinki”.

23 songs were recorded at Circus Club, on the 21st March last year, two of them including guest appearances by Floor Jansen from Nightwish and Revamp and Nathan J. Biggs from Sonic Syndicate:

01. This Momentary Bliss
02. Like The Average Stalker
03. Overload
04. Weapon Of Vanity
05. Spectrum Of Eternity
06. Follow The Hollow
07. Parasite Blues
08. Distortion Sleep
09. Bastard Chain
10. Let This River Flow (feat. Floor Jansen)
11. Long Live The Misanthrope
12. Tongue
13. Nerve
14. The Chainheart Machine
15. The Living Infinite I
16. Rise Above The Sentiment
17. Late For The Kill, Early For The Slaughter
18. Rejection Role
19. Black Star Deceiver (feat. Nathan J. Biggs)
20. As The Sleeper Awakes
21. Sadistic Lullabye
22. As We Speak
23. Stabbing The Drama

The setlist will be divided in two CDs, while the DVD/BlueRay will also include two documentaries (“Spectrum Of Eternity: A Brief History Of Soilwork” and “Behind The Scenes Of The Living Infinite”) and drumcam videos filmed during the songs “Long Live The Misanthrope”, “Rise Above The Sentiment”, “Spectrum Of Eternity” and “Tongue”.

Frontman Björn ‘Speed’ Strid commented: “There could’ve not been a better time than now, with 10 albums out and a very varied back catalogue to choose from. Our line up now is 50 % original members and 50 % fresh blood, which makes it all more interesting. Especially since the newest members have brought so much to our sound and have continued to inspire us to write new and exciting music and also brought a new found energy on stage. Now is definitely the time to see us. Trust me.”

Set for release on 16th March, via Nuclear Blast, a trailer for the DVD has been pumping on YouTube for a few days now:

Pre-order your copy:
DVD + 2 CD –  http://bit.ly/LITHOHbase
BlurRay + 2 CD –  http://bit.ly/LITHOHblubase

www.soilwork.org

www.facebook.com/soilwork

Vagos Open Air 2014 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 19th August 2014 by Pieni

Kreator, Epica, Soilwork, Sylosis, Kandia, Gates Of Hell
Quinta do Ega, Vagos (PT)
8th August 2014

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This year’s edition of Vagos Open Air was bigger in every sense of the word – it lasted one day longer than usual, it had more people coming in, and it had also the greatest bill so far. Kudos for promoters Prime Artists!

National Gates Of Hell must feel proud, and not just for kicking the festival off: it’s not easy for an underground band to gather so many people on a hot Friday, at 5 o’clock in the afternoon, but they made it! There was a sea of people like there’s never been for an opening band, in all the 6-year history of the festival! Of course they’ve been working hard for it in the last few years, especially since the release of their debut album, playing all over the country and winning fans with their ballistic live shows. But it still was a wonderful surprise to see such a crowd screaming and moshing for them. And the size of the wall of death on the last song, “Critical Obsession”! Singer Raça thanked everyone – both fans/friends and those who were watching them for the first time – but truth be told, they wouldn’t have got that response if they weren’t just as good. The credit is all yours, boys! Keep it up! (5/5)

Gates Of Hell official facebook

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Things cooled down a bit, but only in terms of “brutality” – Kandia is a modern/alternative rock band, so no mosh pits for them. But that doesn’t mean that their show was less electrifying. It was just a different kind of voltage. Especially singer Nya Cruz, who looked totally at home on stage. They’ve released two albums so far, but neglected the first one completely, focusing just on the latest “All Is Gone”. Last year, they won the international music contest Global Rockstar with one song from that album, “Scars”. “We’re not going away, we’re here to stay!” was the introduction to that song, as its first verse reads “I’m here to stay”. But more than an introduction, it’s a statement, a motto – and the grip they had on this gig is proof that they will stick to it. (4,5/5)

Kandia official facebook

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It was the first time Sylosis were playing in Portugal (after pulling out of the Epic Industrialist Tour, in 2012) and Josh Middleton admitted they weren’t expecting such a reception. The crowd was happy to finally experience live songs such as “All Is Not Well” and “The Blackest Skyline”, so the circles began spinning once again, at full force. And when Josh asked for TWO circles – one at the left, one at the right – they were eager to comply (same as the headbanging to the sound of nothing, but that’s been done before by other artists – the two circles, now that was new). At some point Josh said that this was the last gig of Rob (Callard, drummer), since he would be pursuing a career as a singer… in a Mariah Carey cover band. Such talented musicians and so humorous… no wonder no one cared about the “little” fail of asking if we were ready for Kreator while playing a riff from Slayer’s “Raining Blood”… (5/5)

Sylosis official facebook

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It had been 11 years since I’d last seen Soilwork – which was the last time they’d played in Portugal. So I don’t know if it’s usual for them to use The Alan Parsons Project’s “Sirius” as intro, but for me, it was a really nice surprise. And it links so well to “This Momentary Bliss”, the first song of their set! A set that I confess was hoping to be a bit more diverse, given the years of absence from the Portuguese stages. But their latest album is a magnificent double piece, so it’s only natural they wanted to focus on the killers of “The Living Infinite”. Still they went back a couple of times – “The Average Stalker”, “Bastard Chain”… –, closing with a golden key with “Stabbing The Drama” (“I think you know the chorus to this one”, said Mr. Björn Strid). The circles weren’t as constant as in the previous band but only because Soilwork’s sound doesn’t require so – there’s a reason why it’s called “melodic” death metal. In terms of intensity, they were just as “crazy and wild” (to use Strid’s own words). (5/5)

Soilwork official facebook

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There were LOADS of Epica fans in Vagos, so whoever thought it was a mistake to invite them again (they performed at the first edition of the fest) couldn’t be more wrong. Simone Simons’ voice was better than the last time I’ve seen them, in the “Requiem For The Indifferent” tour, but still a bit “shaky” here and there. The most blatant case was “Cry For The Moon”, where her voice was smothered by the choir backtracks and not because something failed with her mic. It’s just that female voices also change with time and it’s been 10 years since Simone first recorded that song. Maybe that’s why she took the chance to introduce the band, singing the names and their instruments instead of the original lyrics. Nice trick! But no one seemed to care anyway, as the strong and positive attitude of the whole band made those flaws look like small details.
They played a few songs from the latest album, “The Quantum Enigma” – including the first three tracks plus the new hit “Unchain Utopia”, but Simone said they would be back in November, in a promotional tour for this album. The crowd was thrilled to hear that. (4,5/5)

Epica official facebook

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Okay, it’s true that a Kreator gig is always a Kreator gig, and even when they’re bad, they’re still pretty good. But sometimes they’re REALLY awesome – like this time! From “Mars Mantra / Phantom Antichrist” to “Flag Of Hate / Tormentor”, Mille Petrozza got some of the best “Portuguese circle pits” that he kept asking for – having played here so many times before, he knew what he was talking about when he specified the nationality, giving them an unique identity. But with such a performance it was hard not to raise hell – the stage wasn’t big enough for their fire show, but the human heat made up for it.
For the encore, and the aforementioned medley of “Flag Of Hate” and “Tormentor”, Petrozza got on stage holding a flag, saying that when they released that album (“Endless Pain”), back in 1985, Michael Jackson was still alive. The rest of the band played a few chords from “Billie Jean” and the crowd roared. But the roar was much louder when he talked about the album that Judas Priest released five years later, as its title was the opposite of “Endless Pain”“Painkiller”, with the main riff of its title-track echoing. The true explosion came, of course, when Petrozza stopped talking and the medley itself began. (5/5)

Kreator official facebook

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Nevel a dull moment on this first day – except for the background music between songs, which was literally the same over and over. The metal DJs that took the graveyard shift should have been hired for the day as well…

Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Dark Essence Records post tracklisting for Alfapokalyps

Posted in News with tags , , , , , , , , , on 6th January 2014 by Nico Solheim-Davidson

Norwegian label Dark Essence Records recently unveiled the tracklisting for Alfapokalyps, the upcoming album from Swedish rockers Alfahanne. The ten-track album will be the debut full-length release from Alfahanne, a name that is relatively new on the scene compared to some of the label’s more venerable artists, yet it is a band that has managed to tempt the likes of Taake’s Hoest, Shining’s Niklas Kvarforth, and Helheim’s V’gandr to make guest appearances on Alfapokalyps.  Set to hit the streets on the 10th of February, Alfapokalyps was  mixed by Tore Stjerna at the Necromorbus Studio.  Artwork, as seen above, is by Mikael Skoog. The tracklisting for Alfapokalyps is as follow:

1. Bättre Dar – guest vocals from Niklas Kvarforth (Shining)
2. Ormar Af Satan
3. Såld På Mörkret – guest vocals from Hoest (Taake)
4. Dödskult
5. Rocken Dör
6. Syndarnas Flod
7. Alfa Hordes
8. Indiehora – guest vocals from V’gandr (Helheim, Taake)
9. Där Drömmarna Dör
10. Alla Ska Mé

Formed in 2010, Alfahanne’s debut release came in 2013 with the release of the Grym split 7” with Sweden’s Shining. Alfahanne plays what its members describe as Alfapocalyptic Rock, which mixes Black Metal with Classic Rock and Punk, all topped off with some Goth influences.  It is music that is both powerful and beautiful whilst at the same time is ugly, and about which the band says:

When you are into it you don’t feel pleasure and you don’t feel pain but you definitely FEEL.

Whilst Alfahanne might be a fairly new name to a lot of people, the band’s members, which include Pehr Skioldhammer on Vocals and Guitar, Fredrik Sööberg on Guitars, Niklas Åström on Drums and Jimmy Wiberg on Bass,  have been around the Black Metal scene since the early ‘90’s, playing in bands like Vinterland and early Maze Of Torment.

Alfahanne’s next live appearance will be on the 16th of April at the Dark Essence Records Club Night at the Inferno Festival in Oslo.  They are also set to appear at the Tons of Rock Festival alongside Sabaton, Sepultura and Soilwork in June.

Alfahanne online:

https://facebook.com/alfahanneofficial
http://reverbnation.com/alfahanne
http://youtube.com/channel/UCzlnEhv8tEx2GNRAqVduRMQ
http://soundcloud.com/alfahanne

 

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Soilwork announce UK 2014 tour

Posted in News with tags , , , , , , , on 27th November 2013 by Nico Solheim-Davidson

After their sold-out show at The Camden Underworld in London, which was their first UK date in four years, Swedish metal tyrants Soilwork have announced a four-date UK tour for March in 2014.

The band’s current studio album, which is also their first double set, The Living Infinite was the first Soilwork release to chart in the UK national album charts. Gathering excellent reviews, it was praised by Metro as “a slab of heroic, chest-beating Scandi-metal“. Metal Hammer championed their output, “The Swedes have somehow risen to their own mighty-challenge and produced a consistent, cohesive and remarkably dynamic banquet of blistering modern metal that amounts to a wholesale broadening and sharpening of their sound“. They were also granted a much sought after KKKK Kerrang! review that stated “sixteen years in and it’s clear Soilwork still have fertile imaginations“. UK dates are as follow:

March 11th – Bristol, The Fleece
March 12th – Manchester, Sound Control
March 13th – London, Islington Academy (special guests to Overkill)
March 15th – Birmingham, Library

Their support for these dates will be Darkane and System Divide.

Soilwork have also been confirmed for Hammerfest 2014 with the likes of Grand Magus, Overkill and Kreator.

Soilwork online:

http://soilwork.org
http://facebook.com/soilwork