Archive for AFM Records

BillyBio – Feed The Fire

Posted in CD, Metal, Punk Rock with tags , , , , , , , on 8th December 2018 by mickbirchy

BillyBio

Feed The Fire

Thrash Metal, Rapcore, Hardcore Punk

Released: 30th November 2018

via AFM Records

 

It’s really cool being able to listen to the new project from the frontman of Biohazard, Billy Graziadei. Going under the new name BillyBio, he has released the new record Feed the Fire and I have to say it’s pretty good. I was interested to listen to this right off of the bat as I am a big fan of Biohazard and I’ve always like their mix of thrash metal, punk and rap metal. So, I wanted to hear what Billy could do on his own. This record is an interesting listen, it’s fast pace, heavy and filled with political statements. It’s clear Billy is a great songwriter and I have always appreciated him as a musician.

I like the production and the overall sound of the record. Right from the first song, the album hits you in the face with a blast of heavy guitars, bass and drums & the forceful presence of Graziadei. There are lots of moments on the record that get you amped up and raring for more. My particular favourite song in this regard is “Generation Z”. Which, along with the intensity, it has a catchy chorus. Everything presented here hits hard and fast. The general writing quality on display is great with Graziadei throwing in rap verses over thrash metal tones and it all fits together so well.

Although, the problem I have with the album is the guitar tone. It’s pretty much the same all the way and it can feel a little samey, hearing the same tone over and over again. It makes the album drag just a little bit. It just grinds away and that can get just a little boring here and there. Even though all of the songs are short and sweet, the never-changing tone just makes it feel like it’s longer than it really is. Only a few songs ended up sticking with me and that because of the great hooks and choruses.

So, I am a little mixed when it comes to this album. There are some really good songs when you take them individually but they just become one long mesh when put together on an album. So the album doesn’t really work as a cohesive whole. There is a lot to like, the strong social commentary, the harsh guitars and the commanding bass and drums. Billy is a fantastic frontman and his personality is what sells the album for me. If this was made by a band that didn’t know how to make these elements work it would just be so weak. Yet, Graziadei can take all these elements and throw them together to make a decent album. He’s such a forceful presence, you have to pay attention to him at the end of the day. It’s definitely worth picking up, though I wouldn’t advise sitting through it in one go.

3/5

Mick Birchall.

Leaves’ Eyes – King of Kings

Posted in CD, Metal with tags , , , , , , , , , , , on 29th September 2015 by Nico Solheim-Davidson

Leaves’ Eyes
King of Kings
Symphonic Metal/Gothic Metal
Released: September 2015
via AFM Records

If you call yourself a symphonic metal fan and you’ve never come across Leaves’ Eyes, then clearly, you live under a rock. Formed by former Theatre of Tragedy vocalist Liv Kristine, Leaves’ Eyes have become an established act known for their fusing of folky elements, crestfallen symphonies and straight up metal. Following their arrival at AFM Records, King of Kings became one of the most anticipated albums within the symphonic metal genre this year.

Sweven opens up the track with an almost mournful composition that clearly shows traditional elements of Norse music. The soaring vocals of frontwoman Liv add to the mourning emotion of the song. The title track, King of Kings, marches with a regal use of orchestral compositions, that bolster the ranks of the song while the differing use of vocals – choir, Alexander’s and Liv’s – make the song ever more enchanting.

Halvdan the Black lunges forward with a tragic sounding choir and the rune-binding voice of Liv. Alexander’s bestial voice adds a fierce, war-like edge to the song, joining the antagonistic riffs and narrative symphonies. The Waking Eye dances ever so gently with its alluring concoction of different elements, each note more winsome than the last and the vocals sound so sirenic during this track.

Feast of the Year acts as a good-natured interval before the more Celtic-orientated waltz that is Vengeance Venom enters the ballroom. The Celtic-styled melodies bring an upbeat atmosphere to the album while the lyrics, poetically sang, appear to be of a darker nature. Sacred Vow has all the makings of a heroic piece: A powerful story involving the love of a fair maiden, a war between clans and awe-inspiring music. Everything just seems to fall together, as though this song was meant to be.

Leaves’ Eyes have been known to have guest appearances on their albums in the past, so it comes as no surprise that Edge of Steel features none other than Epica vocalist Simone Simons. The track comes across as an anthem of war, one to be sung by Nordic warriors as they charge into fray armed only with an axe and shield. The orchestral aspects of the song sound quite lion-hearted, adding renewed vigor to the vocals and potency to the already snarling guitars. Simone’s saintly voice cuts through the track like a knife through butter – The duet between herself and Liv Kristine is better than imagined.

Haraldskvædi – which appears to be based on the Old Norse poem Hrafnsmal (Raven’s Song) – combines both English and Norwegian lyrics with eerie whispering, low-spirited vocals and traditional folk elements, with flows smoothly from the previous track and into the next song. Blazing Waters also features a special guest, Lindy-Fay Hella, who is best known for her work with Wardruna.  The song begins with the alluring sounds of traditional folk instrumentation and hypnotic vocal lines before the guitars and drums jump forward, roaring like Fenrir at Ragnarok. The contrast of three vocalists with the differing elements of folk and metal really shows the adaptability of Leaves’ Eyes both in talent and sound.

The album finishes with Swords In Rock, another song that makes a powerful use of Celtic-inspired medleys. The pace and feel of the song makes the listener want to jump up and start dancing some sort of Irish jig, while guzzling whiskey or something of the like from a horn. A fine way to finish the album.

With King of Kings, Leaves’ Eyes appear to have gone back to their earlier roots – not just with the Viking inspired lyrics but the folk influences as well though there are a lot of new aspects for the band found in the album as well. King of Kings is a testament to the continuing saga of Leaves’ Eyes as well as their talent and adaptability, clearly they’re a band that won’t stay within the borders of their safe zone when there are new musical lands to be discovered and conquered by these fine warriors.

5/5

Nico Solheim-Davidson

Leaves’ Eyes online:

http://leaveseyes.de
http://facebook.com/leaveseyesofficial
http://twitter.com/leaves_eyes

SOiL announce full UK leg of European tour

Posted in News with tags , , , , , , , , on 17th May 2014 by Pieni

 photo soil_zps26b7c0ef.jpg

Given the tremendous feedback to the announcement of SOiL‘s European tour with American Head Charge, (hed)p.e and 8 Foot Sativa, the Chicago band decided to extend their staying on this side of the Atlantic by adding a complete set of dates in the UK. Get your tickets before it’s too late. Check the full calendar below:

Thu 09 Oct Bochum (Germany), Matrix
Fri 10 Oct Mannheim (Germany), Alte
Sat 11 Oct Zurich (Switzerland), TBA
Sun 12 Oct Romagnano (Italy), Rock N Roll Arena
Tue 14 Oct Vienna (Austria), Szene Wien
Wed 15 Oct Augsburg (Germany), Kantine
Thu 16 Oct Frnkfurt (Germany), Zoom
Fri 17 Oct Utrecht (Netherlands), Heling
Sat 18 Oct Vaureal (France), The Forum
Sun 19 Oct Southampton (England), 1865
Tue 21 Oct London (England), Electric Ballroom
Wed 22 Oct York (England), Fibbers
Thu 23 Oct Glasgow (Scotland), The Garage
Fri 24 Oct Sheffield (England), Corporation
Sat 25 Oct Manchester (England), Club Academy
Sun 26 Oct Chester (England), Live Rooms
Tue 28 Oct Weymouth (England), Pavillion
Wed 29 Oct Bristol (England), Bierkeller
Thu 30 Oct Wolverhampton (England), Slade Rooms
Fri 31 Oct Reading (England), Sub 89
Sat 01 Nov Nottingham (England), Rescue Rooms

SOIL
https://www.facebook.com/SOiLmusic

AMERICAN HEAD CHARGE
https://www.facebook.com/AmericanHeadCharge

HED PE
https://www.facebook.com/hedpe

8 FOOT SATIVA
https://www.facebook.com/8FOOTSATIVABAND