Archive for thrash

Infraktor – Exhaust

Posted in Uncategorized with tags , , , , , , , on 9th February 2018 by Pieni

Infraktor
“Exhaust”
Thrash metal
Released: 2nd March 2018
Via Rastilho Records

exhaustinf

Gourmet is a word very popular nowadays – so popular that we even use it outside its food context, just for fun. As an adjective, it’s synonym of high quality; as a noun, it’s someone who’s quite the expert on both producing and consuming high quality stuff. I started using the expression “gourmet thrash” as a joke, but in light of these definitions, when applying them to thrash metal, they couldn’t be more accurate when it comes to Infraktor – classy, top-notch tunes, performed by who knows damn well what they’re doing. I’ve known – and admired, I confess – most of them for over a decade, with their previous bands, but even if I could vouch in advance for their talented experience, the level of maturity in “Exhaust” is the sweetest icing on my expectation’s cake.

Preceded by a menacing intro and succeeded by a dark outro, the eight tracks Infraktor bring to you also offer the tough choice of choosing a favorite (I often go for “Son Of A Butcher” but only because it was the first getting stuck in my head). The riffing of “Blood Of The Weak”, the overwhelming title-track, the shredding of “Inevitability Of Reason” (a.k.a. “I.O.R.”), the solo of “Ferocious Intent”… Speaking of, I was a tad apprehensive when I was told it would feature Revolution WithinRaça. Hugo’s voice has a deeper resonance, but I was afraid it wouldn’t be enough to contrast with Raça’s sharper tone. Indeed it isn’t, but the combination of both in the chorus has such a powerful effect, living up to the song’s title – and the band’s motto – that it just makes sense. Plus, these are men who value their friendships so the “just makes sense” expression assumes a double play.

The outro features an excerpt of an Edmund Kemper interview and so I take the liberty to finish this review with a straightforward pun: “Exhaust” is a killer album.

5/5

Renata “Pieni” Lino

Assassinner – Another Sucker Subscribes To The Norm [single]

Posted in Review, Uncategorized with tags , , , , , , , , on 30th September 2016 by Pieni

Assassinner
“Another Sucker Subscribes To The Norm” [single]
thrash/crossover
Self-released in May 2016

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Assassinner’s “aggressive music for aggressive people” seems to have toned down a little bit in this 2-track single; either that or producer Carlos Barbosa made each instrument sound so sharp that I’m mistaking classy, high definition for less raw music. Whichever the case, the outcome is what I want to hear in the next full-length record.

I remind you that I said “less aggressive than usual”, not that the aggression was gone, so don’t be fooled by the A-Side title “Sweet Lullaby”. Unless you use “sweet” as “cool/great/peachy” when expressing your appreciation for that ominous mantra-like guitar piece towards the end, which can turn this song into an ear-worm.
Still my favorite is the B-Side, “Hate Over Grown”, as I’m a sucker (no pun intended…) for a vibrant bass line and there’s also something about the main riff. In a time when singles are somewhat underrated, Assassinner came up with something worthy.

4/5

Renata “Pieni” Lino

Death Angel – The Evil Divide

Posted in Review with tags , , , , , on 1st June 2016 by Pieni

Death Angel
“The Evil Divide”
thrash metal
Released: 27th May 2016
Via Nuclear Blast

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It’s been almost three decades since the release of “The Ultra-Violence”, and even though none of Death Angel’s later albums achieved the same success, the Bay Area band has always stood way above the average thrash metal acts. No, I won’t say that “The Evil Divide” is a turning point in their career or that it’s their best album since the aforementioned “The Ultra-Violence”; but I will say that it’s a hell of record. Osegueda says he and Cavestany have grown as songwriters and as much cliche as that may sound, once you hear the classy riffing of “The Moth”, the riveting darkness of “Lost”, the rampage of “Father Of Lies” and its silky solo, the boldness of “It Can’t Be This”… Well, once you hear the whole thing, you’ll realize that “mature songwriting” is indeed the best choice of words.

Without playing “sophisticated” thrash, Cavestany’s strings have always sounded somewhat technical, but this time he’s clearly stepped up his game. The whole band has and “The Evil Divide” manages a balance between old school and modern, between raw and refined aggression. Osegueda wanted this album to please both “casual” and die-hard fans. I think his wish will be granted.

4/5

Renata “Pieni” Lino

Man.Machine.Industry – Box Of Horrors

Posted in Review with tags , , , , , , , on 16th March 2016 by Pieni

Man.Machine.Industry
“Box Of Horrors”
Metal
Release: 4th March 2016
Via KMP

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Man.Machine.Industry’s new album “Box Of Horrors” gives you a little of everything the band stands for – all strains of metal.

Even though their sound has always been braided with an industrial thread, frontman Jhonny Bergman is a pretty old-school soul. I believe “Trend Killer” is the one song – not only in this album but in all M.M.I.’s discography – that mirrors it, thrashing away like there’s no tomorrow.

Now “Let It Burn” has the aforementioned industrial twist to it, not compromising the aggression at all. It just adds some texture, that’s all. It’s go the same vibe of the previous (and my favorite) LP, “Lean Back, Relax And Watch The World Burn” and the chorus is catchy, not in a melodic way but in the sense that will make you want to scream along with it. Powerful!

“20.000 Horns At The Sky” may not be as speedy, but its marching beat and groovy bass line make it quite belligerent just the same. As for the exquisite melodies that M.M.I. have gotten us used to, in songs like “Vivete et Sinete Mori” or “Colours”, take a listen to “Rise Above”. Plenty of melodic exquisiteness there.

Living up to its name, the title-track is a creepy ballad, heavy on guitars. Some string arrangements, acoustic notes and somber choirs make a hell of a combination.

I was surprised to hear another ballad right after this one, but “Destroyers Of Gods And Man” carries such a sadness and despair that you’ll put aside the slow pace and will keep in mind just its weight.

The rhythm is spicy again in “Too Close To The Sun”, with hints of Arabian cadences. “Rise Of The Fallen” is one of those in-your-face kind of songs and the album closes up with yet another ballad, “Heading For Nowhere”, with some keys that somehow remind me of R.E.M. “Everybody Hurts”, so yeah, a ballad in the full sense of the word.

So now you know what I meant by “all strains of metal”. “Box Of Horrors”, like its predecessor “Lean Back…”, is a diverse and solid album, better appreciated if listened to at a high volume.

4,5/5

Renata “Pieni” Lino

Rage’s “The Devil Strikes Again” to include bonus live CD

Posted in News with tags , , , , , on 29th February 2016 by Pieni

As you’ve probably suspected, RAGE‘s EP “My Way” (review here) precedes the release of the band’s 22nd studio album (23rd if you count with the one in collaboration with LINGUA MORTIS ORCHESTRA). “The Devil Strikes Again” will see the light of day on June 10th, via Nuclear Blast. Artwork and tracklist as follows:

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01. The Devil Strikes Again
02. My Way
03. Back On Track
04. The Final Curtain
05. War
06. Ocean Full Of Tears
07. Deaf, Dumb And Blind
08. Spirits Of The Night
09. Times Of Darkness
10. The Dark Side Of The Sun

Bonus CD:
01. Bring Me Down
02. Requiem
03. Into The Fire
04. Slave To The Grind (SKID ROW Cover)
05. Bravado (RUSH Cover)
06. Open Fire (Y&T Cover)

Today, RAGE announced that there will also be a limited edition (1.000 copies) of a 3CD DIGI, the third disc recorded live during the latest European tour with HELLOWEEN. Here’s the tracklist of said disc:

Bonus Live CD
01. Black In Mind
02. Sent By The Devil
03. End Of All Days
04. Back In Time
05. Down
06. My Way
07. Until I Die
08. Don’t Fear The Winter
09. Higher Than The Sky

“The Devil Strikes Again” was recorded in September/October 2015 at Megafon Studios (Burscheid, Germany) and at Soundchaser Studios (Zandhoven, Belgium). Its production was handled by Marcos Rodriguez and Peavy Wagner, whilst renowned the Dan Swanö (MARDUK, OPETH, DISSECTION, KATATONIA) took care of the mix and mastering at Unisound Studios (Grefrath, Germany). The stunning cover artwork was created by Karim König (photo credit: Ivan K. Maras, director of the “My Way” music video).

You can pre-order the Limited Edition 3CD Digibook here.

www.rage-official.com
www.facebook.com/rageofficialband
www.nuclearblast.de/rage

European tour dates for Hirax

Posted in News with tags , , , , , , , on 16th February 2015 by Pieni

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Californian thrashers Hirax will hit Europe next month, still promoting the latest album “Immortal Legacy”, which has been released one year ago:

13.03. UK-Gwynedd – Hammerfest Festival
14.03. UK-Glasgow – Ivory Blacks
15.03. UK-Birmingham – Asylum 2
16.03. UK-Manchester – Sound Control
17.03. UK-Winchester – Railway Inn
18.03. UK-London – Black Heart Camden
19.03. B-Deinze – Elpee
20.03. NL-Tilburg – Little Devil
21.03. NL-Katwijk – Scum
24.03. E-Zaragoza – Sala Utopia
26.03. E-Madrid – Sala Lemon
27.03. E-Palencia – At Mosh Phera Zero
28.03. E-Granada – La Petite
30.03. F-Toulouse – Les Pavillions Sauvages
03.04. I-Milan – Blue Rose Saloon
04.04. SVK-Bratislava – Randal Club
05.04. D-Hamburg – Bambi Galore

09.07. CZ-Trutnov – Obscene Extreme Festival
10.07. PL-Zori – Ozi Pub
11.07. PL-Gdynia – Atlantic Club
12.07. PL-Szczecin – Slowianin Club
13.07. PL-Warsaw – Progressja
14.07. D-Berlin – SO36
16.07. SVK-Kosice – Colliseum Club
17.07. CZ-Pohori – Agressive Fest
18.07. D-Balingen – Bang Your Head Festival
19.07. D-Egelsee – Schwarzer Adler
20.07. CH-Olton – Coq d`Or
21.07. SLO-Tolmin – Metal Days Festival
22.07. A-Dornbirn – Conrad Sohm
23.07. D-Kassel – K19
24.07. D-Brande/Hörnerkirchen – Headbangers Open Air
25.07. NL-Steenwijk – Stonehenge Festival
26.07. B-Ostend – JH Ohk

The band has recently filmed a new video for the track “Hellion Rising”, for which singer Katon W. De Pena said the following: “The new HIRAX video ‘Hellion Rising’ is a visual thrash metal experience. We filmed on location in the historic Battery Bunkers built in 1942 hidden in the hills of San Pedro, California. This is our second video directed and produced by Donovan Vim Crony. The scenery is the perfect backdrop for HIRAX‘s brand of intense thrash metal. No green scenes, fake production or props were used in the making of this high definition video / film. The release will coincide with the announcement of our upcoming European tour / concert dates 2015. We are very excited to hit the road again and play our music for all the die hard, European, thrash metal maniacs!”

www.hirax.org
https://www.facebook.com/hiraxthrashmetal

Dr. Living Dead – Crush The Sublime Gods

Posted in Uncategorized with tags , , , , on 16th February 2015 by Paul Macmillan

Dr. Living Dead
Crush The Sublime Gods
Release: 23rd February 2015
Thrash / crossover
Released via Century Media Records

Dr Living Dead - Crush The Sublime Gods

More thrash!?!?! Looks like 2015 is going to be a year of it, and, yet again, this is a solid release for the genre. Dr Living Dead’s third album, Crush The Sublime Gods, is 99% pure, unrelenting, high-speed thrash riff-worship. The opening moments of first track Final Broadcast may lead listeners to believe they are about to witness the second coming of Megadeth’s last true great, Count Down To Extinction, but the mid-paced chug of developed thrash is left to the minimum throughout.

Far more prevalent is this employment of the Slayer style chainsaw attack, albeit to the accompaniment of nicer vocals and Annihilator’s slightly dark tongue-in-check sense of humour. I don’t think Araya and co. ever really got how inseparable some riffing is from a comical feel, or if they did, they never embraced it. Not that Dr Living Dead are a joke band. Far from it. Some people might not even get the ‘laughs’ herein. I might even be imagining them, but if I’m not, it’s nice to see a non-native English speaking band manage it so well.

It seems all the more likely that it is the case when hearing such invitations to stomp as on the intro to Triggerkiller, instantly bringing Stormtroopers Of Death to the mind of the connoisseur. There are plenty of these moments spattered throughout Crush The Sublime Gods, but they quickly subside and give way to rapid-fire, precision guitar work, which overflows with the spirit of old-school thrash.

As a whole, most other sub-genres of metal could learn a lot from the production values on many recent thrash releases – such as ‘things sound heavier when they’re clearer and played well’ – and this is no exception. Crisp and raw, with a sweet bottom shelf, all at the same time, the producer has done sterling work here. It helps that the band themselves are on fire, and if there is even half the amount of energy involved in their live shows as there is captured on record, they are going to destroy when they go out this March with Suicidal Angels. I’m thinking they may well be interested in all things fast, so the autobahn should keep them entertained for a bit.

Wrapping up, this is a peach of a release, and with just a tiny little bit more originality/diversity, it would have been a 5/5 from me. Hopefully, if there is a change, that’s all it is, because the rest of the mix is perfect, and Dr Living Dead appear to be on to something really special.

4.5/5

Paul Macmillan

Midnight to release second album on 19th August

Posted in News with tags , , , , , , , on 19th June 2014 by Pieni

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After a series of EP and splits, black/speed metal act Midnight released their much acclaimed debut album, “Satanic Royalty”, in 2011. The Cleveland-based act and their record label Hells Headbangers have now set 19th August as the release date for the follow-up “No Mercy For Mayhem”, which will have the following track list:

1. Penetratal Curse
2. Evil Like A Knife
3. Prowling Leather
4. No Mercy For Mayhem
5. The Final Rape Of Night
6. Degradation
7. Woman Of Flame
8. Try Suicide
9. Whiplash Disaster
10. Aggressive Crucifixion
11. Destroy Tsunami’s Power (CD Bonus Track)

Meanwhile, through webzine Noisey – Music By Vice, they’ve let the world hear the track “Evil Like A Knife”:  http://noisey.vice.com/blog/new-midnight-track-streaming-evil-like-a-knife

Official Facebook page

Overkill to thrash the UK and Ire in March 2014

Posted in News with tags , , , , on 12th October 2013 by Pieni

The New Jersey Wrecking Crew, a.k.a. Overkill, is preparing the release of its 18th studio album, which should be out in the Spring of 2014. The title is yet unknown, but what we do know is that the band will hit the UK and Ireland by the time of its release:
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More information and support to be announced soon!

http://wreckingcrew.com
www.facebook.com/OverkillWreckingCrew 

Interview with J Costa [Thy Will Be Done]

Posted in Interview with tags , , , , on 21st October 2012 by hammersmashedlauren

Before their performance at the Rock and Shock Festival in Worcester, Massachusetts, Valkyrian Music writer Lauren Gowdy has a quick chat with J Costa who is the front man for the Rhode Island-based band Thy Will Be Done, or formerly known as Kobalt, and discusses their new EP, Temple, as well as musical influences, pet peeves, and the toilets in Japan. There is also a special appearance from Mr. J Walken, who thanks his fans and says how “it’s a great day to be a fan of Thy Will Be Done, whoa! Wham-o, zam-o!”

Thy Will Be Done is currently doing an US tour with Shadows Fall and God Forbid [refer below for dates] and their new EP, Temple,  is in stores and on iTunes now!

Corretja – ‘American Ragnarok’

Posted in Review with tags , , , , , , on 30th April 2012 by tobiasgray

Band: Corretja
Album: American Ragnarok
Release date: October 2011
Genre: Metal
Label: Unsigned   –  http://corretja.net

 

 

Melodic death metal, with viking imagery and titles such as ‘A Battle For Lundene’; deathly vocals and blastbeats…this isn’t the new Amon Amarth album, but it’s a worthy addition to the (battle)field.  From Virginia USA, igniting the fires of European pagan metal – electronics included – on their home shores, Corretja have produced an album celebrating both American history and Norse mythology.  The tracks are concise (the longest clocking in at 3.55), and relentless in their energy.

From the American civil war to London’s bloodstained streets, ‘American Ragnarok’ is constantly throwing surprises and new ideas forward.  The opening tracks set the tone with pounding blasts, epic twin leads and atmospheric keyboards, then ‘Bull Run II’ introduces clean, electronically harmonised vocals intermittently – and the sample of a bull!

After 5 tracks of similarly powerful melodic DM (with thrash elements), ‘Throne of Bebbenberg’ appears with a minute long blast of old school, no frills death metal, minus keyboards.  It provides a quick detour from the established sound and nicely sets up the closing numbers ‘Enjoy the Violence’ and ‘Thrashowar’ – a drastically reimagined cover of Depeche Mode’s ‘Photographic’ and a fitting tribute to Manowar’s drummer Scott Columbus respectively.

Corretja have an admirable DIY ethic, and while the programmed drums and prominent keyboards lack the ‘polish’ of major label releases, this does not detract from the charm, energy and aggression of the album.  The songs are well written, the instruments played well and the delivery is consistent.  The band want to pay tribute to metal and they have totally succeeded.

With eight tracks in 20 minutes, there’s no danger of getting bored, the variety of riffs on display and the catchy melodies keep you enthralled until the end.

4.5/5

Tobias Gray.

66crusher – Blackest Day [2011]

Posted in Review with tags , , , , , , , , , , on 20th June 2011 by Nico Davidson

Band: 66crusher
Album: Blackest Day
Release year: 2011
Genre: Progressive Thrash Metal

66crusher have been on the rise since the release of their debut album “in 2005. Since then they have been fighting their way to the top of the worldwide metal scene, gaining new fans each year. “Blackest Day” is the next step in their journey.

The title track, “Blackest Day”, is the first track of the album. It begins with a very thrash-influenced guitar riff whilst the drums are more laid back in comparison. The vocals are classic metal in their sound, standing out from the music – In an epic way. The vocals work well with the soft riff about half way through the track, giving the track a slight progressive edge. The track ends in true thrash metal style. “Recreated Destiny” has a slower, more emotional sounding introduction. Both the guitar riff and vocals are soft yet majestic, whilst touching a very deep emotional level not usually found in thrash metal. The track’s pace increases with the appearance of the drums, which again are quite laid back compared to the guitars. The vocals sound more powerful later on during in the track.

Following after is “Unsaid”. The intro is slow, heavy and dominating. The vocals, again, are soft to begin with, as is the piano medley that joins them. The drums slightly overpower the piano, which is somewhat disappointing. The track switches between light and heavy – Which is a nice emotional effect for the song. Next is “Concept of Elimination”, beginning with a choppy guitar section, which soon replaced by a more consistent, melodic guitar riff and an acute drum pattern. The vocals are strong, with a hint of a Judas Priest-sound. There is a good blend of progressive-sounding softer sections and heavier, savage thrash-styled riffs throughout the track, which makes up for it being almost ten minutes long.

”Recreated Reality” blasts next with an immense riff of violent proportions. The drums are barbaric yet precise to the beat. The vocals are still going strong, keeping the track interesting. Some of the riffs leave much to be desired though it is mostly a decent track. “Borderline” is another track that begins with a choppy riff, which can be off-putting for new listeners and just seems to drone on for the first few minutes. Another issue with the track is the length of it – Just over twelve minutes – Which again, can be off-putting for new listeners. The other riffs are well composed and sound great, as do the vocals and drums.

Nearing the end of the album comes “Shipwrecked”. Like some of the other tracks, the intro riff is soft and melodic, though it is short lived. The heavier riff certainly brings more excellence to the track though the drums are lacking in comparison. The vocals seem deeper yet more defined. They seem suitably combined with the acoustic riff. One thing that stands out the most about this track is the emphasis on the acoustic riffs, though the heavier riffs do play an important part of the track. “Shipwrecked” is certainly the best track of the album.

”Diminished Mind” starts with a mediocre sounding riff, which is a let down compared to the previous track. The vocals seem weaker as well and the drums also are lacking in power. The track does improve later on however, with some very Megadeth-styled riffs. “Us Beneath The Sea” is the final track of the album. Like some of the previous tracks, its intro is a soft riff, as are the vocals and drums. The riffs later become more wild west-sounding for a short while but they stay soft for the majority track, making for a good chill out track after eight brutalising tracks. The guitar solo towards the end does make the track slightly heavier though not by much.

”Blackest Days” features a strange yet wonderful mixture of progressive metal and thrash metal combined with some old skool sounds. 66crusher have certainly out-done themselves with this album, though there are some sections that could have done with more work.

4.5/5

Nico Davidson