Archive for Equaleft

Laurus Nobilis Music Famalicão 2018 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , on 2nd August 2018 by Pieni

Web, Mata-Ratos, SepticFlesh, Equaleft, Hills Have Eyes, Nine O Nine, In Vein, Sotz’
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
27th July 2018

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sotzlnmf18The second day started at mid-afternoon, with Sotz’ doing the honors. Here’s a band that’s been improving their performance at every show, and consequently winning over more fans – 4:30 p.m. and a large number of people ready to shout out and mosh around their support. Without any kind of disrespect for previous line-ups, I believe the current one is the most efficient in living up to the aggressive impact the band yearns for their sound.
I’m not sure if the crowd was singing along – Dan Vesca is pretty hard to follow up – but they clearly recognized the tracks off the EP “Tzak’ Sotz’” and the recent single “Baak’”.

www.facebook.com/sotzband/

INVEINLNMF18Another band that’s grown a lot since the first time I’ve seen them a couple of years ago is In Vein. Raising Legends has been doing a hell of a job managing them, getting them to play practically everywhere, to the point where I confess I rolled my eyes when seeing their name on this bill. My sincere apologies – it was well deserved. Songs such as “S.A.T.A.N.”, “Paranoia” or “Infinite Night” fueled the headbanging and the horns in the air – singer António Rocha tried to convince the firemen to join the latter at some point, but they just smiled.

www.facebook.com/invein.band.pt/
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Representing a rockier side of metal, we got Nine O Nine, guitarist Tó Pica’s new band. Introducing their debut “The Time Is Now”, released in February, Louro was filled with the enthralling melodies of “Big Event”, “Beauty Femme” and “Sofia” – dedicated not just to all Sofias but to every woman in the audience. Singer/bassist Sérgio Duarte didn’t want us to get the idea that NON were mellow, so they finished their set with the brisker “The Rush”.

www.facebook.com/NON909/
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The Estrella Galicia stage closed for the moment and the spotlight turned to the main stage, Porminho, with Hills Have Eyes spreading their usual vitality. Fábio Batista’s voice was a bit worn down but he himself was jumping all around, so it made no real difference in the intensity of the music. Plus bassist Luís Silva backed him up, making sure all lines were sung. Splitting their setlist between the two most recent albums, but visiting “Black Book” through “Unneurotic” and the new single “Never Quit”, Fábio thanked the people that probably weren’t much into their sound but still were there, watching them and showing them respect. This and the little speech that always goes along “Anyway It’s Gone”, about music being music, no matter the label, hence they’d never decline an invitation for a “metal festival”.

www.facebook.com/hillshaveeyes/
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From metalcore to groove, Equaleft was the epitome of the “may the force be with you” slogan which their singer Miguel Inglês loves so much. They’ve been recording the successor to “Adapt & Survive” and even if the title or release date weren’t revealed yet, a live promotion is running already: “We Defy”, “Once Upon A Failure”, “Strive”, “Endless” and “Overcoming” made part of the band’s set and were tremendously cherished. Still, the highlight was “the lightsabre song” – the classic “Invigorate” – where Sotz’-Dan Vesca was a spontaneous guest. During the last song, “Maniac”, Miguel crowdsurfed while singing and then rewarded the fans with cookies. As usual.

www.facebook.com/equaleft/
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When promoter Aguiar Silva got on stage to address the audience, I thought he was going to introduce the headliners; it was something much more noble than that. In case you don’t know, SepticFlesh come from Greece, where several wildfires have taken about a hundred lives. Portugal went through a similar tragedy last summer, so more than sympathetic with the situation, we related. Therefor when Aguiar asked not for a minute of silence but half a minute of applause for the souls lost in those fires, Louro trembled. Singer/bassist Spiros Antoniou himself would dedicate “Prometheus” to the same souls – after all, in Greek mythology, Prometheus was a Titan who stole fire from the gods and gave it to the humans. But before that, songs such “Martyr”, “The Vampire Of Nazareth” or “Prototype” had already left the crowd in total rapture. Spiros dislocated his shoulder a few weeks ago, and even if everything’s okay now, he still couldn’t raise his arm/fist as high as he wished to, so he wanted our help to do it for him. We obviously complied. 10-year-old “Anubis” and last year’s “Dark Art” built the encore of a stellar show.

www.facebook.com/septicfleshband/
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Mata-Ratos spent almost a decade without any new material but their life on the road rarely took a break – that being the reason why their original schedule on Saturday was anticipated to Friday (something about a show in Spain). “Banda Sonora do Apocalipse Anunciado” was released in 2016, but needless to say that it was songs from almost 20 years ago – “A Minha Sogra É Um Boi”, “Amor Eterno” or “CCM” – that brought out the inner punk in all of us. Singer Miguel Newton still paces the stage through and through like a lion in a cage, but I’ve managed to frame him more clearly – he’s either slowed down a bit with age or I’m just getting more skilled.

www.facebook.com/infamesmr/
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Back to the Estrella Galicia stage to watch the final band: only Web to have such a numerous and loud crowd at 2 in the morning. They’ve been somewhat away from the stages, writing the successor to “Everything Ends”, but unlike Equaleft, nothing new was revealed – well, except for the intro, that was a new one. And guitarist Filipe Ferreira’s posture! Web is the band I’ve seen the most in these +20 years of attending metal concerts and this was the first time Filipe made me wonder if they got sponsored by some energy drink. “Vendetta” was the last live song of the night, before António Freitas assumed the role of DJ.

www.facebook.com/web.bandofficial/

Text & photos: Renata “Pieni” Lino

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Pieni’s highlights of 2017

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , on 1st January 2018 by Pieni

2017 was quite the roller-coaster, hence my somewhat absence. But that doesn’t mean I’ve paid less attention. My live highlights this past year were:

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  1. W.A.S.P. at O2 Forum Kentish Town (London)
  2. Infraktor at Metalpoint (Porto)
  3. Equaleft at Hard Club (Porto)
  4. Ugly Kid Joe at AgitÁgueda (Águeda)
  5. Hills Have Eyes at River Stone (Penafiel)

In terms of records I might have been a bit careless, but these titles are awesome nevertheless:

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  1. “Heartless Oppressor” by Primal Attack
  2. “1755” by Moonspell
  3. “Infinite Shadows Of Memories” by The End Of Grace
  4. “Hegemony” by Samael
  5. “Medusa” by Paradise Lost

Top-5 videos:

  1. “In Tremor Dei” by Moonspell
  2. “Never Quit” by Hills Have Eyes
  3. “Like Orpheus” by Orphaned Land
  4. “Blood And Chaos” by Paradise Lost
  5. “Black Flag” by Iced Earth

And expectations/anticipations for 2018:

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  1. The release of “Exhaust”, Infraktor‘s debut album!
  2. After the single “Never Quit” blowing my mind away, can’t wait to see what Hills Have Eyes will deliver next.
  3. The release of “Dropout”, Breaking Today’s debut EP, and how it will turn out live (pretty dynamic, I’m sure).
  4. Crashdïet have a new singer, Gabriel Keyes, and judging by the first single featuring him, “We Are The Legion”, I foresee a bright future for the Swedes.
  5. Just a few days ago, in what I’ve considered one of their best live shows ever, Equaleft played two new songs, two powerful new songs. Hoping to listen to the rest of this upcoming second full-length album in 2018.

Happy New Year folks!

Renata “Pieni” Lino

Sepultura w/ Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 8th July 2017 by Pieni

Sepultura, Equaleft
Hard Club, Porto (PT)
4th July 2017
Promoted by Prime Artists

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Drummer Marquito left Equaleft last October but when your former band is invited to open for Sepultura, you must return for (another) last gig.
Everybody came out of the shadows, apparently – media included. So we were divided in groups and each shot one of the first three songs. My only concern was regarding the exchange between songs but the situation was handled smoothly. So kudos to Prime Artists and the Hard Club staff – thanks to them, we all had a shot at covering such memorable show.

marquitoIt was the closing of a chapter in Equaleft’s book, marking the last gig promoting “Adapt & Survive”. If memory serves me well, they’d said that already a few months ago, but just like Marquito, they couldn’t say no to Sepultura. I believe this time it was really the last one, though, as I know a new record is taking a solid shape, with a new drummer who will be announced soon. But that night was still just for what are already considered classics among the national underground – the intrepid “Invigorate” (featuring the mandatory Star Wars lightsabre), the groovy “Tremble”, the eccentric “Maniac” or the classy “Uncover The Masks”. And in the end, “their trademark” box of cookies was distributed among the fans.

JEDIMIG

www.facebook.com/equaleft

derrick2There were a lot of Equaleft t-shirts in the crowd, but when Derrick Green himself goes on stage wearing one… damn, even I felt proud – hence the need of mentioning this little detail. Regarding what really matters: when you’ve been in a band for over 30 years and “big” for almost as long, one hour and a half always seems awfully short, especially after the release of another album. The trick is finding the right balance between new and old and, of course, performing both like there was no tomorrow. Guess who were able to do just that? (Okay, I confess I’d rather watch them play “Troops Of Doom” than “Inner Self”, but we can’t always have our way, and the near sold-out venue went bananas screaming along “nonconformity in my inner self / only I guide my inner self”, so who am I to complain?). Also, if you’ve read my live reports before, you probably know how I disapprove of solos; Sepultura seem to share this opinion as Andreas Kisser proved his skills – as if he still needed to – by playing the instrumental “Iceberg Dances”, out of the latest “Machine Messiah” the band’s currently promoting.
JUNIOR“I Am The Enemy” kicked it off, “Roots Bloody Roots” (what else?) finished it up, in-between Derrick told us “this is your fucking territory” and that he wanted to see us all arise, and Andreas dedicated “Sepultura Under My Skin” to Moonspell and F.C.Porto – the first for being good friends and representing Portugal’s metal throughout the world, the same way Sepultura do with Brazil’s; the latter… well, we all know how football is big in Brazil.
It was such a brutal show that no one even took offense when Derrick mistook Porto for Lisboa. Of course he was booed loudly, but his apologies were so immediate and genuine – plus, he’d said Porto several times during the evening – that it turned out more of a funny moment than an actual fail. Therefore, a perfect night.

KISSER

www.facebook.com/sepultura

Gallery at our Facebook page here.

Text & photos by Renata “Pieni” Lino

Pieni’s highlights of 2016

Posted in Editorial/Opinionated, Uncategorized with tags , , , , , , , , , , , , , , , , on 31st December 2016 by Pieni

This year it was really REALLY tough to choose just 5 shows (Sam Alone, The Mission and Heavenwood should also be there somewhere):
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  1. Hills Have Eyes at Canecas Bar (Paços de Ferreira)
  2. Sonic Syndicate at Göta Källare (Stockholm)
  3. Moonspell at Pavilhão Multiusos (Guimarães)
  4. More Than A Thousand at Time Out Market (Lisboa)
  5. Testament at Coliseu (Porto)

The albums were easier:
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  1. “Stand Up, Forward, March!” by Sister
  2. “Confessions” by Sonic Syndicate
  3. “Atoma” by Dark Tranquillity
  4. “When Patsy Cline Was Crazy…” by Ricky Warwick
  5. “Brotherhood Of The Snake” by Testament

My video top-5 is “lighter” than last year’s: two emotional, one a kind of tribute, and two funny as hell:

  1. “The Beat” by Satan Takes A Holiday
  2. “Make It Right” by Hills Have Eyes
  3. “I Apologize” by Five Finger Death Punch
  4. “The Great Disillusion” by Betraying The Martyrs
  5. “Call Me” by Pain

Anticipations/expectations for 2017:
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  1. Infraktor – a “gourmet thrash metal” all-star project who I’m proud of being close to, hence keeping tabs on. Let’s see how others will receive them.
  2. Hills Have Eyes – saw some new pictures of the boys in the studio. Needless to say I’m thrilled.
  3. Equaleft – yep, something’s still brewing…
  4. Five Finger Death Punch – “Got Your Six” isn’t my favorite 5FDP album but it’s still good enough. Let’s see if what they’re up to now pleases me more.
  5. Guns N’ Roses – this is a live expectation. I’m having totally mixed feelings about this reunion. Not even sure if I’ll go to the Portugal show, so I’m also expectant on what my final decision will be…

Happy New Year peeps!

Renata “Pieni” Lino

Porto Best Of – Porto, Portugal

Posted in Festival, Gig, Live with tags , , , , , , , , , , on 31st October 2016 by Pieni

Tarantula, Equaleft, Redemptus
Rivoli Theatre, Porto (PT)
19th October 2016
Promoted by Miguel Guedes and Porto City Hall

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In a country with deep roots in metal but where such music is still much frowned at, having the City Hall backing up a metal event is a big thing. Even if we had to watch the concerts sitting down… I confess I was expecting the audience would eventually stand up, but that didn’t happen. Guess we wanted to prove the City Hall and the classy Rivoli theatre staff that we were all civilized, law-abiding citizens.
Calling it “Porto Best Of” is probably a tad pretentious, especially when there was only three bands on the bill, but then again, it showed respect for who was performing.

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The first of those bands was Redemptus, a sludge/post-metal act that was formed two years ago in S. João da Madeira (yeah, the “Porto” part is also misleading). Why them and not some other with a longer career? Well, first, they’re good, and that’s reason enough; but there’s a second, which lies in their members having been around way longer and built quite a career in several different projects. Surrounded by smoke and dim-lit by red lights, the trio performed pieces featured in their debut “We All Die The Same”, released by Raging Planet Records early last year.

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For Equaleft the darkness remained but now in shades of blue. At least now we had permission to shoot the first two songs in front of the stage (thanks for that, André). This was the second to last show promoting “Adapt & Survive” (review here) and, sadly, also the next-to-farewell performance of drummer Marcos – his personal life got to a point where playing in such an active band as Equaleft wasn’t possible anymore.
It was really weird watching Equaleft sitting down. While it’s easily manageable to headbang in that position to Redemptus’ sound, Equaleft’s groove makes your whole body pulse and the urge for movement is harder to control. But we did it, somehow. As for the band themselves, they didn’t stop and the floor literally throbbed to songs like “New False Horizons”, “Invigorate” (the light-saber song) or “When Ruin Becomes A Bliss”.

 photo JORGEMARQUES_zps265pomke.jpgTarantula is one of the biggest names in our heavy metal history so even though they haven’t been playing much and their latest record dates from 2010, it made sense to have them headlining this event. Their career hits the 35-year mark, if we count the four years going by Mac Zac. In 1990 they would release what’s considered their most significant album, “Kingdom Of Lusitania”, and that’s the album they celebrated that night. Among the big hits of the rest of their discography, that is, such as “You Can Always Touch The Sky”, “Freedom’s Call” or “Face The Mirror”. No “Power Tower”, though a few fans asked for it… Still, in the end, I didn’t see any disappointment in the almost sold out theatre except for that – that it had ended. After more than three decades, Tarantula still know how to pull a great heavy metal show and make you sing along and raise your fists like there’s no tomorrow.
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I believe bands and audience proved that metal is something worth supporting and that more events like this will follow. I just hope they reconsider the chairs…

Text & photos by Renata “Pieni” Lino

VOA Fest 2016 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 12th August 2016 by Pieni

Kreator, Paradise Lost, Abbath, Schammasch, Equaleft, Soldier
Quinta da Marialva, Corroios (PT)
6th August 2016
Promoted by Prime Artists and PEV Entertainment

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This year saw a new start for Vagos Open Air, now simply known by its acronym VOA – new partnership among the promoters, new venue in a new city… The quality? Same as always. Of course all these changes brought along a lot of complaints (humans…), which I don’t see relevant to talk about; but regarding five out of the twelve bands being “recidivists” in the festival, I will say something. Sure, we live in a little country in the most Southwestern corner of Europe where it’s not always easy for an international band to reach – meaning the list of well-known names that never played here is endless and yes, it would be nice to shorten that list through a fest. But at the same time… if the band’s good, what’s so wrong about seeing it a dozen times? Hell, this was my 10th time seeing Paradise Lost and I loved it!
I’m not sure if this new place is smaller than the previous one. At first glance it seems so, as it’s definitely shorter in length. But it’s considerably larger in width, so… What really matters is that the stage was placed inside a natural amphitheater, surrounded by small hills, and if that prevented the wind to ease up the unholy heat (it’s been said this is the hottest summer since 1931), it also didn’t let the sound wander off beyond the festival zone.

13435327_1189167444435631_4832768569027046350_nBack to its original 2-day format, I sadly could only attend the second day. From what I’ve heard, Dark Oath did pretty well as the opening act. Not in front of the biggest crowd, but everybody knows how unfair playing first can be; still, it seems that a fair share of people enjoyed the symphonic/melodic death metal the national band had to offer, introducing the debut full-length “When Fire Engulfs The Earth”.
Italians Adimiron followed next and apparently also focused just on their latest release “Timelapse” (or so it says on setlist.fm). I confess I had never heard of them before, even if they’ve been around since 1999. Apparently, the same happened with most of the crowd, although eventually they surrendered to the band’s sound and performance.
Mantar’s “Ode To The Flame” has received a good feedback but the duo’s live performance not so much. Or maybe their fusion of black-doom-sludge-rock isn’t the right one for a festival, especially in day light. But then again, so shouldn’t be the depressive metal of Katatonia (I know I’ve seen them live in broad daylight a few years back and didn’t like it, despite being fond enough of the band) but I haven’t heard one single bad comment about the Swede’s performance – by the contrary! But I guess Katatonia will always be Katatonia. Played a few songs from the latest “The Fall Of Hearts” along a bunch of older hits.
When Anathema got on stage it was already dark. They haven’t released anything new in two years, but they’ve got a very special place in the hearts of our metal community – always had, not since Daniel Cardoso joined their ranks. So it’s only natural that I also heard only good things about their gig.
Finally, Opeth. I remember the last time I’ve seen them, precisely at this festival, two years ago, the show was pretty disappointed for the majority of the fans, as the band seemed uninspired. They made up for it now. The title-track of their upcoming album has been rolling on Youtube for over a week but they didn’t play it, sticking to the older stuff their fans love the most.

010Now the second day, that I actually witnessed. I arrived around 15:20, the “Blackhearts” documentary was still playing on the video walls. There were a few people watching it but not many – I’ve mentioned the heat already, haven’t I?
In previous editions, the first band of each day was always Portuguese, so having a Spanish opening act was a first – thrashers Soldier did the honors. VOA is part of their “The Great Western Oligarchy tour 2016”, named after their latest album. Solid riffing, a clear invitation to headbanging, to which the crowd – once again, not that big at that early hour – took pleasure in oblige. Not much talking between songs, as there was only half an hour to play, but one could see how pleased they were for being there, given the constant funny faces and broad smiles. Happy and nice bunch of people, I believe, and competent musicians. “Revolt”, from the debut “Gas Powered Jesus”, closed their set.

www.facebook.com/soldierband

040Equaleft was up next and the national underground could hardly be better represented. I can’t find the right words to express how proud I am for them and their achievements in these past years. After opening for Gojira last month (see here), I believe playing in a fest like this was one of the few milestones they had to reach yet on Portuguese soil and now it’s done. Go Equaleft!
The follow-up to “Adapt & Survive” is in the making but nothing ready to be shared yet, so they focused on their acclaimed debut. It’s “Maniac” now that closes their sets, not “Invigorate” anymore, but this hit still features singer Miguel, a.k.a. Jedi Mig, wielding a light saber. Soldier’s thrash was entitled to some mosh circles, but it was Equaleft’s groove that made “the dust rise up from the ground”, as I heard someone say.

www.facebook.com/equaleft

057The promo pic of Schammasch on the festival page shows us four guys in bare upper-bodies. I bet they regretted deeply not going on stage like that – 34ᵒC is “a bit” too much to wear long robes. Singer/guitarist C.S.R., with black paint on his face and hands and whose robe included a hood, was probably who suffered the most, even if he barely moved throughout the whole gig. He even admitted at some point that it was “boiling” up there. So kudos for their resistance.
The music itself deserves some applause too, even if their avant-garde black metal cut down the adrenaline that both previous bands rose up. Still, mainly songs from their latest “Triangle” and at least one off “Contradiction” (“Golden Light”, if I’m not mistaken) were cheered by the crowd.

www.facebook.com/SCHAMMASCH

078It’s always hard to distinguish a solo artist from a band when the latter is named after said artist – and even so when most of the setlist is comprised of songs the artist played with previous projects. That’s what happened with Abbath. With a 75-minute slot, I understand that even if he/they had played the only released album in full, there would still be plenty of time to kill. But playing four Abbath songs among one of I and six of Immortal… I know they’re not seen exactly as covers by the fans, especially when they were thrilled to listen to “Nebular Ravens Winter” (this one’s even recorded in “Abbath”, the album) and “Tyrants” and “All Shall Fall”, but it still felt weird. Apart from the weirdness, it was super. Black metal lovers were offered a great show of the genre – even if the sun was still high up – and those who didn’t like it particularly could always enjoy Abbath and bassist King’s “evil” faces.

www.facebook.com/abbathband

083As aforementioned, Paradise Lost made my day. Nick Holmes acknowledged the “beautiful new venue” of the fest and said how good it was to be back. And with such a rich and diverse setlist, I doubt someone didn’t feel the same way about their return. From recent songs like “No Hope In Sight” to tracks from “a time when most of you weren’t even born” like “Rapture”, we revisited some of Paradise Lost’s highlights through time.
While drinking Super Bock, probably Portugal’s most popular beer, Nick mentioned its alcohol content – 5,6 % – and said that such beer would be banned in the U.K. because it could turn them into animals. When he associated it with football, the laughter was even louder.
As co-headliners, they could afford an encore, which happened after “Say Just Words” – by the way, from the same album they also played the title-track “One Second” that, according to Nick, they hadn’t played in a while (I checked and apparently the last had been two months prior). ”Flesh From Bone” was one of the four songs of said encore, its death-doom nature – so old-school PL in such a recent song – leading Nick to say “it feels like the last 25 years never happened”. “The Last Time” wrapped it up and I really, really hope this was far from the last time that I’ve seen them.

www.facebook.com/paradiselostofficial

114When entering the photo-pit for Kreator we were advised to stay somewhat away from the stage during the first song – “Enemy Of God”, as it turned out – so we were hoping for some fireworks. Imagine our disappointment when it was just confetti… Oh well. On the other hand, I’m glad it wasn’t anything dangerous, as staying away meant closer to the barriers and that was nearly impossible – the mosh and crowdsurf began with practically the first riff and the security guys needed space to attend to all of them enthusiastic metalheads. Mille Petrozza did ask more than once for circles and screams “Portuguese style” but he really didn’t need to – he was already getting that from the start.
I hadn’t realized until now that their last studio album was already four years old (review here). But worry not – Mille said they were working on the follow-up to “Phantom Antichrist” and that it should be out next year. The reception of this news was loud, but when Mille said he wanted to come back as headliners of their own tour, the crowd’s roar was thunderous. Say what you will about thrash and all these “dinosaurs” like Kreator doing the same thing over and over – legends are legends and will always be welcomed.
VOA experienced “Extreme Aggression” in a “Violent Revolution” brought up by “Hordes Of Chaos” filled with “Pleasure To Kill”, and this year’s edition finished with the “Flag Of Hate” raised by a “Betrayer”. Looking forward for next year’s experiences!

www.facebook.com/KreatorOfficial

A special thanks to the promoters, to Raising Legends and Equaleft for the ride and Mosher Clothing for keeping an eye on my stuff and letting me enjoy the shade of their merch stand.

Text & photos by Renata “Pieni” Lino

Full gallery on our Facebook page here.

Gojira + Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 9th July 2016 by Pieni

Gojira, Equaleft
Hard Club, Porto (PT)
7th July 2016
Promoted by Prime Artists
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July and this was the first time this year that I’ve worked with Prime Artists. They’ve promoted several gigs lately but all in Lisbon and I haven’t had the chance to cover those almost 200 mi. And even though it makes sense to promote a show in a more central, strategic city like the capital, after last night I start wondering if it isn’t also related to the conditions offered by the venues. Hard Club, seriously, what the hell happened to you?! After Ghost, last November, I thought you’d realized it was time to do something about the sauna-temperatures that place can achieve. You indeed bought huge fans to help the AC system in its job, but unless you actually turn them on… And you may think that I’m overreacting, that just a couple of lines on the subject would suffice, but when a band like Gojira is playing a sold-out show and it’s forced to shorten the set because the musicians are close to passing out due to the heat, yeah, a whole paragraph on Hard Club’s greed and lack of professionalism is appropriate.

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Now let’s focus on the good things – the concerts. There’s always some disregard for local, smaller bands, but this time almost everybody was present when Equaleft got on stage, at nine o’clock sharp. When Gojira headlined Vagos Open Air a couple of years ago, there was a petition for Equaleft to be included in the bill, as their sound is the best match to the French’s. At the time it wasn’t possible but I guess you can’t fight what’s meant to be. This was also the first gig of guitarist Miguel Martins, after a short introduction in December, when he played just a couple of songs (report here), but it was such a milestone in Equaleft’s career that former guitarist Veggy flew all the way from Brazil to take part in it.
 photo _DSC0635 copy_zps5jodxrcg.jpgI’ve been to too many Equaleft shows to know how good they are and what kind of positive feedback they get from the crowd, but this being their first time playing in front of so many people, it brought me a special sense of joy & pride – there was a fair share of longtime fans, but they were a novelty to the majority and I saw them surrender to their power groove. And to the chocolate butter cookies they gave away in the end of the show, as it’s their tradition, when singer Miguel returned on stage after a little crowdsurfing (also his usual).

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 photo _DSC0766 copy_zpsn7lmusgx.jpgIn thick smoke, strobe lights and louder-than-hell roars, Gojira took the stage with “Toxic Garbage Island” – and from the very first second to the last, the crowd gave a new meaning to the words enfants sauvages. They were restless ven during the tribal drum solo of Mario Duplantier, clapping their hands to the rhythm nonstop.
When Joe Duplantier addressed the audience, apart from the little pleasantries that he knew how to say in Portuguese, he said they loved our country and compared the city of Porto to a fairy-tale. Later he would mention the UEFA Euro 2016, saying “congrats on the final”, and as France had beaten Germany minutes before the show, he said how the victory would be good to France, given all the social-economical crisis their country was going through. We didn’t take it bad – there wasn’t a single whistle or boo – but the way “POR-TU-GAL! POR-TU-GAL!” echoed through the venue, showed him we weren’t keen on letting them win easily.
“Shooting Star” would end the show after about one hour and a quarter, with Mario stage-diving into the eager crowd. “Explosia” should have been the last, but they couldn’t take the heat any longer, as aforementioned. Still, band and audience left “hot club” (as Joe called it) with their hearts full.

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Text & photos by Renata “Pieni” Lino

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