Archive for Equaleft

Equaleft’s “We Defy” release party – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , on 3rd February 2019 by Pieni

Equaleft, Analepsy, Web, Sotz’
Hard Club (Sala 2), Porto (PT)
1st February 2019
Promoted by Raising Legends

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Despite the ticket presale going on a steady run, Equaleft singer Miguel Inglês never believed he’d have a sold out venue. Now, he has this pet hate of sorts for Manowar and he promised to buy a Manowar album in case the tickets did sell out. Guess who’s adding “Sign Of The Hammer” to their CD collection?

sotzwedefyAs I’ve mentioned before (read here), Sotz’ have been evolving so much and playing in so many events that I didn’t realize this was this first Hard Club show until singer Dan mentioned it. The room still wasn’t at its full capacity – Friday traffic was even more chaotic due to the storm and a couple of other events in the neighborhood – but it was crowded and supportive enough to leave no doubt about the genuineness of Dan’s “thank you for being here”. That gratitude also produced a new song, “The Return Of Kukulcan”, right before the last one “Tzak’ Sotz’”.

https://www.facebook.com/sotzband/

webwedefyFrom a national popularity point of view, it didn’t make much sense to see the legendary Web get on stage next, but Analepsy had to drive about 200 miles to get to the venue – and Web just don’t care about that playing-first BS. Singer/bassist Nando was mourning a relative, who had passed just two days before, but no one could tell – he was his usual self, giving it all, and joking about Filipe’s white guitar and how the cookies Equaleft had brought were all gone by now, eaten in the backstage, so if that was why we were there, then we could go home. He also didn’t flinch when introducing the new song, ironically called “A Grave To Be Dug”. An awesome new song, by the way, bearing a sound you easily recognize as theirs. The chorus to “Mortal Sound” and “(In)Sanity” were sung along by pretty much everybody in the room.

https://www.facebook.com/web.bandofficial/

analepsywedefyBrutal death metal Analepsy, living up to the “brutal” part. Hair running in all directions on stage, while bodies did more or less the same on the floor. And that’s pretty much all I can say about it – as usual – and trust me, it is NOT a derogative report on their performance. I hate writing something as basic as “it was a great show” but in this case it will have to do. At some point there was a kind of a joke involving a rock band who was actually playing next door but it’s a Portuguese thing that even I can’t explain the fun in it, so… nope, nothing more to add.

https://www.facebook.com/analepsyofficial/

equalwedefy1Equaleft’s second full length album was featured in my expectations for 2018 but its release was held for a couple of months more and here it is, in the beginning of 2019. It’s okay, as the waiting was more than worthy (read the review here). And its live presentation…. well, their gigs are always mind-blowing, I can assure you that didn’t change a bit now! “We Defy” was played in full, but with… is 5-year-old songs too young to be considered “classics”? Anyway, “New False Horizons”, “Tremble” and “Maniac” were performed among the new ones, while “Invigorate” wrapped it all up with a golden key – without the Star Wars lightsaber but with two special guests: Sotz’-Dan and Tales For The Unspoken-Marco. Gonçalinho came on stage to play the sax on the new version of “Uncover The Masks”, and while there are no guest singers on the album, Web-Nando was called to sing along “Endless”. By the way, he lied about the cookies, obviously – a few boxes of them were offered to those who survived the violent mosh circles up front. Also, guitarist Miguel had his birthday that night and Inglês got us all singing him the “Happy Birthday” song, but the candles he blew were sitting on a symbolic kind of cupcake, so no cake for us – we deserved the other traditional cookies!

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The release of “We Defy” was a deserved tremendous success. Don’t know what’s next, but I really hope is something even bigger – maybe selling out Hard Club’s main room? -, worthy not of buying a Manowar album but playing a cover of said band…

Text & photos by Renata “Pieni” Lino

Equaleft – We Defy

Posted in CD, Metal with tags , , , , on 27th January 2019 by Pieni

Equaleft
“We Defy”
Groove metal
Release: 1st February 2019
Via Raising Legends

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Equaleft are labelled – even by themselves – as “groove metal”, but their sound has always been too exquisite to be defined by just two words; but since we had to go for something, given the intense throb of said sound, “groovy” is a good broad definition as any. Now “We Defy” lives up to its name and keeps pushing the envelope, but I still won’t dare coming up with a new label.

I will say, though, that the somberness has reached a new level. The very first song on the album, for instance. If prog-doom isn’t a thing yet, “Before Sunrise” could be its genesis. But then again, there’s a certain… glow in its musicality, making it sound sad but not depressing, so I guess not so doom-ish after all.

In “Once Upon A Failure” there’s this heaviness and rawness that mingle oh-so-well with the ominous echoes of its melodic chorus, while the enthralling solo, by the hands of Sullen guitar player, André Ribeiro, gives off such a vibrant darkness. The title-track’s is even more mesmerizing, as the heaviness in “Fragments” is bolder – they all have something in common and something unique which, in the end, makes us recognize it as Equaleft.

There are two other guests but none of them performing vocal parts, even though in songs such as “Endless” or “Strive” you may wonder if it’s really Miguel Inglês singing. Trust me, it is. Many people don’t know, and those who do often forget, that Miguel used to sing in a gothic/doom band (Mysterium) and that this lower, deeper pitch is very much his and fits perfectly in the darker direction some parts of this new album have taken.

It’s not even about maturity, as the previous “Adapt & Survive” was already a pretty seasoned work. It’s simply moving forward and achieving greatness once again.

[On an additional note, their former guitarist Nuno “Veggy” Cramês takes the lead on “Realign” while the third aforementioned guest is José Pedro Gonçalinho, who plays a killer sax on the revamped “Uncover The Masks” (originally featured on the 2010 EP “… The Truth Vnravels”).]

5/5

Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2018 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , on 2nd August 2018 by Pieni

Web, Mata-Ratos, SepticFlesh, Equaleft, Hills Have Eyes, Nine O Nine, In Vein, Sotz’
Louro, Famalicão (PT)
Promoted by Associação Ecos Culturais do Louro
27th July 2018

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sotzlnmf18The second day started at mid-afternoon, with Sotz’ doing the honors. Here’s a band that’s been improving their performance at every show, and consequently winning over more fans – 4:30 p.m. and a large number of people ready to shout out and mosh around their support. Without any kind of disrespect for previous line-ups, I believe the current one is the most efficient in living up to the aggressive impact the band yearns for their sound.
I’m not sure if the crowd was singing along – Dan Vesca is pretty hard to follow up – but they clearly recognized the tracks off the EP “Tzak’ Sotz’” and the recent single “Baak’”.

www.facebook.com/sotzband/

INVEINLNMF18Another band that’s grown a lot since the first time I’ve seen them a couple of years ago is In Vein. Raising Legends has been doing a hell of a job managing them, getting them to play practically everywhere, to the point where I confess I rolled my eyes when seeing their name on this bill. My sincere apologies – it was well deserved. Songs such as “S.A.T.A.N.”, “Paranoia” or “Infinite Night” fueled the headbanging and the horns in the air – singer António Rocha tried to convince the firemen to join the latter at some point, but they just smiled.

www.facebook.com/invein.band.pt/
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Representing a rockier side of metal, we got Nine O Nine, guitarist Tó Pica’s new band. Introducing their debut “The Time Is Now”, released in February, Louro was filled with the enthralling melodies of “Big Event”, “Beauty Femme” and “Sofia” – dedicated not just to all Sofias but to every woman in the audience. Singer/bassist Sérgio Duarte didn’t want us to get the idea that NON were mellow, so they finished their set with the brisker “The Rush”.

www.facebook.com/NON909/
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The Estrella Galicia stage closed for the moment and the spotlight turned to the main stage, Porminho, with Hills Have Eyes spreading their usual vitality. Fábio Batista’s voice was a bit worn down but he himself was jumping all around, so it made no real difference in the intensity of the music. Plus bassist Luís Silva backed him up, making sure all lines were sung. Splitting their setlist between the two most recent albums, but visiting “Black Book” through “Unneurotic” and the new single “Never Quit”, Fábio thanked the people that probably weren’t much into their sound but still were there, watching them and showing them respect. This and the little speech that always goes along “Anyway It’s Gone”, about music being music, no matter the label, hence they’d never decline an invitation for a “metal festival”.

www.facebook.com/hillshaveeyes/
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From metalcore to groove, Equaleft was the epitome of the “may the force be with you” slogan which their singer Miguel Inglês loves so much. They’ve been recording the successor to “Adapt & Survive” and even if the title or release date weren’t revealed yet, a live promotion is running already: “We Defy”, “Once Upon A Failure”, “Strive”, “Endless” and “Overcoming” made part of the band’s set and were tremendously cherished. Still, the highlight was “the lightsabre song” – the classic “Invigorate” – where Sotz’-Dan Vesca was a spontaneous guest. During the last song, “Maniac”, Miguel crowdsurfed while singing and then rewarded the fans with cookies. As usual.

www.facebook.com/equaleft/
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When promoter Aguiar Silva got on stage to address the audience, I thought he was going to introduce the headliners; it was something much more noble than that. In case you don’t know, SepticFlesh come from Greece, where several wildfires have taken about a hundred lives. Portugal went through a similar tragedy last summer, so more than sympathetic with the situation, we related. Therefor when Aguiar asked not for a minute of silence but half a minute of applause for the souls lost in those fires, Louro trembled. Singer/bassist Spiros Antoniou himself would dedicate “Prometheus” to the same souls – after all, in Greek mythology, Prometheus was a Titan who stole fire from the gods and gave it to the humans. But before that, songs such “Martyr”, “The Vampire Of Nazareth” or “Prototype” had already left the crowd in total rapture. Spiros dislocated his shoulder a few weeks ago, and even if everything’s okay now, he still couldn’t raise his arm/fist as high as he wished to, so he wanted our help to do it for him. We obviously complied. 10-year-old “Anubis” and last year’s “Dark Art” built the encore of a stellar show.

www.facebook.com/septicfleshband/
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Mata-Ratos spent almost a decade without any new material but their life on the road rarely took a break – that being the reason why their original schedule on Saturday was anticipated to Friday (something about a show in Spain). “Banda Sonora do Apocalipse Anunciado” was released in 2016, but needless to say that it was songs from almost 20 years ago – “A Minha Sogra É Um Boi”, “Amor Eterno” or “CCM” – that brought out the inner punk in all of us. Singer Miguel Newton still paces the stage through and through like a lion in a cage, but I’ve managed to frame him more clearly – he’s either slowed down a bit with age or I’m just getting more skilled.

www.facebook.com/infamesmr/
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Back to the Estrella Galicia stage to watch the final band: only Web to have such a numerous and loud crowd at 2 in the morning. They’ve been somewhat away from the stages, writing the successor to “Everything Ends”, but unlike Equaleft, nothing new was revealed – well, except for the intro, that was a new one. And guitarist Filipe Ferreira’s posture! Web is the band I’ve seen the most in these +20 years of attending metal concerts and this was the first time Filipe made me wonder if they got sponsored by some energy drink. “Vendetta” was the last live song of the night, before António Freitas assumed the role of DJ.

www.facebook.com/web.bandofficial/

Text & photos: Renata “Pieni” Lino

Pieni’s highlights of 2017

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , on 1st January 2018 by Pieni

2017 was quite the roller-coaster, hence my somewhat absence. But that doesn’t mean I’ve paid less attention. My live highlights this past year were:

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  1. W.A.S.P. at O2 Forum Kentish Town (London)
  2. Infraktor at Metalpoint (Porto)
  3. Equaleft at Hard Club (Porto)
  4. Ugly Kid Joe at AgitÁgueda (Águeda)
  5. Hills Have Eyes at River Stone (Penafiel)

In terms of records I might have been a bit careless, but these titles are awesome nevertheless:

heartlessoppressor

  1. “Heartless Oppressor” by Primal Attack
  2. “1755” by Moonspell
  3. “Infinite Shadows Of Memories” by The End Of Grace
  4. “Hegemony” by Samael
  5. “Medusa” by Paradise Lost

Top-5 videos:

  1. “In Tremor Dei” by Moonspell
  2. “Never Quit” by Hills Have Eyes
  3. “Like Orpheus” by Orphaned Land
  4. “Blood And Chaos” by Paradise Lost
  5. “Black Flag” by Iced Earth

And expectations/anticipations for 2018:

infexhaust

  1. The release of “Exhaust”, Infraktor‘s debut album!
  2. After the single “Never Quit” blowing my mind away, can’t wait to see what Hills Have Eyes will deliver next.
  3. The release of “Dropout”, Breaking Today’s debut EP, and how it will turn out live (pretty dynamic, I’m sure).
  4. Crashdïet have a new singer, Gabriel Keyes, and judging by the first single featuring him, “We Are The Legion”, I foresee a bright future for the Swedes.
  5. Just a few days ago, in what I’ve considered one of their best live shows ever, Equaleft played two new songs, two powerful new songs. Hoping to listen to the rest of this upcoming second full-length album in 2018.

Happy New Year folks!

Renata “Pieni” Lino

Sepultura w/ Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 8th July 2017 by Pieni

Sepultura, Equaleft
Hard Club, Porto (PT)
4th July 2017
Promoted by Prime Artists

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Drummer Marquito left Equaleft last October but when your former band is invited to open for Sepultura, you must return for (another) last gig.
Everybody came out of the shadows, apparently – media included. So we were divided in groups and each shot one of the first three songs. My only concern was regarding the exchange between songs but the situation was handled smoothly. So kudos to Prime Artists and the Hard Club staff – thanks to them, we all had a shot at covering such memorable show.

marquitoIt was the closing of a chapter in Equaleft’s book, marking the last gig promoting “Adapt & Survive”. If memory serves me well, they’d said that already a few months ago, but just like Marquito, they couldn’t say no to Sepultura. I believe this time it was really the last one, though, as I know a new record is taking a solid shape, with a new drummer who will be announced soon. But that night was still just for what are already considered classics among the national underground – the intrepid “Invigorate” (featuring the mandatory Star Wars lightsabre), the groovy “Tremble”, the eccentric “Maniac” or the classy “Uncover The Masks”. And in the end, “their trademark” box of cookies was distributed among the fans.

JEDIMIG

www.facebook.com/equaleft

derrick2There were a lot of Equaleft t-shirts in the crowd, but when Derrick Green himself goes on stage wearing one… damn, even I felt proud – hence the need of mentioning this little detail. Regarding what really matters: when you’ve been in a band for over 30 years and “big” for almost as long, one hour and a half always seems awfully short, especially after the release of another album. The trick is finding the right balance between new and old and, of course, performing both like there was no tomorrow. Guess who were able to do just that? (Okay, I confess I’d rather watch them play “Troops Of Doom” than “Inner Self”, but we can’t always have our way, and the near sold-out venue went bananas screaming along “nonconformity in my inner self / only I guide my inner self”, so who am I to complain?). Also, if you’ve read my live reports before, you probably know how I disapprove of solos; Sepultura seem to share this opinion as Andreas Kisser proved his skills – as if he still needed to – by playing the instrumental “Iceberg Dances”, out of the latest “Machine Messiah” the band’s currently promoting.
JUNIOR“I Am The Enemy” kicked it off, “Roots Bloody Roots” (what else?) finished it up, in-between Derrick told us “this is your fucking territory” and that he wanted to see us all arise, and Andreas dedicated “Sepultura Under My Skin” to Moonspell and F.C.Porto – the first for being good friends and representing Portugal’s metal throughout the world, the same way Sepultura do with Brazil’s; the latter… well, we all know how football is big in Brazil.
It was such a brutal show that no one even took offense when Derrick mistook Porto for Lisboa. Of course he was booed loudly, but his apologies were so immediate and genuine – plus, he’d said Porto several times during the evening – that it turned out more of a funny moment than an actual fail. Therefore, a perfect night.

KISSER

www.facebook.com/sepultura

Gallery at our Facebook page here.

Text & photos by Renata “Pieni” Lino

Pieni’s highlights of 2016

Posted in Editorial/Opinionated, Uncategorized with tags , , , , , , , , , , , , , , , , on 31st December 2016 by Pieni

This year it was really REALLY tough to choose just 5 shows (Sam Alone, The Mission and Heavenwood should also be there somewhere):
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  1. Hills Have Eyes at Canecas Bar (Paços de Ferreira)
  2. Sonic Syndicate at Göta Källare (Stockholm)
  3. Moonspell at Pavilhão Multiusos (Guimarães)
  4. More Than A Thousand at Time Out Market (Lisboa)
  5. Testament at Coliseu (Porto)

The albums were easier:
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  1. “Stand Up, Forward, March!” by Sister
  2. “Confessions” by Sonic Syndicate
  3. “Atoma” by Dark Tranquillity
  4. “When Patsy Cline Was Crazy…” by Ricky Warwick
  5. “Brotherhood Of The Snake” by Testament

My video top-5 is “lighter” than last year’s: two emotional, one a kind of tribute, and two funny as hell:

  1. “The Beat” by Satan Takes A Holiday
  2. “Make It Right” by Hills Have Eyes
  3. “I Apologize” by Five Finger Death Punch
  4. “The Great Disillusion” by Betraying The Martyrs
  5. “Call Me” by Pain

Anticipations/expectations for 2017:
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  1. Infraktor – a “gourmet thrash metal” all-star project who I’m proud of being close to, hence keeping tabs on. Let’s see how others will receive them.
  2. Hills Have Eyes – saw some new pictures of the boys in the studio. Needless to say I’m thrilled.
  3. Equaleft – yep, something’s still brewing…
  4. Five Finger Death Punch – “Got Your Six” isn’t my favorite 5FDP album but it’s still good enough. Let’s see if what they’re up to now pleases me more.
  5. Guns N’ Roses – this is a live expectation. I’m having totally mixed feelings about this reunion. Not even sure if I’ll go to the Portugal show, so I’m also expectant on what my final decision will be…

Happy New Year peeps!

Renata “Pieni” Lino

Porto Best Of – Porto, Portugal

Posted in Festival, Gig, Live with tags , , , , , , , , , , on 31st October 2016 by Pieni

Tarantula, Equaleft, Redemptus
Rivoli Theatre, Porto (PT)
19th October 2016
Promoted by Miguel Guedes and Porto City Hall

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In a country with deep roots in metal but where such music is still much frowned at, having the City Hall backing up a metal event is a big thing. Even if we had to watch the concerts sitting down… I confess I was expecting the audience would eventually stand up, but that didn’t happen. Guess we wanted to prove the City Hall and the classy Rivoli theatre staff that we were all civilized, law-abiding citizens.
Calling it “Porto Best Of” is probably a tad pretentious, especially when there was only three bands on the bill, but then again, it showed respect for who was performing.

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The first of those bands was Redemptus, a sludge/post-metal act that was formed two years ago in S. João da Madeira (yeah, the “Porto” part is also misleading). Why them and not some other with a longer career? Well, first, they’re good, and that’s reason enough; but there’s a second, which lies in their members having been around way longer and built quite a career in several different projects. Surrounded by smoke and dim-lit by red lights, the trio performed pieces featured in their debut “We All Die The Same”, released by Raging Planet Records early last year.

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For Equaleft the darkness remained but now in shades of blue. At least now we had permission to shoot the first two songs in front of the stage (thanks for that, André). This was the second to last show promoting “Adapt & Survive” (review here) and, sadly, also the next-to-farewell performance of drummer Marcos – his personal life got to a point where playing in such an active band as Equaleft wasn’t possible anymore.
It was really weird watching Equaleft sitting down. While it’s easily manageable to headbang in that position to Redemptus’ sound, Equaleft’s groove makes your whole body pulse and the urge for movement is harder to control. But we did it, somehow. As for the band themselves, they didn’t stop and the floor literally throbbed to songs like “New False Horizons”, “Invigorate” (the light-saber song) or “When Ruin Becomes A Bliss”.

 photo JORGEMARQUES_zps265pomke.jpgTarantula is one of the biggest names in our heavy metal history so even though they haven’t been playing much and their latest record dates from 2010, it made sense to have them headlining this event. Their career hits the 35-year mark, if we count the four years going by Mac Zac. In 1990 they would release what’s considered their most significant album, “Kingdom Of Lusitania”, and that’s the album they celebrated that night. Among the big hits of the rest of their discography, that is, such as “You Can Always Touch The Sky”, “Freedom’s Call” or “Face The Mirror”. No “Power Tower”, though a few fans asked for it… Still, in the end, I didn’t see any disappointment in the almost sold out theatre except for that – that it had ended. After more than three decades, Tarantula still know how to pull a great heavy metal show and make you sing along and raise your fists like there’s no tomorrow.
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I believe bands and audience proved that metal is something worth supporting and that more events like this will follow. I just hope they reconsider the chairs…

Text & photos by Renata “Pieni” Lino