Archive for Hard rock

Sunflower Dead – Coma

Posted in CD, Metal, Rock with tags , , , , , on 12th November 2018 by Paul Macmillan

Sunflower Dead
Coma
Released  16th November 2018
Hard Rock
Released via Combat Records

Featuring former Fear Factory bassist, Christian Olde-Wolbers, Coma is the latest recorded work from Californian rock band, Sunflower Dead. If you’re expecting chuntering, mechanical metal, however, sit back and prepare for a surprise. This is nothing like the aforementioned metal giants of the 1990s.

Drawing in equal parts on nu-metal and 80s classics, SD have melded together a surefire concoction, utterly guaranteed for rotation on mainstream alternative channels. Big chunks of Korn, Dope, and Disturbed have been cherry picked to form a large part of the body of sound, but are equally matched by volumes of Skid Row, and Zakk Wylde (especially in some of the lead work shredding). Everything is further fleshed out with something else of the band’s own creation, plus a spritz of something akin to Pist. On. jamming with Sevendust.

Nothing groundbreaking, then, yet it still has character worth giving a chance. It wouldn’t be too much of a shock to see this band taking the reigns of the soundtrack for a sequel to Queen Of The Damned. Looking over their back catalogue, Coma is certainly a big step up from previous releases, but continues in the same style. Existing SD fans should get a real kick out of it. Personally, I’ve moved away from such things for the most part, as years have gone by. I wouldn’t shy away from it, but I’d be more likely to plump for yet another spin of Demanufacture. Maybe I’m just old…

3/5

Paul Macmillan

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Escape The Fate announce ‘This War Is Ours’ 10th anniversary tour

Posted in Misc., News, Rock with tags , , , , on 9th November 2018 by izaforestspirit

The American rock band Escape The Fate have announced that their ‘This War Is Ours’ 10th anniversary tour will come to Europe at the start of next year. The tour celebrating the 10th anniversary of the release of their debut album starts in The United States in December 2018. Then the European leg of the tour begins on 24th January 2019 in Bristol, The UK .

Here is the full schedule:

January 2019
Thu 24th – Bristol, UK, Thekla
Fri 25th – Manchester, UK, Gorilla
Sat 26th – Nottingham, UK, Rock City
Sun 27th – Dublin, Ireland, Voodoo Lounge
Mon 28th – Belfast, N. Ireland, Limelight 2
Tue 29th – Glasgow, Scotland, Garage
Thu 31st – Antwerp, Belgium, Zappa

February 2019

Fri 1st – Cologne, Germany, Kantine
Sat 2nd – Copenhagen, Denmark, Pumpehuset
Sun 3rd – Stockholm, Sweden, Fryshuset
Tue 5th – Helsinki, Finland, Nosturi
Thu 7th – Oslo, Norway, Parkteatreret
Fri 8th – Goteborg, Sweden, Sticky Fingers
Sat 9th – Hamburg, Germany, Grunspan
Sun 10th – Berlin, Germany, Bi Nuu
Mon 11th – Munich, Germany, Backstage Halle
Tue 12th – Prague, Czech Rep., Futurum
Thu 14th – Vienna, Austria, Szene
Fri 15th – Milan, Italy, Live Club
Sat 16th – Zug, Switzerland, Galvanik
Mon 18th – Paris, France, Le Trabendo
Tue 19th – Eidenhoven, Holland, Dynamo
Wed 20th – London, UK, Electric Ballroom
For more details visit:
http://www.escapethefate.com.
https://www.facebook.com/escapethefate/

Browsing Collection – Don’t Want To Dance (EP)

Posted in CD, Metal, Punk Rock with tags , , , , , , , on 18th October 2018 by mickbirchy

Browsing Collection

Don’t Want To Dance (EP)

Hard Rock, Alternative Metal

Released 26 October 2018

via Record Union

Sweden is such a hotbed for great rock and metal music. There just seems to be no end to the great bands I get to talk about from there. A new band for me, hailing from Skövde, are Browsing Collection. A punk rock band that hits you with the force of a heavy metal outfit. These four ladies are out to claim the world of hard rock for their own. Their new EP, Don’t Want To Dance, is certainly an attention-getter. Their metal influenced punk rock immediately grabs you and leaves you breathless. It all sounds so glorious. It’s honestly been a while since a band has grabbed my attention so immediately.

The EP opens on the tune “One Time A Year” an energetic song with lots of hype and an emphatic chorus that get the hard juices flowing. That energy flows through this EP like a surge of power. It’s the kind of song that gives that kick to get you up and moving. The next single from the band is “Something To Hold On To”. This is more of a party rock anthem and keeps that sense of intensity with its well-executed guitar lines and invigorating chorus. The EP just has a great sound and the band keep up an amazing energy throughout. Other songs I lie would be “Thank God It’s Friday” for it big sound and hard-hitting guitar, also, “Hi but No” is a great tune that shows the bands charisma and personality.

The production is outstanding with every instrument coming through loud and clear. These girls know how to make rock music sound so good, with an impactful and commanding presence that demands your attention. Their music has a big anthemic quality that’s great to sing along to. If I was getting ready for a night out this would be the music that would be blasting to get me hyped. Their riffs are kickass, their sound is tight and consistent with loads of energy and creativity. I have been listening to all of their releases on Spotify as well, let me tell you now, you need this band in your life a.s.a.p.

5/5

Mick Birchall

God’s Army – Demoncracy

Posted in Metal with tags , on 16th October 2018 by izaforestspirit

God’s Army
Demoncracy
Released 12h October 2018
Heavy Metal
Released via Rock of Angels Records

God's Army - Demoncracy

‘Demoncracy’ is the second album from God’s Army, a heavy metal band featuring Mark Cross (ex- Helloween, Firewind and many others). They were originally formed in 2004 and their line-up hasn’t changed much since the beginning. The only new addition to the band is the German guitarist Eddie van Dahl.

The band stated on their Facebook page that despite the name they have “absolutely nothing to do with religion and everything to do with music.” So religion is not one of the themes, but based on the album title and the samples from political speeches it looks as though politics and current affairs are among the topics covered in the lyrics. The first track is an intro which you may wish to skip unless of course you like listening to crowd noises and politicians talking. Moving on… Right from the opening riff Free Your Mind sounds much more promising. It’s a guitar-driven, classic catchy heavy metal song with all the right elements to make you want to start headbanging. Final Destination takes on more melodic stance with some progressive undertones in the guitars. The vocals reminded me of mid-career Helloween.

There are more samples from political speeches further into the album, but that shouldn’t be a deterrent. I quite enjoyed the chorus and the guitar parts on Games Without Frontiers – another catchy heavy metal song. What I could have done without are the so-called filler tracks such as the whispers and ambient track The All Seeing Eye. Seriously, what the hell is the point of that song? Luckily it is short and what follows is more guitar-driven, melodic but very catchy heavy metal. They saved the best for last – closing the album is an entertaining heavy metal cover on Frank Sinatra’s My Way. Not the most obvious choice for a cover but it works very well.

Overall, ‘Demoncracy’ is a good example of modern heavy metal. The songs are catchy and well executed but not too progressive or over-complicated in structure. There’s a few tracks which I had to skip but those are the only minor flaws on this album.

3.5/5

Iza Raittila

All That Remains announce new album and European tour

Posted in Metal, Misc., News, Studio Report with tags , , , , , on 5th October 2018 by izaforestspirit

It’s busy times ahead for the American metal band All The Remains. Their new album ‘Victim Of The New Disease’ will be out on 9th November 2018 via Fearless Records. It is rumored to be their “ heaviest record since ….for We Are Many” and it will feature a guest performance from Danny Worsnop (Asking Alexandria).

You can check out the cover art here:

All That Remains - Victim of the New Disease

They will also be hitting the road in December 2018 supported by Sevendust with a series of European dates starting in Southampton in The U.K.

Here is the full schedule:

01.12 – Southampton, Engine Rooms, The U.K.

02.12 – London, Electric Brixton, The U.K.

04.12 – Manchester, Academy 2, The U.K.

05.12 – Glasgow, Garage, Scotland

06.12 – Nottingham, Rock City, The U.K.

07.12 – Bristol, Swx, The U.K.

09.12 – Paris, Glazart, France

10.12 – Cologne, Luxor, Germany

11.12 – Berlin, Columbia Theater, Germany

12.12 – Prague, Meet Factory, Czech Republic

14.12 – Wroclaw, Firlej, Poland

15.12 – Vienna, Flex, Austria

17.12 – Munich, Backstage Halle, Germany

18.12 – Aarau, Kiff, Switzerland

19.12 – Amsterdam, Melweg Oz, The Netherlands

In the meantime you can enjoy their latest lyric video ‘Fuck Love’:

For more details visit:

https://www.facebook.com/allthatremains

http://www.allthatremainsonline.com/

 

 

 

Bad Wolves – Disobey

Posted in Metal, Rock with tags , on 3rd October 2018 by Paul Macmillan

Bad Wolves

Disobey

Released 11th May 2018

Melodic metal/hard rock

Released via Eleven Seven

It’s been some time since I listened to a full album of music of this ilk. Falling somewhere between the ballparks of nu and 00s melodic metal, the tone really pulls me back to when I was a young un. To be honest, I didn’t even realise people were still putting out releases quite so earnestly in this style. It’s no big surprise when you find out that Bad Wolves feature among their ranks former members of Snot and In This Moment. The result is neither as urban or as soft as that might lead you to believe, however; possibly under the influence of other contributors’ previous employ in the likes of Devildriver and Divine Heresy.

The full and final effort is most assuredly accessible, mainstream heavy metal, but so much time has traveled by since that sound was originally formed, that it’s somewhat ‘retro’. If you dug into the easier metal bands of the late 1990s and early 2000s, you’ll no doubt have some familiarity with Sevendust, and, unavoidably, Killswitch Engage. Throughout Disobey, whether in emotional melody or grunting angst, these are the kind of artists who are brought to mind. It’s not as technical as the former, or as strictly structured as the latter. They would maybe have been more at home during the heyday of such trends, rather than stepping into a scene which has exploded into diversity, and away from the swansong of traditional progression paths via big labels. Perhaps the protracted release and promotion schedule (the first single came out November 2017), is aimed at finding a new way to get around this.

This is an easy listen, and a well executed album, but I do wonder if modern metal fans will be as inclined towards it as they might have been a generation ago. (Yes, it has been that long!) Their huge single in Cranberries cover track, Zombie, will no doubt keep them remembered for years to come. Could it have been bigger with different timing, though?In my own opinion, the album kicks the a*** off bands like Nightwish or Ghost, as music with a significant amount of clean singing, but I would have likely been more instantly gripped by it 15 – 20 years ago. It’s a hard call as to how far this could go with metal Joe public, now. In total, we can be a fairly unpredictable bunch.

3.5/ 5

Paul Macmillan

Alice In Chains – Rainer Fog

Posted in CD, Metal, Rock with tags , , , , , on 16th September 2018 by mickbirchy

Alice In Chains
Rainer Fog
Grunge, Alternative Metal, Stoner Rock
Released: 24 August 2018
via BMG Records

The grunge rock icons, Alice In Chains return with their sixth studio album, Rainer Fog. They’ve always been one of those bands for me that I’ve had a bit of a love/hate relationship with. I think they’ve had some amazing songs over the years and their influence is certainly felt across the world of rock music. Yet, I don’t think I’ve ever really enjoyed a full album from them, I like a few songs but never a full record. So, when I got the chance to check out their new album, I was curious to have a listen. This album is the third album with William DuVall as lead vocalist sharing vocals duties with Jerry Cantrell, and the first Alice in Chains album in 22 years to be recorded in their hometown of Seattle. The album’s title was inspired by Mount Rainier, a volcano that overlooks the Seattle-Tacoma metropolitan area.

Straight away the grunge tone takes over with sharp heavy blasts of the guitar as the opening tune “The One You Know”. The riffs are heavy and have that chugging tone. A lot of bass and the drum hits come through sharp. From a production standpoint, they sound excellent with a great balance and a clear tone. I will say they have a lot of strong hooks that keep you listening. There are moments of the album that just get stuck in your head. Also, the weird vocal effect is so strange to my ears it gets lodged in my brain. The dueling vocals between DuVall and Cantrell creates some very nice moments of harmony. Even the weirder moments from a musical perspective are save by the harmony. Like on the track “Fly”. A song that sounds like it was cut and pasted straight from the nineties.

Musically, Rainer Fog has some particularly strong tunes. The title track is great as it has that old-school Seattle grunge feel injected into it. Also, I really like “So Far Under” with it’s Sabbath-esk riff and bass tone that hits you right in the gut. However, I can’t stand up for the whole thing. A lot of the album feels like filler from previous Alice In Chains albums and it might as well be white noise to me. It has interesting ideas but for the most part it does nothing super interesting with them. It sounds fine and if you’re in to Alice In Chains you’re probably used to the hit and miss songwriting. For me though, there are just long stretches of the album that either don’t pack enough punch like on “Red Giant” or feels like it’s there to just take up space on the album such as “Drones”.

Yet again, Alice In Chains just makes an okay album. Nothing bad just nothing that really gets me going. It’s produced well but lacks a lot of imagination and feels like a band that’s just stuck, spinning their wheels. There are some great songs here and ones I really liked, with strong riffs and hooks. Others, where just long windy tunes that didn’t go anywhere. If you’re really into Alice In Chains and the Seattle scene then… well, you’ve probably already got it.

2.5/5

Mick Birchall