DevilDriver -Dealing With Demons I

Posted in Review with tags , , on 27th October 2020 by izaforestspirit

DevilDriver
Dealing With Demons I
Released 2nd October 2020
Groove Metal /Melodic Death Metal
Released via Napalm Records

DevilDriver - Dealing With Demons, Volume I

Groove metal has never really been one of my favorite metal genres. To be honest with the exception of one old Machine Head album, the only groove metal band you will find in my music collection is Devildriver. I’ve been following their career since the self-titled debut album, which, despite its many faults, gave us ‘I Could Care Less’ and helped to bring frontman Dez Fafara some recognition within the metal scene. I actually first discovered him via his first band, the cringe-worthy nu-metal outfit Coal Chamber. Yes, I too went through a very brief nu-metal phase as a teenager and Coal Chamber’s ‘Chamber Music’ remains a guilty pleasure of mine… Anyway, Devildriver is a better and much more serious band that I’m not embarrassed to like. They are really good live and they have produced a few memorable albums over the years. This brings me to the newest studio effort ‘Dealing With Demons I’, part one of a two album concept.

Despite the profound lyrical themes reflecting Fafara’s personal experience of social anxiety and agoraphobia, Keep Away From Me seems like an odd choice for an opening track. It’s rather slow to start with and I really did not like the droning guitar riffs and slow drumming in the intro. That is something you would expect to hear from a doom metal band, not Devildriver. Luckily it gets better later on – past the first minute mark and the groove metal riffs enter the fold. It’s still slow but at least it finally got going. So not the best start to the album…Luckily the next few tracks are better. The vicious-sounding Nest of Vipers may not the best song on the song on here but it features a varied paced and some good groove metal guitar riffs.

For me the real album highlights are: Iona with its haunting, down toned riffs and equally creepy growls and Wishing – a classic DevilDriver song with a memorable chorus and the best guitar parts on the whole record. The latter is without a doubt my favorite and the song that I’ve played the most. You Give Me A Reason To Drink (feat. Simon Blade Fafara), deserves a mention just because I really struggled to tell the two vocalists apart. Simon Blade Fafara sounds a hell of a lot like his father. I cannot fault the guitar work though.

In summary ‘Dealing With Demons I’ takes a few listens to get into. I would compare this to mood swings, here are the highs and then there are lows. I really liked some of the tracks, the others grew on me after a while but some never did. Considering that this the first of a two part album concept, I think that it shows some promise but it could be better. Bring on part 2!

6/10

Iza Raittila

Forn Kadr – Mystic Arcane Lands

Posted in Review with tags , , on 21st October 2020 by izaforestspirit

Forn Kadr
Mystic Arcane Lands
Released 9th June 2020
Atmospheric Folk Metal/ Atmospheric Black Metal
Self-Released

‘Mystic Arcane Lands’ is the new EP from British atmospheric black metal duo Forn Kaldr. The band was formed in 2017 by guitarist/drummer Kaldr and bassist Robin Green. Their music is instrumental and it is influenced by nature, mythologies and bands such as Amon Amarth and Caladan Brood. All their releases are available from their Bandcamp page.

Atmospheric and melodic are the key words that come to mind when listening to this album. I actually had some trouble telling the first two songs apart. They sound so alike that had it not been for me checking the Bandcamp page, I would have assumed that this was one very long song. The title track stands out due to the ambient-style keyboard intro. The intro and some of the guitar patterns reminded me of the Australian post-black metal artist Calea Dreaming, whose work I reviewed last year. The song is well structured offering a varied pace with each instrument contributing to the atmosphere, especially the guitars. If there was a soundtrack for a walk in the woods on a cold autumn night, this would be it. The keyboard mimics the sound of raindrops falling, a calm moment before stormy weather resumes. Then the seasons change in the aptly named The Last Breath of Winter. No keyboards, the drums remain in the background and all the focus is on the atmospheric guitar passages.

In all honesty, there is not much in the vein of black metal on here. Only the final, bonus track A Forgotten Age has a black metal tinge to it due to the raw guitar riffs. It has the right kind of eerie atmosphere to it as well.

Overall, ‘Mystic Arcane Lands’ is for some those who enjoy atmospheric metal. If you are fan of black metal instrumentals, then there is a chance that you might like it too. I found it relaxing and suitable on an autumn evening at home but not particularly memorable or stimulating.

7/10
Iza Raittila

The 69 Eyes live in Tampere 2020

Posted in Gig, Live with tags , , , on 11th October 2020 by izaforestspirit

The 69 Eyes
Sorsaklubi, Tampere-Talo, Tampere, Finland
10th October 2020

With everything that has happened this year, I was not sure if this show was going to take place at all. The original date for this was meant to be 10 April 2020 as announced already last year. Then by March the worldwide pandemic had spread across Europe and every country went into lockdown. This show was one of thousands of events that ended up either cancelled or postponed. The new date was set for the autumn. A lot has changed since then. Every country had a slightly different strategy on how to tackle the new challenges, yet some things were the same. Face masks are a common sight in public places and social distancing has become the way we do things around here. While healthcare professionals worldwide continue searching for a vaccine, all we can do is follow the new rules, do our best to stay safe and live as normally as we can under the circumstances.

Live streams have become very popular. I have seen several since the lockdown began. Some were excellent, such as Behemoth’s professionally made and visually stunning ‘In Absentia Dei’, others not so impressive but still entertaining. None though are any match for a real live show. I still kept my ticket for the re-scheduled The 69 Eyes show in hope that it might still happen. Luckily a new set of security measures and guidelines was introduced for small scale events in Finland, which meant that the show was given a green light. The new social distancing regulations stated that the venue, Sorsaklubi (the smaller hall inside the Tampere-Talo) was only allowed to be filled to less than half of its normal capacity. In addition to this, the hall was divided into sections with limited seating and a specific number of people allowed to stand in each row in order to allow for social distancing. Face masks were strongly advised, everyone was instructed to keep a 2 meter distance from one another and there was hand sanitizer available in every corner. I arrived there with my mask on well in advance and I did my best to maintain a safe distance from the rest of the crowd.

This was obviously a completely different experience from the last gig I attended before the lockdown. This time there were no support bands and the Helsinki Vampires were only on for a solid hour and a half. Not the longest of sets but it was definitely long enough to enjoy. Once the band started playing, I felt relieved and oddly calm. They played many fan favorites including Gothic Girl, Brandon Lee and The Chair, new hits such as Two Horns Up along with some oldies such as Wasting The Dawn and Wrap Your Troubles in Dreams. The mask stayed on and I kept my distance but I still managed to dance a little.


In summary, I’m really glad that despite the new challenges caused by the ongoing pandemic this show was allowed to happen. It was worth spending over two hours in a face mask to see The 69 Eyes live again. It was a great show in spite of all the adversity. With all the hardship, panic and fear going in the world sometimes the perfect tonic is music. So, masks on, hand sanitizer at the ready, social distance away and get ready to Goth’n’Roll!

Iza Raittila

Fjøssnisse – Unleashed Hymns

Posted in Review with tags , on 5th October 2020 by izaforestspirit

Fjøsnisse
Unleashed Hymns
Released 3rd September 2020
Black Metal
Self Released

‘Unleashed Hymns’ is the second album from the Norwegian artist Fjøsnisse. The one-man project was launched last year by vocalist and multi-instrumentalist Anders Vada. This album plus most of his releases are available on Bandcamp.

It’s been a while since I reviewed any black metal… With the exception of the new album from symphonic black metallers Carach Angren, the last black metal album that got my attention was the new Mgła which came out last year. As soon as I read the description I did not need any more reasons to check this out. “Black metal with thrash metal elements” sounds pretty good to me. Also some of my favorite black metal bands are from Norway so this had the potential to be very good.

After a few listens, there are two main things that can say about this album. First of all, this is a good example of very well executed Norwegian black metal. Secondly I really like it. It is definitely my kind of black metal. The first couple of tracks made of think of ‘Enthrone Darkness Triumphant’ -era Dimmu Borgir minus the keyboards. Despite the grim vocals, reasonably fast pace, thrash metal style abrasive riffs and relentless drumming there is actually a fair bit of ambiance and melody on here. The track The Nine Lords for instance, contains a melodic guitar section towards the latter half of the song. It reminded me of the pagan black metal band Kampfar. All the tracks have a very balanced amount of both melodic and harsh elements with smooth transitions in the guitar passages. Then there is the beautifully eerie and frostbitten instrumental The Wanderer, the closing song to what has been a very enjoyable album.

In summary, there is a lot to like on ‘Unleashed Hymns’ if are into black metal. This is particularly for those who enjoyed the bands that emerged as part of the Norwegian black metal scene in the 1990s. A few decades later Fjøsnisse is continuing with the legacy.

Iza Raittila

8/10

Burton C. Bell leaves Fear Factory

Posted in Misc., News with tags , , , on 30th September 2020 by izaforestspirit

Burton C. Bell has recently announced that he has parted ways with Fear Factory. The statement was made following a series of legal disputes with guitarist Dino Cazares and two former members of the band regarding rights to the Fear Factory name. Tensions between the band members began when Dino Cazares started a crowd-funding campaign to raise funds for the band’s new album. Here is an extract from an official statement from Mr. Bell’s official website:

The past several years have been profoundly agonizing, with these members bleeding my passion with depraved deceit. As a direct consequence of their greed, these three have dragged me through the unjust, judicial system, resulting in the legal attrition that has financially crippled me. In the end, these three members have taken possession of my principal livelihood. However, they will never take my 30-year legacy as the beating heart of the machine. A legacy that no other member, past or present, can ever claim.”

Image may contain: 1 person, close-up

Fear Factory was formed in Los Angeles, California, The USA in 1989 and Burton C. Bell joined the group the following year. He has been involved with the band throughout their career. Now guitarist Dino Cazres, the only original member left in Fear Factory, has announced that the band will continue as a two piece. Their last album ‘Genexus’ was released back in 2015 via Nuclear Blast Records.

Burton C. Bell’s new alternative rock band Ascension of The Watchers have a new album called ‘APOCRYPHA’ coming on 9th October 2020 via Dissonance Records.

For further information go to: https://www.burtoncbell.com/
https://www.facebook.com/fearfactory
http://www.fearfactory.com/

Goldray – Feel The Change

Posted in Review with tags , , , , on 27th September 2020 by Pieni

Goldray
“Feel The Change”
Psychedelic Rock
Released: 31st July 2020
Via AKA Shic Records

goldrayfeelthechange

Goldray’s sophomore album may be called “Feel The Change” but that’s something that won’t happen when it comes to its nature and its quality. Leah Rasmussen’s mesmerizing voice will once again lead you into a dreamy dimension, under a top-notch psych rock soundtrack. There’s the groovy “Oz”, with all that rich guitar work Kenwyn House has gotten us used to and the kaleidoscopic effects that I like to call “laser gun shots” (seriously, they sound like those sci-fi eighties movies!). Then the straightforward emotion of the ballad which the album is named after. The hippie-vibe “The Forest”, and its sequel (literally: “The Forest – Part 2”) in a heavier approach, resembling something in-between Led Zeppelin and Black Sabbath. The seduction of “How Do You Know”. “The Beat Inside” living up to its name – such an enthralling rhythm, coming from the artist’s heart and aiming at yours. The bluesy “Come On”. And then the ethereal “Phoenix Rising” wrapping it all up. Yes, I am aware I’ve used a lot of positive adjectives and remarks, but this is really an outstanding record within the genre. Is it perfect? Maybe, but I’ll leave that part for every listener to decide.

9/10

Renata “Pieni” Lino

Marilyn Manson – We Are Chaos

Posted in Review with tags , on 25th September 2020 by izaforestspirit

Marilyn Manson
We Are Chaos
Released 11th September 2020
Alternative Rock
Released via Loma Vista

MARILYN MANSON | We are chaos - Nuclear Blast

So here we are in the autumn of 2020- a terrible year for many people and one that we all probably wish would be over soon. The pandemic is still causing havoc with our lives. While we do our best to cope with the new challenges sometimes the best remedy for stress and anxiety is a suitable distraction. I for one, have used this time to revisit some of the things that used to bring my joy when I was younger be it books, films and of course music. However bad 2020 has been, it has also witnessed the birth of some really good new music. This brings me to the latest album from Marilyn Manson, a band who’s career I have been following since my early teens. I was pretty much ready to give up on them after ‘Eat Me, Drink Me’. The two albums that followed were unmemorable and I had serious doubts whether Brian Warner was cable of writing decent songs . Then ‘The Pale Emperor’ came along and I was pleasantly surprised as to how much I liked it. Three years ago he repeated the success with ‘Heaven Upside Down’. Now this year he is back with ‘We Are Chaos’ featuring the country musician Shooter Jennings along with a variety of session musicians.

The CD version comes with a copy of a painting by Marilyn Manson, which suits of the overall sombre tone of the album. It’s a bit of a slow start with the opener Red Black And Blue. Personally I found the speech at the beginning a little off-putting and I was almost tempted to skip the song completely. It is good that I didn’t though, as song itself is decent but hardly one of the highlights of the album. Luckily the title track is much better. I cannot get enough of the chorus and the emotional yet haunting vocals. I already liked it when I first saw the video and even after a few listens it still hasn’t lost it’s appeal. Now that’s more like it. Half-Way & One Step Forward also got my attention thanks to the melancholic piano intro and the creepy vocals. I also really liked Don’t Chase The Dead, another great alternative rock track that captures the right balance of a haunting atmosphere and dancefloor-friendly melodies. There are many moments that reminded me of Marilyn Manson’s ‘Mechanical Animals’ era. In many ways the songs on here contain the same vibe as that album, which just happens to be one of my favorites.

In summary, ‘We Are Chaos’ is a surprisingly accessible album that gets better with every listen. Each song is packed with emotion and there is certain melancholic vibe present throughout. It sounds like the spiritual little brother of ‘Mechanical Animals’, the next phase of Marilyn Manson’s evolution as an artist and his best work in years.

8/10

Iza Raittila

Kataklysm – Unconquered

Posted in Review with tags , , , on 21st September 2020 by Pieni

 

Kataklysm
“Unconquered”
Melodic death metal
Release: 25th September 2020
Via Nuclear Blast Records

 

unconquered

Kataklysm’s studio discography has grown more or less every two years and, despite the pandemic, 2020 didn’t miss the mark. In fact, “Unconquered” was written based on the current struggles the world is facing and the band describes this album as “a rebirth of aggression”, as a response to said struggles. In all honesty, I don’t think this is THAT much more violent than before, but it’s pretty clear we’re listening to a more elaborate work, richer in features – both modern and old-school – that enhance the melodic part in their melodic death metal nature. Also Jean-François Dagenais gave 7-string guitars a shot, and that alone offers new textures.

“The Killshot” lives up to its title, such brutality embedded in that riffing and double bass drumming – and yet its musical pattern lingers in your ear. That’s probably why it was released as first single, but for similar reasons, so could have been “Defiant” – the latter somewhat fiercer and more straightforward.

It’s funny how Kataklysm consider “Cut Me Down” a “haunting and melodic” song (featuring WolfheartTuomas Saukkonen, by the way), when I think those words best describe “The Way Back Home” (one of my favorites). But it’s the doomsday vibe of “When It’s Over” that makes it the most ominous track (and therefore another favorite of mine).

I won’t say this is their best record so far, but I can assure you the Canadian quartet is right to feel proud of it.

8/10

Renata “Pieni” Lino

White Virgins–No Safe Word

Posted in Review with tags , , , on 21st September 2020 by Nico Davidson

White Virgins
No Safe Word
Released 2020
Sludge Metal
Self-Released

Hailing from Germany, White Virgins formed in 2019. No Safe Word is the band’s debut EP.

The EP opens up with Glitter Dick. Though the track’s name may sound like some dodgy porno, the track is anything but dodgy as it hits hard and heavy with an assault of riffs., and thundering bass lines. Leatherwhip comes in with a gritty, almost offensive sound, whilst Double Slut Experiment fails to entice the ears with its trying-hard-to-be-crunchy riffs. Snuff Rider features more prominent percussion work but the riffs feel and sound very mismatched, leaving the track with much to be desired. Pussy Melter is another track that sounds like a dodgy porn title but there is definitely nothing pornographic about the lacklustre riffs or unexpected tempo changes. The EP ends on I Want To Have Sex o Marilyn Manson, which has a total change of a pace from the rest of the release. The sound of this track is much darker than the rest of the EP, with a certain melody running through the guitars.

No Safe Word is a very hit and miss release, with some tracks feeling rushed and written last minute. White Virgins show potential but overall the EP feels very lacking.

5/10

Nico Solheim-Davidson

Crushing Force – Remnants of Devastation

Posted in Review with tags , , on 21st September 2020 by izaforestspirit

Crushing Force
Remnants of Devastation
Released 25th July 2020
Melodic Death Metal
Self-Released

Crushing Force - Remnants of Devastation

’Remnants of Devastation’ is the debut EP from the New York based melodic death metal band Crushing Force. The band was originally a one man project of Bill Rotach (Desekrator, ex-Nazgül) created in 2016 with the aim of making instrumental music for video games. One of the tracks, ‘Inferior Humans’ features a sound clip of Fawkes from the video game Fallout 3.

Now I have never played Fallout 3 and I am not really into video games, so I cannot comment on how well this would work as a soundtrack. What I can say, is a few things about is the music itself. The EP is full of shredding guitar riffs along with a few well constructed melodic guitar parts. Mr. Rotach is clearly a skilled guitarist and guitars are definitely the main focus of the EP. The aforementioned Inferior Humans is the most aggressive song in here with crushing guitars and savage drums hammering away. At the other end of the spectrum, we have songs like the title track which is more thrash metal -esque and melodic in nature.

Overall, this is a well made EP from a promising melodic death metal artist. The lyrical themes and the overall tone of the music would not be out of place in a post-apocalyptic landscape. As to how well it works as a soundtrack, I guess that’s up to the gamers to decide.

7/10

Iza Raittila

Joe Bouchard – Strange Legends

Posted in Review with tags , on 8th September 2020 by izaforestspirit

Joe Bouchard
Strange Legends
Released 31st July 2020
Hard Rock
Released via Deko Entertainment

‘Strange Legends’ is the latest solo album from the American hard rock artist Joe Bouchard. He is best known as one of the founding members of Blue Öyster Cult. This record features drummer Mickey Curry (Alice Cooper, Bryan Adams) along with lyrical contributions from the the sci-fi writer John Shirley, co-screenwriter for the movie ‘The Crow’.

I have to admit that I’m not too well versed when it comes to Blue Öyster Cult. I am mostly familiar with just two of their songs – ‘Don’t Feat The Reaper’ and ‘Astronomy’ thanks to the Metallica cover. Despite this I decided to give the album a go… So, what we have here are eleven tracks of melodic and uplifting hard rock. The pace is varied but generally speaking the more energetic tracks are mostly in the first half of the record, then Mr. Bouchard mellows things down with a few ballads towards the end.

I enjoyed the guitar parts on African Queen and the chorus is pretty good too. It’s catchy, almost to the point where you are tempted to swing along to the guitar tunes. Speaking of guitars, if you like like jazz style guitar work then you should definitely check out the instrumental Racing Thru The Desert. The guitar riffs are very well done, but personally I’m not so keen on the trumpet noise on the background. Perhaps a little too much like a jazz jamming session for my liking. She’s a Legend is another standout track with a memorable chorus. The overall tone is a little darker thanks to the creepy synthesizer sound in the background. That the doesn’t make the track any less catchy than the others on the album, though. In many ways that song reminded me of some of Blue Öyster Cult’s best known hits.

In summary, ‘Strange Legends’ is a catchy, guitar-driven hard rock album. I enjoyed it despite my limited knowledge of Blue Öyster Cult and Joe Bouchard’s solo work. If you are a fan of Blue Öyster Cult, the chances are that you already have this record. I reckon that most hard rock fans will like it too.

8/10

Iza Raittila

Valkyrian Music

Cradle of Filth live stream show coming late next month

Posted in Live, Misc., News with tags , , , on 1st September 2020 by izaforestspirit

British extreme Gothic metal outfit Cradle of Filth are the latest band to jump on the live stream bandwagon. They have recently announced that they will be doing a live stream show next month. The event will take place on the so called “Devil’s Night”, the day before Halloween a.k.a. 30th October 2020 at St. Mary’s Church, Colchester Art Centre, England.

The band have recently been working on their new album, the yet to be titled follow up to ‘Cryptoriana – The Seductiveness of Decay’. It remains to be seen whether the live stream show will feature any new songs, but the band have revealed that it will include the first appearance from their new keyboard player and backing vocalist.

The streaming times will be as follows:

22.00 (10.00 pm) GMT
23.00 (11.00pm) CEST
18.00 (6.00 pm) EST
15.00 (3.00 pm) PST

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Tickets are on sale now at: https://cradleoffilth.veeps.com/stream/schedule

For more information go to: https://www.facebook.com/cradleoffilth/

https://www.cradleoffilth.com/

Breaking Today – It Dies Today

Posted in Review with tags , , , , on 28th August 2020 by Pieni

Breaking Today
“It Dies Today” (EP)
Punk rock
Self-released on 13th July 2020

breakingtoday

He may be the bass player in a metalcore band, but Luís Silva is a punk rocker. And he plays guitar. And he sings! And so Breaking Today was born.

The single for the title-track was released three years ago already – the original idea was for the EP to follow suit but, well, life happened… – and it’s indeed its most “single material”. All four songs have their own way of rocking your senses and lingering in your ear, but “It Dies Today” has that upbeat catchiness that sticks right away; you listen to it once, and by the second time you do, you’re already singing along the chorus. At least that’s what happened with me.

But first comes “Dropout”, faster, feistier, and therefore the right choice for opening track. And because punks have feelings too (please see a joke here and not an offense), the ballad “Save Me” delivers the right mellow touch. The strongest bass line – I won’t say the backbone but certainly one of the essences of punk rock – comes last, in the founding layers “Heavy Lies The Crown” was built on.

I won’t say Breaking Today is recommended for fans of this or that band, because a) it would look like I’m making comparisons and that’s just not fair, and b) every time someone tells me “oh if you like this you’ll definitely like that”, they fail miserably. So I’ll just say “It Dies Today” covers all the juicy feats of good ol’ punk rock and everyone who’s into that should at least give it a try – even if this turns out to be an “only child”. Not sure about this last part, mind me. All it’s been said is they don’t have any plans of playing live, and that frontman Luis’ dream has been fulfilled. Personally, I would like pretty much to listen to a follow-up, but if it doesn’t happen, this one’s worth it.

 7,5/10

Renata “Pieni” Lino

Behemoth live stream show coming in September

Posted in Gig, Misc., News with tags , , on 24th August 2020 by izaforestspirit

Good news for Behemoth fans. The well renowned blackened death metal trio have recently announced that will be playing a worldwide live stream show on 5th September 2020. The event known as ‘In Absentia Dei’ will be filmed and streamed live at a church in a secret location in Poland.

They will be joined by special guests the American black metal band Imperial Triumphant, who will be playing from The Slipper Room Cabaret in Manhattan, New York. The exact time of the event has yet to be disclosed.


For ticket purchases and more information go to: https://www.behemoth.live
https://www.facebook.com/behemoth/

The Lightbringer of Sweden – Rise of The Beast

Posted in Review with tags , , on 18th August 2020 by izaforestspirit

The Lightbringer of Sweden
Rise of The Beast
Released 15th July 2020
Power Metal
Self-Released

The Lightbringer of Sweden - Rise of the Beast

’Rise of The Beast’ is the debut album from the power metal band The Lightbringer of Sweden. As the band name suggests, the group hail from Sweden and they have been around since 2017. The line-up includes the German vocalist Herbie Langhans (also of Firewind, Beyond The Bridge and Avantasia live).

Now, when it comes to Swedish power metal the first name that always pops into my head is Sabaton. I can honestly say that I would struggle to name any others, except for Civil War which comprises several former Sabaton members. It’s good to know that there is more to the Swedish power metal scene than just these two bands. For starters The Lightbringer of Sweden sound nothing like their Falun-based brethren. There are no keyboards and Langhans’s vocal style reminds me of Andi Deris of Helloween.

I’m not sure what to make of the intro track ‘The Moon’… Church bells, something burning in background and the narrator’s voice informing you that the beast known as The Lightbringer is here to stay. Good to know, moving swiftly on. What follows is some fairly enjoyable melodic power metal complete with crunchy guitar, good drum work and powerful vocals. What’s not to like? The tempo varies from the mid-paced catchy songs such as Fallen Angels to the slower, ballad-esque title track. One of the highlights for me is ‘Skeletor’, probably my favorite track on here despite the somewhat cheesy lyrics. The chorus is super catchy, the raspy vocals are full of emotion and very well executed and the guitar work is top notch. I also enjoyed Into The Night, another catchy power metal tune. I’m not going to do a track-by-track review, I like some tracks more than others but, generally speaking there are not too many filler songs on here.

Overall, I enjoyed ‘Rise of The Beast’. This is one of the better power metal albums I’ve heard this year. As far as the genre goes, The Lightbringer of Sweden aren’t exactly re-inventing the wheel, but they are good at what they do. If they continue along the same path they will have a bright future ahead of them.

8/10

Iza Raittila

Bloody News Online Fest live stream next week

Posted in Festival, Misc., News with tags , , , on 17th August 2020 by izaforestspirit

The world wide Covid 19 pandemic is still at large. Some live events are going ahead with restricted access and new safety measures but it will be a long while before large scene shows can resume. 2020 saw the rise of live steams with many artists and organisers getting together on virtual platforms to entertain their audiences.

GlobMetal Promotions have teamed with up Bloody News Metal Magazine to bring you the first ever Bloody News Online Fest. This will be a two day free live stream event taking place on 28/08/2020 and 29/08/2020.

The line-up will include: Belle Morte, Judgement, Arida Vortex, Rusted Nail plus many more. For the full band list check out the poster below:

The event will be streamed online via the Bloody News Metal website.

http://bloodynews.ro/

For more information visit the event page on Facebook: https://www.facebook.com/events/335636320939954/

New single from Yesterday I Lived

Posted in Misc., News, Studio Report with tags , on 6th August 2020 by izaforestspirit

Here is something for fans of doom metal. The Moscow based, Russian atmospheric doom metal artist Yesterday I Lived has just released his latest single ‘Theatre of Sorrow’.

The project was created last year. The new single and his self-titled debut album are available exclusively from his bandcamp page.

For more information visit:

https://yesterday-i-lived.bandcamp.com/

https://www.facebook.com/yesterday.i.lived/

https://www.youtube.com/channel/UCs-i5806YMghIcLtNo9OllA/

Battle Born – Battle Born

Posted in Review with tags , , , on 20th July 2020 by Nico Davidson

Battle Born
Battle Born
Released 26th June 2020
Power Metal/Skyrim Metal
Self-Released

Hailing from Windhelm (Apparently), Battle Born are a new power metal act on the scene. Described as “true Skyrim Metal” by some, I have to admit my curiosity was piqued. The self-titled EP is said to take the listener on an adventure through the rolling mountains of the frozen land of Skyrim.

The EP charges straight in with the gallant title track, Battle Born. It’s a strong enough opening for the EP, featuring the standard trademarks of European power metal. Bring The Metal Back is a catchy track with memorable riffs and an overall grandiose chorus, though some of the lyrics do sound quite cheesey. Man Of War takes on a more classic metal sound, with a styling that would be closer to early Manowar, or Judas Priest, than modern power metal. The chorus is poignant enough to have you singing it for days. For Our Home is a far gentler song, making use of more emotional keyboard passages and moving vocal lines. The guitars add to the uplifting sound of the track. The EP ends on Sovngarde Awaits, which despite the name, isn’t as mournful as one would assume. Instead, it thunders in with encouraging guitar riffs, exhilarating keyboards, and boisterous vocals. Such an enlivening song makes you want the EP to carry on.

For a Skyrim Metal band, the lack of Thu’um usage and sweetrolls which is disappointing, however the EP shows promise these sons of Skyrim. With an arsenal of fun choruses, and uplifting songs, Battle Born is a mighty release and just the soundtrack you need when taking the fight to the Imperials!

9/10

Nico Solheim-Davidson

Battle Born online:

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Interview with Sami Hinkka [Ensiferum]

Posted in Interview with tags , , , , , on 20th July 2020 by Nico Davidson

Ensiferum, are perhaps one Finland’s greatest musicial exports, with an ever evolving sound. With the new album out, Nico sat down and had an email-based chat with the band’s bassist, Sami.

Nico: Thalassic is an interesting name for the new album. Given the definition of the word, and based on the track listing, it’s obvious that there is a sea or oceanic theme in the album.  How did it come about to have this theme as opposed to other themes?

Sami: Hi! I’m actually very happy with the album title because as a word it sounds like it’s matching well with the bands name and it sums up the theme of the album. Sea or water felt like a good and “wide” enough because every culture have mythologies and legends that are linked to sea so I knew that there would be more than enough good stories to draw inspiration from.

N: How does the new album differ from previous releases?

S: The composing process went as it usually goes with this band: slowly. Of course the new member Pekka Montin gave a totally new ”tool” for us with his incredible voice and naturally we arranged songs that we made the most of it. Obviously the lyrical theme makes this different kind of album compared to old albums.

For the production team we had one new and one old member: we had the honor to get Janne Joutsenniemi to produce and record and Jens Bogren to mix the album and we are very happy with the result.

N: What was the writing process for the new album like? Did you have an idea of what you wanted to the new album to sound like before writing it?

S: Usually we have raw idea how a new album should sound like but it always depends how the songs are progressing because we always have lots of songs under work and naturally we can’t finish them all so once we have enough songs to record an album, then it’s time to book a studio. This is very cool way because then we always have raw material to work with.

N: Some fans have commented that the singles you’ve released from the album so far, especially Rum, Women, Victory, have a pirate metal sound to them. Would you describe the new album as such?

S: Heh, to be honest I never thought that someone would think this song as a pirate song! It tells about the brave men of Royal Navy and the daily rum dose they used to get. I have no idea what ”a pirate metal” -sound is, I guess Alestorm’ish? And I find our sound to be completely different but of course everyone is entitled to their own opinion.

N: In your own opinion, which song would you say defines Ensiferum?

S: We have such a wide musical horizon so this is really hard. Maybe “Victory Song” has many Ensiferum’s main elements so if I would need to represent the band with one song, I might choose that one.

N: If you could replace the soundtrack to any film, which one would it be and why?

S: Hmmm, I’m sorry I can’t come up with any movie that has such a terrible soundtrack that it would need to be changed.

N: Thalassic is obviously out now. Have you made a start on new music or are you taking a break from writing before you start thinking about the next album?

S: Because of COVID-19 chaos there are no tours coming up in a long time so we will start working with some new material soon.

N: Do you think you’ll follow any other themes in the future with upcoming albums?

S: We haven’t talked about this yet so it’s too early to say. I like working this way with my power metal band Metal De Facto, our every album has a different theme. I don’t know will we continue doing this with Ensiferum but at least we did it once.

Ensiferum’s new album, Thallasic is out now!