Powerwolf announce tour dates for 2018

Posted in Metal, Misc., News with tags , , on 16th December 2017 by izaforestspirit

The German power metal band Powerwolf are currently working on their next album, the follow up to ‘Blessed & Possessed’. The title hasn’t been announced yet but their fans will be pleased to know that they are embarking on a European tour in  2018.

Starting with a few festival performances in the summer including Graspop and Sabaton Open Air.

Live

Then the “WOLFSNÄCHTE TOUR” will start in Wiesbaden, Germany on 26th October 2018. They will be supported by Amaranthe and Kissin’ Dynamite. For the full schedule see the poster below:

No automatic alt text available.

More dates coming soon. For more information visit:

https://www.facebook.com/powerwolfmetal/

http://www.powerwolf.net/

 

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Ministry reveal new album details

Posted in Metal, News, Studio Report with tags , , , on 12th December 2017 by izaforestspirit

Good news for fans of the well renowned industrial metal band Ministry.  They have recently announced that their new album will be entitled ‘AmeriKKKant’. The themes for this release have been inspired by current political situation in The USA.

You can check out the artwork and track- listing below:

Ministry - AmeriKKKant

1. I Know Words
2. Twilight Zone
3. Victims of a Clown
4. TV5/4Chan
5. We’re Tired of It
6. Wargasm
7. Antifa 04:56
8. Game Over
9. AmeriKKKa

‘AmeriKKKant’ is scheduled to hit the shops worldwide on 9th March 2018 via Nuclear Blast Records.

In the meantime here’s their new video for the track ‘ANTIFA’:

For more information visit:

https://www.facebook.com/WeAreMinistry/

http://ministryband.com/

Vecordious – Anthropogenic Deterioration

Posted in CD, Metal with tags , on 9th December 2017 by izaforestspirit

Vecordious

Anthropogenic Deterioration

Released 1st December 2017

Black Metal/ Blackened Death Metal

Self-Released

Vecordious - Anthropogenic Deterioration

‘Anthropogenic Deterioration’ is the debut album from the Norwegian blackened death metal band Vecordious. The band has been around since 2009. Some of my favorite black metal bands are from Norway so I have high expectations for this…

The opening track is essentially just a dark ambient -style intro which does not really give the listener any indication of what’s to come. All is calm before the storm, then it starts… The barrage of abrasive guitar riffs, pummeling drums and ferocious shouts. Oh yes…Make no mistake, this is definitely black metal, not dark ambient. Purging marks the real start of the album and it is an aggressive beast. Vercodious’s overall take on the genre feels like it is influenced by the likes of Belphegor and perhaps to some extent the blackened death metal of early Vesania. Yet despite the aggressive stance these guys are not quite as relentless or as fast as Marduk nor is the music as technically complex as some of the other bands within the scene.

If it’s fast and angry black metal you’re after then The Lycan is the song for you. It’s easily the fastest and the most fierce-sounding track on the album and the probably the closest the band has come to reaching Marduk levels of speed and vehemence. Then there’s the bizarre, experimental dark ambient track ‘The Apparition’ sandwiched between the bombardment of guitar riffs and aggravated shouts. It’s just about long enough to give the listen a short break to take a few deep breaths before the onslaught resumes. Ready or not here they come!! Ghastly Septicity caught my attention for all the wrong reasons, mostly due to the terrible backing vocals. It’s a shame because without those it would have been a decent black metal song.

Overall, ‘ Anthropogenic Deterioration’ is a decent effort; however I think Vecordious still have some work to do in terms of developing their style. The black metal scene is very saturated and there are a lot of similar sounding bands out there. This doesn’t offer anything particularly unique.

3/5
Iza Raittila

Lord of The Lost – Swan Songs II

Posted in CD, Rock with tags , , , , on 2nd December 2017 by izaforestspirit

Lord of The Lost
Swan Songs II
Released 6th October 2017
Dark Rock/Gothic Rock/Classical
Released via Napalm Records

Image result for lord of the lost swan songs ii cover

The German dark rock band Lord of the Lost have been around for a decade. It was originally a solo project of the frontman Chris Harms; then he recruited other musicians before releasing the first album. Their style varies slightly with each release, ranging from the HIM-esque Gothic rock debut ‘Fears’, classical/acoustic ‘Swan Songs’, Latino rhythms on the single ‘La Bomba’ to industrial metal on ‘Empyrean’. This brings us to their latest opus‘ Swan Songs II’- another album combining dark rock with classical orchestra.

First up is the wonderfully sinister murder ballad Waiting For You To Die’ This song caught my attention even before the album’s release thanks to the beautiful lyric video. The orchestration makes the track all the more dynamic and memorable. Lighthouse makes you immediately want to get up and dance. It’s uplifting and the lyrics are surprisingly positive like the sun re-appearing again after a long, violent storm. I absolutely adore the chorus. It has been stuck in my head for weeks now. So much so that I’ve even started singing it to my children as a lullaby.

If it’s slow, sombre ballads with violins in the background you want, then My Better Me is the song for you. Personally I prefer Wonder in Sable. This melodic track picks up gradually after a slow start treating the listener to more gloriously performed orchestration and Chris Harms’s emotionally charged vocals.

In summary, Lord of the Lost have created a stunning piece of work. They have once again proven just how diverse and complex their music can be. Not all ensemble albums by rock bands are worth the hype but ‘Swan Songs II’ is great example of how well this concept can work.

4.5/5

Iza Raittila

Madam X – Monstrocity

Posted in Metal, Rock, Uncategorized with tags , , , , on 15th November 2017 by izaforestspirit

Madam X
Monstrocity
Released 31st October (The USA), 3rd November 2017 (Europe)
Heavy Metal/Glam Metal / Hard Rock
Released via EMP Label Group/ SVP Europe

Madam X - Monstrocity

The American heavy metal band Madam X are back after a long hiatus with a new album called ‘Monstrocity’, their first full length release since their debut album which came out in 1984. The band was originally formed back in 1981 by sisters Roxy and Maxine Petrucci. They remained active throughout the ‘80s before their drummer Roxy Petrucci joined the hard rock band Vixen. This album features the original line-up including the Petrucci sisters and vocalist Bret Kaiser.

Resurrection seems like a fitting title for an opening track for a band returning from a long break. They are back and ready to rock your world with a brand new, energetic heavy metal tunes filled with shredding guitars and powerful vocals. Similar things can be said for the title track which really puts the emphasis on the guitars.

While first few songs sound more modern, Freak Parade’sounds like it was originally written in the ‘80s. The chorus has that distinctive, cheesy 1980s style ‘glam rock’ feel to it. The glam rock influence might have something to do with the addition of Vixen’s Janet Gardner on guest vocals. Then there’s the oddly titled but highly catchy ‘Big Rock Rolls Heavy’, one of the more metal-sounding, fast tracks on the album. This would be the song to play at the start of their show to really get the crowd going. The guitar work is superb, drumming is great and the chorus is one of the most memorable ones on here. “Give me metal or give me death!” The icing on the cake is a re-recording of the band’s biggest hit High in High School which really puts a new spin on the song.

In summary, I’ve had lots of fun reviewing Madam X’s latest opus. It is much heavier and more metal than I expected it to be. I like that the band is able to stay true to their roots while creating something new and exciting. Glam metal isn’t normally my thing but I really enjoyed ‘Monstrocity’.

4/5

Iza Raittila

Moonspell introduce “1755” – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 3rd November 2017 by Pieni

Moonspell
Hard Club, Porto (PT)
1st November 2017
Promoted by Alma Mater Books & Records

1755 II

Today is the release of Moonspell’s so awaited “1755” (review here). Three shows were performed in advance and I attended the last one – the one when the infamous 1755 earthquake completed its 262nd anniversary.

1755 IIIA drawing of Lisbon in ruins – like the video for “In Tremor Dei” – as backdrop, one stand on each side of the stage for the Crystal Mountain Singers, and the new orchestral version of “Em Nome Do Medo” started playing at ten in the evening. Recorded, serving as intro, as the original version would be performed live later on the encore. So the first song to actually be performed was the title-track, Fernando Ribeiro singing it wearing a raven Venetian mask. As the album had been available in streaming format for a couple of days, a good share of the crowd was already singing along; the singles “Todos Os Santos”, “Evento” and “In Tremor Dei” had pretty much the whole house backing up the lyrics, not just the choruses. Moonspell are known for their powerful shows but when the crowd responds accordingly, interacting like they did that night, it’s always an overwhelming thrill.

1755 IVOverwhelming was also the presence of fado singer Paulo Bragança. On my album review I’ve described his voice as “riveting” and that the outcome of his collaboration with Moonspell was “mind blowing”. It’s so much more when you experience it live that there’s no accurate words for it.

1755 VIn a “city and venue that always welcomed them so warmly” (quoting Fernando himself), the tragedy told in this new album turned into rapture; Fernando said he understood that it would take us a while to get used to “1755”, not just for being new but also for being sung in Portuguese, but for what I saw that night no adjustment period is required.

1755 viiFor the cover of “Lanterna Dos Afogados” (by Os Paralamas Do Sucesso), the lights dimmed and Fernando held a lantern – the backup singers as well – enhancing that light-at-the-end-of-the-tunnel feeling which the songs bears.

1755 VIThe album is a little less than one hour long, so even with the usual chit-chat – “dial 17 55 if you want more information. By now we know everything there is to know about earthquakes” was quite funny – it was too short for a concert. So they came back to play a 7-hit encore. No matter how many times you listen to those final “Alma Mater” and “FullMoon Madness”, the shiver down your spine is simply mandatory.

1755 vi

https://www.facebook.com/moonspellband/
https://www.facebook.com/almamaterrecords/

Text & photos by Renata “Pieni” Lino

Soen w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 2nd November 2017 by Pieni

Soen, Madder Mortem, Heavenwood
Hard Club, Porto (PT)
20th October 2017
Promoted by Free Music Events

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About two weeks ago, Soen dropped by Hard Club to promote their latest album “Lykaia”. It was a bold move to book the main room of the venue – 1000 people capacity – but it worked pretty well! It didn’t sell out, but it was packed enough to justify such choice. And as much as one goes to a gig for the bands playing and not for who’s promoting it, I must give my congratulations to Free Music for the successful event. Also, I’d like to thank Inês Reis and the whole staff for the cheerful and welcoming way they’ve treated both press and audience. Hope to meet them again in the near future.

https://www.facebook.com/FreeMusicEventsOfficial/

DSC_0290 copyHeavenwood set foot on stage at nine sharp. As I’ve mentioned last time I’ve seen them (see here), Equaleft-Miguel Inglês occasionally assumes the singer role, whenever Ernesto Guerra can’t make it. This was one of those times – my first. Knowing Miguel’s vocal skills and posture I don’t know why I was impressed, but I was. Focusing mostly on the latest “The Tarot Of The Bohemians”, they’ve finished grandly with the new/revamped version of “Frithiof’s Saga”.

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https://www.facebook.com/HeavenwoodOfficial/

DSC_0532 copyAs Madder Mortem hadn’t played here for quite a while, they were more than happy to go back before the release of “Red In Tooth And Claw”, which is the album they’re currently promoting; just as happy as the crowd was to listen to “M For Malice” or “Hangman”. So it was contradictory when, after playing “Armour”, Agnete M. Kirkevaag apologized for depressing us on a Friday night; but I don’t think anyone felt depressed, as the emotional overwhelm that Madder Mortem’s music boosts is quite gratifying – especially live, when one can witness how much the band members give themselves to the performance.

https://www.facebook.com/mmortem/

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DSC_0901 copyEverybody was already hyped, so when the first chords of “Canvas” echoed, we all reached the ultimate climax – listening to the crowd singing through and through, but especially along the guitars in “Jinn”, was a goose-bump sponsor. We were often applauded and awarded with a heartfelt smile from Marcus Jidell, while Joel Ekelöf, also with a sincere smile, thanked us for our support, ever since the first SOEN concert here, 5 years ago, when opening for Paradise Lost. That one was also memorable, but this night was simply unforgettable.

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https://www.facebook.com/SoenMusic/

Text & photos by Renata “Pieni” Lino