Havamal – Call Of The North

Posted in CD, Metal with tags , , , , on 15th August 2017 by Nico Solheim-Davidson

Havamal
Call of the North
Released June 2017
Viking Metal/Melodic Death Metal
Self-Released

Hailing from Sweden come Viking-themed death metallers Havamal. It’s kind of fitting that a band that has Viking themes would name themselves after one of the books in the Poetic Edda but now is not the time to be discussing Old Nordic literature. Formed in 2016, in the city of Stockholm, Call of the North is Havamal‘s first release.

The grandoise opening of the track Havamal sets the pace for the EP with its majestic and powerful orchestration coupled up with the spoken word. The other five tracks on the EP have a very Ensiferum-inspired sound, especially in the feral vocals that come screaming out like an enraged berserker. Dread Age stands out immediately with its savage assault of guitars and furious orchestral elements whereas Jotun War follows up with as a standard Viking metal anthem with hints of power metal thrown in for good measure.

Ragnarok is quite the dark composition, with the odd headbanging moment here and there and some Dimmu Borgir-esque moments. Call For Revenge gets the blood pumping with the Ensiferum influenced sound and powerful use of orchestration in the background. Call of the North ends with the memorable track Force of Judgement, which is a melting pot of sounds with catchy riffs and melodic verses.

Havamal show a lot of potential with this first release, though the band have still yet to find their sound. With their guitar driven sound combined with their orchestral moments and bestial vocals, Havamal could easily become a stand out band in the metal community.

4/5

Nico Solheim-Davidson

Call of the North can be purchased at this location.

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The Man-Eating Tree part ways with drummer

Posted in Metal, Misc., News with tags , on 14th August 2017 by izaforestspirit

The Finnish atmospheric metal band The Man-Eating Tree have recently announced that their drummer Vesa Ranta (ex-Sentenced) has left the band and retired from the music industry. Here’s an extract from the official statement by his band mates:

“Hey,

Unfortunately, we have to inform you that our drummer Vesa Ranta is retiring from his active and long musical career. Vesa was there from the first moments of The Man-Eating Tree, and since that he was an essential part in making TMET as it is today, also as a super talented graphic, and behind many relevant ideas concerning the band. We are eternally thankful for all the moments we shared and experienced, all the laughter and tears. It is not just a band member leaving and going a separate direction, but something way more. All in all, we wish Vesa all the best with his other great pursuits in life and we support him with all our hearts. “

With blood, sweat and tears
Janne, Marco & Antti

Image may contain: 1 person, playing a musical instrument and sitting

No replacement has been announced yet but the band is currently working on their new album, the follow-up to ‘In Abscence of Light’ which was released two years ago.

For more information visit:

https://www.facebook.com/themaneatingtree

 

 

Eluveitie – Evocation II: Pantheon

Posted in CD, Folk with tags , , on 12th August 2017 by izaforestspirit

Eluveitie

Evocation II: Pantheon

Released 18th August 2017

Folk/Acoustic

Released via Nuclear Blast

Eluveitie - Evocation II: Pantheon

Swiss folk metallers Eluveitie are back with a new female singer and a new album. Now for those who have been following the band for some time, the name ‘Evocation’ will be familiar because the band has already released one album under that moniker back in 2009. What we have here is part two of that concept – ‘Evocation II: Pantheon’, which offers more acoustic folk tunes. So, for those who enjoyed the first ‘Evocation’ album, you’re in for a treat. If, like me, you prefer the more metal-oriented works such as ‘Slania’ then you might have a hard time adjusting to the lack of metal elements on here.

That’s not the only thing that makes this album stand out. Another feature I’ve noticed is the distinct lack of male vocals on here. As much I appreciate Fabienne Erni’s melodious vocal talents, I actually miss the dual vocal configuration with their frontman Chrigel Glanzmann’s harsh semi-growls providing a sharp contrast. Then again, that would make it more metal-sounding, which is clearly is not the aim here. No, this is definitely a folk album with tin whistles, acoustic guitars, bagpipes,harps etc. being the order of the day.

Epona caught my attention, as one of the catchiest songs on here. So catchy in fact that it makes you want to get up, dance and possibly even sing along. I honestly have no idea what the lyrics mean but that chorus has been stuck in my head for several days now! There’s quite a few purely instrumental tracks on here too, all bearing that distinctive Celtic feel to them due to the tin whistles and harps. Lvgvs sounds like Eluveitie’s rendition of the Breton drinking song ‘Son ar chistr’. And what a great job they did on it. Yet there’s more to ‘Evocation II’ than just drinking songs and catchy folk tunes; there are a few more sombre songs on here as well such as the Cernvnnos, and the beautiful Artio which really shows off Erni’s vocal talents. Then there is Cavtrix which includes some rather creepy-sounding war chants and drumming as if to mimic the eve of a battle. Last but not least I want mention Ogmios, which sounds like a new, re-lyricized acoustic version of one of the tracks from their earlier albums.

In summary, the clue is in the name – ‘Evocation II: Pantheon’ is a logical continuation of where the first ‘Evocation’ album left off. It’s all folk music with not even the slightest hint of metal. So if you enjoyed the first ‘Evocation’ album then you’re bound to like this. Personally I liked some of songs but after listening through to all eighteen tracks of acoustic folk, I really missed the sounds of an electric guitar and harsh growling. Good work Eluveitie! How about a metal album next time?

3.5/5

Iza Raittila

Laurus Nobilis Music Famalicão 2017 – metal day

Posted in Festival, Live with tags , , , , , , , , , , , , on 5th August 2017 by Pieni

Holocausto Canibal, Amorphis, Heavenwood, Urban War, Final Mercy, In.Verno, Skinning, Stucker
Louro, Famalicão (PT)
28th July 2017

amorphislaurus

stuckerlaurusThe 3rd edition of Laurus Nobilis Music Famalicão experienced a few changes but having its metal day on Friday wasn’t one of them. And with the addition of a second stage, the number of heavy acts doubled. First one on the “breakthrough stage” was Stucker. It was around 5 p.m., the crowd wasn’t exactly massive, but when you’re in a thrash metal band playing in a metal fest, chances are that you’ll get a good feedback, no matter how scarce the number of people giving it. And Stucker have improved their posture quite a lot since I’ve last seen them, more committed. Musically they sound stronger too. They’re currently in studio, recording an EP which I was told it’s a “back to the thrash roots” ride; promising.

https://www.facebook.com/StuckerPT/

SKINNINGLAURUS

After two albums, Skinning’s death metal is quite praised among the national underground – therefore the feedback was more intense, even if the crowd was just a little larger than before. But a seven, maybe eight-year-old kid was eagerly headbanging, and for what I could gather, he was no relative of any member of the band – that alone was worth as much as a vicious mosh pit.

https://www.facebook.com/SkinningMetal/

invernolaurus

Then from Spain came the “dark metal” of In.Verno – meaning heavy melodies spiked with synths, with a beautiful female voice mingled with male growls. This was still part of the band’s Insanity Tour, promoting their second album “The Reasonable Choice Of Insanity”, and it was a pleasant and refreshing way of closing down the so-called first part of the day.

https://www.facebook.com/invernospain/

FINALMERCYLAURUSThe action moved to the bigger stage, with Final Mercy literally storming it. It had been about seven years since I’d last seen them and probably as many line-up changes since the first, a decade ago; and while some bands may look unstable after so many adjustments, this was probably the best that could have happened to Final Mercy. Guitarist Ricardo Ribeiro and bassist Arcélio’s technical skills made the music more mature, and singer Dan’s posture filled their live performance with much more vitality. A couple of days before the fest they released a video for the title-track of their latest album, “Revival” (June 2017), which I strongly recommend.

https://www.facebook.com/FinalMercy/

URBANWARLAURUS

Despite being announced on the fest website that Urban War would close the bill of the smaller stage, it seems the plan was for them to play on the prime one all along. Well, the energy of singer Márcio Pinto needed indeed a bigger space to be fully discharged and so there he was, jumping all over amidst smoke and strobe lights, promoting “Flesh Upon The Feelings”. Pretty vibrant groove metal, well-deserved of the main stage

https://www.facebook.com/urbanwar/

HEAVENWOODLAURUSI dare saying that Heavenwood were awaited just as eagerly as the headliners – and that eagerness was rewarded. In the 25 years they’ve been around, there’s close to nothing in their songwriting that one can finger-point; their live performances, however, have always been their weakness… until a couple of years ago. Don’t know if it was something about the conceptual latest album “The Tarot Of The Bohemians”, if it was the new line-up or simply the natural process of growing up… but who cares? They now kick ass on stage and that’s all that matters. I was just a bit disappointed that Equaleft-Miguel didn’t join them on stage. Due to his day job, there were a few shows that singer Ernesto was forced to miss and it was Miguel who replaced him. Given the difference in styles, I was really curious to see how that worked out. My curiosity wasn’t fulfilled, but still my satisfaction reached the top.

https://www.facebook.com/HeavenwoodOfficial/

AMORPHISLAURUSIIWhen Amorphis last played in Portugal, it had been in celebration of “Tales From A Thousand Lakes” 20th anniversary and about a month before “Under The Red Cloud” was out, so despite such release has occurred two years ago, the title-track, “Sacrifice” and “Death Of A King” were performed live for the first time in our country – and they were welcomed accordingly. But then again, all songs caused similar thrill. Always addressing us as “my friends”, Tomi Joutsen asked for our help in “House Of Sleep” and our opinion about playing “Into Hiding”, now that original bass player Olli-Pekka Laine was back. Without surprise – but obviously with loads of emotional feedback – the gig ended with “Black Winter Day”.

https://www.facebook.com/amorphis/

HOLOCAUSTOLAURUSDeath-grind isn’t for everybody’s ears, so having Holocausto Canibal closing the bill was the right decision – the ones who couldn’t endure such extreme sound could leave (and a lot did…) and those who enjoyed it had the chance of seeing a great band of the genre on a big stage. As singer Ricardo said himself, it doesn’t look like but they’ve been around for 20 years. They’ve released a vinyl re-recording of both their debut demo and album under the inkling title “Catalépsia Necrótica: Gonorreia Visceral Reanimada”, which is Portuguese for something like “necrotic catalepsy: reanimated visceral gonorrhea”. Musically and lyrically, the brutality prevails, but they’ve toned down the theatrics a bit – less blood and entrails, that is – focusing more on sound than image. Whether you like it or not, one must acknowledge the big act they are.

https://www.facebook.com/hcgore/

And so the metal day of Laurus 2017 came to an end. I tip my hat to everyone involved in this venture, not just from an event-promotion point of view but also for the support given to national metal, still so underestimated by many.

Text & photos by:

PRESS

Blaze Bayley Interview

Posted in Festival, Interview with tags , , , on 4th August 2017 by mickbirchy

Mick had a little chat with Blaze Bayley (ex-Iron Maiden, Wolfsbane) before his show at SOS Festival. Here’s the interview:

Mick: The new album Endure and Survive – Infinite Entanglement Part II has dropped this year. How has it been releasing the second part to this massive concept?

 

Blaze: Oh it’s been fantastic. The whole tour of Endure and Survive has gone so much better than we could have hoped for really. All of the new songs [from the new Endure and Survive album] that we have put into the set have gone down really well and people have said this album is the best album I have ever done, in my entire career. So, it’s gone really well and as for something that is such a big concept, I think people are just ready for these kind of albums. It’s a narrative that carries over three albums, the “Infinite Entanglement” trilogy. The first part being Infinite Entanglement, the second being this new album and we’re currently working on the songs for the third album right now.  Those songs will be recorded in October/November time. It’s going really well.

 

Mick: I’ve been listening to the new album and I have been enjoying it. The one song that stood out to me was “Remember”. I think it stood out because it a bit more slowed down and had a lot of folk-y instrumentation. Could you tell a bit more about that song and what it means in context? As I have developed my own meaning and I wanted your thoughts on it.

 

Blaze: Well, in the scheme of the album, the whole theme is of a man has to decide whether he is human or not as his consciousness has been loaded into a machine body. So what he has left is the memory of being human. He has the consciousness, he thinks of himself as human but in fact he has a machine body. This song “Remember”, goes back to a time where there was happiness, a rare thing in the life of this central character, and that’s what they are remembering when someone says ‘You have to let go and sometimes you have to just live in the moment, you have to remember that this life is just a series of moments’. That’s why it’s called “Remember”, the character has had some great moments you had these things happen to them. They have to remember how it felt in that moment and then perhaps they can get that feeling back of being in this moment.

 

Mick: I think that’s why it stuck out to me. I took it out of context of the album and applied it to myself. I have been through some hard times in my life and I just remember being happy in myself. I just like how you can take a part of a grander story, such as a concept album, and it makes sense on it’s own. When it comes to songwriting is that something you have to take into account. Not just the album will work as a concept, but making every song make sense in themselves?

 

Blaze: I realise it’s quite a big thing that we set ourselves and it’s always a challenge. What we said was, if you know nothing about the story and don’t know it’s part of a trilogy of albums, you still have to listen to every song on their own. Without knowing the story and what should happen, is a similar thing that happened to you. A song will catch you and you’ll want to figure out what that song means in relation to the other songs of the story. I had to be a good album that you could listen to on it’s own and didn’t know it was connected to the others, but if you became more into it and got more interested in the lyrics then perhaps you would start to find the rest of the story. This journey that this person goes on.

 

Mick: So, in saying that are there any tips you could give a band or artist who maybe wants to make an album(s) like this one?

 

Blaze: I think in recent times, what I would say to any bands starting off or before making their first big records, is that the world has changed so much since I started. You can’t be in the mindset of, I play my guitar really well, that’s enough, it’s not. What you’ve got to do is get confident with recording yourself well. Get used to doing it yourself, the technology exists now where you can make your own album quality demos. So you have to do that. It’s your duty now. If you want freedom, true freedom as an artist, it can’t be just singing and playing well. You have to master recording that instrument, no matter what it is. The technology exists and it’s nowhere near as expensive as it was a few years ago. I didn’t exist when I started, we used cassette tapes but even so we tried to get good demos together. You can’t get bound up in the demo, I think what you have to is jam through the idea and live with that idea. Then put it away, walk away from it and come back to it. Everybody I’ve met who’s learnt to record themselves did so because they were pissed off by an engineer who didn’t have a clue how to make an electric guitar sound like an electric guitar. They’ve said how come I, with one guitar, and one microphone can make it sound right. But the guy in the £25 an hour studio makes it sound like it’s in a colander in a shed. It doesn’t make sense. Everyone I’ve met who’s now in production, did so because they had to because no one could make their instruments sound right.

 

Mick: Do you see an advantage of being independent rather than being on a big record label?

 

Blaze: As an artist I’m completely independent, I don’t have a big label, I am the label. The reason I can do what I do is because people pre-order my albums without knowing what it’s going to be like. They send the money for it, I’m then able to make the album and then send it to them. So far that’s worked. I have this incredible support from hugely loyal fans that enables me to make the music that I want to make and tour in the place I want to tour. So I can come here and play this great festival, SOS, where it’s all independent and original bands. Then I can play smaller venues across Europe, I can do bigger festivals. The luxury of it is that I don’t go back to anywhere I don’t like. So anywhere they don’t care about the sound, anywhere that doesn’t treat fans with respect, I don’t go back.

 

Mick: You’ve have a career that has spanned a long, long time now. What is the one piece of work that you are particularly proud of. Be it a gig or a song or an album. What sticks in your head about your career?

 

Blaze: Well, I think having a song that went into the top 10, around the world. When I was in Iron Maiden, Madonna was at the top of the charts. The X Factor, knocked Madonna off the top of the charts in some countries. “Man on the Edge” was a song I wrote with Janick Gears in Iron Maiden. That song went to the top 10 in many countries around the world and actually hit number 1 in some countries as well. That was such a huge achievement for someone who comes from a working class family and had a dream. I used to work in a hotel, working nights, cleaning the hotel, cleaning the toilets such and such. I’ve had all manner of jobs and the reason I do what I do is because I love to sing and now 30 odd years after I started, I’m independent doing my own thing.

 

Mick: How do you feel like you’ve evolved as an artist over the years, if at all?

Blaze: I think I really found my voice in Iron Maiden. You know, in Wolfsbane, I loved doing that and we’re still together and we have a reunion coming up in December. But my voice back then didn’t really have the range that I would later develop. I had the enthusiasm and the emotion but I didn’t have the range nor the soul. In Iron Maiden, when recorded the  The X Factor and Virtual XI being in that studio I really found that other part of my voice. After Maiden that’s when I started using my voice in a new way so I think as I got to my acoustic album Russian Holiday that’s when I really felt like I had a really good control of my voice. As I came to these most recent album I felt like now I have the tools, now I can have a lyric and I can say what tone, what breadth, what texture do I need to create so that the emotion shines through to the listener. My ultimate goal is, if English is not your first language you still know what the song is about.

 

Mick: My final question is one I always love ending on. What’s the hardest thing you’ve had to overcome and how did you overcome it?

 

Blaze: That’s a really good question and I don’t know what the answer is really. However, I suffer with nerves and people are very disappointed when they ask, ‘What kind of rituals do you have backstage’ and I know they’re expecting me to be jumping and getting hyped. You know swigging Jack Daniels and doing lines of coke. It’s the complete opposite for me, I get nervous about going out on stage and I have to put myself into a place of complete calm. When you come into the Blaze Bayley dressing room, it’s most boring place you have ever seen at any gig. You’d probably think to yourself ‘How are they going to bring the roof down, when they’re this boring’. Just no excitement in the dressing, because all of that get’s in the way of the thought process that brings lyric to the place where my voice will connect with it. To bring this fresh feeling and emotion to the lyric.

It’s a thing that I’ve learned over the years. There have been times where I got over excited. Then I’ve forgotten the word to the song. The worst thing that ever happened was when we supported Helloween, and I went on and thought ‘god the band sounds shit’, then I realised that I was singing the words and melody to a totally different song. That’s what happens when I get over excited. So the biggest thing I’ve had to overcome is nerves really and the way I cope with it is to remain calm and keep focused on those first few songs.

 

Mick: Fantastic, thank you for taking the time to talk with us.

http://www.blazebayley.net/

https://www.facebook.com/officialblazebayley

Wraith – Revelation

Posted in CD, Metal, Rock with tags , , on 2nd August 2017 by izaforestspirit

Wraith
Revelation
Released 4th August 2017
Hard Rock/Melodic Heavy Metal
Released via Ice Rain Records/Cargo Records

Wraith is a British hard rock band that has been around since the late ’80s. They were most active in the ’90s, after which they had a long break between albums. It’s now been a decade since their last studio album was released and now Wraith are back with a new line-up and a new album called ‘Revelation’. This is also their first work to feature the new vocalist Ryan Coggin.

Ten years is a long time to wait for a new album. This is my first encounter with Wraith so I can’t really comment on how their style has evolved over the years. Rather than commenting on how this compares to their past albums, I will just focus on ‘Revelation’. Here we have ten tracks which range from Bon Jovi -esque melodic hard rock to NWBHM-style heavy metal. An example of the former is the slow ballad ‘Leaving Me Again‘ and the latter ‘No Respect‘ – an energetic, guitar-driven song. The vocals on it aren’t half bad either.

Then there’s the catchy, somewhat sleaze rock inspired ‘Human Hater‘ which reminded me of Mötley Crüe for some reason. This is probably one of the simplest songs in terms of lyrics, but who cares? After all, who needs profound lyrical themes when you can just enjoy a catchy chorus and headbang along to the twin guitar melodies?

In summary, ‘Revelation’ embodies the saying “..good things come to those who wait”. It’s been ten years, but now Wraith are back with a strong album that’s bound to please both classic heavy metal and hard rock fans.

4/5

Iza Raittila

SOS Festival, Day 3 Review

Posted in Festival, Live, Uncategorized with tags , , , , , , , , , , , on 30th July 2017 by mickbirchy

SOS Festival, Longfield Suite, Prestwich, UK

16th July 2017

Resin, Faith In Glory, Eternal Breath, The Deep, Harriet!, Dorja, Chris Appleton, Fire Red Empress, Fahran, Triaxis & Power Quest.

Day three of a festival is always going to be a slower one. Everyone is worn out and it’s usually the day where the crowd winds down a little. Yeah, the same is true here. Even I was trying to take it a little easier. What wasn’t going easier, was the bands. Once again every band really brought it to the stage. Even if I might not have enjoyed every moment, I can still respect the effort that they put into it. I was once again in and out of the press room so I may miss some bands here and there. Yet, I think the Sunday was still a pretty strong day.

The day kicked off with a hard rock band, Resin. Wow, the feedback. From the get go the set was bogged down with technical issues. The sound was muddy and there was feedback so piercing I think everyone was feeling it. The production was muddy and I felt like the sound was really over cluttered. Even as the production issues were resolved, I just couldn’t get over the songs. It was just bland tunes and over kill on the instrumentation. There was just too much going on in the songs. So nothing felt right. There are too many string instruments into the band and it felt like a calamity. It certainly wasn’t best way to start the day. There maybe a fan-base for this but I’m not in it.

After that disheartening start of the day, salvation came in the form of Faith In Glory. I really loved this set. Their presentation was excellent. Big riffs and a big booming vocal performance from lead vocalist, Jack Collins. It was really impressive. They were a very dynamic band with lots of grooves and lots of tones to keep the audience captivated. All of them were very energetic in their delivery, they looked so enthusiastic when up on the stage. Big smiles on their faces throughout the whole set. They were clearly enjoying themselves and the audience was right their with them. Adding in a cover of Black Stone Cherry’s “Blame It On The Boom Boom” was enough to sell me on them. Let me tell you, anyone that can convincingly cover Black Stone Cherry (one of my favourite bands) then I know they’re doing something right. Keep on rocking lads, that was awesome.

The next act I managed to catch only a little bit of were, Belgium power metal band, Eternal Breath. Like I said I only caught a bit of them but they was spectacular. There was just a great sense of command and power to them. The guitars chugged away and the vocal performance soared over the production. The whole thing reminded me of the real old school metal acts of yesteryear. They paid their respects to the late Philippe Beauprez, from Wizz Wizzard, which got a big ovation from the crowd. Everything about their set was technically perfect. The band was tight, the music was cranked up loud and there was a lot of enthusiasm to go around in the venue. I really liked them. The same can be said for the next band The Deep. It was, once again, a classic type of sound. This was one really fun set. I was standing there with them and  I enjoyed every moment .They brought awesome old style grooves to the table. It was sharp and crisp and the solos blew me away. It was just that real pumping classic rock sound that I grew up with. It got me up and moving. It was loose and fun and and they didn’t look like they taking themselves too seriously. They just worked well. Again not too much to say about them, I just had a really good time.

I think I’ll cover the acoustic stage now as I didn’t really get around to watching much of it. First of all acoustic artist, Harriet!. She was absolutely fabulous. Almost a country style of music, she had a beautiful and soulful voice that was excellent to listen. It was simple and elegant. She threw in a cover of Evanescence’s “Bring Me To Life” which actually sounds great acoustic. She had this incredible sound that was so pure and emotional to listen to. This is someone you should check out immediately. The talent parade continued with, Dorja. These girls can really play. I mean really play. The technique on display was impressive. The stripped back set sounded really nice and I would be really interested in hearing them in a cranked up set. The vocal harmonies were absolutely beautiful and the instrumentation was superb. The guitar solos were really nice to listen to and in this more relaxed set the girls just really put on a spectacular show. This was a really nice discovery for me, five really talented musicians playing some really great music.

The last band I want to talk about from the acoustic stage is Chris Appleton. A day removed from playing the headline set with Blaze Bayley, Chris was back at SOS Festival bringing his songs to the acoustic stage with his brother Luke Appleton. The chemistry was excellent and the songs flowed from the stage. Being the final act on this stage for the weekend they really brought it and showed off exactly what they were all about. They had a great chemistry with the audience that made their set feel electric. It was a superb way to end the day, and the weekend on this stage.

Next on the main stage was my MVP’s of the whole weekend, Fire Red Empress. All I can Say is freaking WOW. They just blew me away. I’ve not seen these guys in a while so getting the chance to hear them live again was freaking excellent. Armed with new lead vocalist, Jennifer Diehl they’re a totally different beast now. The bass boom, the guitars roared and the vocal performance was simply incredible! The new songs sounded wonderful and it has just made me really hyped for a new album from them. The band had this vibrant energy to them that looked great and the room filled with enthusiasm for them. The sound was big and impressive and I’m just stoked to hear and see more from them.

The fun didn’t stop because after that we had Nottingham rockers, Fahran. A few years ago I discovered these guys in a small bar in Manchester and every time I see them or hear anything from them they just get better with time. They were full of life and really brought a great show to SOS Festival. Their song have these huge choruses and these really hard hitting riffs. They used this show to debut some new material. The new songs were “Pyre” and “Some Kind of Family”. Which were bursting with riffs and melodies that sound great. I am really excited for new music from them.  They had an instant connection to the crowd. Their classic sound is instantly recognisable and likeable which I think is the secret to their success as a band. They’re just a younger version of the classic rock band we all grew up with. They play with passion and great technique. Genuinely an awesome band.

Unfortunately I missed a lot of Triaxis’s set. It’s a shame too, as Triaxis are on their way out and this maybe the last time I get to see them live. From what I saw they were really good. Like I said I can’t comment on much but I did see that the crowd was really into it.  A well put together band with a really tight sound. Just really nice metal music. The vocal performance was really good and the vocals just floated on top of the production. The metal was fast pace and had a lot of energy to it. Just absolutely intoxicating. As I said I didn’t catch much of the set but I enjoyed what I saw. 

Finishing off the weekend where power metal champions, Power Quest. Everything just sounded so glorious. Every element of the band worked really well and the production came through loud and clear. From the synth and keys to the powerful guitars the booming rhythm it all just hit home. Songs that lept out for me were songs like “For Evermore”, “Better Days” and of course the self-titled songs “Power Quest”. They beamed with confidence and you can tell that the crowd were really into the performance. Vocalist, Ashley Edison really showed off some amazing ability that completely blew me out of my socks. They were a really enjoyable end to an incredible weekend.

Words: Mick Birchall

Photos: Rich Price and Holly Price (Rich Price – Photographer & Music Journalist)