Bring Me The Horizon – amo

Posted in CD, Rock with tags , , , , on 22nd January 2019 by Nico Solheim-Davidson

Bring Me The Horizon
amo
Released January 2019
Hard Rock/ Electro-rock
Released via Sony Music/RCA Records

01-343969

Hailing from God’s Own County of Yorkshire, Bring Me The Horizon return to the forefront with their latest album, amo. With an ever changing sound, Bring Me The Horizon have become one of the biggest acts to come from South Yorkshire, gaining themselves admirers and haters from all across the globe.

I Apologise If You Feel Something starts up the album with a hypnotic electronic medley and soft, almost-choir like vocals that build up to the electro-rock vibes of Mantra. Mantra has plenty of hooks to keep the listener engaged, as well as energetic riffs and some very memorable vocal lines. Nihilist comes in strong with a dark pulsing rhythm, and catchy melodies. The softer vocal duet between Sykes and Grimes suit the track well, dancing elegantly with the lashing synths and shadowy beats.

In The Dark stands out with its laid back pace and notably fetching riffs. Wonderful Life is one of the singles from the album. The track itself is interesting but doesn’t sound as strong as the rest of the album. Sykes’ are admirable throughout the track and stand out more than the guest vocals of Dani Filth. Ouch acts as interlude between the last track and the next one, appearing more as a chaotic whirlpool of differing beats with the odd vocal section thrown in.

Medicine bounces back from the previous two tracks, with medleys and riffs that one can quite easily dance to. Sugar is a track that employs satisfying hooks and active vocals that meld almost perfectly with the rhythm section. Why You Gotta Kick me When I’m Down sounds almost like a hip hop track due to the mesmerising beats and whippings of electronic sections but the vocals show that it is very  much a Bring Me The Horizon track.

Fresh Bruises has an emotive atmosphere radiating from its introduction before the spellbinding electro-like percussion kicks in, carrying the otherworldly vocal sections. The keyboard passages in Mother Tongue stand out valiantly, weaving all other parts of the song together into a majestic composition. Heavy Metal is an interesting song all on its own, turning heavy with synth-laden movements and vocal duets from Sykes and Rahzel.

amo finishes on a very orchestral orientated note with I Don’t Know What To Say, contrasting the grandoise sound of classical instruments with soothing vocals, acoustic guitar, and hints of electronic influences.

amo makes it clear that Bring Me The Horizon are still on top of their game, blending different styles into their music. While it might be as heavy or as aggressive as their older albums, it shows how far the band have come since their early days, and it clearly demonstrates the band’s versatility and talent.

4.5/5

Nico Solheim-Davidson

Advertisements

More details about the new TYR album

Posted in Metal, Misc., News, Studio Report with tags , , , on 18th January 2019 by izaforestspirit

It’s been six years since their previous effort ‘Valkyrja’… Now the Faroese progressive folk metal band TYR have announced that their new album will be called ‘Hel’ and it is scheduled to be released on 8th March 2019 via Metal Blade Records.

You can see the cover-art and tracklisting below:

1. Gates of Hel
2. All Heroes Fall
3. Ragnars Kvæði
4. Garmr
5. Sunset Shore
6. Downhill Drunk
7. Empire of the North
8. Far from the Worries of the World
9. King of Time
10. Fire and Flame
11. Against the Gods
12. Songs of War
13. Alvur Kongur

In the meantime here is a preview of one of the new tracks:

For more information go to:

http://www.tyr.fo

https://www.facebook.com/tyrband

Belle Morte – Game On

Posted in Metal with tags , on 15th January 2019 by izaforestspirit

Belle Morte
Game On
Released 11th April 2018
Gothic Metal / Symphonic Metal
Self-Released

Belle Morte - Game On
‘Game On’ is the first EP from the Belorussian Gothic metal artist Belle Morte. This one-woman project was launched in 2015 and all her music is available for streaming and download from the Bandcamp page.

Female-fronted Gothic metal bands are a dime in a dozen these days. It almost seems that everyone wants to become the next Nightwish. Well, not quite everyone. If you’re looking for another Nightwish clone with over-the-top symphonic, Disney soundtrack -style tunes, operatic vocals under the guise of a metal band you have come to the wrong place… Belle Morte has a very melodic, ethereal voice but is not quite as powerful as that of Tarja Turunen or Floor Jansen. So forget the Nightwish comparisons. Her vocal style is more like that of Sharon den Adel (Within Temptation).

The one thing that I enjoyed most about this EP was the keyboards, the sombre sounds of the cello and violin sandwiched neatly between the guitars and drumming. It is impressive just how well all this works together. Devilish Deal is the most prominent example of this. The instrumental arrangements are absolutely beautiful as are the vocals.

Overall, the only issue I have with this EP is that it is too short. ‘Game On’ offers four tracks of beautifully arranged and skillfully executed Gothic/symphonic metal. I cannot wait to hear a full album.

4/5

Iza Raittila

Paul’s Top Ten Live Performances of 2018

Posted in Editorial/Opinionated, Metal, Rock with tags , , , , , , , , , , , , on 13th January 2019 by Paul Macmillan

As these end of year lists tend to go, a lot of those based on releases are quite similar. So, to side-step that, this one is going to be quite the personal account of various live experiences. Some may have been shared with tens of thousands. Others with barely one hundred. The one conjoining feature of each and every one is that they are embossed upon my own memory as something far beyond the average. So, without further ado,  and in no strict order, here’s my top ten list of live performances from 2018.

1 – Virus at Smashed Fest, Perth, SCO

While this was an amazing show to be part of, for many reasons, one of the things which will stay vibrant and real in the memory is the performance of headliners Virus. Headed by self-proclaimed “geriatric thrasher” Coke Finlay, this was the first of a big set of shows celebrating the 30th anniversary of their Force Recon album. At around an hour and a half, it was a pretty demanding gig, but they laid down the riffs and showed the young uns how it’s done!

2 – Arroganz at The Viper Room, Vienna, AT

While on a run to Vienna, we decided to take a chance on a local show. I had no idea who any of the bands were before buying tickets, but a quick advance scan of online videos quickly showed it was a full black metal event. While every band churned out a quality performance, it was Arroganz who really clinched it. Bringing their own sludgy death-groove riffs to a hard-hitting BM tradition, to sent me home with a big grin and a big handful of merch.

3 – Krysthla at Hordes Of Belial, Dundee, SCO

This Northamptonshire based tech-death outfit have got to be among the top five of British extreme metal bands at present. The never fail to blitz the audience at every show, from toilet gigs to big fests. Their first time at Hordes Of Belial saw them take on main support on stage one, and I have to say, they just blasted the place in half, leaving the Dundee crowd completely and utterly shell-shocked. The level of intensity delivered was simply unhinged.

4 – Power Trip at Bloodstock Open Air, ENG

Somehow, I hadn’t properly heard Power Trip before this show. A friend camping with us let me listen to a snippet or two, but the sound didn’t really let me know what I was in for. From start to finish their mid-afternoon onslaught was irresistible, and saw me inexorably drawn into the pit for a band with which I was previously unfamiliar. I didn’t remember having “my shit” with me when they kicked off, but I had sure as hell lost it by the time they were done.

5 – Vuur at The O2 ABC, Glasgow, SCO

Having been a fan of vocalist Anneke van Giersbergen’s previous band, The Gathering, for many years, I’d put my expectations on hold for this one. I was surprised to see the evening’s activities were to take place in a small-ish, cosy room of the (sadly now destroyed) venue. This only elevated the special charm of what turned out to be a beautifully intimate show, featuring emotional favourites, acoustic renditions, and sparkling new numbers.

6 – Annihilator at QMU, Glasgow SCO

It’s always great to see Testament, but I think I speak for everyone who was in attendance at this event, when I say Annihilator were truly the kings of the kill. Tighter than Scrooge McDuck’s bum, they smashed out hit after hit, Jeff Waters commanding the crowd with a maniacal grin. There was no huge stage spectacle. No special occasion. No tricks and traps. Just a phenomenal performance, at a great gig, from a band who nailed every aspect of being them.

7 – Watain at Wacken Open Air, DE

Have you seen Watain live? I’d only ever seen videos before. Witnessing their 2018 show live (twice, actually) was really something else. So much atmosphere. And so much fire! It’s no wonder they are gathering a mass fan-base with increasing pace, as being there could make you feel like you’re part of something bigger. Something empowering. Something dark. Looking close, one could even see rituals being muttered between lyrics. If the heat didn’t melt your eyeballs first.

8 – Suicidal Tendencies at Bloodstock Open Air, ENG

The odds were stacked against this legendary band making BOA, from the sound of things, mainly in the form of  various ‘transport issues’. When they finally arrived, their set shifted from the RJD stage to the smaller Sophie tent, they rolled straight into high-energy mode. Seemingly powered up by the trials of the day, they went on to make their show all about the audience, getting a kid involved in the drumming, and one wheelchair bound crowdsurfer pushed up and down the stage by Mike Muir. Simply lovely and legendary.

9 – Heilung at Wacken Open Air, DE

“Ethereal” is probably the one and only single word which could begin to describe this experience. Taking to the medieval themed Wackinger outdoor stage, in the middle of the night, Heilung swamped the intoxicated masses. I didn’t manage to catch them on their subsequent tour, but it’s really hard to imagine indoor venues matching the character of this performance being cast out into the dark of Germany’s witching hour. It was simply one of those moments in time which I don’t believe it will be entirely possible to replicate. You were either there or you weren’t. I would love to watch them again, but I suspect I would be chasing the elusive “first hit”.

10 – Slayer at SSE Hydro, Glasgow, SCO

Well, at the start of this article, I did say these events were in no particular order, but you know what they say about rules. The live metal crown of this year absolutely has to go to original thrash titans, Slayer. Aside from hosting one of the best under-cards for a long time, the atmosphere when the headliners took to the stage – seemingly for the last time in Scotland – was insane. This was not only down to them playing at their best. Credit is also due to the production crew, because they transformed that venue into another world. One last time, we were taken into Slayer territory, deeper than we had ever dared before. It was one Hell of a farewell.

2018 – It was a real live one…

Arroganz. Photo Paul Macmillan/Slow Dragon Music

Paul Macmillan

Corroded – Bitter

Posted in CD, Metal, Rock with tags , , , , , , , on 12th January 2019 by mickbirchy

Corroded

Bitter

Heavy Metal, Groove Metal

Released: 25th January 2019

via Despotz Records

After reforming in 2017 for the album Defcon Zero, an album that was created due to their frustrations with label executives. Swedish heavy-metallers, Corroded decided to keep the music coming out of this revitalised passion. Which leads us to this years album, Bitter. I have to say, I’m really liking this band ever since they’ve come back from hiatus. There’s really something so honest in their music since the 5-year break. Bitter continues this with everything here being presented with passion whilst also being really accessible to new listeners. I always say “every new album is a new chance to inspire new fans” and yeah it seems Corroded are going out of their way to entice a new following without betraying the older fans. It’s a delicate balance but I think they’ve nailed it.

This album starts with an atmospheric intro piece before kicking right into the riffs, which are awesome. The riffs are filled with bass and feel so weighty. The grooves they create on this record are fresh and you can tell how much time and effort went into the writing and recording. Every song just leaps out of the speakers and keeps you listening sense intoxicated until the very end. The precision guitar and excellent drum work are awesome on their own but coupled with the vocal performance it really is a treat for the ears. Vocalist, Jens Westin sings everything with such conviction you can’t help but try to relate to the lyrics and sing along with him.

There are just some excellent tunes that stick in your head long after the record is over. One of my favourite songs here is “Testament”. With its excellent groove, the anthemic chorus, blistering guitar solo and just overall fun appeal. It’s a song that really stuck with me. Another song that I really like is “Black” a wonderfully sombre tune but still injected with life thanks in part to the wonderfully arranged production. This album does just really run the gambit of emotional tone and all of it well paced. Seriously, I still think there is an art to putting an album together, this album is so well paced that 12 songs and 52 minutes long, it flies by like a breeze. Making you want to listen to it all over again, immediately.

Corroded are quickly becoming one of my favourite metal bands and I am so happy they came back off of that hiatus. Even better they came back stronger and filled with ideas. This album is such a blast and now a frequent companion on my car journeys. If you like your pure heavy metal, do yourself a favour and get this one as soon as you can!

5/5

Mick Birchall

The Raven Age announce new album and European tour

Posted in Metal, Misc., News with tags , , , on 11th January 2019 by izaforestspirit

2019 will be a busy year for the British groove metal band The Raven Age. They are currently putting the finishing touches on their second album ‘The Conspiracy’ which is scheduled hit the shops on 8th March 2019 via their own record label Corvid Records.

You can check out the cover art and track-listing below:

The Raven Age - Conspiracy

1. Bloom of the Poison Seed
2. Betrayal of the Mind
3. Fleur De Lis
4. The Day the World Stood Still
5. Stigmata
6. Surrogate
7. Seventh Heaven
8. Forgotten World
9. The Face that Launched a Thousand Ships
10. Tomb of the Unknown Soldier
11. Scimitar
12. Grave of the Fireflies

The album release will be followed by a European and UK tour this spring starting in Bristol on 20th March.

Here is the full schedule:

MARCH
Wed 20th – Bristol, The Fleece
Thu 21st – Manchester, Rebellion
Sat 23rd – Newcastle, Think Tank
Sun 24th – Glasgow, Attic
Tue 26th – Leeds, Key Club
Wed 27th – Stoke, Sugarmill
Thu 28th – London, Underworld
Fri 29th – Southampton, Joiners
Sun 31st – Biebob, Vosselaar, BELGIUM

APRIL
Mon 1st – La Boule Noire, Paris, FRANCE
Wed 3rd – Backstage Halle, Munich, GERMANY
Thu 4th – Colossaal, Aschaffenburg, GERMANY
Sat 6th – Luxor, Cologne, GERMANY
Sun 7th – Cassiopeia, Berlin, GERMANY
Tue 9th – Headcrash, Hamburg, GERMANY
Wed 10th – Poppodium W2, Den Bosch, HOLLAND

In the meantime you listen to one of the new songs here:
For more details visit:
https://www.theravenage.com/
https://www.facebook.com/TheRavenAge

 

Soilwork – Verkligheten

Posted in CD, Metal with tags , , , on 8th January 2019 by Pieni

Soilwork
“Verkligheten”
Melodic death metal
Released: 11th January 2019
by Nuclear Blast Records

soilwork - verkligheten - artwork

When I reviewed “The Ride Majestic”, about three and a half years ago (damn, feels like yesterday!), I said something about being surprised with how Soilwork could still impress me. Well this time they didn’t catch me off guard: I’m still impressed but I was counting on it.

A fellow reviewer said they’ve gone more melodic but I don’t think that’s quite it; I mean, sure, “Verkligheten” is a more melodic record, but I don’t think it was intentional. I believe they’ve just focused more on being intense than actually heavy, and such deeper sound enhanced the melodies which have always been a part of Soilwork. Take the latest single, “Stålfågel”, for instance; those initial synths bearing an Alan Parsons whiff, the growls of someone who Wikipedia claims to be Alissa White-Gluz (but it’s not) a mere shadow in the background of the chorus and the so straightforward solo result in an enthralling combination that’s way more than just “melodic”. it’s still my favorite song, by the way, even if I stood a bit disappointed when the lyrics didn’t match the title’s tongue. In fact, despite the Swedish album title, all songs are sung in English. Shame. At least one should be pretty interesting.

Tomi Joutsen was also invited to snarl over “Needles And Kin” but his presence is much more highlighted – the own nature of the song enabling it. I dare saying this is the heaviest song (“Arrival” right behind it), the riffing and drumming even reminding some black metal refined act, but the chorus always featuring some harmony to go along with the rest of the album.

I really hope “The Ageless Whisper” makes it to the live shows as it’s a very anthem-like track which I already imagine everybody clapping their hands to, in sync with the drums in its intro and later on, right before the solo. But several others, and for several reasons, are prone to turn the crowd into a bunch of happy campers ‘cause I’m pretty sure I’m not the only one loving “Verkligheten” as a whole.

5/5

Renata “Pieni” Lino