Interview with Auger

Posted in Interview with tags , , , on 29th June 2020 by izaforestspirit

Two years after discovering them at Lumous Gothic Festival, Iza caught up with Kyle J. Wilson of the British darkwave duo Auger. They discussed their band’s new album ‘Insurgence’, live streaming and other forms of lock-down entertainmnent. Check it out:

First of all, how are you doing?

We’re great thank you, well as good as you can be in a global crisis…

Congratulations on your new album ‘Insurgence’! I really enjoyed it. This is now your third studio record. Auger has come a long while since your debut album ‘The Awakening’ back in 2017. Can you tell us about the creative process and inspirations for this album? 

Thank you so much, I’m super pleased you enjoyed it. Absolutely, so like The Awakening, Insurgence was based around a story. Painting a picture of a post-apocalyptic world that doesn’t feel so far from reality given everything that’s going on.

If you were to pick a track from ‘Insurgence’ to act as an introduction to the band for new listeners, which one would it be and why?

This is a tricky one, not only because we’re so pleased with every song on the album, but because we strive to create a diverse listening experience; to put it plainly, every song is different and the album ranges from full-synthwave to out-and-out industrial tracks. I would say, however, that I’d recommend listening to ‘Tell Me I’m Wrong.’ It’s a great taster for what the album holds, it’s melodic, rocky and it features a very talented young singer, Imogen Evans, who adds an angelic female touch to it.

‘Insurgence’ features a wide range of different styles. I detected everything from electro rock, industrial metal to synth pop and darkwave. For example ‘My Death’ is very melodic and synth-pop style. What is the story behind that track?

Definitely. When I wrote My Death I was listening to a lot of Depeche Mode (can you tell?) and I wanted to try and encapsulate their sound and interpret it in a more Auger-way. In terms of lyrics, the song is about someone who feels deeply overwhelmed with the situation (that situation being the end of the world). They fantasize about what it would’ve been like to have seized more opportunities when they were still attainable; including admitting to love.
https://www.youtube.com/watch?v=5bgmRUfnC2E

The album also includes collaboration with a young musician called Imogen Evans. Who is she and what made you decide to collaborate with her?

So Imogen has come into my studio a few times over the past couple of years, mainly performing her own songs, but the second I first heard her voice I knew I needed her to sing on an Auger song; and it worked even better than I had imagined. She’s a real delight to work with and we have a laugh every time she’s here.

The global coronavirus pandemic has had a devastating effect on the music industry with thousands of events being cancelled and postponed. How has this affected Auger?

Well it has cancelled the first part of our album tour, postponing many shows into 2021. But we’ve not let this get to us! Instead we’ve hosted five live-streamed shows, each have run for three-hours and accumulated over 10,000 views. We’ve also begun to create some more YouTube specific content, run competitions and all sorts. We have really tried to think of as many ways to keep in touch with our amazing community and boost spirits where we can. We’re not going to let COVID-19 beat us!

With all tours now on hold you must have a lot of spare time on your hands. Besides live streaming and promoting the new album what else have you been up to?

Well, as I mentioned before, Kieran and I have begun to create some YouTube videos to grow our channel. We’ve been playing games, telling stories and trying some horrible food and it’s been great fun. And aside from that, a spot of gardening, lots of walks and a spot of decorating in the house.

Let’s talk about the newest trend in the music industry – live streaming. I’ve noticed that you have done some streamed acoustic sets recently. How does this compare to a real live show? What are the pros and cons of streaming vs. live from your point of view?

It’s very bizarre. Not at all in a bad way, it’s just an incredibly strange concept that you’re performing to your laptop and talking to a screen… It certainly gets some getting used to. But we love it. We were able to do a live stream together a couple of weeks back and it was great fun, the fans responded so well and it’s a great opportunity to chat, answer questions and just have a good laugh with everyone during these strange times. I don’t think you can compare it to playing a live show, it’s a completely different kettle of fish. We do miss the live shows tremendously, but that doesn’t mean we’ll stop going live on Facebook.

Which festival/event are you looking forward to the most next year once the pandemic is over?

Out Of Line Weekender of course, that we’re delighted to be playing. But also, all my gig tickets have been rescheduled for next year so I’m excited to see Jimmy Eat World, Suzanne Vega and go to Amphi Festival 2021.

Finally, is there anything you would like to say to your fans and our readers?

Thank you so much for streaming, downloading and purchasing the album – don’t stop, and we’ll see you soon! Take care, #teamauger!

https://www.facebook.com/pg/AugerUK

https://darktunes.bandcamp.com/album/insurgence

Red Moon Architect premier new video for Rise

Posted in News with tags , , , , , on 26th June 2020 by Nico Davidson

Finnish doom metal outfit Red Moon Architect are set to release their highly anticipated fifth, Emptiness Weighs The Most, studio album in October through Noble Demon. The album will take listeners on an intense and emotional ride through harrowing doom landscapes. To give an idea of what the new album will entail, Red Moon Architect have released a video for Rise, taken from the album, which can be viewed down below. The album will feature nine tracks in total.

The Lotts announce debut EP

Posted in News with tags , , , on 26th June 2020 by Nico Davidson

Warrington based garage punks The Lotts announced their debut EP earlier today. Produced and mixed by Thighpaulsandra at Monmouth’s Rockfield Studios, the five track EP, titled We Are The Lotts, will be released on 24th July and is also available on 12” vinyl via Liverpool based label Whispering Pines. The tracklisting for the upcoming release is as follows:

1. We Are The Lotts
2. I Don’t
3. Dumb
4. Preacher Man
5. Mouth

Mystic Prophecy release lyric video for Hail To The King

Posted in News with tags , , , , on 26th June 2020 by Nico Davidson

German metal outfit Mystic Prophecy unveiled the lyric video for their new single, Hail To The King, today. The track is taken from the band’s 11th studio album, Metal Division, which was released in January this year. You can view the lyric video down below.

Mystic Prophecy have also released a new vinyl containing the single. The special edition 7” vinyl includes the metal hymn Hail To The King, which is dedicated to Alexander the Great, on side A and the ballad-like mid-tempo hymn Here Comes The Winter. You can order the vinyl here.

Finntroll announce new album details

Posted in News, Studio Report with tags , , on 26th June 2020 by izaforestspirit

It’s been seven years since their last studio effort . Now the Finnish folk metal horde Finntroll are pleased to announce that their new album will be out this autumn. The long-awaited follow-up to ‘Blodsvept’ bears the title ‘Vredesvävd’ (meaning wrath woven in Swedish).

Here is an official statement from the band:

“Vredesvävd is shamelessly untrendy, fierce and a catchy album. Raising a mushroom-cladded middle finger towards lazy rock music, it whips and whacks the poor listener in a way that only Finntroll is capable of delivering. Combining something old, something new and a ton of something black.”

Check out the artwork and track-listing:

  1. Väktaren
  2. Att Döda Med En Sten
  3. Ormfolk
  4. Gränars Väg
  5. Forsen
  6. Vid Häxans Härd
  7. Myren
  8. Stjärnornas Mjöd
  9. Mask
  10. Ylaren
Finntroll - Vredesvävd

‘Vredesvävd’ is scheduled to hit the shops worldwide in both digital and physical formats on 18th September 2020 via Century Media Records.

For more information visit:

https://www.trollhorde.com/

https://www.facebook.com/officialfinntroll/

Carach Angren – Francksteina Strataemontanus

Posted in Review, Uncategorized with tags , , on 22nd June 2020 by izaforestspirit

Carach Angren
Franckensteina Strataemontanus
Released 26th June 2020
Symphonic Black Metal / Horror Metal
Released via Seasons of Mist

Carach Angren - Franckensteina Strataemontanus

The Dutch symphonic horror metal masters Carach Angren are back with a new album. Their latest opus ‘Franckensteina Strataemontanus’ is a concept album focusing on the story of German occultist Johann Conrad Dippel, whose experiments allegedly inspired Mary Shelley’s novel ‘Frankenstein’. This is also the last album to feature the band’s drummer Ivo “Namtar” Wijers.

Carach Angren are a fairly new discovery for me. I only got into their music a couple of months ago. I’m surprised that it took me this long to check them out considering that I am a fan of several bands who make similar music including Cradle of Filth and Chthonic. The main things that make Carach Angren stand out are the frequent use of orchestrations in the music and Seregor’s storytelling. I wouldn’t really call what he does “singing”, it’s more like he is reading or narrating a horror story complete with all the theatrical antics and creepy voices.

The intro track ‘Here in German Woodland’ sets the scene for an eerie tale of Gothic horror. Speaking of spooky, there is something disturbing about the distorted guitar and keyboard noises in the introduction to the title track. It definitely conveys an eerie atmosphere, sending chills down the listener’s spine. Seregor does a good job playing the mad scientist in the story. Full marks for the theatrics. As far the lyrics go, Operation Compass seems a little disconnected from the rest of the album concept but the bombastic yet creepy orchestrations make you forget the confusion. Monster is one of the highlights on the album for me. The keyboards and the vocals really convey that feeling of something sinister coming towards you. They even added some cinematic style orchestrations and screams to create the right atmosphere.

Then there is the ultra-quirky Der Vampir von Nürnberg, one of those symphonic black metal songs that you’re either going to love or hate. The orchestrations sound fantastic in all their Gothic horror glory but the vocals might divide opinions. I am accustomed to Seregor’s creepy narrations but the ghastly (not in a good way) backing vocals and howling in the chorus started to get on my nerves. Dimmu Borgir did this too and I disliked it. Also is it just me or does anyone else think that the singer sounds like a bit like Till Lindemann when he is speaking in German?

Overall, ‘ Franckensteina Strataemontanus’ is a really good soundtrack to a horror movie that has yet to be made. As far symphonic black metal goes, Carach Angren are bit of an oddity, but as this album proves they are a force to be reckoned with. I would recommend this to fans of Cradle of Filth, Dimmu Borgir and Chthonic.

8/10
Iza Raittila

Beyond Shadows – Wolf’s Blood

Posted in Review, Uncategorized with tags , , on 16th June 2020 by izaforestspirit

Beyond Shadows
Wolf’s Blood
Released May 2020
Melodic Death Metal
Self-Released

Beyond Shadows - Wolf's Blood

Wolf’s Blood’ is the new EP from the New York -based, American melodic death metal duo. The band comprises vocalist and guitarist Daniel Shepard and drummer Chris Hawkins (ex-Midian). Their music is heavily influenced by the Gothenburg melodic death metal movement and they are inspired by bands such as At The Gates and Carcass.

This EP certainly does not lack aggression. Right from the opening riff on Never An Answer you are greeted by an onslaught of shredding guitars, blast beats and abrasive shouting. Yet in addition to the aggression, they also managed to sneak in some melodic guitar parts towards the latter half of the song adding some variety to the overall structure and pacing. The title track also features melodic undertones and lots of pace changes. The transitions between the vicious death metal and the melodic guitar work are very well timed. I particularly liked the acoustic guitar part at the end.

Just when you think that you know what Beyond Shadows is all about, they surprise you again. Based on what the first two tracks sounded like, the last thing that I expected was a keyboard intro on Regret Is My Name. It’s short but long enough to give the listener a chance to get ready for the next attack of thrashing guitars and blast beats. At The Gates made songs like this back in the ‘90s. Last but not least is Screaming Eyes (Go Unheard) which features another melodic guitar intro which reminded me of old Metallica for some reason. The guitar riffs are good but I could have done without the clean vocals.

In summary, ‘Wolf’s Blood’ is a well made melodic death metal EP, which is likely to please fans of Gothenburg variety of the genre. It has a few flaws but luckily they are minor and easy to overlook.

7/10

Iza Raittila

American Jetset – Saloon Rock Whiskey Pop

Posted in Review, Uncategorized with tags , , , on 15th June 2020 by Pieni

American Jetset
“Saloon Rock Whiskey Pop”
Rock
Self-released on 8th April 2020

saloon

“Saloon Rock Whiskey Pop” is said to be American Jetset’s first full length album, but as it features only six songs, I’d call it an EP instead… Whatever the term, its contents live up pretty much to its title, delivering that kind of rock which isn’t exactly hard but it’s harder than pop and that you expect to hear in a bar, while having a few drinks with a bunch of friends.
Personally, I’d like the voice to sound a bit more… passionate, but then it would probably make it feistier and closer to hard rock, and that’s probably not American Jetset’s goal. They play rock – period. And the whole guitar work – meaning solos, riffs, licks… – it’s already spicy enough to ignite a sparkle in your ear and then the rest just follows naturally. I must highlight the bass line in “Walking Contradiction”, as it’s very bold, but sadly it stays in the background in the other songs. Still plays an important role in the whole outcome, but it doesn’t stand out as in that first song. “1000 Ghosts” shows a more upbeat side of the band and “Never Be Goodbye” is the mandatory ballad, all acoustic, clapping hands on the chorus – which features the album title – and on the non-clapping parts you easily imagine the hands of the crowd holding a lighter (yeah, a lit cellphone will probably be more accurate, but a lighter gives out a more traditional vibe, fitting better in the mood). Meaning they cover all key bases of rock in about half an hour of juicy music.

7/10

Renata “Pieni” Lino

Behemoth – A Forest

Posted in Review, Uncategorized with tags , , on 5th June 2020 by izaforestspirit

Behemoth
A Forest
Released 29th May 2020
Blackened Death Metal
Released via New Aeon Music

Behemoth - A Forest

The ongoing worldwide pandemic has taken a heavy toll on the music industry. With thousands of shows and festival cancelled or postponed, musicians have found themselves with a lot more time their hands. Many have returned to the studio and created something new. The Polish blackened death metal trio Behemoth are one such band. They have teamed up with Niklas Kvarforth (Shining, Skitliv) to bring you a cover of The Cure’s ‘A Forest’. The EP also features to previously unreleased songs from the ‘I Loved You At Your Darkest’ recording sessions.

I have to admit I am not that familiar with The Cure’s music. I actually had to check out the original version of A Forest prior to this review. The Cure’s original post-punk song isn’t exactly cheerful but it’s nowhere near as creepy as Behemoth’s version. The eerie guitar work in the intro is enough to send chills down your spine. Orion really does a great job with the bass. Then there’s Mr. Kvarforth’s ghastly screams along with Nergal’s growls. This is definitely not a gentle stroll in the woods. These are the sounds of someone lost in a forest running for his/her life. The live version is faster, more energetic but it loses some of the eerie atmosphere in process.

Then we come to the two new songs. ‘Shadows Ov Ea Cast Upon Golgotha’ is a brutal piece of blackened death metal with harsh guitar riffs and varied pace. It is a decent song but it feels a little unrefined. I can see why they chose not to include on the last album. ‘Evoe’ is much more dynamic, well rounded and stronger in structure. Now this is the kind of Behemoth track that I was hoping to hear.

Overall, ‘A Forest’ is a good addition to Behemoth’s discography. They did a great job with the cover and the other songs are not without merit. I think that their fans will enjoy this release. I sure did.

7/10

Iza Raittila

New Ensiferum album coming this summer

Posted in Misc., News, Studio Report, Uncategorized with tags , , on 29th May 2020 by izaforestspirit

It’s been three years after their last studio effort ‘Two Paths’. Now the Finnish folk metallers are back with a new album called ‘Thalassic’. Here is an official statement from the band regarding the lyrical themes:

“The idea of it started to brew in my mind when I was doing interviews for ‘Two Paths‘ and many journalists asked if it was a theme album, and I noticed that I was answering all the time that because of the way we compose it’s almost impossible to make a theme album. This really started to piss me off and the decision was made: the next album would have a theme. At that time, we already had a few songs almost ready for the next album, and I started to listen to the demos much more from the feeling aspect instead of analyzing them musically. For some reason, all of them took me to a seashore, and the theme was found: something related to sea or water. So I started to read about history, myths and legend around the world that had something to do with the theme, but even though all of the lyrics are obviously inspired by this, I tried my best to keep Ensiferum‘s heroic mentality in them. In the end, there were too many ideas for lyrics, because I didn’t set myself any boundaries – like all stories would have to be Nordic, etc, and one of my favourite songs on the album tells about Andromeda from Greek mythology. I can’t promise that this way of lyric-writing will be the future of Ensiferum, but at least we did this once.”

You see the cover art and track-listing below:

1. Seafarer’s Dream
2. Rum, Women, Victory
3. Andromeda
4. The Defence of the Sampo
5. Run from the Crushing Tide
6. For Sirens
7. One with the Sea
8. Midsummer Magic
9. Cold Northland (Väinämöinen Part III)
10. Merille Lahteva (Bonus Track)
11. I’ll Stay by Your Side (Bonus Track)

‘Thalassic’ will hit the shops in both physical and digital formats on 10th July 2020 via Metal Blade Records.

In the meantime you can check out their new lyric video for ‘Rum, Women, Victory’

For further information visit:

https://www.facebook.com/Ensiferum

https://ensiferum.com/

Ravenscry – 100

Posted in Review, Uncategorized with tags , on 27th May 2020 by izaforestspirit

Ravenscry
100
Released 15th May 2020
Gothic Metal / Progressive metal
Self-Released

Ravenscry - 100

100’ is the latest album from the Milan-based Italian Gothic metal band Ravenscry. They were formed back in 2008. This is the first studio release to feature their new guitarist Federico Schiavoni, who joined the band in 2017.

So, based on the description, I was expecting this to be another Nightwish type, female fronted band. How wrong could I be? For starters, the vocals are melodic but their singer Giulia Stefani sounds more like Amy Lee (Evanescence) or Silje Wergeland (The Gathering, ex-Octavia Sperati) than any of the Nightwish singers. Secondly there are no symphonic elements. Instead, the guitars are low pitch, distorted and have a progressive metal feel to them. Keyboards are kept to a minimum, with the exception of the opening track ‘Maybe’, where they maintain the balance between the chugging guitars and Ms. Stefani’s angelic singing.

As I’ve mentioned several times in the past, I have never been fond of anything progressive and that is my main issue with this album. I like the vocals but the stop-start, distorted guitar work seems to disrupt the flow on the songs. I think that the symbiosis between the two is not as smooth or as efficient as it should be. They work on some tracks better than others. ‘The Entertainer’ is one of the better ones. Here the guitars take a backseat and the vocals are the main focus on the song. I really like Giulia Stefani’s vocal performance on that particular track. The melodic keyboard outro is a good addition too.

Overall, ‘100’ offers a mixture of progressive and Gothic metal. There is enough variety to keep the listener on his or her toes. Unfortunately the combination of the two might not be to everyone’s taste.

6/10

Iza Raittila

DevilDriver unveil new album details

Posted in Misc., News, Studio Report with tags , , , on 21st May 2020 by izaforestspirit

Two years after their country music covers album ‘Outlaws ‘Til The End’ was released, now the American groove metal band DevilDriver are back. They recently announced that their new studio effort will be called ‘Dealing With Demons I’.

Their front-man Dez Farara stated that this will be the first volume of a double album concept focusing on human nature, emotions and personal struggles. Here is an extract of he had to say about it:

“It’s time to lay it all out, on two records. I’m never gonna revisit these subjects again. I’ve been writing about this sort of human nature, disloyalty and dishonesty, love and loss, since the beginning of my career. I am going in a more lyrically woke direction in the future. A lot of people say my music gives them strength. But what they don’t realize is that these topics haunt me. Over the course of these last few years we fled from wildfires, my wife battled cancer and now we are going through a pandemic… so it is what it is… let’s dump it all on the table and purge. I want to go through different topics in the future, so here we are now. I’ve laid it all out on a double record for all of you to hear.”

Check out the cover art and track-listing below:

DevilDriver - Dealing With Demons, Volume I

1. Keep Away From Me
2. Vengeance Is Clear
3. Nest Of Vipers
4. Iona
5. Wishing
6. You Give Me A Reason To Drink (feat. Simon Blade Fafara)
7. Witches
8. Dealing With Demons
9. The Damned Don’t Cry
10. Scars Me Forever

‘Dealing With Demons I’ will hit the shops on 9th October 2020 via Napalm Records.

For now you can check out the lyric video for their new single ‘Keep Away From Me’

For more information visit:
https://www.facebook.com/devildriver/

DevilDriver

 

 

Raven Said – Beyond The Darkest Hour

Posted in Review, Uncategorized with tags , , , on 13th May 2020 by izaforestspirit

Raven Said
Beyond The Darkest Hour
Released 17th April 2020
Goth Rock/Post-Punk
Released via Secret Sin Records Ltd.

’Beyond The Darkest Hour’ is the debut album from the Russian Goth rock duo Raven Said. The band was founded in 2014 in Ekaterinburg by vocalist-guitarist Andrey Agapitov and Maria Agapitova (piano, synth, violin and percussion). I first discovered them after watching their performance at Lumous Gothic Festival. They cite ‘80s Goth rock, post-punk and new wave as their main influences along with an interest in the occult and spooky Gothic themes. Oh and in case the name wasn’t enough of a clue they are also fans of the works of Edgar Allan Poe. Some of the songs were previously released as EPs and their entire discography is available from their Bandcamp page.

Well, if old school Goth rock is your thing, then you are in for a treat. This album has all the hallmarks of a classic Goth rock record including melancholic vocals, eerie, scything guitar work and spooky synth melodies. Lenore was part of the live set at Lumous Gothic Festival. It’s one of the songs that stood out for me and what made me check out the band’s music after the shows. Ok, it’s a little slow but I really like the spooky atmosphere. There are also some more dance-friendly tunes such as Love That Black As Coal. This one is more keyboard-oriented and a little less melancholic.

Another song that caught my attention was Fragile Hope; the most dance-friendly track on here. It’s catchy with a good keyboard intro and the guitar sounds less gloomy. The guitar riffs can even been described as….(dare I say it..?) – uplifting. Yes, that’s right, I’ve just used the term “uplifting” in a Goth rock review! Oh no… Oh the horror! What ever shall we do? I say that we just keep listening and dance along, that’s my plan at least.

To conclude, ‘Beyond The Darkest Hour’ is a very well executed Goth rock album that is bound to please fans of the style. There are only a handful of Goth rock bands that I like and I am pleased to say that Raven Said is one of them.

8/10

Iza Raittila

Paradise Lost – Obsidian

Posted in Review, Uncategorized with tags , , , on 10th May 2020 by Pieni

Paradise Lost
“Obsidian”
Gothic metal
Released: 15th May 2020
Via Nuclear Blast 

obsidian

I believe that in all 17 studio albums Paradise Lost have released so far, this is the one with the most accurate title – its songs are deep dark and their refinement pretty clear-cut, just like an obsidian rock. And since we use the word “rock” in a metaphorical sense to describe something strong we can rely on, and “Obsidian” is, in my humble opinion, the strongest record these guys have done in years…

Paradise Lost have always managed to write sorrowful songs that will otherwise bring you elation rather than depression, and just a few seconds into that acoustic intro of “Darker Thoughts” will prove this statement right. Nick Holmes sings in a heartfelt clean pitch here, and as the electric, heavy part kicks in, so does his harsh growl. There are orchestral arrangements in the background throughout the whole song – violins, if my ears got it right – which a sucker for details such as me must point out. And as the two following songs are the ones I already knew from YouTube – the stricken “Fall From Grace” and the homage to The Sisters Of Mercy “Ghosts – it was already clear I was facing a masterpiece. A lot of “old school PL vibe” revamped, which I admit probably helped with the impact it caused on me – but I still think “masterpiece” is the right word.

The keyboard line and guitar work of “The Devil Embraced” are particularly riveting, while “Serenity” bears a more straight-forward and rawer heaviness that turns out quite catchy. And while the melody of “Ending Days” bears the beautiful sadness that I’ve implied before, “Ravenghast”’s nature is gloomier, almost ominous.

Saying “all gothic metal fans” may sound presumptuous, so I’ll stick to “the majority of gothic metal fans” will fall in love with this record; but for those whose lives were touched by “Icon” and/or “Draconian Times”, “Obsidian” will also be a blissful revival of the past.

9/10

Renata “Pieni” Lino

Orange Goblin – Rough & Ready, Live & Loud… 25 Years of British Rock and Heavy Metal

Posted in Uncategorized with tags , , , , , , , on 10th May 2020 by mickbirchy

Orange Goblin
Rough & Ready, Live & Loud
Hard Rock, Heavy Metal, Stoner Rock
Released: 1st May 2020
via Orange Goblin Music / Rise Above Records

It’s hard to put into words how much I love the band Orange Goblin and how much their music reached me. Let me take you back to 2012 and the release of their album A Eulogy For The Damned. This was an album that immediately captured my consciousness and reached me on a level that I don’t think many metal bands have done. It wasn’t an overly complex record from a musical standpoint.  It adhered to a standard, verse/chorus/verse/chorus structure with riffs to carry the general tune of the song and they used some brilliant guitar work to give their music some extra life. After listening to that album I was immediately fascinated with them, their riffs always caught me, hook line and sinker and I hunted down their previous albums to see if they gave the same feeling. Very luckily, they did. In particular Thieving from the House of God, which still to this day is one of my all-time favourite metal albums.

Once I had discovered their music I made it a mission to see them live in concert. I got my chance time and time again as Orange Goblin are touring machines, I’ve managed to watch them live at least 12 times now. Now, how do I describe their live shows? They’re one of the most charismatic and fun bands to watch live. They just have this imposing presence to their shows, it’s something you can really feel as an audience member, no matter how many times I see them perform I still get chills when they get certain parts of their sets. There are some staple tunes that the band will just play and the crowd goes nuts, like “Saruman’s Wish” and “Some You Win, Some You Lose”, when they hit those songs you can feel the crowd twist and shift and come to life. It’s such an awesome feeling. They do such a good job of making a set-list that will keep their fans happy. I mean all bands have to release new material and I think deciding what old songs to keep and what new songs to add is an art form unto itself. They always seem to get that balance of rocking the old school tunes and promoting the new material. So, it’s great to hear a set-list unfold itself over the course of a night.

Now they have been rocking for 25 solid years, Orange Goblin wanted to do something for the fans to celebrate this milestone in their career. However, with the UK being in lock-down due to the world health crisis at the time of writing this review, it wasn’t like they could just hit the road at their leisure. So, the next best thing was to give their fans a live album. Rough & Ready, Live & Loud is a collection of live recordings from their gigs. The songs were taken from their sets at Sylak Open Air Festival 2016, KOKO in London 2016 and at the Fuzz Club in Athens in 2019. It’s a well-rounded album with lots of great songs to rock out to. It also gives some love to some of their, let’s say underrated, classics like “Time Traveling Blues” and “Made of Rats”. So in that sense, it’s not a greatest hits album per se, more of a collection to give the listener the feeling of hearing the band live and enjoying the show. Which is cool and a good way to put their stamp on 25 years as a band. Also, included with the album on Bandcamp is a digital booklet filled with fan-submitted memories of the band. Which made this feel like an all-inclusive experience with their fans. In addition to this the Bandcamp edition of the album features the extra track of “Your World Will Hate This” from the album Coup de Grace. Which is a pretty damn good cap on the album. I mean it’s a short tune but it has that fierce energy and packs that little extra punch.

Although I can’t pretend that I have been a fan since the start (you know since I was only three years old when they started, so the only music I liked was the intro to Thomas the Tank Engine). I feel like they were definitely a cornerstone in developing my taste in heavy metal and hard rock. Still to this day I gravitate to music with heavy riffs and fuzzy solos more than any other styling. Their live shows have always been something to look forward to for me because I know they’re going to give it their all and they enjoy every moment of being on stage. This was a nice treat as a fan of the band and something that I’ve enjoyed listening to. So… here’s to 25 years of Orange Goblin and hopefully another 25 years of hard rock and heavy metal.

10/10

Mick Birchall

Get the album for yourself here – https://orangegoblinofficial.bandcamp.com

Battle Born debut EP coming next month

Posted in Uncategorized with tags , on 5th May 2020 by izaforestspirit

Battle Born are a new addition to the British power metal scene. The idea of the band first came about in 2018 after an inspirational trip to Wacken Open Air Festival. Their music influences include Beast in Black, Judas Priest and the action role-playing game Skyrim.

The band’s self titled EP will be available in both physical and digital formats from their Bandcamp page on 26th June 2020. You can stream the first single right now.

For further details visit:

https://battlebornuk.bandcamp.com/album/battle-born

https://www.facebook.com/pg/battlebornuk/

Vader – Solitude in Madness

Posted in Review, Uncategorized with tags , , on 2nd May 2020 by izaforestspirit

Vader
Solitude In Madness
Released 1st May 2020
Death Metal/Death-Thrash Metal
Released via Nuclear Blast Records

Vader - Solitude in Madness

My favorite death metal quartet, Vader are back with a new album. It’s been four years since their last full length ’The Empire’. Last year they released a teaser EP called ’Thy Messenger’ and now the wait is finally over. ’Solitude in Madness’ has been unleashed onto the world. What a fitting title given the present circumstances which many of us find ourselves in during this turbulent time…

Right from the moment you press the play button, you are greeted by a ferocious barrage of guitar riffs, relentless drum work along with Peter’s brutal growling. The opener Shock And Awe sets the tone for the rest of the album. What we have here are eleven tight-knit tracks of brutal death-thrash metal. The songs are short, fairly simple in structure and lacking the intricate atmospheric parts and intros featured on ‘Tibi et Igni’. They were already heading this direction with ‘The Empire’. However this change of style is not a new thing for Vader. In many ways this bears a lot of similarity to their earlier works, particularly their third release ‘Black To The Blind’, a personal favorite of mine.

For those who are not familiar with the band’s history, Vader started out as a thrash metal outfit and so this is a return to their roots. The thrash metal guitar riffs have always played a key role in what makes Vader stand out and this album is not an exception. Into Oblivion is a vicious beast packed with crushing guitar work and savage drumming. Ready or not, here it comes. You have just two options: either stand and fight it or run for your life! Emptiness and Despair were featured on the ‘Thy Messenger’ EP which I reviewed last year so I will not be discussing those songs. Then there is their cover of Acid Drinkers’ Dancing In The Slaughterhouse. No death metal here, this song is essentially speed-thrash. Full speed ahead, lots of shouting and vicious riffs.

In summary, ‘Solitude In Madness’ doesn’t offer too many surprises. For better or worse it is very straightforward, “textbook” Vader. More of the same death-thrash metal blend, the formula which they have stuck with for decades. For Vader fans like myself, it ticks all the right boxes. It sounds exactly like I was hoping that it would. It is a little short, clocking in at just under thirty minutes but there is not a single weak track on here.

8/10

Iza Raittila

Overlaps – In Your Room

Posted in Review, Uncategorized with tags on 27th April 2020 by izaforestspirit

Overlaps
In Your Room
Released 27th March 2020
Alternative Rock/Nu Rock
Released via Time to Kill Records

’In Your Room’ is the second album from the Italian alternative rock band Overlaps. They were formed back in 2015. Their debut album saw the light of day two years later. The band have also accompanied The Rasmus on their Dark Matters tour in 2018.

Right from the very first guitar riff I can already feel that this album is going to be fun. The opener Your Eyes features some catchy guitars and powerful vocals. Their singer Gloria Piccinin has a good, dynamic voice and she puts a lot of emotion into each song. I particularly liked the chorus of In This Room. It has that uplifting feel to it which puts the listener in a good mood. One thing I didn’t like though are the rapping vocals mid-way through Spleen. What a waste of a good song. I have no issue with the poetic lyrics and references to Baudelaire but I really can’t get past the rapping. Luckily that is the only time that they do this on here and what follows is more well-executed alternative rock.

As mentioned previously, I like the vocals and I think that they are part of what makes Overlaps stand out. As far as alternative rock goes, this is fairly melodic and radio-friendly, verging on power-pop at times. But enough about the vocals, let’s talk a bit about the guitars. There is some good riff work on here too. Take Wasted for instance, it is one of the heavier tracks on here with multifaceted guitar passages and varied pace.

Overall, I enjoyed listening to ‘In Your Room’. It offers a good balance of melodic, energetic and uplifting guitar work with powerful vocals to convey their message to the masses. Gloria Piccinin is a talented singer and with her at the helm, Overlaps have a bright future ahead of them.

8/10
Iza Raittila

Bloodyard – Orchard of Corpses

Posted in Review, Uncategorized with tags , , , , , on 26th April 2020 by mickbirchy

Bloodyard

Orchard of Corpses

Heavy Metal, Groove Metal, Death Metal

Released: 1st May 2020

Self Released

Bloodyard is one of those bands that have always been on my radar but I have not really given much attention to. Not for any malicious reason, mind you, I just find it hard to keep up with all of the music I want to listen to and inevitably some bands fall through the cracks. So, it was nice that I could spend some time giving their music a thorough listen and where better to start than their latest album Orchard of Corpses. A twisted and heavy album that incorporates a thick tone, an in-your-face presence and tight musicianship to make a fun listening experience that I bet would sound good live. Bloodyard have a really decent album here, that I think a lot of metal fans should get behind. You can clearly hear their influences in the music and how they use those influences to manufacture their own sound.

As much as I like their music, I do have to comment on the production. Whilst, not the worst I have ever heard, it is noticeable. If there is one thing that I would say is standing out is the sound of the drums. They completely lack impact, with the other instruments overshadowing them. In fact, the production as a whole feels a little washed out and flat. I don’t think there’s anything wrong with the tone or the way it was recorded. I just feel the assembly of the mix was a little off. I can’t put my finger on it, but there is something holding the full impact of these songs back and it’s in the production. I think all of the musicianship itself is great though. Not a bad performance here, with solid guitar work and well-performed rhythm and bass. The vocals sound great, very commanding and direct. All in all the production is a mixed bag.

However, I do like the songs themselves and I think they would work in a live setting. I could really see myself headbanging the night away with how these songs play out. Lots of tight rhythm with not much breathing room, so the album just goes from song to song in a very fluid way which makes the album a great listen-through and makes it re-playable. The band gets in, does their thing and gets out. So, yeah I think the songs themselves are pretty damn good.

This is a decent record. Sure, it has some rough edges, but those are things that can be worked out. I like the tunes and the pure intensity of the record. The music is fine and though not the typical band that I usually listen to, I still found this album to be an enjoyable experience. I would like to hear this band live as I think that is a better context for these songs and where the band would be more in their element. It’s a good listen and I’m sure the underground metal scene here in the UK will love it. If you like like you home-brew heavy metal then this is the band for you.

6/10

Mick Birchall

Alexi Laiho’s book now available in English

Posted in Misc., News with tags , , , , , on 22nd April 2020 by izaforestspirit

So we may have to wait a while for the debut album from Alexi Laiho‘s new band Bodom After Midnight but there is some good news for his fans. The former Children of Bodom front-man’s autobiography ‘Alexi Laiho – Chaos, Control & Guitar’ is now available in English.

The book was ghost written by Petri Silas, a music journalist and personal friend of Mr. Laiho. The original version (in Finnish) came out last year.

Alexi Laiho - Chaos, Control & Guitar, Book - Backstage Rock Shop

The international, English edition is available from the following online stores:
Alexi Laiho – Chaos, Control & Guitar (Book in English)
https://www.recordshopx.com/book/laiho_alexi/kitara_kaaos_kontrolli/

For further information go to:
https://fi-fi.facebook.com/AlexiLaihoOfficial
https://www.facebook.com/bodomaftermidnightofficial/