Goldray – Feel The Change

Posted in Review with tags , , , , on 27th September 2020 by Pieni

Goldray
“Feel The Change”
Psychedelic Rock
Released: 31st July 2020
Via AKA Shic Records

goldrayfeelthechange

Goldray’s sophomore album may be called “Feel The Change” but that’s something that won’t happen when it comes to its nature and its quality. Leah Rasmussen’s mesmerizing voice will once again lead you into a dreamy dimension, under a top-notch psych rock soundtrack. There’s the groovy “Oz”, with all that rich guitar work Kenwyn House has gotten us used to and the kaleidoscopic effects that I like to call “laser gun shots” (seriously, they sound like those sci-fi eighties movies!). Then the straightforward emotion of the ballad which the album is named after. The hippie-vibe “The Forest”, and its sequel (literally: “The Forest – Part 2”) in a heavier approach, resembling something in-between Led Zeppelin and Black Sabbath. The seduction of “How Do You Know”. “The Beat Inside” living up to its name – such an enthralling rhythm, coming from the artist’s heart and aiming at yours. The bluesy “Come On”. And then the ethereal “Phoenix Rising” wrapping it all up. Yes, I am aware I’ve used a lot of positive adjectives and remarks, but this is really an outstanding record within the genre. Is it perfect? Maybe, but I’ll leave that part for every listener to decide.

9/10

Renata “Pieni” Lino

Marilyn Manson – We Are Chaos

Posted in Review with tags , on 25th September 2020 by izaforestspirit

Marilyn Manson
We Are Chaos
Released 11th September 2020
Alternative Rock
Released via Loma Vista

MARILYN MANSON | We are chaos - Nuclear Blast

So here we are in the autumn of 2020- a terrible year for many people and one that we all probably wish would be over soon. The pandemic is still causing havoc with our lives. While we do our best to cope with the new challenges sometimes the best remedy for stress and anxiety is a suitable distraction. I for one, have used this time to revisit some of the things that used to bring my joy when I was younger be it books, films and of course music. However bad 2020 has been, it has also witnessed the birth of some really good new music. This brings me to the latest album from Marilyn Manson, a band who’s career I have been following since my early teens. I was pretty much ready to give up on them after ‘Eat Me, Drink Me’. The two albums that followed were unmemorable and I had serious doubts whether Brian Warner was cable of writing decent songs . Then ‘The Pale Emperor’ came along and I was pleasantly surprised as to how much I liked it. Three years ago he repeated the success with ‘Heaven Upside Down’. Now this year he is back with ‘We Are Chaos’ featuring the country musician Shooter Jennings along with a variety of session musicians.

The CD version comes with a copy of a painting by Marilyn Manson, which suits of the overall sombre tone of the album. It’s a bit of a slow start with the opener Red Black And Blue. Personally I found the speech at the beginning a little off-putting and I was almost tempted to skip the song completely. It is good that I didn’t though, as song itself is decent but hardly one of the highlights of the album. Luckily the title track is much better. I cannot get enough of the chorus and the emotional yet haunting vocals. I already liked it when I first saw the video and even after a few listens it still hasn’t lost it’s appeal. Now that’s more like it. Half-Way & One Step Forward also got my attention thanks to the melancholic piano intro and the creepy vocals. I also really liked Don’t Chase The Dead, another great alternative rock track that captures the right balance of a haunting atmosphere and dancefloor-friendly melodies. There are many moments that reminded me of Marilyn Manson’s ‘Mechanical Animals’ era. In many ways the songs on here contain the same vibe as that album, which just happens to be one of my favorites.

In summary, ‘We Are Chaos’ is a surprisingly accessible album that gets better with every listen. Each song is packed with emotion and there is certain melancholic vibe present throughout. It sounds like the spiritual little brother of ‘Mechanical Animals’, the next phase of Marilyn Manson’s evolution as an artist and his best work in years.

8/10

Iza Raittila

Kataklysm – Unconquered

Posted in Review with tags , , , on 21st September 2020 by Pieni

 

Kataklysm
“Unconquered”
Melodic death metal
Release: 25th September 2020
Via Nuclear Blast Records

 

unconquered

Kataklysm’s studio discography has grown more or less every two years and, despite the pandemic, 2020 didn’t miss the mark. In fact, “Unconquered” was written based on the current struggles the world is facing and the band describes this album as “a rebirth of aggression”, as a response to said struggles. In all honesty, I don’t think this is THAT much more violent than before, but it’s pretty clear we’re listening to a more elaborate work, richer in features – both modern and old-school – that enhance the melodic part in their melodic death metal nature. Also Jean-François Dagenais gave 7-string guitars a shot, and that alone offers new textures.

“The Killshot” lives up to its title, such brutality embedded in that riffing and double bass drumming – and yet its musical pattern lingers in your ear. That’s probably why it was released as first single, but for similar reasons, so could have been “Defiant” – the latter somewhat fiercer and more straightforward.

It’s funny how Kataklysm consider “Cut Me Down” a “haunting and melodic” song (featuring WolfheartTuomas Saukkonen, by the way), when I think those words best describe “The Way Back Home” (one of my favorites). But it’s the doomsday vibe of “When It’s Over” that makes it the most ominous track (and therefore another favorite of mine).

I won’t say this is their best record so far, but I can assure you the Canadian quartet is right to feel proud of it.

8/10

Renata “Pieni” Lino

White Virgins–No Safe Word

Posted in Review with tags , , , on 21st September 2020 by Nico Davidson

White Virgins
No Safe Word
Released 2020
Sludge Metal
Self-Released

Hailing from Germany, White Virgins formed in 2019. No Safe Word is the band’s debut EP.

The EP opens up with Glitter Dick. Though the track’s name may sound like some dodgy porno, the track is anything but dodgy as it hits hard and heavy with an assault of riffs., and thundering bass lines. Leatherwhip comes in with a gritty, almost offensive sound, whilst Double Slut Experiment fails to entice the ears with its trying-hard-to-be-crunchy riffs. Snuff Rider features more prominent percussion work but the riffs feel and sound very mismatched, leaving the track with much to be desired. Pussy Melter is another track that sounds like a dodgy porn title but there is definitely nothing pornographic about the lacklustre riffs or unexpected tempo changes. The EP ends on I Want To Have Sex o Marilyn Manson, which has a total change of a pace from the rest of the release. The sound of this track is much darker than the rest of the EP, with a certain melody running through the guitars.

No Safe Word is a very hit and miss release, with some tracks feeling rushed and written last minute. White Virgins show potential but overall the EP feels very lacking.

5/10

Nico Solheim-Davidson

Crushing Force – Remnants of Devastation

Posted in Review with tags , , on 21st September 2020 by izaforestspirit

Crushing Force
Remnants of Devastation
Released 25th July 2020
Melodic Death Metal
Self-Released

Crushing Force - Remnants of Devastation

’Remnants of Devastation’ is the debut EP from the New York based melodic death metal band Crushing Force. The band was originally a one man project of Bill Rotach (Desekrator, ex-Nazgül) created in 2016 with the aim of making instrumental music for video games. One of the tracks, ‘Inferior Humans’ features a sound clip of Fawkes from the video game Fallout 3.

Now I have never played Fallout 3 and I am not really into video games, so I cannot comment on how well this would work as a soundtrack. What I can say, is a few things about is the music itself. The EP is full of shredding guitar riffs along with a few well constructed melodic guitar parts. Mr. Rotach is clearly a skilled guitarist and guitars are definitely the main focus of the EP. The aforementioned Inferior Humans is the most aggressive song in here with crushing guitars and savage drums hammering away. At the other end of the spectrum, we have songs like the title track which is more thrash metal -esque and melodic in nature.

Overall, this is a well made EP from a promising melodic death metal artist. The lyrical themes and the overall tone of the music would not be out of place in a post-apocalyptic landscape. As to how well it works as a soundtrack, I guess that’s up to the gamers to decide.

7/10

Iza Raittila

Joe Bouchard – Strange Legends

Posted in Review with tags , on 8th September 2020 by izaforestspirit

Joe Bouchard
Strange Legends
Released 31st July 2020
Hard Rock
Released via Deko Entertainment

‘Strange Legends’ is the latest solo album from the American hard rock artist Joe Bouchard. He is best known as one of the founding members of Blue Öyster Cult. This record features drummer Mickey Curry (Alice Cooper, Bryan Adams) along with lyrical contributions from the the sci-fi writer John Shirley, co-screenwriter for the movie ‘The Crow’.

I have to admit that I’m not too well versed when it comes to Blue Öyster Cult. I am mostly familiar with just two of their songs – ‘Don’t Feat The Reaper’ and ‘Astronomy’ thanks to the Metallica cover. Despite this I decided to give the album a go… So, what we have here are eleven tracks of melodic and uplifting hard rock. The pace is varied but generally speaking the more energetic tracks are mostly in the first half of the record, then Mr. Bouchard mellows things down with a few ballads towards the end.

I enjoyed the guitar parts on African Queen and the chorus is pretty good too. It’s catchy, almost to the point where you are tempted to swing along to the guitar tunes. Speaking of guitars, if you like like jazz style guitar work then you should definitely check out the instrumental Racing Thru The Desert. The guitar riffs are very well done, but personally I’m not so keen on the trumpet noise on the background. Perhaps a little too much like a jazz jamming session for my liking. She’s a Legend is another standout track with a memorable chorus. The overall tone is a little darker thanks to the creepy synthesizer sound in the background. That the doesn’t make the track any less catchy than the others on the album, though. In many ways that song reminded me of some of Blue Öyster Cult’s best known hits.

In summary, ‘Strange Legends’ is a catchy, guitar-driven hard rock album. I enjoyed it despite my limited knowledge of Blue Öyster Cult and Joe Bouchard’s solo work. If you are a fan of Blue Öyster Cult, the chances are that you already have this record. I reckon that most hard rock fans will like it too.

8/10

Iza Raittila

Valkyrian Music

Cradle of Filth live stream show coming late next month

Posted in Live, Misc., News with tags , , , on 1st September 2020 by izaforestspirit

British extreme Gothic metal outfit Cradle of Filth are the latest band to jump on the live stream bandwagon. They have recently announced that they will be doing a live stream show next month. The event will take place on the so called “Devil’s Night”, the day before Halloween a.k.a. 30th October 2020 at St. Mary’s Church, Colchester Art Centre, England.

The band have recently been working on their new album, the yet to be titled follow up to ‘Cryptoriana – The Seductiveness of Decay’. It remains to be seen whether the live stream show will feature any new songs, but the band have revealed that it will include the first appearance from their new keyboard player and backing vocalist.

The streaming times will be as follows:

22.00 (10.00 pm) GMT
23.00 (11.00pm) CEST
18.00 (6.00 pm) EST
15.00 (3.00 pm) PST

Image may contain: 1 person, text

Tickets are on sale now at: https://cradleoffilth.veeps.com/stream/schedule

For more information go to: https://www.facebook.com/cradleoffilth/

https://www.cradleoffilth.com/

Breaking Today – It Dies Today

Posted in Review with tags , , , , on 28th August 2020 by Pieni

Breaking Today
“It Dies Today” (EP)
Punk rock
Self-released on 13th July 2020

breakingtoday

He may be the bass player in a metalcore band, but Luís Silva is a punk rocker. And he plays guitar. And he sings! And so Breaking Today was born.

The single for the title-track was released three years ago already – the original idea was for the EP to follow suit but, well, life happened… – and it’s indeed its most “single material”. All four songs have their own way of rocking your senses and lingering in your ear, but “It Dies Today” has that upbeat catchiness that sticks right away; you listen to it once, and by the second time you do, you’re already singing along the chorus. At least that’s what happened with me.

But first comes “Dropout”, faster, feistier, and therefore the right choice for opening track. And because punks have feelings too (please see a joke here and not an offense), the ballad “Save Me” delivers the right mellow touch. The strongest bass line – I won’t say the backbone but certainly one of the essences of punk rock – comes last, in the founding layers “Heavy Lies The Crown” was built on.

I won’t say Breaking Today is recommended for fans of this or that band, because a) it would look like I’m making comparisons and that’s just not fair, and b) every time someone tells me “oh if you like this you’ll definitely like that”, they fail miserably. So I’ll just say “It Dies Today” covers all the juicy feats of good ol’ punk rock and everyone who’s into that should at least give it a try – even if this turns out to be an “only child”. Not sure about this last part, mind me. All it’s been said is they don’t have any plans of playing live, and that frontman Luis’ dream has been fulfilled. Personally, I would like pretty much to listen to a follow-up, but if it doesn’t happen, this one’s worth it.

 7,5/10

Renata “Pieni” Lino

Behemoth live stream show coming in September

Posted in Gig, Misc., News with tags , , on 24th August 2020 by izaforestspirit

Good news for Behemoth fans. The well renowned blackened death metal trio have recently announced that will be playing a worldwide live stream show on 5th September 2020. The event known as ‘In Absentia Dei’ will be filmed and streamed live at a church in a secret location in Poland.

They will be joined by special guests the American black metal band Imperial Triumphant, who will be playing from The Slipper Room Cabaret in Manhattan, New York. The exact time of the event has yet to be disclosed.


For ticket purchases and more information go to: https://www.behemoth.live
https://www.facebook.com/behemoth/

The Lightbringer of Sweden – Rise of The Beast

Posted in Review with tags , , on 18th August 2020 by izaforestspirit

The Lightbringer of Sweden
Rise of The Beast
Released 15th July 2020
Power Metal
Self-Released

The Lightbringer of Sweden - Rise of the Beast

’Rise of The Beast’ is the debut album from the power metal band The Lightbringer of Sweden. As the band name suggests, the group hail from Sweden and they have been around since 2017. The line-up includes the German vocalist Herbie Langhans (also of Firewind, Beyond The Bridge and Avantasia live).

Now, when it comes to Swedish power metal the first name that always pops into my head is Sabaton. I can honestly say that I would struggle to name any others, except for Civil War which comprises several former Sabaton members. It’s good to know that there is more to the Swedish power metal scene than just these two bands. For starters The Lightbringer of Sweden sound nothing like their Falun-based brethren. There are no keyboards and Langhans’s vocal style reminds me of Andi Deris of Helloween.

I’m not sure what to make of the intro track ‘The Moon’… Church bells, something burning in background and the narrator’s voice informing you that the beast known as The Lightbringer is here to stay. Good to know, moving swiftly on. What follows is some fairly enjoyable melodic power metal complete with crunchy guitar, good drum work and powerful vocals. What’s not to like? The tempo varies from the mid-paced catchy songs such as Fallen Angels to the slower, ballad-esque title track. One of the highlights for me is ‘Skeletor’, probably my favorite track on here despite the somewhat cheesy lyrics. The chorus is super catchy, the raspy vocals are full of emotion and very well executed and the guitar work is top notch. I also enjoyed Into The Night, another catchy power metal tune. I’m not going to do a track-by-track review, I like some tracks more than others but, generally speaking there are not too many filler songs on here.

Overall, I enjoyed ‘Rise of The Beast’. This is one of the better power metal albums I’ve heard this year. As far as the genre goes, The Lightbringer of Sweden aren’t exactly re-inventing the wheel, but they are good at what they do. If they continue along the same path they will have a bright future ahead of them.

8/10

Iza Raittila

Bloody News Online Fest live stream next week

Posted in Festival, Misc., News with tags , , , on 17th August 2020 by izaforestspirit

The world wide Covid 19 pandemic is still at large. Some live events are going ahead with restricted access and new safety measures but it will be a long while before large scene shows can resume. 2020 saw the rise of live steams with many artists and organisers getting together on virtual platforms to entertain their audiences.

GlobMetal Promotions have teamed with up Bloody News Metal Magazine to bring you the first ever Bloody News Online Fest. This will be a two day free live stream event taking place on 28/08/2020 and 29/08/2020.

The line-up will include: Belle Morte, Judgement, Arida Vortex, Rusted Nail plus many more. For the full band list check out the poster below:

The event will be streamed online via the Bloody News Metal website.

http://bloodynews.ro/

For more information visit the event page on Facebook: https://www.facebook.com/events/335636320939954/

New single from Yesterday I Lived

Posted in Misc., News, Studio Report with tags , on 6th August 2020 by izaforestspirit

Here is something for fans of doom metal. The Moscow based, Russian atmospheric doom metal artist Yesterday I Lived has just released his latest single ‘Theatre of Sorrow’.

The project was created last year. The new single and his self-titled debut album are available exclusively from his bandcamp page.

For more information visit:

https://yesterday-i-lived.bandcamp.com/

https://www.facebook.com/yesterday.i.lived/

https://www.youtube.com/channel/UCs-i5806YMghIcLtNo9OllA/

Battle Born – Battle Born

Posted in Review with tags , , , on 20th July 2020 by Nico Davidson

Battle Born
Battle Born
Released 26th June 2020
Power Metal/Skyrim Metal
Self-Released

Hailing from Windhelm (Apparently), Battle Born are a new power metal act on the scene. Described as “true Skyrim Metal” by some, I have to admit my curiosity was piqued. The self-titled EP is said to take the listener on an adventure through the rolling mountains of the frozen land of Skyrim.

The EP charges straight in with the gallant title track, Battle Born. It’s a strong enough opening for the EP, featuring the standard trademarks of European power metal. Bring The Metal Back is a catchy track with memorable riffs and an overall grandiose chorus, though some of the lyrics do sound quite cheesey. Man Of War takes on a more classic metal sound, with a styling that would be closer to early Manowar, or Judas Priest, than modern power metal. The chorus is poignant enough to have you singing it for days. For Our Home is a far gentler song, making use of more emotional keyboard passages and moving vocal lines. The guitars add to the uplifting sound of the track. The EP ends on Sovngarde Awaits, which despite the name, isn’t as mournful as one would assume. Instead, it thunders in with encouraging guitar riffs, exhilarating keyboards, and boisterous vocals. Such an enlivening song makes you want the EP to carry on.

For a Skyrim Metal band, the lack of Thu’um usage and sweetrolls which is disappointing, however the EP shows promise these sons of Skyrim. With an arsenal of fun choruses, and uplifting songs, Battle Born is a mighty release and just the soundtrack you need when taking the fight to the Imperials!

9/10

Nico Solheim-Davidson

Battle Born online:

http://www.facebook.com/battlebornuk

Interview with Sami Hinkka [Ensiferum]

Posted in Interview with tags , , , , , on 20th July 2020 by Nico Davidson

Ensiferum, are perhaps one Finland’s greatest musicial exports, with an ever evolving sound. With the new album out, Nico sat down and had an email-based chat with the band’s bassist, Sami.

Nico: Thalassic is an interesting name for the new album. Given the definition of the word, and based on the track listing, it’s obvious that there is a sea or oceanic theme in the album.  How did it come about to have this theme as opposed to other themes?

Sami: Hi! I’m actually very happy with the album title because as a word it sounds like it’s matching well with the bands name and it sums up the theme of the album. Sea or water felt like a good and “wide” enough because every culture have mythologies and legends that are linked to sea so I knew that there would be more than enough good stories to draw inspiration from.

N: How does the new album differ from previous releases?

S: The composing process went as it usually goes with this band: slowly. Of course the new member Pekka Montin gave a totally new ”tool” for us with his incredible voice and naturally we arranged songs that we made the most of it. Obviously the lyrical theme makes this different kind of album compared to old albums.

For the production team we had one new and one old member: we had the honor to get Janne Joutsenniemi to produce and record and Jens Bogren to mix the album and we are very happy with the result.

N: What was the writing process for the new album like? Did you have an idea of what you wanted to the new album to sound like before writing it?

S: Usually we have raw idea how a new album should sound like but it always depends how the songs are progressing because we always have lots of songs under work and naturally we can’t finish them all so once we have enough songs to record an album, then it’s time to book a studio. This is very cool way because then we always have raw material to work with.

N: Some fans have commented that the singles you’ve released from the album so far, especially Rum, Women, Victory, have a pirate metal sound to them. Would you describe the new album as such?

S: Heh, to be honest I never thought that someone would think this song as a pirate song! It tells about the brave men of Royal Navy and the daily rum dose they used to get. I have no idea what ”a pirate metal” -sound is, I guess Alestorm’ish? And I find our sound to be completely different but of course everyone is entitled to their own opinion.

N: In your own opinion, which song would you say defines Ensiferum?

S: We have such a wide musical horizon so this is really hard. Maybe “Victory Song” has many Ensiferum’s main elements so if I would need to represent the band with one song, I might choose that one.

N: If you could replace the soundtrack to any film, which one would it be and why?

S: Hmmm, I’m sorry I can’t come up with any movie that has such a terrible soundtrack that it would need to be changed.

N: Thalassic is obviously out now. Have you made a start on new music or are you taking a break from writing before you start thinking about the next album?

S: Because of COVID-19 chaos there are no tours coming up in a long time so we will start working with some new material soon.

N: Do you think you’ll follow any other themes in the future with upcoming albums?

S: We haven’t talked about this yet so it’s too early to say. I like working this way with my power metal band Metal De Facto, our every album has a different theme. I don’t know will we continue doing this with Ensiferum but at least we did it once.

Ensiferum’s new album, Thallasic is out now!

Damnation Angels – Fiber of Our Being

Posted in Review with tags , , on 17th July 2020 by izaforestspirit

Damnation Angels
Fiber of Our Being
Released 31st July 2020
Symphonic Power Metal
Self-Released

Damnation Angels - Fiber of Our Being




So here we were in the heat of the summer… Ok, so there is still a pandemic going on and many of us may not be in a “happy place” at the moment. But it’s still summer and I’m in the mood for some power metal. I’m in need of some escapism. I want to hear some uplifting tunes and to listen tales of epic battles or fantasy adventures. Helloween, Sabaton and Powerwolf are my favorite choices for the genre. This time though, I decided to take a break from those and to check out something new – the new album from the British symphonic power metal act Damnation Angels. These guys have been around since 2006 and their music has been compared to the likes of Avantasia and Blind Guardian. So far all their albums have been well received by the metal community both the fans and the critics alike, including Iron Maiden’s Bruce Dickinson. Let’s see how the third full length ‘Fiber of Our Being’ measures up to its predecessors.

Well if it’s uplifting and epic power metal you are after, then you have come to the right place. Railrunner definitely has a positive feel to it thanks to the melodic guitar work, symphonic undertones and Iggy Rodriguez’s powerful vocals. Great chorus too. They managed to achieve the right balance between the the guitars and the orchestrations without overdoing it on the symphonic parts. The title track is by far the catchiest song on here. I’ve listened to the album a few times now and this is one of the tracks that I keep going back. It has the best chorus and the most memorable orchestrations as well as guitar riffs. In fact, come to think of it, there isn’t really anything that I dislike about this track. I also enjoyed Rewrite The Future – another energetic, uplifting and catchy power metal track. The guys probably had lots of fun recording this.

They occasionally slow things down too, as demonstrated in the slower tracks like the closing ballad ‘A Sum of Our Parts’. Here the vocals have a somewhat softer tone and the keyboards are more prominent than the guitars. It’s probably my least favorite track on here but it works well as a closing song, the final chapter of the story.

Overall, there is a lot to like on here and I enjoyed listening to ‘Fiber of Our Being’. I would recommend it to fans of symphonic power metal, particularly if you are into bands like Kamelot and Avantasia.

8/10

Iza Raittila

Lumous Gothic Festival XX – Final Episode

Posted in Editorial/Opinionated, Festival, Gig with tags , , , , , , , , , on 13th July 2020 by izaforestspirit

Finland’s biggest Gothic music event Lumous Gothic Festival celebrated its twentieth anniversary this year. The original plan was for this year to be the last Lumous with the final edition of the festival taking place in July 2020. The on-going worldwide coronavirus pandemic meant that the plans had to be drastically altered. There was a very realistic possibility that the event would have to be canceled like many others have been. Luckily, thanks to the low infection rates within Finland and successful preventative measures, small scale events were permitted with restricted access based on the capacity of the venue. Due to the international travel restrictions, only a handful of local bands were able to perform and the only venue available to host the event was a small pub in the city centre called Dog’s Home. In addition to the live performances, the event was also streamed live via the festival’s Facebook page.

Now before I go into more detail about this year’s event, I would like to tell you a bit about my own personal experience of Lumous Gothic Festival. 2020 marks the eighth year of my participation in the festival. My first Lumous was in 2012. Since then I have not missed a single Lumous Gothic Festival. It has become one of the highlights of my summer. I have met some really nice people there and I discovered several new bands including: Das Ich, Shiv-R, Auger, Raven Said, Sleetgrout and Sekret Teknik.

Shiv-R, archive photo from their show at Lumous Gothic Festival 2016
DAS ICH
Das Ich, archive photo taken from their performance at Lumous Gothic Festival 2019

Sadly this year I was unable to attend it due to the restricted access and the limited capacity of the venue but I still managed to stream the event online from their Facebook page.

This time line up comprised four Finnish bands: Chaos Research (neo-classical/darkwave/ambient), Old School Union (EBM with punk influences), Sekret Teknik (synth-wave) and Gothic rock legends Two Witches.

Friday 10th July 2020 (live stream)

I have actually seen Chaos Research live at the same venue two years ago so I pretty much knew what to expect from the live stream. They managed to create a chilled-out atmosphere thanks to the operatic vocals combined with the electric cello and drums. Not my kind of music but if you are into neo-folk or dark ambient then you will probably enjoy this.

Archive photo, taken from the performance at Lumous Gothic Festival 2018

https://chaosresearch.bandcamp.com/

Oldschool Union were highly entertaining to watch. I like some some old school EBM but I’m not the biggest fan of punk. The performance was fun and amusing to see. I particularly liked the song ‘Vartalovasara’.

Image may contain: one or more people

https://www.facebook.com/Oldschool-Union-

Saturday 11th July 2020 (live stream)

I have only just discovered Sekret Teknik a few days ago. I liked their performance and their take on the synthwave genre. My personal favorite part of the show was the song ‘Nightsky’.

Image may contain: 3 people, people sitting and sunglasses

https://sekretteknik.bandcamp.com/

Then it was time for the band that has been involved with the festival right from the start. Two Witches front-man Jyrki Witch is one of the organizers of the event. Two Witches were the first band at the very first Lumous Gothic Festival back in 2001 so it was only fitting for them to be the closing act the final chapter of Lumous. It was an acoustic show. They played some of my favorites including ‘The Dark Angels of Sin’ along with some newer tracks such as ‘Spirit Sacrifice’. Unfortunately I missed some of the live steam due to a connection problem.

Archive photo taken from their performance at Lumous Gothic Festival 2016

https://www.facebook.com/Two-Witches-Official-

Jyrki Witch also announced the winners of the Lumous 2020 Award – Club Gothic Night.

So that was it. After twenty years Lumous Gothic Festival has come to end. I am very grateful to have had the opportunity to participate in the event for the past eight years. Hopefully there will be something new emerging from the Finnish Gothic scene to fill its place. Kiitos Lumous Gothic Festival! You will be missed.

Iza Raittila

Interview with Auger

Posted in Interview with tags , , , on 29th June 2020 by izaforestspirit

Two years after discovering them at Lumous Gothic Festival, Iza caught up with Kyle J. Wilson of the British darkwave duo Auger. They discussed their band’s new album ‘Insurgence’, live streaming and other forms of lock-down entertainmnent. Check it out:

First of all, how are you doing?

We’re great thank you, well as good as you can be in a global crisis…

Congratulations on your new album ‘Insurgence’! I really enjoyed it. This is now your third studio record. Auger has come a long while since your debut album ‘The Awakening’ back in 2017. Can you tell us about the creative process and inspirations for this album? 

Thank you so much, I’m super pleased you enjoyed it. Absolutely, so like The Awakening, Insurgence was based around a story. Painting a picture of a post-apocalyptic world that doesn’t feel so far from reality given everything that’s going on.

If you were to pick a track from ‘Insurgence’ to act as an introduction to the band for new listeners, which one would it be and why?

This is a tricky one, not only because we’re so pleased with every song on the album, but because we strive to create a diverse listening experience; to put it plainly, every song is different and the album ranges from full-synthwave to out-and-out industrial tracks. I would say, however, that I’d recommend listening to ‘Tell Me I’m Wrong.’ It’s a great taster for what the album holds, it’s melodic, rocky and it features a very talented young singer, Imogen Evans, who adds an angelic female touch to it.

‘Insurgence’ features a wide range of different styles. I detected everything from electro rock, industrial metal to synth pop and darkwave. For example ‘My Death’ is very melodic and synth-pop style. What is the story behind that track?

Definitely. When I wrote My Death I was listening to a lot of Depeche Mode (can you tell?) and I wanted to try and encapsulate their sound and interpret it in a more Auger-way. In terms of lyrics, the song is about someone who feels deeply overwhelmed with the situation (that situation being the end of the world). They fantasize about what it would’ve been like to have seized more opportunities when they were still attainable; including admitting to love.
https://www.youtube.com/watch?v=5bgmRUfnC2E

The album also includes collaboration with a young musician called Imogen Evans. Who is she and what made you decide to collaborate with her?

So Imogen has come into my studio a few times over the past couple of years, mainly performing her own songs, but the second I first heard her voice I knew I needed her to sing on an Auger song; and it worked even better than I had imagined. She’s a real delight to work with and we have a laugh every time she’s here.

The global coronavirus pandemic has had a devastating effect on the music industry with thousands of events being cancelled and postponed. How has this affected Auger?

Well it has cancelled the first part of our album tour, postponing many shows into 2021. But we’ve not let this get to us! Instead we’ve hosted five live-streamed shows, each have run for three-hours and accumulated over 10,000 views. We’ve also begun to create some more YouTube specific content, run competitions and all sorts. We have really tried to think of as many ways to keep in touch with our amazing community and boost spirits where we can. We’re not going to let COVID-19 beat us!

With all tours now on hold you must have a lot of spare time on your hands. Besides live streaming and promoting the new album what else have you been up to?

Well, as I mentioned before, Kieran and I have begun to create some YouTube videos to grow our channel. We’ve been playing games, telling stories and trying some horrible food and it’s been great fun. And aside from that, a spot of gardening, lots of walks and a spot of decorating in the house.

Let’s talk about the newest trend in the music industry – live streaming. I’ve noticed that you have done some streamed acoustic sets recently. How does this compare to a real live show? What are the pros and cons of streaming vs. live from your point of view?

It’s very bizarre. Not at all in a bad way, it’s just an incredibly strange concept that you’re performing to your laptop and talking to a screen… It certainly gets some getting used to. But we love it. We were able to do a live stream together a couple of weeks back and it was great fun, the fans responded so well and it’s a great opportunity to chat, answer questions and just have a good laugh with everyone during these strange times. I don’t think you can compare it to playing a live show, it’s a completely different kettle of fish. We do miss the live shows tremendously, but that doesn’t mean we’ll stop going live on Facebook.

Which festival/event are you looking forward to the most next year once the pandemic is over?

Out Of Line Weekender of course, that we’re delighted to be playing. But also, all my gig tickets have been rescheduled for next year so I’m excited to see Jimmy Eat World, Suzanne Vega and go to Amphi Festival 2021.

Finally, is there anything you would like to say to your fans and our readers?

Thank you so much for streaming, downloading and purchasing the album – don’t stop, and we’ll see you soon! Take care, #teamauger!

https://www.facebook.com/pg/AugerUK

https://darktunes.bandcamp.com/album/insurgence

Red Moon Architect premier new video for Rise

Posted in News with tags , , , , , on 26th June 2020 by Nico Davidson

Finnish doom metal outfit Red Moon Architect are set to release their highly anticipated fifth, Emptiness Weighs The Most, studio album in October through Noble Demon. The album will take listeners on an intense and emotional ride through harrowing doom landscapes. To give an idea of what the new album will entail, Red Moon Architect have released a video for Rise, taken from the album, which can be viewed down below. The album will feature nine tracks in total.

The Lotts announce debut EP

Posted in News with tags , , , on 26th June 2020 by Nico Davidson

Warrington based garage punks The Lotts announced their debut EP earlier today. Produced and mixed by Thighpaulsandra at Monmouth’s Rockfield Studios, the five track EP, titled We Are The Lotts, will be released on 24th July and is also available on 12” vinyl via Liverpool based label Whispering Pines. The tracklisting for the upcoming release is as follows:

1. We Are The Lotts
2. I Don’t
3. Dumb
4. Preacher Man
5. Mouth