Author Archive

Laurus Nobilis Music Famalicão 2017 – metal day

Posted in Festival, Live with tags , , , , , , , , , , , , on 5th August 2017 by Pieni

Holocausto Canibal, Amorphis, Heavenwood, Urban War, Final Mercy, In.Verno, Skinning, Stucker
Louro, Famalicão (PT)
28th July 2017

amorphislaurus

stuckerlaurusThe 3rd edition of Laurus Nobilis Music Famalicão experienced a few changes but having its metal day on Friday wasn’t one of them. And with the addition of a second stage, the number of heavy acts doubled. First one on the “breakthrough stage” was Stucker. It was around 5 p.m., the crowd wasn’t exactly massive, but when you’re in a thrash metal band playing in a metal fest, chances are that you’ll get a good feedback, no matter how scarce the number of people giving it. And Stucker have improved their posture quite a lot since I’ve last seen them, more committed. Musically they sound stronger too. They’re currently in studio, recording an EP which I was told it’s a “back to the thrash roots” ride; promising.

https://www.facebook.com/StuckerPT/

SKINNINGLAURUS

After two albums, Skinning’s death metal is quite praised among the national underground – therefore the feedback was more intense, even if the crowd was just a little larger than before. But a seven, maybe eight-year-old kid was eagerly headbanging, and for what I could gather, he was no relative of any member of the band – that alone was worth as much as a vicious mosh pit.

https://www.facebook.com/SkinningMetal/

invernolaurus

Then from Spain came the “dark metal” of In.Verno – meaning heavy melodies spiked with synths, with a beautiful female voice mingled with male growls. This was still part of the band’s Insanity Tour, promoting their second album “The Reasonable Choice Of Insanity”, and it was a pleasant and refreshing way of closing down the so-called first part of the day.

https://www.facebook.com/invernospain/

FINALMERCYLAURUSThe action moved to the bigger stage, with Final Mercy literally storming it. It had been about seven years since I’d last seen them and probably as many line-up changes since the first, a decade ago; and while some bands may look unstable after so many adjustments, this was probably the best that could have happened to Final Mercy. Guitarist Ricardo Ribeiro and bassist Arcélio’s technical skills made the music more mature, and singer Dan’s posture filled their live performance with much more vitality. A couple of days before the fest they released a video for the title-track of their latest album, “Revival” (June 2017), which I strongly recommend.

https://www.facebook.com/FinalMercy/

URBANWARLAURUS

Despite being announced on the fest website that Urban War would close the bill of the smaller stage, it seems the plan was for them to play on the prime one all along. Well, the energy of singer Márcio Pinto needed indeed a bigger space to be fully discharged and so there he was, jumping all over amidst smoke and strobe lights, promoting “Flesh Upon The Feelings”. Pretty vibrant groove metal, well-deserved of the main stage

https://www.facebook.com/urbanwar/

HEAVENWOODLAURUSI dare saying that Heavenwood were awaited just as eagerly as the headliners – and that eagerness was rewarded. In the 25 years they’ve been around, there’s close to nothing in their songwriting that one can finger-point; their live performances, however, have always been their weakness… until a couple of years ago. Don’t know if it was something about the conceptual latest album “The Tarot Of The Bohemians”, if it was the new line-up or simply the natural process of growing up… but who cares? They now kick ass on stage and that’s all that matters. I was just a bit disappointed that Equaleft-Miguel didn’t join them on stage. Due to his day job, there were a few shows that singer Ernesto was forced to miss and it was Miguel who replaced him. Given the difference in styles, I was really curious to see how that worked out. My curiosity wasn’t fulfilled, but still my satisfaction reached the top.

https://www.facebook.com/HeavenwoodOfficial/

AMORPHISLAURUSIIWhen Amorphis last played in Portugal, it had been in celebration of “Tales From A Thousand Lakes” 20th anniversary and about a month before “Under The Red Cloud” was out, so despite such release has occurred two years ago, the title-track, “Sacrifice” and “Death Of A King” were performed live for the first time in our country – and they were welcomed accordingly. But then again, all songs caused similar thrill. Always addressing us as “my friends”, Tomi Joutsen asked for our help in “House Of Sleep” and our opinion about playing “Into Hiding”, now that original bass player Olli-Pekka Laine was back. Without surprise – but obviously with loads of emotional feedback – the gig ended with “Black Winter Day”.

https://www.facebook.com/amorphis/

HOLOCAUSTOLAURUSDeath-grind isn’t for everybody’s ears, so having Holocausto Canibal closing the bill was the right decision – the ones who couldn’t endure such extreme sound could leave (and a lot did…) and those who enjoyed it had the chance of seeing a great band of the genre on a big stage. As singer Ricardo said himself, it doesn’t look like but they’ve been around for 20 years. They’ve released a vinyl re-recording of both their debut demo and album under the inkling title “Catalépsia Necrótica: Gonorreia Visceral Reanimada”, which is Portuguese for something like “necrotic catalepsy: reanimated visceral gonorrhea”. Musically and lyrically, the brutality prevails, but they’ve toned down the theatrics a bit – less blood and entrails, that is – focusing more on sound than image. Whether you like it or not, one must acknowledge the big act they are.

https://www.facebook.com/hcgore/

And so the metal day of Laurus 2017 came to an end. I tip my hat to everyone involved in this venture, not just from an event-promotion point of view but also for the support given to national metal, still so underestimated by many.

Text & photos by:

PRESS

Advertisements

Sepultura w/ Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 8th July 2017 by Pieni

Sepultura, Equaleft
Hard Club, Porto (PT)
4th July 2017
Promoted by Prime Artists

derrick1

Drummer Marquito left Equaleft last October but when your former band is invited to open for Sepultura, you must return for (another) last gig.
Everybody came out of the shadows, apparently – media included. So we were divided in groups and each shot one of the first three songs. My only concern was regarding the exchange between songs but the situation was handled smoothly. So kudos to Prime Artists and the Hard Club staff – thanks to them, we all had a shot at covering such memorable show.

marquitoIt was the closing of a chapter in Equaleft’s book, marking the last gig promoting “Adapt & Survive”. If memory serves me well, they’d said that already a few months ago, but just like Marquito, they couldn’t say no to Sepultura. I believe this time it was really the last one, though, as I know a new record is taking a solid shape, with a new drummer who will be announced soon. But that night was still just for what are already considered classics among the national underground – the intrepid “Invigorate” (featuring the mandatory Star Wars lightsabre), the groovy “Tremble”, the eccentric “Maniac” or the classy “Uncover The Masks”. And in the end, “their trademark” box of cookies was distributed among the fans.

JEDIMIG

www.facebook.com/equaleft

derrick2There were a lot of Equaleft t-shirts in the crowd, but when Derrick Green himself goes on stage wearing one… damn, even I felt proud – hence the need of mentioning this little detail. Regarding what really matters: when you’ve been in a band for over 30 years and “big” for almost as long, one hour and a half always seems awfully short, especially after the release of another album. The trick is finding the right balance between new and old and, of course, performing both like there was no tomorrow. Guess who were able to do just that? (Okay, I confess I’d rather watch them play “Troops Of Doom” than “Inner Self”, but we can’t always have our way, and the near sold-out venue went bananas screaming along “nonconformity in my inner self / only I guide my inner self”, so who am I to complain?). Also, if you’ve read my live reports before, you probably know how I disapprove of solos; Sepultura seem to share this opinion as Andreas Kisser proved his skills – as if he still needed to – by playing the instrumental “Iceberg Dances”, out of the latest “Machine Messiah” the band’s currently promoting.
JUNIOR“I Am The Enemy” kicked it off, “Roots Bloody Roots” (what else?) finished it up, in-between Derrick told us “this is your fucking territory” and that he wanted to see us all arise, and Andreas dedicated “Sepultura Under My Skin” to Moonspell and F.C.Porto – the first for being good friends and representing Portugal’s metal throughout the world, the same way Sepultura do with Brazil’s; the latter… well, we all know how football is big in Brazil.
It was such a brutal show that no one even took offense when Derrick mistook Porto for Lisboa. Of course he was booed loudly, but his apologies were so immediate and genuine – plus, he’d said Porto several times during the evening – that it turned out more of a funny moment than an actual fail. Therefore, a perfect night.

KISSER

www.facebook.com/sepultura

Gallery at our Facebook page here.

Text & photos by Renata “Pieni” Lino

Laurus Nobilis Music Famalicão 2017

Posted in News with tags , , , on 29th June 2017 by Pieni

Laurus Nobilis motto has always been “celebrate music” and on its third edition, there will be the double of such celebration with a second stage and a larger bill. This second stage will be called “Palco Revelações” – Breakthrough Stage – supporting new talents to the point of where attending these performances is free.

The main stage, named after one of the biggest supporters of the fest – the salumeria Porminho – will welcome some big names of the Portuguese scene plus an international headliner: Amorphis. So it’s only fair that for this you’ll have to pay a ticket:

19401824_1909073622696835_3434758978968475374_o

Schedules and more info at: http://laurusnobilis.pt/horarios/http://laurusnobilis.pt/horarios/

https://www.facebook.com/laurusnobilismusic/

The End Of Grace – Infinite Shadows Of Memories

Posted in 'Core, CD, Metal with tags , , , , , on 9th May 2017 by Pieni

The End Of Grace
“Infinite Shadows Of Memories”
metalcore
Released: 10th May 2017
by Illumnirec

18268551_1450111981677758_1613674322985679302_n_zpsrjrhlus2

Where I come from there’s a saying that goes something like “who awaits always achieves”. And then someone twisted it, creating a new and pretty negative version, that says “who awaits gets desperate”. The latter translated my state of mind in the recent past regarding a full-length record by The End Of Grace, which I’ve been waiting for since the band got together. But it’s finally here and I’m living the original version of the saying, as waiting for “Infinite Shadows Of Memories” totally paid off. Between the two EPs “Lost In Transition” and “Unity”, there had already been an evolution in the songwriting, its features emboldened; but “Infinite…” is more than an upgrade of said features, it’s a new path straying away from the traditional metalcore they’ve begun with.

The crystal-clear clean tones have been replaced by somber, deep ones, still contrasting perfectly with Kriss’ growls; the focus on breakdowns is water under the bridge, the main priority now based on the musicality and not on sounding tougher than leather – even if they do sound relentless nevertheless. It’s just a whole new level of melody, more mature.

The ominous catchiness of “Life On The Line”, the yearning of the title-track, the collision of opposites of “Breathe”, the daring “Ride The Dark”… This record is a rollercoaster of emotions and shows TEoG pushing the proverbial envelope with their music. Hell, a whole stack of envelopes! It’s not even clear what it should be called anymore, but whether you go for “blues-core, deathcore or metalcore” (quoting the upbeat “We Really Don’t Know Yo”), this is The End Of Grace.

5/5

Renata “Pieni” Lino

Blindagem Metal Fest – Ponte de Vagos, Portugal

Posted in Festival, Live with tags , , , , , , , , , on 7th May 2017 by Pieni

Chaos Synopsis, Aneurose, Nuclear Warfare, Infraktor
Origens Caffé, Ponte de Vagos (PT)
29th April 2017
Promoted by Paulo Perdiz & Blindagem Metal Show

DSC_0470 copy

Blindagem is Paulo Perdiz’s baby, a radio show that’s been promoting metal since 1990. At some point the spreading of news wasn’t enough and concerts were added to the bill, giving birth to these Blindagem Metal Fests. Last weekend, Origens Caffé witnessed another one of these events with a quite packed house.

www.facebook.com/blindagem

DSC_0091 copyFirst band getting on stage was Infraktor, “ferocious thrash” straight out of Escapães. It was the only national band on the bill and made it right by their country – I used the quote marks in “ferocious” because that’s the band’s own tag line, but they lived up to it and there’s no better word to describe the show.
Their debut “Exhaust” has no release date yet but the recordings are done. In a perfect world, that should mean the album would soon be blasting off your listening devices, but I’ve been engaged in this biz for way too long to know that there are no accurate predictions until all processes are complete. What I can assure you is that I will let you know as soon as it’s announced.
They were asked to play 45 minutes instead of the usual 30, so “Unleash The Pigs” was back on the set (it had previously been replaced by “Son Of A Butcher”) and “Confront” got its riff sequence altered in order to extend it a little bit. Infraktor topped my expectations-for-2017 list (see here) and they’ve been meeting said expectations so far.

www.facebook.com/infraktor.metal

DSC_0349 copyThere’s a reason for German thrash to be so popular and Nuclear Warfare reminded us why, inflaming mosh circles practically from the first minute. Singer/bassist Fritz knew a few words in Portuguese – after all, the band has a Brazilian drummer, Xandão – but we were happy to teach him some more. Cursing words, obviously, in good ol’ cheerfulness.
The hymn “Just Fucking Thrash” and The Ramones’ cover of “Rockaway Bitch” were probably the catchiest moments of a fierce and beer-drenched gig.

www.facebook.com/ThrashMetalTank

DSC_0443 copyBrazilian thrashers Aneurose released their sophomore album, “Juggernaut”, last July and Blindagem was one of the Portuguese dates in its promotional tour. I don’t know if they already had fans here, as the reaction of the crowd was so fulsome; but then again, it was my first time watching them and the adrenaline rush I’ve felt was simply overwhelming. Straight-forward, in-your-face metal music, headbanging and mosher friendly, lots of rebellious gang backing vocals to sing along… And speaking of “along”, singer Wallace joined the circle pit at some point. Songs such as “Butcher” or “Drunk As Skunk” got such a crazy feedback that all of a sudden it seemed that we were in a sold-out show, people pushing everywhere to stand up front. To the point that when Wallace called Infraktor-Popas on stage to help him sing Sepultura’s “Roots Bloody Roots” I couldn’t even see them – just listening to them. And what a duet that was.

www.facebook.com/aneurose

DSC_0490 copyLast but not least, also hailing from Brazil and also playing thrash metal – although with a bit more death to it -, Chaos Synopsis. “Gods Of Chaos” is their most recent work, released a little over a month ago, but three others have come before it and therefore they had a rich set for us. “Burn Like Hell”, “Storm Of Chaos” or “Gods Upon Mankind” are just some of the songs that you should look into if you’re in this genre. The crowd that night surrendered to them.

www.facebook.com/chaossynopsis

Text & photos by Renata “Pieni” Lino

Projecto Sem Nome – Bulas Para Dedos E Coração

Posted in Alternative, CD, Rock with tags , , , , , , , on 23rd April 2017 by Pieni

Projecto Sem Nome
“Bulas Para Dedos E Coração”
alternative rock
Released: 8th October 2016
Via Raising Legends Records

bulas_zps7rgiqiql

Projecto Sem Nome is Portuguese for “nameless project”, and while some of you may see it as a tacky lack of imagination, I think it’s quite ingenious and liberating – “nameless” but it’s still the name they go by, so it’s a clever pun, and at the same time, having such an empty meaning, it’s up to you to give it one. Just like with their lyrical content, which is so full of metaphors that even if Portuguese is your mother tongue, you’ll be left wondering about what singer/lyricist Cristovão Siano really means with those words.

Musically, it’s not so hard to label them as “alternative rock” is probably the most comprehensive and vague genre ever. “Até Amanhã” (see you tomorrow), for instance, is a rough post-grunge piece seasoned with delicate acoustic guitar fragments. “Detalhes” (details) has a more upbeat and catchy main riff but eventually sounds somewhat heavier, and then the guitar solo is pretty dire, as if out of one of those eighties hard rock hits. The ballad “Identidade XXX” (identity XXX) features a xylophone and an intense vocalization, while “Havia Lá” (there was) is probably the fiercest track, a double bass drum backing up Cristóvão’s high-pitch lament towards the end. And the duet with Blame ZeusSandra in “Marcha Gole” (sip march) gives the song an extra refinement.

Is therefore safe to say that “Bulas Para Dedos E Coração” (leaflets for fingers and heart) offers a batch of rock songs written and performed on a basis of a myriad of styles and influences. One word: classy.

4 / 5

Renata “Pieni” Lino

Blame Zeus – Theory Of Perception

Posted in CD, Rock with tags , , , , , on 4th March 2017 by Pieni

Blame Zeus
“Theory Of Perception”
Alternative Rock
Self-released on 4th March 2017

Theory of Perception_zpspdwp6exh

Blame Zeus started out as progressive rock but have now engaged in a more straight-forward direction – less technicalities, same elegance. Maybe that’s why “Queen” wasn’t included in this new album (either that or they totally revamped it and renamed it, but I honestly doubt it). “Queen” was a song they introduced live almost a year ago, at the last gig with the line-up they had at the time, and I remember saying that whatever changes were on the way, that song sounded pretty much like the Blame Zeus we all knew. I’m glad I was wrong. Not that I didn’t like their original sound, don’t get me wrong! I just find it more interesting when a band has more than one side (if you’ve read my reviews before, you’ve probably seen me using the expression “diversity is the spice of life” more than once). And “Theory Of Perception” offers some heavy, feisty stuff (“Slaughter House”, “Miles”) contrasting with gracious melancholy (“More Or Less”, “Entertainment Clown”); the rough seduction of “All Inside Your Head” and the loose rock of “Redemption”; the weepy electric solo in “The Moth” and the seventies acoustic heartache of “Signs”. Twelve new songs with distinct traits but one in common – the strong but very feminine voice of Sandra Oliveira.
Tonight I’ll see how this works live. In the studio it works peachy.

4/5

Renata “Pieni” Lino