Archive for Metal

Infraktor – Exhaust

Posted in CD, Metal with tags , , , , , , , on 9th February 2018 by Pieni

Infraktor
“Exhaust”
Thrash metal
Released: 2nd March 2018
Via Rastilho Records

exhaustinf

Gourmet is a word very popular nowadays – so popular that we even use it outside its food context, just for fun. As an adjective, it’s synonym of high quality; as a noun, it’s someone who’s quite the expert on both producing and consuming high quality stuff. I started using the expression “gourmet thrash” as a joke, but in light of these definitions, when applying them to thrash metal, they couldn’t be more accurate when it comes to Infraktor – classy, top-notch tunes, performed by who knows damn well what they’re doing. I’ve known – and admired, I confess – most of them for over a decade, with their previous bands, but even if I could vouch in advance for their talented experience, the level of maturity in “Exhaust” is the sweetest icing on my expectation’s cake.

Preceded by a menacing intro and succeeded by a dark outro, the eight tracks Infraktor bring to you also offer the tough choice of choosing a favorite (I often go for “Son Of A Butcher” but only because it was the first getting stuck in my head). The riffing of “Blood Of The Weak”, the overwhelming title-track, the shredding of “Inevitability Of Reason” (a.k.a. “I.O.R.”), the solo of “Ferocious Intent”… Speaking of, I was a tad apprehensive when I was told it would feature Revolution WithinRaça. Hugo’s voice has a deeper resonance, but I was afraid it wouldn’t be enough to contrast with Raça’s sharper tone. Indeed it isn’t, but the combination of both in the chorus has such a powerful effect, living up to the song’s title – and the band’s motto – that it just makes sense. Plus, these are men who value their friendships so the “just makes sense” expression assumes a double play.

The outro features an excerpt of an Edmund Kemper interview and so I take the liberty to finish this review with a straightforward pun: “Exhaust” is a killer album.

5/5

Renata “Pieni” Lino

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Cradle Of Filth – Cryptoriana – The Seductiveness of Decay

Posted in CD, Metal with tags , , , , , , , , , , , on 15th September 2017 by Nico Solheim-Davidson

Cradle of Filth
Cryptoriana – The Seductiveness Of Decay
Released 22nd September 2017
Extreme Gothic Metal
Released via Nuclear Blast

If you’ve never heard of Cradle of Filth, you’ve most likely been living under a rock for God knows how long. Once hailed as the “most successful British metal band since Iron Maiden“, Dani Filth and and the band have proved their worth, despite various line-up changes throughout the years. Now the band are set to release their twelfth studio album: Cryptoriana: The Seductiveness of Decay. A bit of a mouthful, isn’t it?

The atmospheric invoking Exquisite Torments Await opens up the album with its sinister beginning, followed closely by the demoncially possessed guitars and banshee-like wails and guttural growls of Filth himself. Heartbreak and Seance glides in with the graceful sound of tragedy before the remorseless storm of guitars and symphonic sections come raging in as though a hurricane. Achingly Beautiful is a grandiose display of Dani Filth‘s vocals, charging through the tempest of unforgiving musicianship, while Schoolcraft’s narrative vocals bring a whole new dynamic to the track. The choirs and orchestration, however, truly make the song what it is – a dismal, ominous anthem.

Wester Vespertine is a furious blitz upon the ears, weaving Filth‘s, and occasionally Schoolcraft’s, refined vocals with cimmerian melodies and stout riffs. The title track, The Seductiveness of Decay, is a gloomy composition, weaving slow and fast riffs with dispiriting keyboard melodies and Gothic lyricism. Vengeful Spirit creates more of an atmosphere in its beginning, as the prophetic sound of guitar notes ring out, accompanied by Filth‘s voice. When the song comes into its prime, it is essentially a standard day in the office for Cradle Of Filth – agile, cumbersome and melodic. The part of the song that really stands out however is the guest vocal appearance from Liv Kristine, as her vocals soar majestically through the track.

You Will Know The Lion By His Claw is a swift, threatening and unwieldy track, leaving little room for prisoners as it bludgeons its way through, like a hunter chasing his prey. If you had to sum up Cradle‘s current sound with just one song, this would be it. Cryptoriana comes to its closing with Death and The Maiden, a track that is as weighty as it is shadowy, really embodying the sense of dread and darkness that one would expect to find within Victorian Gothic horror.

Cryptoriana – The Seductiveness of Decay is at the same level that Cradle‘s classic albums, such as Midian and Dusk… And Her Embrace, stand. It is a demonstration of the band’s current sound and displays their potential to keep writing awe-inspiring music.

4.8/5

Nico Solheim-Davidson

Laurus Nobilis Music Famalicão 2017 – metal day

Posted in Festival, Live with tags , , , , , , , , , , , , on 5th August 2017 by Pieni

Holocausto Canibal, Amorphis, Heavenwood, Urban War, Final Mercy, In.Verno, Skinning, Stucker
Louro, Famalicão (PT)
28th July 2017

amorphislaurus

stuckerlaurusThe 3rd edition of Laurus Nobilis Music Famalicão experienced a few changes but having its metal day on Friday wasn’t one of them. And with the addition of a second stage, the number of heavy acts doubled. First one on the “breakthrough stage” was Stucker. It was around 5 p.m., the crowd wasn’t exactly massive, but when you’re in a thrash metal band playing in a metal fest, chances are that you’ll get a good feedback, no matter how scarce the number of people giving it. And Stucker have improved their posture quite a lot since I’ve last seen them, more committed. Musically they sound stronger too. They’re currently in studio, recording an EP which I was told it’s a “back to the thrash roots” ride; promising.

https://www.facebook.com/StuckerPT/

SKINNINGLAURUS

After two albums, Skinning’s death metal is quite praised among the national underground – therefore the feedback was more intense, even if the crowd was just a little larger than before. But a seven, maybe eight-year-old kid was eagerly headbanging, and for what I could gather, he was no relative of any member of the band – that alone was worth as much as a vicious mosh pit.

https://www.facebook.com/SkinningMetal/

invernolaurus

Then from Spain came the “dark metal” of In.Verno – meaning heavy melodies spiked with synths, with a beautiful female voice mingled with male growls. This was still part of the band’s Insanity Tour, promoting their second album “The Reasonable Choice Of Insanity”, and it was a pleasant and refreshing way of closing down the so-called first part of the day.

https://www.facebook.com/invernospain/

FINALMERCYLAURUSThe action moved to the bigger stage, with Final Mercy literally storming it. It had been about seven years since I’d last seen them and probably as many line-up changes since the first, a decade ago; and while some bands may look unstable after so many adjustments, this was probably the best that could have happened to Final Mercy. Guitarist Ricardo Ribeiro and bassist Arcélio’s technical skills made the music more mature, and singer Dan’s posture filled their live performance with much more vitality. A couple of days before the fest they released a video for the title-track of their latest album, “Revival” (June 2017), which I strongly recommend.

https://www.facebook.com/FinalMercy/

URBANWARLAURUS

Despite being announced on the fest website that Urban War would close the bill of the smaller stage, it seems the plan was for them to play on the prime one all along. Well, the energy of singer Márcio Pinto needed indeed a bigger space to be fully discharged and so there he was, jumping all over amidst smoke and strobe lights, promoting “Flesh Upon The Feelings”. Pretty vibrant groove metal, well-deserved of the main stage

https://www.facebook.com/urbanwar/

HEAVENWOODLAURUSI dare saying that Heavenwood were awaited just as eagerly as the headliners – and that eagerness was rewarded. In the 25 years they’ve been around, there’s close to nothing in their songwriting that one can finger-point; their live performances, however, have always been their weakness… until a couple of years ago. Don’t know if it was something about the conceptual latest album “The Tarot Of The Bohemians”, if it was the new line-up or simply the natural process of growing up… but who cares? They now kick ass on stage and that’s all that matters. I was just a bit disappointed that Equaleft-Miguel didn’t join them on stage. Due to his day job, there were a few shows that singer Ernesto was forced to miss and it was Miguel who replaced him. Given the difference in styles, I was really curious to see how that worked out. My curiosity wasn’t fulfilled, but still my satisfaction reached the top.

https://www.facebook.com/HeavenwoodOfficial/

AMORPHISLAURUSIIWhen Amorphis last played in Portugal, it had been in celebration of “Tales From A Thousand Lakes” 20th anniversary and about a month before “Under The Red Cloud” was out, so despite such release has occurred two years ago, the title-track, “Sacrifice” and “Death Of A King” were performed live for the first time in our country – and they were welcomed accordingly. But then again, all songs caused similar thrill. Always addressing us as “my friends”, Tomi Joutsen asked for our help in “House Of Sleep” and our opinion about playing “Into Hiding”, now that original bass player Olli-Pekka Laine was back. Without surprise – but obviously with loads of emotional feedback – the gig ended with “Black Winter Day”.

https://www.facebook.com/amorphis/

HOLOCAUSTOLAURUSDeath-grind isn’t for everybody’s ears, so having Holocausto Canibal closing the bill was the right decision – the ones who couldn’t endure such extreme sound could leave (and a lot did…) and those who enjoyed it had the chance of seeing a great band of the genre on a big stage. As singer Ricardo said himself, it doesn’t look like but they’ve been around for 20 years. They’ve released a vinyl re-recording of both their debut demo and album under the inkling title “Catalépsia Necrótica: Gonorreia Visceral Reanimada”, which is Portuguese for something like “necrotic catalepsy: reanimated visceral gonorrhea”. Musically and lyrically, the brutality prevails, but they’ve toned down the theatrics a bit – less blood and entrails, that is – focusing more on sound than image. Whether you like it or not, one must acknowledge the big act they are.

https://www.facebook.com/hcgore/

And so the metal day of Laurus 2017 came to an end. I tip my hat to everyone involved in this venture, not just from an event-promotion point of view but also for the support given to national metal, still so underestimated by many.

Text & photos by:

PRESS

Hordes Of Belial – The Burning H8: Final line-up

Posted in Festival, Live, Metal, Misc., News with tags , on 18th July 2017 by Paul Macmillan

Organisers of Scottish hard rock and extreme metal showcase, Hordes Of Belial, have announced the full line-up for their 8th yearly edition of the event. Sub-titled “The Burning H8”, it again fills two stages with veterans and newcomers from across the underground spectrum. Travelling from classic thrash with Virus to brand new filthy doom with Dolour, the HOB battle train stops off at some of the best, secret beauty spots of death, trad, black, crossover, and just straight up metal along the way.

13 bands in all will take to the two stages this September 30th, two less than the 15 which have featured in recent years. The quality is convincing, though, especially when looking back at the event’s history. HOB is one of the places where Scottish bands such as Dog Tired, Ramage Inc, and Party Cannon started rubbing shoulders with bigger names, and where the likes of De Profundis and Diesel King based their first forays north of the border. There may be bigger shows, but few are as focused on diving into the depths to retrieve the treasures which grace the Hordes Of Belial stages each and every year. Even if you hadn’t heard of any of the bands, you can still be sure there are some priceless gems within.

 

Event Details:

Hordes Of Belial – The Burning H8

Beat Generator Live, 70 N. Lindsay St., Dundee

Saturday September 30th 2017

Doors: 15:25

Ages 14+

Virus, Dog Tired, Damaj, Overoth, Rabid Bitch Of The North, Drekavac, Perpetua, Catalysis, Drive By Killer, Somaesthesia, Multistorey Lover, Dolour, Volcano X

Advance tickets now £10 from www.wegottickets.com

Alice Cooper reveals new album details

Posted in Misc., News, Rock with tags , , , on 18th July 2017 by izaforestspirit

The legendary shock rocker Alice Cooper has announced that his new album, the first studio release in six years, will be called ‘Paranormal’. It will feature guest performances from U2’s Larry Mullen Jr., ZZ TOP’s Billy Gibbons and Deep Purple’s Roger Glover.

Here is what the singer had to say about it:

“I love that title, ‘Paranormal’, but it’s not really a scary record. There’s a couple of scary songs on it, but [it is] ‘paranormal,’ meaning ‘other than normal.’ This is not a normal Alice record. Bob [Erzin] and I decided, ‘No theme this time. We’re gonna make a record of things that just get us off, songs that we like. And it might go in a lot of different directions, but these are just songs that get us off.”

‘Paranormal’ is expected to hit the shops on 28th July 2017 via earMusic and it will be available in the following formats: 2CD digipack, limited edition box set and digital download.

You can check out the cover art below:

He has also released a lyric video for the title track.

For further information visit:

http://www.alicecooper.com/

https://www.facebook.com/AliceCooper/

 

Maxdmyz – Alchemical Metal (EP)

Posted in Alternative, CD, Metal with tags , , , , , on 17th June 2017 by Paul Macmillan

Maxdmyz
“Alchemical Metal” (EP)
Released April 17th 2017
Electronic/metal
Released via Renegade Records

This swift EP from London’s Maxdmyz is an odd, and mildly confusing one. Hell, I don’t even know for sure how we’re supposed to pronounce their name! Yet it’s the audio which keeps chucking out curveballs.

Swamped in the soundscape of 1990s rock and metal, collective tastes are somewhat obvious. The electronic edge of Obsolete era Fear Factory taken to its club friendly extreme, and the odd power-pop metal of Faith No More’s The Real Thing; the classics of that era are the big player’s in the canon of influences on display. One could also put some credence behind picking out the occasional nod to Alice In Chains, One Minute Silence, Rage Against The Machine, or even early nu-metal such as Hed(pe) or System Of Down.

There is plenty play on more current trends, though, albeit far more subtle in application. It does take a bit to push the overarching style to one side to filter them out, and then another shove to allow your head the space to blend everything back into one again. It’s no wonder they opted for the title of Alchemical Metal, as this pulls on predecessors from all throughout the metal and rock kingdom. From flecks of melo-death to stoned-out sludge, old-school to futuristic, the sonic melange is openly bizarre.

Not for the first time in reviews, I have to say, this should, in theory, have ended up a bit of a mess of mismatched tropes and idioms, but has managed to come together as one solid sound. Hopefully, the prevalence of this type of free-roaming artistic success story is a sign of things to come. Slightly disjointed at times, if you really look for it, but delivered with passion and talent, accessible, yet powerful and genuinely musical.

Paul Macmillan

3.5/5

Blindagem Metal Fest – Ponte de Vagos, Portugal

Posted in Festival, Live with tags , , , , , , , , , on 7th May 2017 by Pieni

Chaos Synopsis, Aneurose, Nuclear Warfare, Infraktor
Origens Caffé, Ponte de Vagos (PT)
29th April 2017
Promoted by Paulo Perdiz & Blindagem Metal Show

DSC_0470 copy

Blindagem is Paulo Perdiz’s baby, a radio show that’s been promoting metal since 1990. At some point the spreading of news wasn’t enough and concerts were added to the bill, giving birth to these Blindagem Metal Fests. Last weekend, Origens Caffé witnessed another one of these events with a quite packed house.

www.facebook.com/blindagem

DSC_0091 copyFirst band getting on stage was Infraktor, “ferocious thrash” straight out of Escapães. It was the only national band on the bill and made it right by their country – I used the quote marks in “ferocious” because that’s the band’s own tag line, but they lived up to it and there’s no better word to describe the show.
Their debut “Exhaust” has no release date yet but the recordings are done. In a perfect world, that should mean the album would soon be blasting off your listening devices, but I’ve been engaged in this biz for way too long to know that there are no accurate predictions until all processes are complete. What I can assure you is that I will let you know as soon as it’s announced.
They were asked to play 45 minutes instead of the usual 30, so “Unleash The Pigs” was back on the set (it had previously been replaced by “Son Of A Butcher”) and “Confront” got its riff sequence altered in order to extend it a little bit. Infraktor topped my expectations-for-2017 list (see here) and they’ve been meeting said expectations so far.

www.facebook.com/infraktor.metal

DSC_0349 copyThere’s a reason for German thrash to be so popular and Nuclear Warfare reminded us why, inflaming mosh circles practically from the first minute. Singer/bassist Fritz knew a few words in Portuguese – after all, the band has a Brazilian drummer, Xandão – but we were happy to teach him some more. Cursing words, obviously, in good ol’ cheerfulness.
The hymn “Just Fucking Thrash” and The Ramones’ cover of “Rockaway Bitch” were probably the catchiest moments of a fierce and beer-drenched gig.

www.facebook.com/ThrashMetalTank

DSC_0443 copyBrazilian thrashers Aneurose released their sophomore album, “Juggernaut”, last July and Blindagem was one of the Portuguese dates in its promotional tour. I don’t know if they already had fans here, as the reaction of the crowd was so fulsome; but then again, it was my first time watching them and the adrenaline rush I’ve felt was simply overwhelming. Straight-forward, in-your-face metal music, headbanging and mosher friendly, lots of rebellious gang backing vocals to sing along… And speaking of “along”, singer Wallace joined the circle pit at some point. Songs such as “Butcher” or “Drunk As Skunk” got such a crazy feedback that all of a sudden it seemed that we were in a sold-out show, people pushing everywhere to stand up front. To the point that when Wallace called Infraktor-Popas on stage to help him sing Sepultura’s “Roots Bloody Roots” I couldn’t even see them – just listening to them. And what a duet that was.

www.facebook.com/aneurose

DSC_0490 copyLast but not least, also hailing from Brazil and also playing thrash metal – although with a bit more death to it -, Chaos Synopsis. “Gods Of Chaos” is their most recent work, released a little over a month ago, but three others have come before it and therefore they had a rich set for us. “Burn Like Hell”, “Storm Of Chaos” or “Gods Upon Mankind” are just some of the songs that you should look into if you’re in this genre. The crowd that night surrendered to them.

www.facebook.com/chaossynopsis

Text & photos by Renata “Pieni” Lino