Archive for Prime Artists

Sepultura w/ Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 8th July 2017 by Pieni

Sepultura, Equaleft
Hard Club, Porto (PT)
4th July 2017
Promoted by Prime Artists

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Drummer Marquito left Equaleft last October but when your former band is invited to open for Sepultura, you must return for (another) last gig.
Everybody came out of the shadows, apparently – media included. So we were divided in groups and each shot one of the first three songs. My only concern was regarding the exchange between songs but the situation was handled smoothly. So kudos to Prime Artists and the Hard Club staff – thanks to them, we all had a shot at covering such memorable show.

marquitoIt was the closing of a chapter in Equaleft’s book, marking the last gig promoting “Adapt & Survive”. If memory serves me well, they’d said that already a few months ago, but just like Marquito, they couldn’t say no to Sepultura. I believe this time it was really the last one, though, as I know a new record is taking a solid shape, with a new drummer who will be announced soon. But that night was still just for what are already considered classics among the national underground – the intrepid “Invigorate” (featuring the mandatory Star Wars lightsabre), the groovy “Tremble”, the eccentric “Maniac” or the classy “Uncover The Masks”. And in the end, “their trademark” box of cookies was distributed among the fans.

JEDIMIG

www.facebook.com/equaleft

derrick2There were a lot of Equaleft t-shirts in the crowd, but when Derrick Green himself goes on stage wearing one… damn, even I felt proud – hence the need of mentioning this little detail. Regarding what really matters: when you’ve been in a band for over 30 years and “big” for almost as long, one hour and a half always seems awfully short, especially after the release of another album. The trick is finding the right balance between new and old and, of course, performing both like there was no tomorrow. Guess who were able to do just that? (Okay, I confess I’d rather watch them play “Troops Of Doom” than “Inner Self”, but we can’t always have our way, and the near sold-out venue went bananas screaming along “nonconformity in my inner self / only I guide my inner self”, so who am I to complain?). Also, if you’ve read my live reports before, you probably know how I disapprove of solos; Sepultura seem to share this opinion as Andreas Kisser proved his skills – as if he still needed to – by playing the instrumental “Iceberg Dances”, out of the latest “Machine Messiah” the band’s currently promoting.
JUNIOR“I Am The Enemy” kicked it off, “Roots Bloody Roots” (what else?) finished it up, in-between Derrick told us “this is your fucking territory” and that he wanted to see us all arise, and Andreas dedicated “Sepultura Under My Skin” to Moonspell and F.C.Porto – the first for being good friends and representing Portugal’s metal throughout the world, the same way Sepultura do with Brazil’s; the latter… well, we all know how football is big in Brazil.
It was such a brutal show that no one even took offense when Derrick mistook Porto for Lisboa. Of course he was booed loudly, but his apologies were so immediate and genuine – plus, he’d said Porto several times during the evening – that it turned out more of a funny moment than an actual fail. Therefore, a perfect night.

KISSER

www.facebook.com/sepultura

Gallery at our Facebook page here.

Text & photos by Renata “Pieni” Lino

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Sabaton w/ guests – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 28th January 2017 by Pieni

Sabaton, Accept, Twilight Force
Coliseu, Porto (PT)
20th January 2017
Promoted by Prime Artists

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“The Last Tour” – named after the album “The Last Stand”, not after some early desire of retirement – hit Porto at one of its biggest and renowned venues. A bit bold, as it turned out. True, the last time Sabaton played here, Hard Club sold out its 1000-person capacity, but Coliseu holds six times that number. On the other hand, with the background videowall and all the apparatus, Hard Club’s stage wouldn’t have been big enough.

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dsc_0014-copyThe name Twilight Force hinted of power metal, and the dragon in the backdrop brought a positive certainty, even before the fast, chirpy melodies flooded the halls. A strange mix but they’re from Falun too and Chrileon was even Sabaton’s live backup singer back in the day (and rumor has it that the Spartans in the Sabaton song are played by four of them but I haven’t been able to confirm it) so from a friendship point of view, a fantasy power metal band opening for a militant heavy metal one makes perfect sense.
Chrileon got on stage wielding a sword to the sound of “Battle Of Arcane Might”. I don’t think many people knew them, but their high-spirits were contagious and soon everybody was riding along their “adventurous metal”. Funny blokes too, always teasing each other with a smile on their faces. “Gates Of Glory” was particularly welcomed by the crowd but the whole show left a positive mark.

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www.facebook.com/twilightforce/

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00000196-copyThe “Generation Clash” – song they sadly didn’t play – went wild the moment Christopher Williams stood behind the drums screaming in salute. We have a saying in Portugal that goes something like “old are the rags”, meaning that “old” is a word that shouldn’t be applied to people, and the youthful attitude that Wolf Hoffmann & Co. put on that night could as well be the incarnation of such saying. From recent tracks like “Stampede” and “Stalingrad” to classics such as “Princess Of The Dawn” and the mandatory “Metal Heart” and “Balls To The Wall”, there wasn’t a single moment where “age” meant nothing more than “experience”. The synced headbanging and guitar hero poses, which I usually find so cliche, just felt right this time. I guess it all depends on who’s bringing the cliches to life after all. My heart was full.

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www.facebook.com/accepttheband/

00000426-copyEven though I was happy to see the old schoolers getting off their couches to support Accept, I was sad to see many of them leave and not give a chance to Sabaton. Well, their loss – as usual, the Swedes kicked ass. Even if I appreciated the 2014 gig more, their performance skills are unquestionable.
00000433-copyThey’ve been using their cover of Status Quo “In The Army Now” as intro since the beginning of the tour, so it’s not in memory of the Quo guitarist Rick Parfitt, who died last Christmas Eve. But it was a beautiful coincidence, and nice change – as much as I love Europe’s “The Final Countdown”.
Besides the powerful songs – “Ghost Division”, “Carolus Rex”, “Primo Victoria”, “To Hell And Back”, just to name a few – and their lively presence, their good humor and empathy towards the public are just as popular. When the show was halfway through, a roadie brought a keyboard and Joakim reminded us (well, informed, as some may not know the origins of the band) that he started out as Sabaton’s keyboard player. But when he started playing Van Halen’s “Jump” it became clear he wasn’t going to resume the role that night. Chris Rörland claimed that Tommy Johansson really knew how to play piano and to prove so, the new guitarist played a little of Beethoven’s “Für Elise”. From there, he engaged on their own “The Final Solution”, in a beautiful acoustic version.

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Later on, someone would throw a horned helmet with the Swedish colors that Joakim put on, saying that he probably looked like a “palhaço”. That’s Portuguese for clown, and the whole venue burst out laughing. And in the end, he tied a Portuguese flag on his back, like a cape, super-hero style, wondering if his super power would be being the best football player in the world. Great musicians, great performers and funny – what more could one ask from a metal show?

www.facebook.com/sabaton/

Text & photos by Renata “Pieni” Lino

VOA Fest 2016 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 12th August 2016 by Pieni

Kreator, Paradise Lost, Abbath, Schammasch, Equaleft, Soldier
Quinta da Marialva, Corroios (PT)
6th August 2016
Promoted by Prime Artists and PEV Entertainment

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This year saw a new start for Vagos Open Air, now simply known by its acronym VOA – new partnership among the promoters, new venue in a new city… The quality? Same as always. Of course all these changes brought along a lot of complaints (humans…), which I don’t see relevant to talk about; but regarding five out of the twelve bands being “recidivists” in the festival, I will say something. Sure, we live in a little country in the most Southwestern corner of Europe where it’s not always easy for an international band to reach – meaning the list of well-known names that never played here is endless and yes, it would be nice to shorten that list through a fest. But at the same time… if the band’s good, what’s so wrong about seeing it a dozen times? Hell, this was my 10th time seeing Paradise Lost and I loved it!
I’m not sure if this new place is smaller than the previous one. At first glance it seems so, as it’s definitely shorter in length. But it’s considerably larger in width, so… What really matters is that the stage was placed inside a natural amphitheater, surrounded by small hills, and if that prevented the wind to ease up the unholy heat (it’s been said this is the hottest summer since 1931), it also didn’t let the sound wander off beyond the festival zone.

13435327_1189167444435631_4832768569027046350_nBack to its original 2-day format, I sadly could only attend the second day. From what I’ve heard, Dark Oath did pretty well as the opening act. Not in front of the biggest crowd, but everybody knows how unfair playing first can be; still, it seems that a fair share of people enjoyed the symphonic/melodic death metal the national band had to offer, introducing the debut full-length “When Fire Engulfs The Earth”.
Italians Adimiron followed next and apparently also focused just on their latest release “Timelapse” (or so it says on setlist.fm). I confess I had never heard of them before, even if they’ve been around since 1999. Apparently, the same happened with most of the crowd, although eventually they surrendered to the band’s sound and performance.
Mantar’s “Ode To The Flame” has received a good feedback but the duo’s live performance not so much. Or maybe their fusion of black-doom-sludge-rock isn’t the right one for a festival, especially in day light. But then again, so shouldn’t be the depressive metal of Katatonia (I know I’ve seen them live in broad daylight a few years back and didn’t like it, despite being fond enough of the band) but I haven’t heard one single bad comment about the Swede’s performance – by the contrary! But I guess Katatonia will always be Katatonia. Played a few songs from the latest “The Fall Of Hearts” along a bunch of older hits.
When Anathema got on stage it was already dark. They haven’t released anything new in two years, but they’ve got a very special place in the hearts of our metal community – always had, not since Daniel Cardoso joined their ranks. So it’s only natural that I also heard only good things about their gig.
Finally, Opeth. I remember the last time I’ve seen them, precisely at this festival, two years ago, the show was pretty disappointed for the majority of the fans, as the band seemed uninspired. They made up for it now. The title-track of their upcoming album has been rolling on Youtube for over a week but they didn’t play it, sticking to the older stuff their fans love the most.

010Now the second day, that I actually witnessed. I arrived around 15:20, the “Blackhearts” documentary was still playing on the video walls. There were a few people watching it but not many – I’ve mentioned the heat already, haven’t I?
In previous editions, the first band of each day was always Portuguese, so having a Spanish opening act was a first – thrashers Soldier did the honors. VOA is part of their “The Great Western Oligarchy tour 2016”, named after their latest album. Solid riffing, a clear invitation to headbanging, to which the crowd – once again, not that big at that early hour – took pleasure in oblige. Not much talking between songs, as there was only half an hour to play, but one could see how pleased they were for being there, given the constant funny faces and broad smiles. Happy and nice bunch of people, I believe, and competent musicians. “Revolt”, from the debut “Gas Powered Jesus”, closed their set.

www.facebook.com/soldierband

040Equaleft was up next and the national underground could hardly be better represented. I can’t find the right words to express how proud I am for them and their achievements in these past years. After opening for Gojira last month (see here), I believe playing in a fest like this was one of the few milestones they had to reach yet on Portuguese soil and now it’s done. Go Equaleft!
The follow-up to “Adapt & Survive” is in the making but nothing ready to be shared yet, so they focused on their acclaimed debut. It’s “Maniac” now that closes their sets, not “Invigorate” anymore, but this hit still features singer Miguel, a.k.a. Jedi Mig, wielding a light saber. Soldier’s thrash was entitled to some mosh circles, but it was Equaleft’s groove that made “the dust rise up from the ground”, as I heard someone say.

www.facebook.com/equaleft

057The promo pic of Schammasch on the festival page shows us four guys in bare upper-bodies. I bet they regretted deeply not going on stage like that – 34ᵒC is “a bit” too much to wear long robes. Singer/guitarist C.S.R., with black paint on his face and hands and whose robe included a hood, was probably who suffered the most, even if he barely moved throughout the whole gig. He even admitted at some point that it was “boiling” up there. So kudos for their resistance.
The music itself deserves some applause too, even if their avant-garde black metal cut down the adrenaline that both previous bands rose up. Still, mainly songs from their latest “Triangle” and at least one off “Contradiction” (“Golden Light”, if I’m not mistaken) were cheered by the crowd.

www.facebook.com/SCHAMMASCH

078It’s always hard to distinguish a solo artist from a band when the latter is named after said artist – and even so when most of the setlist is comprised of songs the artist played with previous projects. That’s what happened with Abbath. With a 75-minute slot, I understand that even if he/they had played the only released album in full, there would still be plenty of time to kill. But playing four Abbath songs among one of I and six of Immortal… I know they’re not seen exactly as covers by the fans, especially when they were thrilled to listen to “Nebular Ravens Winter” (this one’s even recorded in “Abbath”, the album) and “Tyrants” and “All Shall Fall”, but it still felt weird. Apart from the weirdness, it was super. Black metal lovers were offered a great show of the genre – even if the sun was still high up – and those who didn’t like it particularly could always enjoy Abbath and bassist King’s “evil” faces.

www.facebook.com/abbathband

083As aforementioned, Paradise Lost made my day. Nick Holmes acknowledged the “beautiful new venue” of the fest and said how good it was to be back. And with such a rich and diverse setlist, I doubt someone didn’t feel the same way about their return. From recent songs like “No Hope In Sight” to tracks from “a time when most of you weren’t even born” like “Rapture”, we revisited some of Paradise Lost’s highlights through time.
While drinking Super Bock, probably Portugal’s most popular beer, Nick mentioned its alcohol content – 5,6 % – and said that such beer would be banned in the U.K. because it could turn them into animals. When he associated it with football, the laughter was even louder.
As co-headliners, they could afford an encore, which happened after “Say Just Words” – by the way, from the same album they also played the title-track “One Second” that, according to Nick, they hadn’t played in a while (I checked and apparently the last had been two months prior). ”Flesh From Bone” was one of the four songs of said encore, its death-doom nature – so old-school PL in such a recent song – leading Nick to say “it feels like the last 25 years never happened”. “The Last Time” wrapped it up and I really, really hope this was far from the last time that I’ve seen them.

www.facebook.com/paradiselostofficial

114When entering the photo-pit for Kreator we were advised to stay somewhat away from the stage during the first song – “Enemy Of God”, as it turned out – so we were hoping for some fireworks. Imagine our disappointment when it was just confetti… Oh well. On the other hand, I’m glad it wasn’t anything dangerous, as staying away meant closer to the barriers and that was nearly impossible – the mosh and crowdsurf began with practically the first riff and the security guys needed space to attend to all of them enthusiastic metalheads. Mille Petrozza did ask more than once for circles and screams “Portuguese style” but he really didn’t need to – he was already getting that from the start.
I hadn’t realized until now that their last studio album was already four years old (review here). But worry not – Mille said they were working on the follow-up to “Phantom Antichrist” and that it should be out next year. The reception of this news was loud, but when Mille said he wanted to come back as headliners of their own tour, the crowd’s roar was thunderous. Say what you will about thrash and all these “dinosaurs” like Kreator doing the same thing over and over – legends are legends and will always be welcomed.
VOA experienced “Extreme Aggression” in a “Violent Revolution” brought up by “Hordes Of Chaos” filled with “Pleasure To Kill”, and this year’s edition finished with the “Flag Of Hate” raised by a “Betrayer”. Looking forward for next year’s experiences!

www.facebook.com/KreatorOfficial

A special thanks to the promoters, to Raising Legends and Equaleft for the ride and Mosher Clothing for keeping an eye on my stuff and letting me enjoy the shade of their merch stand.

Text & photos by Renata “Pieni” Lino

Full gallery on our Facebook page here.

Gojira + Equaleft – Porto, Portugal

Posted in Gig, Live with tags , , , , , , on 9th July 2016 by Pieni

Gojira, Equaleft
Hard Club, Porto (PT)
7th July 2016
Promoted by Prime Artists
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July and this was the first time this year that I’ve worked with Prime Artists. They’ve promoted several gigs lately but all in Lisbon and I haven’t had the chance to cover those almost 200 mi. And even though it makes sense to promote a show in a more central, strategic city like the capital, after last night I start wondering if it isn’t also related to the conditions offered by the venues. Hard Club, seriously, what the hell happened to you?! After Ghost, last November, I thought you’d realized it was time to do something about the sauna-temperatures that place can achieve. You indeed bought huge fans to help the AC system in its job, but unless you actually turn them on… And you may think that I’m overreacting, that just a couple of lines on the subject would suffice, but when a band like Gojira is playing a sold-out show and it’s forced to shorten the set because the musicians are close to passing out due to the heat, yeah, a whole paragraph on Hard Club’s greed and lack of professionalism is appropriate.

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Now let’s focus on the good things – the concerts. There’s always some disregard for local, smaller bands, but this time almost everybody was present when Equaleft got on stage, at nine o’clock sharp. When Gojira headlined Vagos Open Air a couple of years ago, there was a petition for Equaleft to be included in the bill, as their sound is the best match to the French’s. At the time it wasn’t possible but I guess you can’t fight what’s meant to be. This was also the first gig of guitarist Miguel Martins, after a short introduction in December, when he played just a couple of songs (report here), but it was such a milestone in Equaleft’s career that former guitarist Veggy flew all the way from Brazil to take part in it.
 photo _DSC0635 copy_zps5jodxrcg.jpgI’ve been to too many Equaleft shows to know how good they are and what kind of positive feedback they get from the crowd, but this being their first time playing in front of so many people, it brought me a special sense of joy & pride – there was a fair share of longtime fans, but they were a novelty to the majority and I saw them surrender to their power groove. And to the chocolate butter cookies they gave away in the end of the show, as it’s their tradition, when singer Miguel returned on stage after a little crowdsurfing (also his usual).

www.facebook.com/equaleft

 photo _DSC0766 copy_zpsn7lmusgx.jpgIn thick smoke, strobe lights and louder-than-hell roars, Gojira took the stage with “Toxic Garbage Island” – and from the very first second to the last, the crowd gave a new meaning to the words enfants sauvages. They were restless ven during the tribal drum solo of Mario Duplantier, clapping their hands to the rhythm nonstop.
When Joe Duplantier addressed the audience, apart from the little pleasantries that he knew how to say in Portuguese, he said they loved our country and compared the city of Porto to a fairy-tale. Later he would mention the UEFA Euro 2016, saying “congrats on the final”, and as France had beaten Germany minutes before the show, he said how the victory would be good to France, given all the social-economical crisis their country was going through. We didn’t take it bad – there wasn’t a single whistle or boo – but the way “POR-TU-GAL! POR-TU-GAL!” echoed through the venue, showed him we weren’t keen on letting them win easily.
“Shooting Star” would end the show after about one hour and a quarter, with Mario stage-diving into the eager crowd. “Explosia” should have been the last, but they couldn’t take the heat any longer, as aforementioned. Still, band and audience left “hot club” (as Joe called it) with their hearts full.

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www.facebook.com/GojiraMusic

Text & photos by Renata “Pieni” Lino

Full gallery in our Facebook page here.

VOA 2016 final bill – Paradise Lost announced today, after Anthrax pulling out

Posted in News with tags , , , on 28th June 2016 by Pieni

Remember Vagos Open Air? We’ve been bringing you news/reports on it for the past 4 years, since Pieni joined our team. And even though the acronym has always been used, this year it’s its official name.  Why? Because Vagos is the name of the municipality where the fest used to be held in and now it has moved to Corroios (near the capital Lisbon) so it makes no sense to keep calling it “Vagos Open Air”. On the other hand, it’s still the same promoter, Prime Artists, in charge and there’s a legacy of 7 editions to carry on. So VOA (which in Portuguese means “fly away”) it is.

It’s also back to its original format of 2 days, 5th and 6th of August, with the following bands (Paradise Lost just added, after Anthrax pulling out a couple of weeks ago):

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Check the official site and Facebook page for more info on the festival itself and each of the performing bands:
http://voa.rocks/index_en.html
https://www.facebook.com/VOAFest/

Annihilator w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 13th October 2015 by Pieni

Annihilator, Harlott, Archer
Hard Club, Porto (PT)
9th October 2015
Promoted by Prime Artists www.primeartists.eu
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“Suicide Society”, Annihilator’s 15th studio album, was released on September 15th 2015. And 15 days later, the Canadian band kicked off the In The Blood European Tour in Birmingham. Maybe 15 is their lucky number.

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This tour hit only one city in Portugal – which happened to be my hometown – so a fair share of people from across the country (and I believe from the north of Spain as well) headed towards Porto that evening. The roadtrip and the fact that it was a working day might explain why the venue was roughly half full when the first band Archer got on stage. Well, their loss – the Santa Cruz, CA, heavy metal band delivered one hell of a show. It was clear that the majority of the audience didn’t know them, but if you’re attending an Annihilator show, it means you like heavy and fast stuff, right? Archer don’t play thrash, but their metal is speedy and thick enough to please the most demanding thrashers. And among songs from both their releases (“Doom$day Profit$” and “Culling The Weak”), they also offered a cover of Megadeth (“Tornado Of Souls” – because they “come from a certain part of California and felt like they should play something related to that”), where singer Dylan Rosenberg sounded exactly like Dave Mustaine did when he recorded the song back in the day.

Bassist Dave Da Silva also addressed the audience, saying that playing in Portugal had a special meaning for him, given his last name (in case you don’t know, Silva is the most common surname around here). So they not only know how to play good metal live, they also know how to bond with the crowd – which are the two goals a band must achieve on stage. Mission accomplished here.

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www.facebook.com/archernation

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Harlott were more popular – at least I noticed a handful of metalheads singing along. Their “down-under” accent made some of the words indistinguishable, but when it came down to music, the communication was flawless. Thrashing out since 2006, Harlott brought us some sharp, spirited songs from both their albums “Origin” and “Proliferation”, although they focused naturally on the latter, being their most recent release. There was also a funny song – in terms of lyric content; musically, it was straightforward, serious thrash – called “Hairy Dick” that I can’t find anywhere. So it’s either some unrecorded song, just meant for live shows, or it’s included in a certain “Pain Emblem” EP that was never officially released (thanks for the info, Metal Archives).

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www.facebook.com/HarlottOfficial

The place had been filling in and it was pretty packed by the time Annihilator got on stage. Not a sold-out venue, but still a number beautiful enough.

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Even though I liked Dave Padden very much, I must confess I’ve never understood why Jeff Waters didn’t remain on the role as a singer. I can imagine it’s more comfortable to just play guitar when on stage, but it did work out those few times in the past. And it clearly still does. The opening track was precisely “King Of The Kill”, the title-track of the first album where Waters sang lead. 21 years later, Waters just nailed it. And closer to the end, after almost one hour and a half, he still had it in him to shout those high-pitched “Alison”, from the “Alison Hell” chorus – even if he begged us to sing it for him.

Now that the vocal part is cleared… well, I don’t think the instrumental part needs any kind of introduction regarding its quality. A few songs from the new album, including the title-track, a few all-time classics, some in-between hits, a drum solo… oh, and those “food songs”, that I personally find annoying but the majority of the crowd thrills with – “Chicken and Corn” and “Kraft Dinner”.

When introducing the band, Waters made sure to tell us where the guys came from – in case the little country flags on the drunkit didn’t give away how important that was for them. So him, drummer Mike Harshaw and guitarist Aaron Homma come from Canada, and then bassist Rich Hinks, who doesn’t come from Canada but from a “little island called United Kingdom”. The look on Hinks’ face when Waters said “little” was priceless. Because metal isn’t all about anger and demons – it can be funny too.

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www.facebook.com/Annihilator-9614139730/

Click here to see the full gallery on our Facebook page.

Text & photos: Renata “Pieni” Lino

Vagos Open Air 2015 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , on 13th August 2015 by Pieni

Filii Nigrantium Infernalium, Venom, Black Label Society, Triptykon, Destruction, Mutant Squad, W.A.K.O.
Quinta do Ega, vagos (PT)
8th August 2015
Promoted by Prime Artists

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Black Label Society

The second day of Vagos Open Air was the heaviest in sound and numbers. Saturdays are always prone to attract more people, but I’m pretty sure it was the names on the bill that gathered so many metalheads

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W.A.K.O.

If memory serves me well, I hadn’t seen W.A.K.O. in four years. Not that they’ve inactive all that time, no. I just haven’t had the chance to see them lately. And damn, what I’ve been missing! Sure, the aforementioned gig I attended at Hard Club was a killer (no pun intended – did I mention that W.A.K.O. stands for We Are Killing Ourselves?), but this one at Vagos was simply devastating! As well as the mosh circles the crowd put up restlessly, from the opener “Abyss” to the closing “The Shadows Collapse Within”. Any thumbs-down? Sure – too short. Such a show deserved to last longer.

www.facebook.com/Extispicium

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Mutant Squad

Next, from country next door, came Mutant Squad. Straight-forward thrash metal always works when played live, whether you’re familiar with the band or not (which I think was the case of many in the crowd). The Spanish continued fuelling the mosh frenzy that W.A.K.O. had started with songs from their debut full-length “Titanomakhia”, and also one (“Remember”) from the 2012 EP “Social Misfits”. Using a few Portuguese curse words also helped them winning over the crowd, as well as praising the W.A.K.O. gig and their guitarist Pedro Mendes. The set ended with “Mutants Will Rise”, but before leaving the stage, singer/guitarist Pla announced they’d return to Portugal in November, for the Mosher clothing fest, and the people seemed happy about it.

www.facebook.com/mutantsquadband

The thrashing went on in a much more old-school vein. Both previous bands had a pretty packed crowd waiting for them, but Destruction had an army! The action on and off stage lived up to the band’s name. This is another band that hasn’t released anything new in three years (the Saxon cover on “The Big Teutonic 4” split can’t obviously count) but whose presence in this or any other festival is more than justified, as their performances are what live shows are all about. Even when the sound goes down… Not sure what happened, but at some point closer to the end, only the drums were audible. As the band played on, I believe they still heard what they were doing on stage, but we didn’t. One thing I noticed and appreciated was that no one booed – they did cry out in disappointment, but not in angry accusation, understanding that this kind of thing happens. Eventually the sound came back, its volume still on a rollercoaster ride, but everything was back to normal when Schmier announced the last song “Bestial invasion”.

www.facebook.com/destruction

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Triptykon

Triptykon stirred another kind of turmoil – an emotional one. Although the crowdsurfers kept the security guys busy during the black metal parts that spice the doom nature of the band. Thomas Gabriel Fischer was particularly talkative and clearly happy to be there – the “it’s so good to be back” that we so often hear seemed honest. They played an excellent gloomy show that I just wished was a bit more Triptykon and less Celtic Frost. They have two great full-length albums, why dwell in past bands? One song would be enough, for old times sake – that I understand. But three? Plus a Hellhammer cover (“Messiah”) that Celtic Frost already used to cover – as Hellhammer was the band Thomas and Martin Ain were in before Celtic Frost. Even the “are you morbid?” expression was used that night. A flawless and enthralling performance, yes, but a little too much “double identity” for my personal taste.

www.facebook.com/triptykonofficial

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Black Label Society

Even though not closing the bill, Black Label Society were the headliners – the number of people waiting for Zakk Wylde (with no disrespect for the other musicians, just stating the truth) left no doubt about that. Not even the 20-minute delay (that wasn’t apologized for or explained) seemed to bother the fans. But then again, those same fans go bananas with Wylde’s 20-minute solos, so we clearly don’t agree on several things.
The show was impeccable, no one can say otherwise. There’s a reason why Wylde is considered such a guitar god and that reason was palpable that night. But like everything in life, when you’re not drinking your cup of tea… I’ve heard more than one person complaining about the extensive guitar work, but come on, that’s what Wylde does! That’s what his fans where there to see and that’s what they got. Now the “lesser fans”… well, not even guitar gods can please everyone. He didn’t talk much, except when introducing the band – he talked A LOT then, although I didn’t understand half of it, given that Southern accent of his (that I’m still trying to figure out where he got it from, as the guy was born and raised in New Jersey…). I did understand clearly the “We love you Dimebag!” at the end of “In This River”.

www.facebook.com/blacklabelsociety

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Venom

Only now, as writing this, did I realize that the oldest band of the bill was the only with material released in 2015. Funny. Not that it mattered that much, as Venom didn’t focus on that new album, “From The Very Depths”. If I’m correct, only “Rise” and “Long Haired Punks” were played. But we’re talking about a band that was founded 36 years ago and has released killer black/speed hits ever since – there’s no such thing as promoting an album nowadays, only mingling a couple of new tracks with a roll of classics.
Despite the late hour, and after so many mosh-friendly bands, the circle pits were back in full, matching the violence that the trio “out of Hell” unleashed.

www.facebook.com/pages/Venom-Band/197558207048784

There was still one more band left, “special guests” Filii Nigrantium Infernalium, who, as the name indicates, play black metal. For over two decades now. This year their debut EP “A Era do Abutre” (The Vulture’s Era) turned 20 years and they played a few shows to celebrate it. I believe they were invited to Vagos precisely for that anniversary. Still, black metal isn’t for everybody and the crowd wasn’t as big when they got on stage. And then there were those who wished they had left, as a desperate voice started screaming “go away, please!” at some point. Everybody – band included – laughed, but as the following song was “Morte Geométrica” (geometric death), singer/guitarist Belathauzer introduced it by saying that death wasn’t a bad thing, some people deserved death. Sounded to me like it was aimed at someone specific… The gig ended with “Labirito” (labyrinth), dedicated to “all our families”.

www.facebook.com/FiliiNigrantiumInfernalium

Text & photos by Renata “Pieni” Lino

Note: we weren’t granted access to the photopit, so no gallery this year.

Thanks to Hugo Delgado for the memory card.