Archive for Twilight Force

Sabaton w/ guests – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 28th January 2017 by Pieni

Sabaton, Accept, Twilight Force
Coliseu, Porto (PT)
20th January 2017
Promoted by Prime Artists

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“The Last Tour” – named after the album “The Last Stand”, not after some early desire of retirement – hit Porto at one of its biggest and renowned venues. A bit bold, as it turned out. True, the last time Sabaton played here, Hard Club sold out its 1000-person capacity, but Coliseu holds six times that number. On the other hand, with the background videowall and all the apparatus, Hard Club’s stage wouldn’t have been big enough.

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dsc_0014-copyThe name Twilight Force hinted of power metal, and the dragon in the backdrop brought a positive certainty, even before the fast, chirpy melodies flooded the halls. A strange mix but they’re from Falun too and Chrileon was even Sabaton’s live backup singer back in the day (and rumor has it that the Spartans in the Sabaton song are played by four of them but I haven’t been able to confirm it) so from a friendship point of view, a fantasy power metal band opening for a militant heavy metal one makes perfect sense.
Chrileon got on stage wielding a sword to the sound of “Battle Of Arcane Might”. I don’t think many people knew them, but their high-spirits were contagious and soon everybody was riding along their “adventurous metal”. Funny blokes too, always teasing each other with a smile on their faces. “Gates Of Glory” was particularly welcomed by the crowd but the whole show left a positive mark.

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www.facebook.com/twilightforce/

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00000196-copyThe “Generation Clash” – song they sadly didn’t play – went wild the moment Christopher Williams stood behind the drums screaming in salute. We have a saying in Portugal that goes something like “old are the rags”, meaning that “old” is a word that shouldn’t be applied to people, and the youthful attitude that Wolf Hoffmann & Co. put on that night could as well be the incarnation of such saying. From recent tracks like “Stampede” and “Stalingrad” to classics such as “Princess Of The Dawn” and the mandatory “Metal Heart” and “Balls To The Wall”, there wasn’t a single moment where “age” meant nothing more than “experience”. The synced headbanging and guitar hero poses, which I usually find so cliche, just felt right this time. I guess it all depends on who’s bringing the cliches to life after all. My heart was full.

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www.facebook.com/accepttheband/

00000426-copyEven though I was happy to see the old schoolers getting off their couches to support Accept, I was sad to see many of them leave and not give a chance to Sabaton. Well, their loss – as usual, the Swedes kicked ass. Even if I appreciated the 2014 gig more, their performance skills are unquestionable.
00000433-copyThey’ve been using their cover of Status Quo “In The Army Now” as intro since the beginning of the tour, so it’s not in memory of the Quo guitarist Rick Parfitt, who died last Christmas Eve. But it was a beautiful coincidence, and nice change – as much as I love Europe’s “The Final Countdown”.
Besides the powerful songs – “Ghost Division”, “Carolus Rex”, “Primo Victoria”, “To Hell And Back”, just to name a few – and their lively presence, their good humor and empathy towards the public are just as popular. When the show was halfway through, a roadie brought a keyboard and Joakim reminded us (well, informed, as some may not know the origins of the band) that he started out as Sabaton’s keyboard player. But when he started playing Van Halen’s “Jump” it became clear he wasn’t going to resume the role that night. Chris Rörland claimed that Tommy Johansson really knew how to play piano and to prove so, the new guitarist played a little of Beethoven’s “Für Elise”. From there, he engaged on their own “The Final Solution”, in a beautiful acoustic version.

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Later on, someone would throw a horned helmet with the Swedish colors that Joakim put on, saying that he probably looked like a “palhaço”. That’s Portuguese for clown, and the whole venue burst out laughing. And in the end, he tied a Portuguese flag on his back, like a cape, super-hero style, wondering if his super power would be being the best football player in the world. Great musicians, great performers and funny – what more could one ask from a metal show?

www.facebook.com/sabaton/

Text & photos by Renata “Pieni” Lino

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Twilight Force – Heroes of Mighty Magic

Posted in CD, Metal with tags , , , , on 26th August 2016 by mickbirchy

Twilight Force
Heroes of Mighty Magic
Power Metal
Released 26 August 2016
via Nuclear Blast

This is one spectacular album to try and sum up, but I’ll try my best. Twilight Force bring us their second offering in the form of, Heroes of Mighty Magic. With shades of Tobias Sammet’s Avantasia, Sonata Arctica and DragonForce, Twilight Force have crafted an epic and bold album that completely plays to their strengths. It’s ultimately a fun record that has the right balance of dignified quality and having that sense of fun. I’m not a fan of when power metal bands take themselves too seriously.

The album covers the usual topics that you would expect – mythical warfare, questing and just your usual dungeons and dragons template lyrics. You know, all that good stuff. So not a tonne different in this department. It still works though, without getting tiring. Vocalist, Chrileon just sells what he’s singing with such conviction that it’s hard to think he’s from another dimension.  The production does everything to make him sound awesome and when the choir comes in on the choral parts it really gets you going.

The music is really good as well, don’t think that I’d forgotten. Not only is the metal instrumentation excellent with belting guitar solos and well incorporated synths. When the orchestral instruments swell around the songs it just makes them so much more epic. Seriously there isn’t a dead spot on the entire record. Everything in the production truly comes together to make an entertaining epic. I also have to briefly mention how good the album art is. The design is amazing and the colours just leap out at you. The artist Kerem Beyit has really crafted something beautiful and imaginative

Overall. Wow, just simply wow. This album took (and is continuing to take) my breath away. It’s entertaining in all the right ways. I’ve not wanted to put this album down since the first listen.

5/5

Mick Birchall