Archive for Tribulation

Insomnium + Tribulation – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 28th April 2018 by Pieni

Insomnium, Tribulation
Hard Club, Porto (PT)
9th April 2018
Promoted by Prime Artists

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“Winter’s Gate” is the name of Insomnium’s latest album and therefore the name of the tour – even if the release is one-year-and-a-half old. Plus, given the cold wave that’s been washing over Europe when Spring was supposed to be settling in, “Winter’s Gate” sounds pretty fitting.
Monday night, the crisp weather, the 2-band bill instead of the usual 3, the ticket price somewhat higher than normal… I confess I was expecting a poor crowd in terms of numbers. Well sometimes it feels good to be wrong and see that, after all these years, your hometown can still positively surprise you.
DSC_0054 copyWhat I didn’t like to be wrong about was the duration of Tribulation’s gig. Sure, I knew this wasn’t a co-headlining tour, but since there was no other band on the bill, I was hoping for a little more than 45 minutes – especially when they have a new album to promote as well. “Down Below” was released in January and only a third of its fantastic tracks were performed – “Lady Death”, “Nightbound” and “The Lament”. Of course we wanted to hear everything else they’ve played, from their previous works, but we wanted more – hence the 45-minute slot not being enough. I remember the first time Insomnium played here, eight years ago, asking us to buy something at the merch stand in order to “help the little guys”. Here they were this night, not so little anymore, so let’s cross fingers that next time Tribulation come here they’ll be headlining their own show. And that it won’t take that long – even if there’s only 5 years left to complete the 8 since the first time they’ve played in Porto.
The “Down Below” artwork is in shades of red and black but the lights during Tribulation gig were green. And black. Too much black. It was pretty hard to capture those enthralling movements of Jonathan and the devilish faces of Adam; but then again, no still image can truly show what one experiences at a Tribulation gig.

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www.facebook.com/Tribulationofficial/

DSC_0448 copyThe darkness came back in full when the Police Academy theme echoed – Insomnium’s intro – but then went on. And on and on. There were only glimpses of a weak light during the whole performance of “Winter’s Gate” (in case you don’t know, the new album has just one 40-minute-long track, divided in 6 parts, although the second, “The Golden Wolf”, is subdivided in two). If the idea was to illustrate the long winter nights they have in Finland, congratulations, you’ve made it! Wasn’t the spirited vibrancy of their performance – and the matching feedback from the crowd – and it would’ve been pretty depressing.
After Insomnium closed their winter’s gate, “The Primeval Dark” lived up to the exact opposite of its name and the room lit up like a summer day. By then I had retreated to enjoy songs like “Mortal Share”, “Weather The Storm” or “The Promethean Song” in the far back – so no bright pics, sorry.
The photographer in me left the venue frustrated, but the music lover had her heart full – and a pleasant smile for the first chords of Moonspell’s “Alma Mater” that preceded the encore “Only One Who Waits”.

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www.facebook.com/insomniumofficial/

Text & photos by Renata “Pieni” Lino

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Melechesh & Keep Of Kalessin w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , on 23rd May 2015 by Pieni

Embryo, Tribulation, Keep Of Kalessin, Melechesh
Hard Club, Porto (PT)
16th May 2015
Promoted by SWR Inc.

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Even if a co-headlining tour of Melechesh and Keep Of Kalessin sounded pretty good – and it was, oh how it was! – it’s probably a stretch to say the venue was half-full. It wasn’t lack of promotion or even lack of fans, as both bands have a somewhat solid fan-base around here. There’s just been a fair share of gigs, and Summer festivals are around the corner, and Portugal’s economic situation is far from great – people must make tough choices.

 photo _DSC0048 copy_zpsewygqo4h.jpgThey brought along two support acts, the first on stage being Italian Embryo. They add some synths to their death metal, but I’m not sure if “melodic death metal” is the most accurate to describe their sound. Whatever the label, they did good – even if the aforementioned small crowd was even smaller at the early hour they played at. On the other hand, the few people there gave a great response to Embryo’s performance, making them feel welcome, which always help with a band’s confidence.
They have recently (February) released their third and self-titled album, five years after the previous “No God Slave”. Apart from the title-track of the latter, the setlist was, understandably, comprised of songs from “Embryo”. (4/5)

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https://www.facebook.com/EMBRYO.DeathMetal

 photo _DSC0421 copy_zpsevyssxt7.jpgNow Tribulation, that was the undoubtful surprise of the night! I had heard of them recently – they’re featured in last month’s Sweden Rock Magazine – but it didn’t compel me to listen to their music; their image screamed black metal and I’m not exactly the biggest fan of the genre. Kids, never judge a book by its cover nor a band by its looks. Yes, their sound is rooted in black metal, but they add so many metal & rock elements to it, and play it live with such passion that they will enthrall even those who aren’t big on black metal (like me).
Like Embryo, Tribulation were promoting their latest third album, “The Children Of The Night”, which seems to be getting a quite good acclaim. I still didn’t listen to it, but I can totally vouch for the excellence of their shows. (5/5)

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https://www.facebook.com/Tribulationofficial

 photo _DSC0648_zpsotiwuyi7.jpgIt had been a while since Keep Of Kalessin last visited our country (also with Melechesh, funny thing). In those four years, mastermind Obsidian Claw took the role of lead singer, and even though I liked Thebon, this 3-piece line-up suits the band. Plus, with Wizziac doing the many backing vocals that once were done by Obsidian, he’s forced to headbang less and you can finally get clean shots of the face behind that immensely long hair… Seriously, Obsidian has a great voice and having to play guitar at the same time didn’t jeopardize his wielding stage presence. In fact, it strengthen it – during the instrumental parts, he and Wizziac move around, trade places, occasionally play together, and then as if they’re battling each other… Yeah, this works better for Keep Of Kalessin.
And if there’s been mixed feelings among the fans regarding their latest “Epistemology” album, mainly complaining about how their “epic extreme metal” is not so extreme after all, the truth is that it’s a killer when played live.
I believe it was during “The Divine Land” that Obsidian’s guitar broke a string, leaving up to the other two members to finish the song on their own. As the problem wasn’t solved yet (Obsidian explained something about different tunes, which was kind of senseless to me and everyone else who doesn’t play guitar), Vyl got to entertain us with a drum solo. When the guitar was ready, Keep Of Kalessin finished their set with “Ascendant”. (5/5)

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https://www.facebook.com/keepofkalessin

 photo _DSC0984_zps5znqmdrw.jpgAnd then came Melechesh, living up to the “fire” part of their name. Ashmedi was happy to be back in Porto, and since they’d be heading to Lisbon only at 8 am the next day, he was planning on partying all night, inviting the fans to join him. One thing he wasn’t so happy about, in fact he stated several times how much he hated it, was having to tune his guitar all the time. Funny guy.
At that other gig I’ve already told you about, with Keep Of Kalessin, back in 2011, I remember guitarist Moloch getting on stage with a black kerchief around his head and keeping it for a handful of songs until the heat forced him to remove it. This time, both his “Nomadic Soul” replacement and bassist Scorpios got on stage with that desert garment, but didn’t keep it past the first song “The Pendulum Speaks”. Shame, but totally understandable.
Between the songs of the recent “Enki” and classics such as “Genies, Sorcerers and Mesopotamian Nights”, “Triangular Tattvic Fire” and “Ghouls of Nineveh” – a song to which Ashmedi referred with a bit of sadness, as Nineveh was an ancient Mesopotamian city destroyed in a civil war – it was clear that Melechesh was the most awaited band of the night. And that’s why we were sad ourselves when their gig was over, after just one hour. Apart from that, it was perfect. (5/5)

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https://www.facebook.com/melechesh

Text & photos by Renata “Pieni” Lino