Archive for Thrash metal

Vader, Annihilator and Testament live in Tampere

Posted in Live, Metal, Gig with tags , , , on 22nd March 2018 by izaforestspirit

Vader, Annihilator, Testament

Pakkahuone, Tampere, Finland

21st March 2018

It’s very rare that I go to a concert where I’m actually more interested in the opening act than the actual headliner. American thrashers Testament were the headlining act but for me it was all about Vader. I’ve been a fan of their music since my early teens and the last time I saw them live was at Hellfest in France back in 2009.

Vader were on first and they put on a hell of a show. They are celebrating the 25th anniversary of their debut ‘The Ultimate Incantation’ so their set included some songs from that album along with some new stuff such as ‘Send Me Back to Hell’ from the latest record. The venue wasn’t quite full yet at this point since they were the opening act but there was more than enough people to get a mosh-pit going. I really enjoyed it. Sadly their show was rather short, only half an hour. I would have loved to hear more. 5/5

I’ve never seen Annihilator live before but I recognized a few of their hit tracks including ‘Welcome to Your Death’, ‘Alison Hell’ and ‘Phantasmagoria’. This time the audience was much larger as was the mosh-pit. It was a highly entertaining show. Annihilator play exactly the kind of thrash metal that I like and I’m now tempted to check out some of their music. 4/5

Then the main headliners Testament took to the stage. Their music can be best summed up as optimized thrash metal, big riffs, complex harmonies and good vocals. I am just not too familiar with their music and didn’t recognize any of the songs so I didn’t really enjoy the show as much as the others. That guitar solo midway through their set was impressive though. Good stuff. 4/5

In summary, it was a really good night of thrash metal. Well mostly thrash metal that is, I tend to class Vader as more of a death metal/death thrash metal act these days. I loved Vader, they were the number one show for me, Annihilator were really good. As for Testament, they have a massive following and they put on a good show but I’m not that much into their music. 4/5

Iza Raittila



Savage Machine – Abandon Earth

Posted in CD, Metal with tags , , , , on 27th February 2018 by izaforestspirit

Savage Machine
Abandon Earth
Released 19th January 2018
Heavy Metal/Power Metal

Savage Machine - Abandon Earth

It’s been two years since I reviewed Savage Machine’s single; now here I am reviewing their debut album ‘Abandon Earth’. I’m already familiar with two of the tracks since they were on the ‘Event Horizon’ single. Based on the description, this is a concept album about a post-apocalyptic world in which humans are at war with the machines. So, it’s traditional heavy metal with a science-fiction theme. That sounds promising, let’s see what we have here…

This is actually a little more complex than I expected it to be. In addition to the predominant classic/NWOBHM-style heavy metal, there are also some elements of power metal. Take the The Hunter for example, the guitar structures made me think of the old albums by Helloween mixed with the story-telling vocal style of Iron Maiden. Then they reduce the pace with a ballad called Time Traveller,  a melodic heavy metal/thrash metal hybrid which reminded me of the early works of Iced Earth. Good guitar work!

Speaking of guitars, the “rifftasic” Event Horizon and classic heavy metal style ‘Savior’ are the undisputed highlights of the album. The former is an energetic, fast piece of thrash metal packed with killer guitar riffs. As for Savior, I already liked it two years ago and it hasn’t lost any of its appeal.

In summary, it has to be said that there’s not a single filler track on here. There’s good variety in the pace with just enough ballads to please fans of melodic metal and power along with plenty of faster songs for the thrashers amongst us.


Iza Raittila

Reverence – Foreverence

Posted in CD, Metal with tags , , on 23rd January 2018 by izaforestspirit

Released 22nd December 2017
Power Metal/Thrash Metal
Released via Razar Ice Records

Reverence - Foreverence

Two years have passed since I reviewed Reverence’s last full length ‘Gods of War’. A lot has happened since then. For starters, they have a new singer. Secondly, last year they suffered the loss of their guitarist Peter Rossi, who died unexpectedly in March 2017. This EP is dedicated to his memory. It also features two live songs acting as preview to their new live album.

From the musical perspective, this EP essentially picks up from where their last full length left off. You’ve got your uplifting, guitar-driven power metal hit – Firelord which, though a little cheesy in the lyrical department, is rather enjoyable. Then there’s New Order which features some old school thrash metal and even groove elements in the guitar structure. Speaking of guitars, the band’s official tribute to their recently departed guitarist Final Flight – RIP PJR is a true masterpiece in guitar work. No vocals or drums, just full on guitar solo harmony and riffs galore. I’m sure that any current or aspiring guitarist would love to have a go at playing this tune.

Then there’s the sombre, slow acoustic ballad Sleep in which you can really hear the emotion in the vocals. It’s a far more profound and bittersweet sound than what you might expect to hear from Reverence but it suits the mood. Finally, the live tracks seem like a fitting way to end this EP, acting as a means to show that the band will go on doing what they do best.

In summary ‘Foreverence’ is a great way for the band to pay tribute to their departed guitarist. They have paid their respects and now they are getting ready to move on and take the next step forward. All I can say is keep up the good work!


Iza Raittila

Solitary – The Diseased Heart Of Society

Posted in CD, Metal with tags , , , on 18th June 2017 by Paul Macmillan

“The Diseased Heart Of Society”
Thrash metal
Released March 03rd 2017
via UKEM

If you pretty much live for the full Baskin Robbins, 31 flavours of thrash, Solitary’s latest release is an absolute must for your collection! No messing about with too much unnecessary cross-over into other genres, The Diseased Heart Of Society just gets straight to the point. It’s doubtful this would be a surprise to those aware of the band’s 2014 live opus I Promise To Thrash Forever. While this might put certain restraints on musical endeavours, Solitary pull it off with such flair you wouldn’t ever care.

This could be down to them being an expert hand at cherry-picking the essence of some utterly classic albums, without simply replicating them. There are definitely some shades of Master Of Puppets, as well as the hugely underrated …And Justice For All. I think I pick up a hint of The New Order era Testament (in fact I Promise… features an excellent cover of Into The Pit), as well as incredible lead-work nods to Rust in Peace and/or Countdown To Extinction. While these are artists who play in the same park, if not by the same rules, Solitary have created their own hybrid game. I think they might have pinched all the newer equipment, too.

Sharp, crisp guitars, thundering drums, driven bass make the production on this release a bit of a gold standard for me, and highly enjoyable to listen to for that aspect alone. This musical backdrop makes the perfect nest to carry what is possibly my personal favourite element of TDHOS; the vocals. Now, there is certainly an undeniably English accent, but the delivery fully puts me in mind of German band Rage’s frontman Peavy Wagner! That might not work for everyone, but right here, that is God status!

As much as I would normally lean towards it, I’m not sure if diversification would help in this case, or end up being a bit of a downer. The thrash energy is high, the solos are on fire, and the hooks are plentiful. One thing I do know is this is a solid keeper, and a prime example of the UK metal, and thrash, scene.

Paul Macmillan


Overkill – The Grinding Wheel

Posted in CD, Metal with tags , , , on 7th February 2017 by Pieni

“The Grinding Wheel”
Thrash metal
Release: 10th February 2017
Via Nuclear Blast


I’m having mixed feelings about Overkill’s new album. Maybe my expectations were too high after Testament’s “Brotherhood Of The Snake” and Kreator’s “Gods Of Violence”, and also an underground project called Infraktor that I’ve been keeping close tabs on; my thrash metal flame’s been rekindled and was eager for “The Grinding Wheel” to keep fueling it. But…

The length of the songs is an automatic downer for me. Yes, it’s not exactly new that Overkill like to shred away longer than the rest of their fellow thrash bands, but I believe it’s the first time they’re pulling an average of six minutes per song (literally, kids – it’s ten songs in one hour; do the math). That’s just too much.

At least they diversify the structure and it’s not the same riff over and over plus a 3-minute solo; it doesn’t get boring out of repetition and here lie my mixed feelings. Crafted compositions are clear, rich with groovy patterns, but some kind of binding agent is amiss. The opening track, “Mean Green Killing Machine”, for instance. The introductory drum beats are promising but soon reveal they’re not getting anywhere; a Judas-Priest-like melody and the rock’n’roll piece that it leads to are both pretty catchy, but fall somewhat adrift among the main riffing.

One of the features I’ve always loved the most in Overkill was their bass line, but D.D. Verni’s presence here is shallower than usual – needless to say, another downer. And as if that wasn’t enough, in “Shine On”, one of the songs where the bass stands out a little, Bobby Blitz sounds like a chicken when singing “come on” in the chorus, ruining the moment.

Curiously enough, one of my favorite tracks is less thrash, as the aforementioned rock’n’roll comes at full force in “Come Heavy”. But the rebellious “Red White And Blue” follows suit in terms of preferences and that one is as thrashy as it goes. The rest of the album… well, let’s just say that it lives up to its title: it… grinds.


Renata “Pieni” Lino

Kreator – Gods Of Violence

Posted in Uncategorized with tags , , , , on 24th January 2017 by Pieni

“Gods Of Violence”
thrash metal
Released: 27th January 2017
Via Nuclear Blast Records


“Gods Of Violence” or how to make the same thing and still sound fabulous.

When “Phantom Antichrist” was released, I used keywords such as technique, melody and elaborate guitars; now, almost five years later, the same words pop up in my mind. Yet it doesn’t leave a taste of repetitiveness but of… familiarity.

Living up to its name, “Apocalypticon” is an epic promise of war, a promise that starts being fulfilled right afterwards, with the fierceness of “World War Now”. Some sharp melody in-between makes it both classic and classy.

“Satan Is Real” is the other side of the coin – still belligerent, still menacing, but the rhythm is more grinding than shredding. There’s even some symphonic elements here and there to emphasize the throbs.

“Totalitarian Terror” is something I’ll love to hear live, a thrash hymn, with a catchy, sing-along chorus.

Okay, I admit some of the acoustic chords of the title-track are a subtle reminder of Metallica’s “Fade To Black”, but the rest of the song is very Kreator-like and another strong candidate to a live favorite.

The spunky spirit of “Army Of Storms”, the force of “Hail To The Hordes”, the mischief of “Lion With Eagle Wings”, the militant “Fallen Brother”, that weeping solo of “Side By Side”, “Death Becomes My Light” brings over a little more semi-acoustic moments – these not similar to any other band’s – before galloping away at full speed… Kreator are able of pulling out sophisticated tweaks off their sleeves, delivering exactly what is expected of them, both as a thrash metal band and as a veteran, professional act.


Renata “Pieni” Lino

Destruction live in Tampere

Posted in Gig, Live, Metal with tags , , , on 18th January 2017 by izaforestspirit

Gonoreas, Nervosa, Destruction
Klubi, Tampere, Finland
17th January 2017

My first gig of 2017! I opted for some thrash metal this time. Old school German thrash metal to be precise…I have technically seen Destruction live before, a long time ago at a festival in a small town in Spain during my year abroad as a student. Now, a decade later I got the opportunity to see them live again this time in Tampere.

First up was a Swiss heavy/power metal band called Gonoreas. The crowd was still gathering when these guys started their set but it didn’t take them long to agitate the audience and even get a small mosh-pit going. At one point their singer came off the stage and he started wreaking all sorts of havoc, encouraging people to move. It was a good way to start the night. 4/5

I had no idea what to expect from the Brazilian thrash metal trio Nervosa. They are an all-girl band and they really know how to rock. Their style is essentially old-school thrash metal, similar to the headlining act. Brutal, fast and highly entertaining. So brutal it actually reminded me of death metal at times. I definitely need to check out some of their music. 5/5

Thrash metal is one of the best metal sub-genres to see live. Destruction are veterans of the thrash metal scene and they sure know how to put on a great show. I’m not too familiar with their latest album ‘Under Attack’ and so I was glad that they also played some of their older material such as ‘The Butcher Strikes Back’, ‘Nailed to the Cross’ along with a few classics from the start of their career. It was a great performance, even better than the first time that I saw them live. 5/5

In summary this was a great way to spend what would have otherwise been an uneventful Tuesday night. I really enjoyed Nervosa and Destruction are always entertaining to watch. What a great start to the year!

Iza Raittila