Archive for Thrash metal

Hate and Vader live in Tampere

Posted in Gig, Live with tags , , , , , , , , , on 6th September 2022 by izaforestspirit

Thy Disease, Hate, Vader
YO-Talo, Tampere, Finland
5th September 2022

I may have said this before, but it feels awesome to be able to attend a live show without having to worry about any of the pandemic restrictions. There’s something special about a physical concert that you just can’t recreate with a live-stream, no matter how good the production quality might be. This time I opted for a night of Polish death metal. I’ve been a fan of Vader ever since I was a teenager. The blackened death metal band Hate was one of the last bands I went to see in early 2020 just before the coronavirus pandemic began. So needless to say I was looking forward to seeing them live again.

I arrived at the venue just as the opening act Takalaiton were playing their final song. I can’t comment much on their performance other than that sounded like fairly decent Finnish thrash metal. So not a bad start to the night.

Next up was an American melodic black metal band called The Noctambulant. They may not have had the biggest crowd, but their music was definitely my kind of atmospheric black metal. I enjoyed their show, particularly their cover of Sisters of Mercy’s ‘Lucretia My Reflection’.

Industrial death metal isn’t my favorite genre, but I have to admit that Thy Disease were good at what they do. They managed to attract a sizable crowd and keep everyone entertained. It was an energetic show, which was fun to watch even if the music isn’t exactly my style.

The first time that I saw Hate live two years ago, they were one of the support bands and their performance lasted only half an hour. This time they were one of the main acts, so I really got my money’s worth. This was a terrific show filled with bleak blackened death metal tunes both old and new ones from their latest album ‘Rugia’. They really know how to agitate the crowd too. It didn’t take long before I was head-banging along with the others.

Then it was time for the main act, my favorites Vader. They managed to get a mosh-pit going at the start of the second song, and it was full steam ahead from that point onward. It’s great to see how much energy their front-man Peter still has, even after thirty years in the death metal scene. Their guitarist Spider did a fantastic job too. They played many of the hits including: my personal favorite ‘Carnal’, ‘Black To The Blind’, ‘Chaos’, ‘Silent Empire’ and many others.

In summary, it was a very entertaining way to spend a Monday night, head-banging to my favorite death metal bands. I’m glad that I finally got to see a full performance by Hate. I made a new discovery with The Noctumblant. Let’s hope that there will be more memorable live shows this year.

Kreator – Violent Revolution (Re-Issue)

Posted in Review with tags , , , , , on 31st January 2022 by Mickelrath

Kreator
Violent Revolution (Re-Issue)
Thrash Metal
Released 21 January 2022
via Nuclear Blast Records

When German thrash super-titans, Kreator want to treat their fans. They sure know how to do it. In these Covid times, you can’t just embark on a massive anniversary tour. So what can you do? Well, remind them of how good you are by re-releasing one of your most iconic albums and adding on a second part with live cuts to prove that you still rule the stage. Yeah, that would about do it. So we have Violent Revolution, an album that is widely considered to be the spark that kicked off the 2000’s thrash metal revival. Also, guess what, I’ve never actually listened to it until now, well not in full. I’ve seen Kreator live so I know they’re a top-tier band. However, I’ve never taken the chance to listen to this record in full. So now’s a better time than any.

The album is definitely something else. I can hear how this was so influential to the thrash metal community. The riffs are tight and the energy the album produces is relentless. The songs are really well constructed with excellent structure and creative guitar work. The bass and drums lay an excellent foundation and are perfectly in sync. Something that definitely translates to their live show. The pulse-pounding songs hit that sweet spot of heavy and melodic where you can feel every beat of the drums but it still has somewhat of an anthemic quality. Then when the lead guitar kicks in it just put the power levels over the top. Simply put, there are excellent examples of musicianship laced through every part of the record. 

Then when you get to the second part of this reissue, aptly named Bootleg Revolution. You hear the band put all of that into practice. Living proof that it wasn’t “studio magic” that made them this good. You feel that genuine passion in each recorded live performance on the album. That musicality lives in them and you feel the energy of the crowd headbanging away. I must say that these are some of the best live recordings I’ve heard on any “live” album. You get just the right amount of live band, talking between the set and crowd noise. All are so well balanced. Looking at the list of places the recordings are pulled from, you really get a grasp of their impact on the metal community at large. Brazil, Korea, Istanbul & Wâldrock Festival. Hearing the reception and how loved they are, really speaks to the metalhead in me.

Obviously, the album is a 10. There’s a reason it still holds up and it is still so loved all these years later and something I would feel comfortable recommending to any newcomer to the thrash metal world. Keep rocking Kreator and I look forward to the next time I can get in a mosh-pit at your show.

10/10

Mick Birchall

Sepultura – SepulQuarta

Posted in Review with tags , , , , , , on 7th August 2021 by Pieni

Sepultura
“SepulQuarta”
Thrash metal
Release: 13th August 2021
Via Nuclear Blast Records

Sepultura - Sepulquarta

The COVID-19 pandemic forced us to a new reality regarding live music, with online streaming of concerts and such. Still I’m having trouble considering “SepulQuarta” a live album, whether its tracks have been part of podcasts or not – if the songs were recorded at each musician’s home, that’s about twenty studios… I consider this a compilation album, the treat being the guests instead of that one new exclusive track which will make the fans buy a best-of even if they already have the whole discography. And that’s the kind of thing that totally rocks my boat.

It’s not like Scott Ian made any significant tweaks in “Cut Throat” or David Ellefson added some extra bass line to “Territory”, for instance, but you must admit that just knowing they’re there, knowing you’re listening to “Sepultura feat. Anthrax” and “Sepultura feat. Megadeth (or former Megadeth…)” it’s something else.

Personally, I’m not a big fan of Danko Jones, but I understand why they wanted him for a “clean version” of “Sepulnation”: his voice makes a perfect combination with Derrick’s and the song gets a whole new life.

The doom-ish “Fear, Pain, Chaos, Suffering”, which already featured Emmily Barreto on its original version, gets a second round here, but honestly, it sounds pretty much like in “Quadra”. A little rawer, maybe, but really just a little. In my opinion, in terms of female guests, it’s the screaming – and chanting towards the end – of Fernanda Lira, Angélica Burns and Mayara Puertas in “Hatred Aside” that’s pure gold.

Despite what I’ve said before about Ellefson and Scott Ian – which applies to others like TestamentAlex Skolnick or Death AngelRob Cavestany – there are a few instrument players who make a difference, not jut the singers. João Barone and Charles Gavin add an extraordinary tribal drum solo to “Ratamahatta”, while Rafael Bittencourt replaces the drums in “Kaiowas” with his classic guitar, making a beautiful version of the instrumental track (am I allowed to say “beautiful” and “Sepultura” in the same sentence?).

“Mask” was the first promotional video for this album because, well, Devin Townsend is Devin Townsend. But don’t you think it’s more epic to have the original guitarist of a song you’ve covered 30 years ago playing it with you? I believe that’s why “Orgasmatron feat. Phil Campbell” is the last song on the record – to give it that “grand finale” touch.

9/10

Renata “Pieni” Lino

Bodom After Midnight EP coming this spring

Posted in Misc., News with tags , , , , , on 22nd February 2021 by izaforestspirit

Good news for Children of Bodom fans. Before his death last year, front-man and guitarist Alexi Laiho managed to record three songs with his new band Bodom After Midnight. Now his band-mates have announced that they will be releasing these tracks on an EP called ‘Paint The Sky With Blood’.

Here’s the cover art and tracklisting:

May be an image of text

01. Paint The Sky With Blood
02. Payback’s A Bitch
03. Where Dead Angels Lie (Dissection Cover)

‘Paint The Sky With Blood’ will be out in both physical and digital formats on 23rd April 2021 via Napalm Records.

For more information visit:

https://www.facebook.com/bodomaftermidnightofficial

Avenger Kills – The End Has Come

Posted in Review with tags , , , , on 22nd January 2021 by izaforestspirit

Avenger Kills
The End Has Come
Released 10th December 2020
Thrash Metal/Power Metal/
Self-Released

The End Has Come’ is the third album from the Russian power metal band Avenger Kills. The group was formed in 2011 by guitarist Alexander Krasilnikov. All their releases are available from their Bandcamp page.

After just a couple of tracks I can state that this is a guitar-centric album within the thrash metal genre. The vocalist reminded me of Dave Mustaine of Megadeth while the guitar style made me think of the Finnish thrash metal band Stone with elements of old Iced Earth thrown in. Metal Child caught my attention due to the well-timed and reasonably well executed guitar passages. I’m not not sure what is happening on Hangover but it sounds like a completely different band! From thrash metal to hard rock…

Then it is back to thrash metal again for the remainder of the record. The songs maintain a good balance of aggression, speed and melody but mostly they sound very similar to each other. Notable exceptions include the cheerful-sounding power metal style on The Savior and the ballad-like closing track Time of Sins. The latter is also the slowest and most sombre-sounding track on the album. It works well as a closer, mellowing things down towards the end but I’m glad that it is the only track of this type on here.

Overall, what we have here is a fairly decent thrash metal album which I reckon would please fans of early Megadeth and Iced Earth. I emphasize the word ‘decent’ here as this style is not unique in a way but it is a pretty good effort.

6/10

Iza Raittila

Garagedays – Something Black

Posted in Review with tags , , on 17th December 2020 by izaforestspirit

Garagedays
Something Black
Released 13th November 2020
Heavy Metal
Released via El Puerto Records

Garagedays - Something Black

‘Something Black’ is the new album from the Austrian heavy metal band Garagedays. The band was created back in 2005 by vocalist and rhythm guitarist Marco Kern. In the past they have supported bands such as Exodus, Grave Digger, Rotting Christ and U.D.O. This release was mixed and mastered by Andy Laroque who is known from his work with King Diamond. The music style is similar to that of Metallica and Motörhead.

We’re off to a good start with Back In Line, a guitar-centric and energetic heavy metal song filled with catchy riff work. I can understand why this has been compared to Metallica. Both the guitar styles and to a lesser extent the vocals are similar to Metallica’s mid-career work, particularly the black album and ‘Reload’. Then there is thrash metal -style title track with the most memorable chorus and some of the most lively, thunderous guitar passages on the album. This one is definitely for headbanging. Some of the songs have a hint of groove in the guitar tones, especially audible on tracks such as And Again.

They maintain the same tone and style for the majority of the record with the notable exceptions of the ballads My Own Way and To My Soul. In these two the pace slows down and there is a greater emphasis on the melodic vocals. While these are not my favorite tracks on here, they are not out of place and I can see why they deserve a spot on the album.

In summary, ‘Something Black’ is an enjoyable heavy metal album. The style is nothing groundbreaking or new but it demonstrates that Garagedays are skilled musicians who know how to produce memorable songs.

7/10

Iza Raittila

Bodom After Midnight enter the studio

Posted in Misc., News, Studio Report with tags , , , , , on 11th November 2020 by izaforestspirit

Good news for Children of Bodom fans. When the band split up last year, their front-man Alexi Laiho formed a new band called Bodom After Midnight with rhythm guitarist Daniel Freyberg (also ex-Children of Bodom), drummer Waltteri Väyrynen (Paradise Lost) and bassist Mitja Toivonen (Santa Cruz).

Now after a handful of small but successful shows in their native Finland the quartet have entered Finnox studio in Helsinki to record their debut album. The latest update is that the drum work is complete. The album has no title nor has there been any mention of whether there will keyboard player joining the line-up. They have yet to announce when the new album will be released but it will most likely not happen until 2021.

Photo by Mika Jussila
Image may contain: 1 person, indoor

For more information visit: https://www.facebook.com/pg/bodomaftermidnightofficial/

Crushing Force – Remnants of Devastation

Posted in Review with tags , , on 21st September 2020 by izaforestspirit

Crushing Force
Remnants of Devastation
Released 25th July 2020
Melodic Death Metal
Self-Released

Crushing Force - Remnants of Devastation

’Remnants of Devastation’ is the debut EP from the New York based melodic death metal band Crushing Force. The band was originally a one man project of Bill Rotach (Desekrator, ex-Nazgül) created in 2016 with the aim of making instrumental music for video games. One of the tracks, ‘Inferior Humans’ features a sound clip of Fawkes from the video game Fallout 3.

Now I have never played Fallout 3 and I am not really into video games, so I cannot comment on how well this would work as a soundtrack. What I can say, is a few things about is the music itself. The EP is full of shredding guitar riffs along with a few well constructed melodic guitar parts. Mr. Rotach is clearly a skilled guitarist and guitars are definitely the main focus of the EP. The aforementioned Inferior Humans is the most aggressive song in here with crushing guitars and savage drums hammering away. At the other end of the spectrum, we have songs like the title track which is more thrash metal -esque and melodic in nature.

Overall, this is a well made EP from a promising melodic death metal artist. The lyrical themes and the overall tone of the music would not be out of place in a post-apocalyptic landscape. As to how well it works as a soundtrack, I guess that’s up to the gamers to decide.

7/10

Iza Raittila

Vader – Solitude in Madness

Posted in Review, Uncategorized with tags , , on 2nd May 2020 by izaforestspirit

Vader
Solitude In Madness
Released 1st May 2020
Death Metal/Death-Thrash Metal
Released via Nuclear Blast Records

Vader - Solitude in Madness

My favorite death metal quartet, Vader are back with a new album. It’s been four years since their last full length ’The Empire’. Last year they released a teaser EP called ’Thy Messenger’ and now the wait is finally over. ’Solitude in Madness’ has been unleashed onto the world. What a fitting title given the present circumstances which many of us find ourselves in during this turbulent time…

Right from the moment you press the play button, you are greeted by a ferocious barrage of guitar riffs, relentless drum work along with Peter’s brutal growling. The opener Shock And Awe sets the tone for the rest of the album. What we have here are eleven tight-knit tracks of brutal death-thrash metal. The songs are short, fairly simple in structure and lacking the intricate atmospheric parts and intros featured on ‘Tibi et Igni’. They were already heading this direction with ‘The Empire’. However this change of style is not a new thing for Vader. In many ways this bears a lot of similarity to their earlier works, particularly their third release ‘Black To The Blind’, a personal favorite of mine.

For those who are not familiar with the band’s history, Vader started out as a thrash metal outfit and so this is a return to their roots. The thrash metal guitar riffs have always played a key role in what makes Vader stand out and this album is not an exception. Into Oblivion is a vicious beast packed with crushing guitar work and savage drumming. Ready or not, here it comes. You have just two options: either stand and fight it or run for your life! Emptiness and Despair were featured on the ‘Thy Messenger’ EP which I reviewed last year so I will not be discussing those songs. Then there is their cover of Acid Drinkers’ Dancing In The Slaughterhouse. No death metal here, this song is essentially speed-thrash. Full speed ahead, lots of shouting and vicious riffs.

In summary, ‘Solitude In Madness’ doesn’t offer too many surprises. For better or worse it is very straightforward, “textbook” Vader. More of the same death-thrash metal blend, the formula which they have stuck with for decades. For Vader fans like myself, it ticks all the right boxes. It sounds exactly like I was hoping that it would. It is a little short, clocking in at just under thirty minutes but there is not a single weak track on here.

8/10

Iza Raittila

Kill Ritual – The Opaque And The Divine

Posted in Review, Uncategorized with tags , on 18th April 2020 by izaforestspirit

Kill Ritual
The Opaque And The Divine
Released 27th March 2020
Thrash Metal/Heavy Metal
Released via Dissonance Productions

Kill Ritual - The Opaque and the Divine

‘The Opaque And The Divine’ is the latest album from the American thrash metal band Kill Ritual. The band was set up a decade ago and they have gone through a number of line-up changes. This is their first album with new vocalist Chalice Blood a.k.a Brian Betterton (also of Dirt and Enchanter).

I was expecting this to be a straightforward old-school thrash metal album. It is that to some extent, but a little bit more complicated. It’s very guitar-driven and some of the songs have that aggressive thrash metal feel such as the opener Rest In Pain and World Gone Mad. In addition to these, there are songs which take on a more melodic tone such as Praise The Dead with acoustic guitars and ballad-style vocals in the intro. Yet do not let the intro fool you, this is very much in the thrash metal category; the guitar work bears a lot of resemblance to bands like Merciful Fate.

Veil of the Betrayer stands out as the longest, most complex and the only progressive type song on here. Personally I found it a little too ponderous at times but luckily it got better towards the end once they picked up the pace.

In summary, ‘The Opaque And The Divine’ turned out to be different than what I expected. The guitar work is good enough to please any thrash metal fan. There is enough variety to keep the listener interested until the end. I like some tracks more than others but it was a good effort overall.

7/10

Iza Raittila

Testament – Titans Of Creation

Posted in Review, Uncategorized with tags , , , on 1st April 2020 by Pieni

Testament
“Titans Of Creation”
Thrash metal
Released: 3rd April 2020
Via Nuclear Blast

Testament - Titans Of Creation - Artwork copy

“Titans Of Creation” isn’t just a powerful title; it’s also the definition of its songwriters. Not that it took 13 albums to recognize their grandeur – in all honesty, none of Testament’s members has had anything else to prove to anyone for a long time – but the fact they could push the envelope just a bit further this time is impressive. From what I gathered reading the press release, it seems the writing process was more dynamic, hence the little tweaks that are making all the difference.

I’ve always admired Peterson’s and Skolnick’s classy guitar work, but now it sounds even more elaborate – check out the solos and general riffing in songs such as “Children Of The Next Level”, “WW III” or “Symptoms”… hell, check out those in ALL tracks and you’ll see what I mean. It’s more diverse, so you get a better sense of what they’re capable of doing with those strings.

Peterson shows another side of him as he voices some parts of “Night Of The Witch” and “Curse Of Osiris”, in a demon-like pitch. The contrast between his and Billy’s tone is just perfect for the songs in question.

You’ll recognize the catchy chorus of “Dream Deceiver” as pure Testament, but the ominous vibe of “City Of Angels”, enhanced by its slower tempo and somber bass line, that will be new. But then again, as the lyrics refer to serial killer Richard Ramirez, it had to be something dark…

“The Healers” also sound somewhat different, with a more intense approach rather than a feisty one, its beat prone to become an earworm as well. It talks about Billy’s personal experience with his past cancer, but given the Corona pandemic situation the world is going through at the moment, it will probably become a hymn of hope to many metalheads.

8/10

Renata “Pieni” Lino

Sepultura – Quadra

Posted in Uncategorized with tags , , , , on 3rd February 2020 by Mickelrath

Sepultura

Quadra

Thrash Metal, Groove Metal

Released: 7th February 2020

via Nuclear Blast Records

The Brazillian purveyors of heavy-ass thrash metal return to the limelight in 2020. I’ve been excited for this album for quite some time now. I have always appreciated Sepultura. They are by far my favourite thrash metal band. Their unique blend of groovy riffs and sharp, hard-hitting rhythms make them a true powerhouse of a band. The way they inject their music with interesting ideas and concepts always makes them an enjoyable act to listen to. They are now back with their fifteenth record, Quadra, their follow up to 2017’s Machine Messiah. I have to say that this album is quite good.

Once again, this album was produced in Sweden with Jens Bogren at the helm. As with the previous record, there’s some really great production here. Especially considering the concept of the album. The album itself is based on numerology, the number four and its significance as depicted on Quadrivium (the four subjects, or arts namely arithmetic, geometry, music, and astronomy). So, as you could probably tell this is quite a heavy-handed record. The album is broken into different pieces and each part is a representation of the different teachings of Quadrivium. Making this an album that you can listen to one so many different levels. It’s an album that I have been playing all week and I am still hearing it in new ways.

I love the way this album grooves. The bass and rhythm work is outstanding with lots of great moments throughout the album that just caught me and I was engrossed for a while just listening to certain parts of the record. From the clever acoustic moments to the slower ballads type moments and, of course, the all-out brutal heavy moments. Sepultura just knows how to keep a listener’s interest for hours on end.  Also, you have to appreciate the amazing guitar work of Andreas Kisser. He is simply incredible on the album bringing the energy where needed but also giving moments of the atmosphere. All of that is backing the powerful performance of Derrick Green, who really brings it on this record and sounds like he’s having fun with the record.

An absolute powerhouse of an album. A well-thought-out concept, excellent performances and great production… It all adds up to something powerful that can keep hardcore fans and casual listeners interested for a while. I genuinely enjoyed this album and I know it’s early but this is one of the best records of the year so far.

10/10

Mick Birchall

Rytmihäiriö live in Tampere

Posted in Gig, Live with tags , , , , on 19th October 2019 by izaforestspirit

I Revolt, Rytmihäiriö
Jack The Rooster, Tampere, Finland
18th October 2019

Autumn is here. The leaves are falling, the nights are getting longer and Halloween is only weeks away… I haven’t been to a live show since the Rammstein performance back in the summer. There have been a few gigs that caught my attention but I simply did not have the time. Last night I decided to take a gamble and try something new. This was one of those occasions when I knew very little about either of the bands. Rytmihäiriö is a band that I have heard of but I am not too familiar with their music. Someone claimed that they are similar to Turmion Kätilöt, whom I like, so I decided to check them out.

The event took place at rock pub called Jack The Rooster. The pub serves food in the day time then it is transformed into a small live show venue at night.

First up was I Revolt. This is an up and coming Finnish band which was established two years ago. Their style is pretty difficult to classify. It sounded like an amalgamation of thrash metal, metalcore and Entombed-esque melodic death metal. I wasn’t super keen on their cover of a Slipknot song but the show had its good moments.

Someone told me once that there is a thin line between what is hardcore punk and what is thrash metal. Well, Rytmihäiriö is somewhere around the boundary zone. The guitar riff patterns bear some resemblance to thrash metal but the vocals and the overall attitude is decisively more hardcore punk. Perhaps a little too punk for my liking. They have their fans and they drew in a sizable crowd. Sadly the music was not something that I enjoy.

Overall, it was a decent night out. Now I know what Rytmihäiriö are all about. I like thrash metal but hardcore punk has never really been my thing. I Revolt put on a good show and it would be interesting to see how their sound develops.

Iza Raittila

Metallica live in Hämeenlinna

Posted in Gig, Live with tags , , , , , on 17th July 2019 by izaforestspirit

Bokassa, Ghost, Metallica
Kantolan Tapahtumapuisto, Hämeenlinna, Finland
16th July 2019

Metallica, it’s been a while… The last time I was at a Metallica show was back in 2007 when I still lived in The U.K. They were and, in many ways, still are one of my favourite bands. I have always hoped that some day I will get to see them live again and this year I finally got that opportunity. This was one of the main events that I was looking forward to. This time the venue was Kantolan Tapahtumapuisto (Kantola Event Park) near the city centre of Hämeenlinna. I do not normally travel to Hämeenlinna and this was my very first time at the venue so I planned my trip well in advance.

Everything went as planned. The one thing that I cannot predict too well however is the weather. It was sunny when I arrived, then there was some heavy rain and thunder just I approached to the entrance. Luckily it did not last long and it had mostly cleared up by the time Bokassa took to the stage. I’m not really into stoner-punk but I have to admit that they were entertaining to watch. It was far more energetic than your average stoner rock, so not a bad start to the night. 3/5

I never really understood the hype surrounding the Swedish hard rock band Ghost. I keep hearing their songs on the radio and seeing their videos on Youtube. Yet I find it hard to fathom why they are so well regarded. I mean if you ignore the elaborate outfits and the imagery, the music itself is good but nothing ground-breaking. This was the first time that I have seen them live and I actually liked the performance. Their singer, Cardinal Copia, as he now calls himself, has a very charismatic stage presence. 4/5

Then it was time for the main event. The Metallica show was absolutely spectacular. They played most of the classic hits including: ‘Master of Puppets’, ‘Enter Sandman’, ‘One’, For Whom The Bell Tolls’, ‘Nothing Else Matters’, ‘Seek and Destroy’. The set also featured some songs from the mid-career period and several from the latest release ‘Hardwired to Self-Destruct’. There was pyrotechnics, lots of visual displays and even fireworks at the end. One of my favourite moments was the Rob and Kirk guitar medley when the performed a cover a Finnish rock classic – Popeda’s ‘Kuuma Kesä’. I could have done without ‘Frantic’ from the dreaded ‘St. Anger’ album and perhaps played more songs from ‘Death Magnetic’ instead, but that is the only extremely minor fault with what was otherwise a flawless performance. 6/5

Overall, I am extremely grateful for the opportunity to see Metallica live again. Twelve years is a very long time to wait but it was totally worth it. The show was an experience that I will cherish for many years to come.

Iza Raittila

Vader – Thy Messenger

Posted in Uncategorized with tags , , on 18th May 2019 by izaforestspirit

Vader
Thy Messenger
Released 31st May 2019
Death Metal
Released via Nuclear Blast Records

Vader - Thy Messenger

Polish death metal titans Vader are back with a new EP called ‘Thy Messenger’. For those who are not aware, Vader is a band that I have been following since my early teens. So needless to say as soon as I heard about this new release I simply couldn’t resist listening to it. These guys have a habit of releasing at least one EP before a new album. So just as the ‘Iron Times’ EP acted as a teaser for ‘The Empire’ I’m guessing that there will be a new Vader album coming in due course. ‘Thy Messenger’ clocks in at little over thirteen minutes and it includes one Judas Priest cover and a re-recorded version of ‘Litany’.

For those who are familiar with Vader, the band originally started out as a thrash metal act. Despite changing their style to death metal later on, they have always maintained a thrash metal tinge in the guitars. That is one of the main things that makes them unique. This EP is no exception. Kicking it off is Grand Deceiver, a short but ferocious beast of thrash guitar driven death metal. It’s full speed ahead from there until the very end. Emptiness is classic Vader doing what they do best; thrashing guitar riffs, powerful growling and relentless death metal drumming. I also enjoyed their cover of Judas Priest’s Steeler. That track is probably the closest they have come to returning to their old thrash metal style. It is also the catchiest song on here.

Overall, the only issue I have with this EP is the length. It’s way too short. I want more!! Come on Vader, when is the new album coming?

4/5

Iza Raittila

Indestructible Noise Commando – Terrible Things

Posted in Uncategorized with tags on 3rd May 2019 by izaforestspirit

Indestructible Noise Command
Terrible Things
Released 8th March 2019
Thrash Metal
Self-Released

I.N.C. - Terrible Things

‘Terrible Things’ is the latest album from the American thrash metal band I.N.C. as known as Indestructible Noise Command. The band was originally formed back in 1986. They released two albums in the 1980s before going on a long hiatus from 1990 to 2010. This release is the follow up to ‘Black Hearse Serenade’ which came out in 2014.

This is my first encounter of I.N.C. and I really did not know what to expect. All I knew was that their style has been described as thrash metal. With a name like “Indestructible Noise Command’ it is already pretty clear clue as to what you could expect the music to sound like. If you want melodic guitar and ballads then this is definitely not the album for you. Speed and aggression is clearly what these guys are going for here. Each song offers a barrage of fast guitar riffs, pummeling drums and ferocious shouting. Some of the tracks are so fast-paced that they actually come close to speed-thrash metal. It’s full speed ahead right from the start and these guys are not going to slow down.

Pledge of Legions follows the same pattern as most of the other tracks but it features some good guitar work midway through the song, which makes it a bit more memorable.  Identifier also has a few good guitar parts. The one thing that I wasn’t expecting was the melodic and somewhat technical-sounding instrumental intro to Nemesis. If there is one song on here that stands out, it is definitely this one mostly thanks to the intro. Oddly that intro features some of the best guitar work on the album and that is what makes it memorable. As soon as the shouting vocals begin, the atmosphere changes and it’s back to another onslaught of thrashing guitars and shouting. Don’t get me wrong though, the guitars are good, it’s the vocals that I find a little irritating at times.

Overall, the main issue I have with ‘Terrible Things’ is that a lot of the songs sound very similar. It is all about the speed and aggression with limited variety in terms of style.

3/5

Iza Raittila

Omicida – Defrauded Reign

Posted in Uncategorized with tags , , , on 19th February 2019 by izaforestspirit

Omicida
Defrauded Reign
Released 15th March 2019
Thrash Metal
Self-Released

Omicida - Defrauded Reign

‘Defrauded Reign’ is the debut album from the thrash metal band Omicida. The band was originally formed in Los Angeles, US in 2014 by drummer Giovanni Durst (ex-White Wizzard). They relocated to The UK in 2018, a few years after the release of their first EP ‘Certain Death’.

This is one of cases where the content is an exact match to its description. If it is classic thrash metal you are after then you have come to the right place. Most of the focus is on the guitars, with powerful and fast riffs dominating the album. The vocals are what you would expect to hear from your average thrash metal band, in other words aggressive shouting to match to overall pace of the music. These guys rarely slow down and they do not play any ballads. Most of the tracks are either medium or fast paced with the exception of the ambient, instrumental intermission Burn The Cross and melodic guitar parts in the intro to Divide Uncertainty.

If you like the fast and ferocious side of thrash metal, then State of Terror is the song for you. I reckon that Slayer fans would enjoy this one. It follows a fairly straightforward formula of aggressive vocals, a barrage of guitar riffs and fast drumming. It’s full steam ahead right from the start so you better hold on tight… Then there are a few songs with a more complex structure such as the aforementioned Divine Uncertainty with its deceptively melodic instrumental intro and the more technical-sounding guitars on The Supremacist. So there is more to this than just Slayer worship. It would appear though these guys have been listening not just Slayer but a whole range of old-school thrash metal bands including Kreator and Testament, all of which have left a mark on their signature sound.

Overall, ‘Defrauded Reign’ offers eleven solid works of uncompromising modern thrash metal. It maintains the right balance of aggression, speed and melody without becoming too fast or overly complex.

4/5

Iza Raittila

 

Blood Times – On A Mission

Posted in Uncategorized with tags , , , on 26th January 2019 by izaforestspirit

Bloody Times
On A Mission
Released 11th January 2019
Heavy Metal
Self-Released

Bloody Times - On a Mission

‘On A Mission’ is the second album from the German heavy metal band Bloody Times. The band started as a solo project of bassist Simon Pfundstein back in 2014. He was later joined by two former members of Iced Earth, drummer Raphael Saini and vocalist John Greedy. This album also features guest performances from various heavy metal musicians including Ross Friedman aka Ross the Boss (ex-Manowar).

The first thing that struck me when listening to this album was how much it reminded me of old Iced Earth. Luckily I happen to like old Iced Earth, so it’s good to hear John Greedy behind the mike again. The mid-paced opening track Alliance is one of the more melodic songs on here. I guess that this was meant to be some sort of classic metal ballad and as such it works reasonably well. I just wish that they would have omitted the progressive, ponderous and slow guitar parts mid-way through the song. It’s not the best start to the album but luckily what follows is the energetic, thrash metal style Fort Sumter– easily my favourite song on here due to excellent guitar work and powerful vocals. Now that’s more like it! If only this track was the first one….

Die In A Hole also has that thrash metal vibe to it; it is more varied in pace, not quite as fast ‘Fort Sumter’ but not too slow either. There is a good range of guitar riffs and Mr. Greedy manages to find the right balance between low pitched shouting and clean vocals to match the tone of the music. I also like the reworked version of Curse of Genevieve. What lets this album down is a short track called The Warning (Until Blood Boils pt.1) which falls under the category of what I commonly refer to as “filler”. I honestly do not know what I found more irritating, the strange vocal effects or the ultra dull-sounding, doom metal style guitar riffs plodding along in the background. Time to skip this. Next! Luckily the part 2 marks a return to the fast and aggressive heavy metal.

Overall, despite its flaws, ‘On A Mission’ is a good heavy metal album which I would recommend to fans of old Iced Earth.

3.5/5
Iza Raittila

Igniter and Lost Society live in Tampere

Posted in Gig, Live with tags , , , on 29th December 2018 by izaforestspirit

Igniter, Lost Society
Olympia, Tampere, Finland
28th December 2018

Last gig of 2018! The Christmas holidays are over and the New Year’s Eve is just around the corner. The days in between these two holidays tend to be rather dull and there is not a hell of a lot do. So I had a look to see what metal shows were on. Mortiis was in town but since this was part of their Era 1 tour (the dark ambient albums) I decided to give it a miss. I am not that much into dark ambient and it is not something that I would like to hear live. Then I spotted an advert for a thrash metal night at Olympia. I’ve seen Lost Society live at South Park Festival back in the summer but I did not know anything about the other band Igniter other than that they also play thrash metal.

After some research I discovered that Igniter are a local band with only one self-released EP. Luckily that did not stop them from putting on one hell of a show. They played some solid, old-school thrash metal, fast and full of energy just like it should be. I was really impressed with their performance and I hope to hear more from them soon. 4.5/5

Lost Society is one of those bands who command a sizable fan-base though I honestly cannot comprehend why. It is not so much that their music is bad. It is fairly decent-sounding thrash metal but I simply could not get into it. All the songs sounded similar and it felt as though the band were trying too hard to act like some major rock stars on stage. For example the singer was often switching from Finnish (his native tongue) to Americanized English while addressing the crowd. There were only a handful of memorable moments during the show: the part when they got a running mosh-pit going and a guitar solo towards the end of their set. 2.5/5

Overall it was a fun night out. Igniter far exceeded my expectations and their show was the better one of the night. Lost Society have their fans but after watching another mediocre performance by them I do not count myself among them.

Iza Raittila

Green Death – Hallowmass

Posted in Uncategorized with tags , , on 31st October 2018 by izaforestspirit

Green Death
Hallowmass
Released 19th October 2018
Thrash Metal
Released via Combat Records

Green Death - Hallowmass

It’s been two years since I reviewed Green Death’s last album. Now the Iowa-based American thrash metal band is back with a new album called ‘Hallowmass’. I like the title, very well timed for this year’s Halloween…

The horror themes are difficult to miss as evidenced not only from the cover art but also from the song titles. Oh yes, Halloween is upon us. Get ready for your annual onslaught of werewolves, ghosts, witches and other spooky things. As far as the music goes, this is not far from where they left off with the previous album. They still remind me of mid-career Iced Earth. The predominant style is thrash metal but some tracks have a droning doom metal feel to them such as the slow and eerie-sounding She Couldn’t Live. The guitar work on that song actually made me think of Black Sabbath. They also occasionally incorporate elements of melodic death metal like the semi-growling vocals and the shredding guitars on The Betrayed – one of the more aggressive tracks on here.

The short instrumental Messis Diaboli is a beautiful, melodic piece which highlights the skill of the guitarists. Then it’s back to an unholy brew of thrash, doom and melodic death metal for the remainder of the album. It is not an easy mix for the listener to process. The vocals vary from howling to semi-growling. Personally I prefer the latter.

In summary, I had a hard time getting into ‘Hallowmass’. I was really hoping that this would be like Iced Earth’s ‘Horror Show’ album. Instead what we have here is an amalgamation of various styles which do not really work so well together. Some of the songs sound as though they were performed by a completely different band.

2.5/5

Iza Raittila