Sabaton, Accept, Twilight Force
Coliseu, Porto (PT)
20th January 2017
Promoted by Prime Artists
“The Last Tour” – named after the album “The Last Stand”, not after some early desire of retirement – hit Porto at one of its biggest and renowned venues. A bit bold, as it turned out. True, the last time Sabaton played here, Hard Club sold out its 1000-person capacity, but Coliseu holds six times that number. On the other hand, with the background videowall and all the apparatus, Hard Club’s stage wouldn’t have been big enough.
The name Twilight Force hinted of power metal, and the dragon in the backdrop brought a positive certainty, even before the fast, chirpy melodies flooded the halls. A strange mix but they’re from Falun too and Chrileon was even Sabaton’s live backup singer back in the day (and rumor has it that the Spartans in the Sabaton song are played by four of them but I haven’t been able to confirm it) so from a friendship point of view, a fantasy power metal band opening for a militant heavy metal one makes perfect sense.
Chrileon got on stage wielding a sword to the sound of “Battle Of Arcane Might”. I don’t think many people knew them, but their high-spirits were contagious and soon everybody was riding along their “adventurous metal”. Funny blokes too, always teasing each other with a smile on their faces. “Gates Of Glory” was particularly welcomed by the crowd but the whole show left a positive mark.
The “Generation Clash” – song they sadly didn’t play – went wild the moment Christopher Williams stood behind the drums screaming in salute. We have a saying in Portugal that goes something like “old are the rags”, meaning that “old” is a word that shouldn’t be applied to people, and the youthful attitude that Wolf Hoffmann & Co. put on that night could as well be the incarnation of such saying. From recent tracks like “Stampede” and “Stalingrad” to classics such as “Princess Of The Dawn” and the mandatory “Metal Heart” and “Balls To The Wall”, there wasn’t a single moment where “age” meant nothing more than “experience”. The synced headbanging and guitar hero poses, which I usually find so cliche, just felt right this time. I guess it all depends on who’s bringing the cliches to life after all. My heart was full.
Even though I was happy to see the old schoolers getting off their couches to support Accept, I was sad to see many of them leave and not give a chance to Sabaton. Well, their loss – as usual, the Swedes kicked ass. Even if I appreciated the 2014 gig more, their performance skills are unquestionable.
They’ve been using their cover of Status Quo “In The Army Now” as intro since the beginning of the tour, so it’s not in memory of the Quo guitarist Rick Parfitt, who died last Christmas Eve. But it was a beautiful coincidence, and nice change – as much as I love Europe’s “The Final Countdown”.
Besides the powerful songs – “Ghost Division”, “Carolus Rex”, “Primo Victoria”, “To Hell And Back”, just to name a few – and their lively presence, their good humor and empathy towards the public are just as popular. When the show was halfway through, a roadie brought a keyboard and Joakim reminded us (well, informed, as some may not know the origins of the band) that he started out as Sabaton’s keyboard player. But when he started playing Van Halen’s “Jump” it became clear he wasn’t going to resume the role that night. Chris Rörland claimed that Tommy Johansson really knew how to play piano and to prove so, the new guitarist played a little of Beethoven’s “Für Elise”. From there, he engaged on their own “The Final Solution”, in a beautiful acoustic version.
Later on, someone would throw a horned helmet with the Swedish colors that Joakim put on, saying that he probably looked like a “palhaço”. That’s Portuguese for clown, and the whole venue burst out laughing. And in the end, he tied a Portuguese flag on his back, like a cape, super-hero style, wondering if his super power would be being the best football player in the world. Great musicians, great performers and funny – what more could one ask from a metal show?
Text & photos by Renata “Pieni” Lino