Archive for Portugal

Laurus Nobilis Music Famalicão 2017

Posted in News with tags , , , on 29th June 2017 by Pieni

Laurus Nobilis motto has always been “celebrate music” and on its third edition, there will be the double of such celebration with a second stage and a larger bill. This second stage will be called “Palco Revelações” – Breakthrough Stage – supporting new talents to the point of where attending these performances is free.

The main stage, named after one of the biggest supporters of the fest – the salumeria Porminho – will welcome some big names of the Portuguese scene plus an international headliner: Amorphis. So it’s only fair that for this you’ll have to pay a ticket:

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Schedules and more info at: http://laurusnobilis.pt/horarios/http://laurusnobilis.pt/horarios/

https://www.facebook.com/laurusnobilismusic/

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VOA Fest 2016 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 12th August 2016 by Pieni

Kreator, Paradise Lost, Abbath, Schammasch, Equaleft, Soldier
Quinta da Marialva, Corroios (PT)
6th August 2016
Promoted by Prime Artists and PEV Entertainment

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This year saw a new start for Vagos Open Air, now simply known by its acronym VOA – new partnership among the promoters, new venue in a new city… The quality? Same as always. Of course all these changes brought along a lot of complaints (humans…), which I don’t see relevant to talk about; but regarding five out of the twelve bands being “recidivists” in the festival, I will say something. Sure, we live in a little country in the most Southwestern corner of Europe where it’s not always easy for an international band to reach – meaning the list of well-known names that never played here is endless and yes, it would be nice to shorten that list through a fest. But at the same time… if the band’s good, what’s so wrong about seeing it a dozen times? Hell, this was my 10th time seeing Paradise Lost and I loved it!
I’m not sure if this new place is smaller than the previous one. At first glance it seems so, as it’s definitely shorter in length. But it’s considerably larger in width, so… What really matters is that the stage was placed inside a natural amphitheater, surrounded by small hills, and if that prevented the wind to ease up the unholy heat (it’s been said this is the hottest summer since 1931), it also didn’t let the sound wander off beyond the festival zone.

13435327_1189167444435631_4832768569027046350_nBack to its original 2-day format, I sadly could only attend the second day. From what I’ve heard, Dark Oath did pretty well as the opening act. Not in front of the biggest crowd, but everybody knows how unfair playing first can be; still, it seems that a fair share of people enjoyed the symphonic/melodic death metal the national band had to offer, introducing the debut full-length “When Fire Engulfs The Earth”.
Italians Adimiron followed next and apparently also focused just on their latest release “Timelapse” (or so it says on setlist.fm). I confess I had never heard of them before, even if they’ve been around since 1999. Apparently, the same happened with most of the crowd, although eventually they surrendered to the band’s sound and performance.
Mantar’s “Ode To The Flame” has received a good feedback but the duo’s live performance not so much. Or maybe their fusion of black-doom-sludge-rock isn’t the right one for a festival, especially in day light. But then again, so shouldn’t be the depressive metal of Katatonia (I know I’ve seen them live in broad daylight a few years back and didn’t like it, despite being fond enough of the band) but I haven’t heard one single bad comment about the Swede’s performance – by the contrary! But I guess Katatonia will always be Katatonia. Played a few songs from the latest “The Fall Of Hearts” along a bunch of older hits.
When Anathema got on stage it was already dark. They haven’t released anything new in two years, but they’ve got a very special place in the hearts of our metal community – always had, not since Daniel Cardoso joined their ranks. So it’s only natural that I also heard only good things about their gig.
Finally, Opeth. I remember the last time I’ve seen them, precisely at this festival, two years ago, the show was pretty disappointed for the majority of the fans, as the band seemed uninspired. They made up for it now. The title-track of their upcoming album has been rolling on Youtube for over a week but they didn’t play it, sticking to the older stuff their fans love the most.

010Now the second day, that I actually witnessed. I arrived around 15:20, the “Blackhearts” documentary was still playing on the video walls. There were a few people watching it but not many – I’ve mentioned the heat already, haven’t I?
In previous editions, the first band of each day was always Portuguese, so having a Spanish opening act was a first – thrashers Soldier did the honors. VOA is part of their “The Great Western Oligarchy tour 2016”, named after their latest album. Solid riffing, a clear invitation to headbanging, to which the crowd – once again, not that big at that early hour – took pleasure in oblige. Not much talking between songs, as there was only half an hour to play, but one could see how pleased they were for being there, given the constant funny faces and broad smiles. Happy and nice bunch of people, I believe, and competent musicians. “Revolt”, from the debut “Gas Powered Jesus”, closed their set.

www.facebook.com/soldierband

040Equaleft was up next and the national underground could hardly be better represented. I can’t find the right words to express how proud I am for them and their achievements in these past years. After opening for Gojira last month (see here), I believe playing in a fest like this was one of the few milestones they had to reach yet on Portuguese soil and now it’s done. Go Equaleft!
The follow-up to “Adapt & Survive” is in the making but nothing ready to be shared yet, so they focused on their acclaimed debut. It’s “Maniac” now that closes their sets, not “Invigorate” anymore, but this hit still features singer Miguel, a.k.a. Jedi Mig, wielding a light saber. Soldier’s thrash was entitled to some mosh circles, but it was Equaleft’s groove that made “the dust rise up from the ground”, as I heard someone say.

www.facebook.com/equaleft

057The promo pic of Schammasch on the festival page shows us four guys in bare upper-bodies. I bet they regretted deeply not going on stage like that – 34ᵒC is “a bit” too much to wear long robes. Singer/guitarist C.S.R., with black paint on his face and hands and whose robe included a hood, was probably who suffered the most, even if he barely moved throughout the whole gig. He even admitted at some point that it was “boiling” up there. So kudos for their resistance.
The music itself deserves some applause too, even if their avant-garde black metal cut down the adrenaline that both previous bands rose up. Still, mainly songs from their latest “Triangle” and at least one off “Contradiction” (“Golden Light”, if I’m not mistaken) were cheered by the crowd.

www.facebook.com/SCHAMMASCH

078It’s always hard to distinguish a solo artist from a band when the latter is named after said artist – and even so when most of the setlist is comprised of songs the artist played with previous projects. That’s what happened with Abbath. With a 75-minute slot, I understand that even if he/they had played the only released album in full, there would still be plenty of time to kill. But playing four Abbath songs among one of I and six of Immortal… I know they’re not seen exactly as covers by the fans, especially when they were thrilled to listen to “Nebular Ravens Winter” (this one’s even recorded in “Abbath”, the album) and “Tyrants” and “All Shall Fall”, but it still felt weird. Apart from the weirdness, it was super. Black metal lovers were offered a great show of the genre – even if the sun was still high up – and those who didn’t like it particularly could always enjoy Abbath and bassist King’s “evil” faces.

www.facebook.com/abbathband

083As aforementioned, Paradise Lost made my day. Nick Holmes acknowledged the “beautiful new venue” of the fest and said how good it was to be back. And with such a rich and diverse setlist, I doubt someone didn’t feel the same way about their return. From recent songs like “No Hope In Sight” to tracks from “a time when most of you weren’t even born” like “Rapture”, we revisited some of Paradise Lost’s highlights through time.
While drinking Super Bock, probably Portugal’s most popular beer, Nick mentioned its alcohol content – 5,6 % – and said that such beer would be banned in the U.K. because it could turn them into animals. When he associated it with football, the laughter was even louder.
As co-headliners, they could afford an encore, which happened after “Say Just Words” – by the way, from the same album they also played the title-track “One Second” that, according to Nick, they hadn’t played in a while (I checked and apparently the last had been two months prior). ”Flesh From Bone” was one of the four songs of said encore, its death-doom nature – so old-school PL in such a recent song – leading Nick to say “it feels like the last 25 years never happened”. “The Last Time” wrapped it up and I really, really hope this was far from the last time that I’ve seen them.

www.facebook.com/paradiselostofficial

114When entering the photo-pit for Kreator we were advised to stay somewhat away from the stage during the first song – “Enemy Of God”, as it turned out – so we were hoping for some fireworks. Imagine our disappointment when it was just confetti… Oh well. On the other hand, I’m glad it wasn’t anything dangerous, as staying away meant closer to the barriers and that was nearly impossible – the mosh and crowdsurf began with practically the first riff and the security guys needed space to attend to all of them enthusiastic metalheads. Mille Petrozza did ask more than once for circles and screams “Portuguese style” but he really didn’t need to – he was already getting that from the start.
I hadn’t realized until now that their last studio album was already four years old (review here). But worry not – Mille said they were working on the follow-up to “Phantom Antichrist” and that it should be out next year. The reception of this news was loud, but when Mille said he wanted to come back as headliners of their own tour, the crowd’s roar was thunderous. Say what you will about thrash and all these “dinosaurs” like Kreator doing the same thing over and over – legends are legends and will always be welcomed.
VOA experienced “Extreme Aggression” in a “Violent Revolution” brought up by “Hordes Of Chaos” filled with “Pleasure To Kill”, and this year’s edition finished with the “Flag Of Hate” raised by a “Betrayer”. Looking forward for next year’s experiences!

www.facebook.com/KreatorOfficial

A special thanks to the promoters, to Raising Legends and Equaleft for the ride and Mosher Clothing for keeping an eye on my stuff and letting me enjoy the shade of their merch stand.

Text & photos by Renata “Pieni” Lino

Full gallery on our Facebook page here.

Laurus Nobilis Música Famalicão 2016 – metal day

Posted in Festival, Live with tags , , , , , , , , , , on 29th July 2016 by Pieni

Moonspell, Bizarra Locomotiva, Quinteto Explosivo, Via Sacra
Louro, Famalicão (PT)
22nd July 2016

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The second edition of Laurus Nobilis Music took place this past weekend and, like last year (report here), the first day was dedicated to the “heavier sounds” – the alternative rock of Via Sacra, the “progressive punk” (you’ll soon understand the quotes) of Quinteto Explosivo, the industrial metal of Bizarra Locomotiva and the dark metal of Moonspell.

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It was a little past seven when Via Sacra got on stage with a long and somewhat mystic intro – that sadly everyone heard from the outside. This is probably the only complaint I have about this year’s festival: how misinformed the security staff was regarding when they should let the people in… Anyway, there they were, in their 16th century clothes (maybe later – I’m not really good in ancient fashion), joyfully rocking out. The first act of every day was chosen after a national contest but the fest promoters must have felt a little proud of Via Sacra since they are a local band. Still I didn’t see many fans of them – people singing along and such – which doesn’t mean they weren’t welcomed by the crowd; songs like “Baby, Baby” and “Secret Garden” seemed to please everyone, even those who were listening to them for the first time. Via Sacra thanked them all, of course, but also their friends, family and even their parish.

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www.facebook.com/viasacraband

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Quinteto Explosivo is Portuguese for “explosive quintet”. If that doesn’t hint you about their goofiness, check out the Deadpool and Captain America outfits… The lyrics are also mischievous, full of offensive slang, and while some are pure nonsense, others have some raw truths beneath… When you live in a country with so much corruption and hypocrisy, laughing is one way of dealing with it. But don’t think that such shocking posture hides lack of talent, which doesn’t. On the other hand, call it “progressive punk” is quite a stretch; it misses the sophistication for it, but it surely is a hell of a well written irreverent punk. With only one album out, “Hinos Politicamente Incorrectos”, they went back to their previous bands Comme Restus and Kalashnikov, with toilet paper flying around. Muffy from Karbonsoul joined them for the song “Queres Caralho Vai Ao Talho”.

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www.facebook.com/QuintetoExplosivo

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I’ve been to a fair share of Bizarra Locomotiva gigs (the first one in 1999) but had never seen them with a bass player before – apparently the majority of their fan club was just as surprised, so I believe it’s a recent acquisition; don’t even know if it’s just a live one or if Carlos joined the band for good. I recognized him from Assemblent so I knew right away he was the right guy for the job – not just for his musical skills but also for his attitude on stage.
The sound was good, but something sent the power down right on the middle of the first song (“A Febre De Ícaro”) and while they were fixing the problem, singer Rui Sidónio jumped into the crowd, saying he would resume the gig from there when the power came back on. And so he did, with the next song on the set, “Gatos Do Asfalto”. After that, no more bumps stopped the massive adrenaline the guys in Bizarra Locomotiva always deliver – and the crowd returns.
Towards the end, Fernando Ribeiro (Moonspell) joined for “O Anjo Exilado” and once again Muffy got on stage – and on Sidónio’s shoulders, like their former keyboard player BJ used to do – to help out with “O Escaravelho”. Another “surprise” was Sidónio singing “Hecatombe” without a cheat sheet – it seems he finally learned the lyrics…

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www.facebook.com/bizarralocomotiva

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Still promoting “Extinct”, Moonspell’s setlist was mostly focused on it. And then on “Irreligious”, which turns 20 precisely today. Not the whole albums, no – that is reserved for a special concert in December, in Guimarães, where both and also “Wolfheart” will be played in full; sounds promising, uh? But for this night in Famalicão, they offered just a bit of each, plus a few other hits off their discography, like “Night Eternal” or “Everything Invaded”.
Rui Sidónio repaid the previous “featuring favor” by doing the same on “Em Nome Do Medo”, dressed in something similar to a hazard suit. Since he usually starts his own shows wrapped in black plastic, that gradually unwraps itself and the man ends up in his boxers, I don’t think I’ve ever seen him so… covered up on stage.
At some point, talk of football came up and Fernando said that it felt good to finally be able to celebrate the UEFA championship with the crowd – he said he had introduced the band in a previous show in Spain as “European champions” and they didn’t like it that much… So for a moment the music was different, with everybody singing some football chants, and eventually demanding that Fernando would jump. He complained about his hernias but he did jump a bit – and those hernias didn’t seem to bother him much when dancing to the sound of “Ataegina” with guitarist Ricardo Amorim. On a more serious note, the shooting in Munich that happened that very same day was mentioned with sadness and how Moonspell would still be heading to Germany soon, as they – all of us – shouldn’t stop living our lives out of fear.

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www.facebook.com/moonspellband

Text & photos by Renata “Pieni” Lino

Gallery at our Facebook page here.

Laurus Nobilis Music Famalicão 2016

Posted in News with tags , , , , , , , , on 5th July 2016 by Pieni

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Here’s another “music party”. Last year we introduced you to Laurus Nobilis Music (report here) and everything’s ready for its second edition:

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VOA 2016 final bill – Paradise Lost announced today, after Anthrax pulling out

Posted in News with tags , , , on 28th June 2016 by Pieni

Remember Vagos Open Air? We’ve been bringing you news/reports on it for the past 4 years, since Pieni joined our team. And even though the acronym has always been used, this year it’s its official name.  Why? Because Vagos is the name of the municipality where the fest used to be held in and now it has moved to Corroios (near the capital Lisbon) so it makes no sense to keep calling it “Vagos Open Air”. On the other hand, it’s still the same promoter, Prime Artists, in charge and there’s a legacy of 7 editions to carry on. So VOA (which in Portuguese means “fly away”) it is.

It’s also back to its original format of 2 days, 5th and 6th of August, with the following bands (Paradise Lost just added, after Anthrax pulling out a couple of weeks ago):

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Check the official site and Facebook page for more info on the festival itself and each of the performing bands:
http://voa.rocks/index_en.html
https://www.facebook.com/VOAFest/

Annihilator w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 13th October 2015 by Pieni

Annihilator, Harlott, Archer
Hard Club, Porto (PT)
9th October 2015
Promoted by Prime Artists www.primeartists.eu
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“Suicide Society”, Annihilator’s 15th studio album, was released on September 15th 2015. And 15 days later, the Canadian band kicked off the In The Blood European Tour in Birmingham. Maybe 15 is their lucky number.

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This tour hit only one city in Portugal – which happened to be my hometown – so a fair share of people from across the country (and I believe from the north of Spain as well) headed towards Porto that evening. The roadtrip and the fact that it was a working day might explain why the venue was roughly half full when the first band Archer got on stage. Well, their loss – the Santa Cruz, CA, heavy metal band delivered one hell of a show. It was clear that the majority of the audience didn’t know them, but if you’re attending an Annihilator show, it means you like heavy and fast stuff, right? Archer don’t play thrash, but their metal is speedy and thick enough to please the most demanding thrashers. And among songs from both their releases (“Doom$day Profit$” and “Culling The Weak”), they also offered a cover of Megadeth (“Tornado Of Souls” – because they “come from a certain part of California and felt like they should play something related to that”), where singer Dylan Rosenberg sounded exactly like Dave Mustaine did when he recorded the song back in the day.

Bassist Dave Da Silva also addressed the audience, saying that playing in Portugal had a special meaning for him, given his last name (in case you don’t know, Silva is the most common surname around here). So they not only know how to play good metal live, they also know how to bond with the crowd – which are the two goals a band must achieve on stage. Mission accomplished here.

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www.facebook.com/archernation

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Harlott were more popular – at least I noticed a handful of metalheads singing along. Their “down-under” accent made some of the words indistinguishable, but when it came down to music, the communication was flawless. Thrashing out since 2006, Harlott brought us some sharp, spirited songs from both their albums “Origin” and “Proliferation”, although they focused naturally on the latter, being their most recent release. There was also a funny song – in terms of lyric content; musically, it was straightforward, serious thrash – called “Hairy Dick” that I can’t find anywhere. So it’s either some unrecorded song, just meant for live shows, or it’s included in a certain “Pain Emblem” EP that was never officially released (thanks for the info, Metal Archives).

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www.facebook.com/HarlottOfficial

The place had been filling in and it was pretty packed by the time Annihilator got on stage. Not a sold-out venue, but still a number beautiful enough.

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Even though I liked Dave Padden very much, I must confess I’ve never understood why Jeff Waters didn’t remain on the role as a singer. I can imagine it’s more comfortable to just play guitar when on stage, but it did work out those few times in the past. And it clearly still does. The opening track was precisely “King Of The Kill”, the title-track of the first album where Waters sang lead. 21 years later, Waters just nailed it. And closer to the end, after almost one hour and a half, he still had it in him to shout those high-pitched “Alison”, from the “Alison Hell” chorus – even if he begged us to sing it for him.

Now that the vocal part is cleared… well, I don’t think the instrumental part needs any kind of introduction regarding its quality. A few songs from the new album, including the title-track, a few all-time classics, some in-between hits, a drum solo… oh, and those “food songs”, that I personally find annoying but the majority of the crowd thrills with – “Chicken and Corn” and “Kraft Dinner”.

When introducing the band, Waters made sure to tell us where the guys came from – in case the little country flags on the drunkit didn’t give away how important that was for them. So him, drummer Mike Harshaw and guitarist Aaron Homma come from Canada, and then bassist Rich Hinks, who doesn’t come from Canada but from a “little island called United Kingdom”. The look on Hinks’ face when Waters said “little” was priceless. Because metal isn’t all about anger and demons – it can be funny too.

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www.facebook.com/Annihilator-9614139730/

Click here to see the full gallery on our Facebook page.

Text & photos: Renata “Pieni” Lino

Casainhos Fest 2015

Posted in Festival, Live with tags , , , , , , , , , , , , , , , , , , , on 7th September 2015 by Pieni

Mata-Ratos, Angelus Apatrida, Devil In Me, Simbiose, Hills Have Eyes, Reality Slap, Viralata, Tales For The Unspoken, Backflip, Dimension, Artigo 21, As They Come
S.C.Casainhos, Loures (PT)
29th August 2015
Promoter: Tiago Fresco

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Casainhos is a small village in the central region of Portugal (less than an hour to the north of Lisbon) that has been holding this commendable festival since 2012 – more than supporting/promoting the underground scene, it brings together its different subgenres, showing how metal, punk and hardcore are all part of a big, happy family. Like Poli (Dimension, Devil In Me) would say, a festival for open-minded people, people who won’t judge you, whether you’re wearing black or pink.

Stoner/Southern rockers As They Come opened this year’s edition, at 3:30 p.m. sharp. The punctuality at this fest gets another thumbs-up, by the way. And it proved that 15 minutes is the perfect amount of time for intermission between sets.

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Despite the unholy heat, As They Come fans were restless. After all, most of them had contributed to the band’s presence at the festival, by voting in a contest promoted by Rock On Música music shop – the same shop that got a bus and organized a roadtrip from São João da Madeira to Casainhos. Singer Sick Danny even dedicated the last song, “50 Miles”, to the shop owner Vitinha, who was then carried by the crowd. Soon afterwards, that crowd would invade the stage to party up there with As They Come. The fest could have hardly begun in a better way.

www.facebook.com/AsTheyCome


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Punk rockers Artigo 21 came next and they also had a fair share of fans singing along songs such as “Contradição” (contradiction) or “Espera Por Mim” (wait for me). The band is somewhat recent (2012) but the musicians aren’t exactly kids – at some point, when tuning a guitar took a little longer and someone in the audience complained, one of them said something like “take it easy, we’re old people”. On a more serious note, they announced that bassist Aureo had just become a father, to which everybody applauded. All the best to him and his family!

www.facebook.com/artigo21punk


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Another new band featuring veteran members is Dimension. Groovy hardcore “straight outta the nineties” – and for those who grew up in that decade, Poli dedicated the Sepultura cover “Slave New World”. But that was just a bonus, as their original songs, taken from the debut “Life Is A Mystery”, were enough to win the crowd over, proving the band’s worth both on stage and in the studio.

www.facebook.com/dimensionptband


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Backflip play a more straight-forward hardcore, with a female lead singer that kicks as much ass as any guy in the same position. Not sure when they were formed, but they’ve played in all editions of Casainhos so far, and their EP “New Ticket, New Journey” was released in 2011, so they’ve been around at least since then. The debut self-titled full-length saw the light of day in 2013 and features a few guests from other great underground bands, but that afternoon it was the crowd who helped Inês Oliveira (and guitarist Pedro Morais and bassist João Vidigal) sing along.

www.facebook.com/backfliphardcore

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Tales For The Unspoken, on the other hand, had Raça from Revolution Within sharing the stage with them and singing “Taken”, from the band’s second album “CO2”. Their mix of thrash and death and groove metal kept the moshers busy. “CO2” was released in April, so they focused the set on it, but revisited the debut “Alchemy” with “Say My Name” and the usual closing theme “N’Takuba Wena”.

www.facebook.com/talesfortheunspoken


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Back to punk rock, Viralata took the stage. A few problems with Ulisses’ guitar cable delayed the show for a few minutes, leading the singer to joke “what a grand start-up”. Their music is great, but it’s the lyrics – amusing as hell – that make them so popular, meaning that if you don’t speak Portuguese, you’ll miss the essence of Viralata. But if you were there, you’d certainly be carried away by the high spirits of both band and crowd. There was even a fan who climbed on stage and sang the lyrics to “Carocho” (if memory serves me well), totally unexpected but welcomed by the band. Huge fun!

www.facebook.com/viralatapunk


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Hardcore act Reality Slap latest album, “Necks & Ropes”, dates from 2012 but the band’s been working hard on its successor, hoping to release it this year still. Singer Johnny (or at least I think that’s his name – guys, please add who does what in the band in your Facebook page!) said something about not playing live in a while, but either “a while” is a little less than four months to him, or he meant playing in national territory, as the band toured through a few European countries last Spring. Whatever the case, this return to the stages was flawless, and when Johnny jumped to the middle of the crowd, pointing the mike to the fans, many were eager to take on the singer’s role.

www.facebook.com/realityslap


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Despite the rich bill of the festival, I confess it was only Hills Have Eyes that made me ride those 190 miles. So I won’t say their concert was the best, as more than presumptuous it would sound biased; but since I had people coming to me in the end – people who had never seen HHE before, despite their +10-year career – saying that now they understood why I liked that band so much, that I had good taste in music, it’s not the fangirl but the reporter that tells you WHAT A HELL OF A SHOW! This was probably the last gig before the release of their third album, “Antebellum”, scheduled for this month, but still only the first single “The Bringer Of Rain” was performed. The title-track of the previous album, “Strangers”, closed their set.

www.facebook.com/hillshaveeyes


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From the metalcore of Hills Have Eyes, the festival moved on to the crust/metal/punk of Simbiose. Formed in 1991, it was the band on the bill with the longest career, after headliners Mata-Ratos (the latter born in 1982). “Trapped” is the title of their latest, sixth album (released in March) and songs such as “Ignorância Colectiva” (collective ignorance), “Acabou A Crise, Começou A Miséria!” (the crisis is over, the affliction has started) or “Modo Regressivo” (regressive mode) are some of the new tunes – with the same old social and political critique – that were part of one of the most brutal sets of the fest.

www.facebook.com/SimbioseCrustBand


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Devil In Me are among the high-rank Portuguese hardcore bands and it will only take a couple of songs for you to understand why. Once again, Poli brought up the open-mindedness (and lack of it) subject, and staying true to one’s self – how he still loved hardcore now, as a grown man and family man, as much as when he was 15. Adding how much he missed his daughter that night, he invited all parents present to come up front and party. It seems that their new album will be out in October (“Soul Rebel”), but the title-track has been performed live several times now and everybody knew how to scream the chorus verse: “soul rebel… like a lion”.

www.facebook.com/devilinmeband


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Angelus Apatrida was the only non-Portuguese band of the fest, old school thrash metal from “country next door” Spain. But they’re part of the family, not just for the solid fan-base they’ve built here over the past years but also for recording a couple of albums here, at Ultrasound Studios, and becoming good friends with many local underground bands. One of the most notorious is Switchtense and singer Hugo Andrade even got on stage to sing “Fresh Pleasure” with Guillermo Izquierdo. Whether they were songs from the new album “Hidden Evolution” or oldies like “Vomitive” or “Give ‘Em War”, the circle pits were as restless as the thrash that was fueling them.

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A lot of people left after Angelus Apatrida – not exactly because Mata-Ratos aren’t good at what they do (hardcore punk) but because they haven’t released anything new in eight years, and after eleven bands, half of them performing  while the sun burnt at an average of 86ºF, it became easy to dismiss the headliners. But there was still a good handful of survivors, ready to scream their lungs out at classics like “C.C.M.”, “A Minha Sogra É Um Boi” (my mother-in-law is a cow) or “Deus, Pátria E Família” (God, homeland and family).

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According to the promoters, circa 800 people attended this fest. Don’t think any had a single reason to be disappointed. I hope this fest will continue to thrive and many more editions will follow. I also hope every country has someone committed to their underground scene like we have Tiago Fresco and his crew here (among others) in Portugal.

Text & photos: Renata “Pieni” Lino

Gallery on our Facebook page here.