Archive for Metalpoint

Moonshade’s “Dream | Oblivion” release party – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 6th December 2014 by Pieni

Moonshade, Destroyers Of All, Survive The Wasteland
Metalpoint, Porto
29th November 2014

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Moonshade’s EP “Dream | Oblivion” has been available digitally on Bandcamp since May, but now they’ve released it in physical format. So a release party was mandatory. Playing melodic death metal, they invited two bands of different death flavors – straightforward death metal and a more thrash-oriented one – bands that “tore down the stage”, as Moonshade singer Ricardo said later on, adding that it was just what they had expected, hence the invitation.

 photo _DSC0057copy_zps25631991.jpgThe first was Survive The Wasteland, formerly known as Suffochate. Already under the new name, they’ve released a 2-track EP (3-track if you count the intro) last year, “Devour”, “Sculpting The End” suitably wrapping up the show. All the other five songs – including “Stolen Ceremony”, to which the band recorded a “live in studio” video – are still a work-in-progress to a future release. A promising one, by the sound of it! Despite the crowd standing a couple of steps back – singer Cláudio and bassist Miguel taking the clearing for themselves here and there – and the moshers kicking their circle just for the last song, one could tell Survive The Wasteland were making an impression, given the constant headbanging and the growing enthusiasm in the applauses. I believe these kids from Matosinhos have a good thing going on here. (5 / 5)

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www.facebook.com/survivethewasteland

Next came Destroyers Of All. Warmed up… no, heated up by Survive The Wasteland,  photo _DSC0314acopy_zpsaa3eebf6.jpgthe crowd started moshing earlier. The fact that they had a bunch of hardcore fans there also helped, screaming along the lyrics and everything. After all, if you make it to the finals of Wacken Metal Battle (losing to a more veteran act, Revolution Within), you must be good enough to earn followers along the way and get a lively crowd every time you go on stage. “Into The Fire” it’s the only recording so far, an EP with four shredding tracks (plus intro & outro) and its title track seems to be the most popular. Among those songs they played also a new one, “Death Healer”, and a couple of covers, Death’s “The Philosopher” and Pantera’s “Cowboys From Hell”. Singer João introduced the first one as a song from a band that “you might have heard of before”, and the trick to make the crowd scream louder came from drummer Filipe, who said “what, am I the only one who knows them?”. And yup, the trick worked. “Astral Projection” finished another great set. (5 / 5)

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www.facebook.com/DestroyersofAll

 photo _DSC0703copy_zpsb82f2878.jpgDespite their more melodic approach, Moonshade weren’t less intense. They even had a guest keyboard player, Nuno Barbosa, to produce that authentic sound that samplers never achieve.
“Dream | Oblivion” is already their second EP, the first released four years ago with the title “The Path Of Redemption”, so this gig was a mix of them both – quality melodeath made in Portugal. And while the rest of the band keeps a bit to themselves, frontman Ricardo is otherwise very expressive. And amusing. For instance, when introducing “Genesis 3.5”, he warned us they would bore us with those almost eight minutes of a song. Or, close to the end, when a fan picked him up and carried him through the front rows, holding him between his legs, Ricardo would thank him, claiming it had been real fun, although he probably wouldn’t be able to have kids in the future.
When the show was over, the crowd wanted more, but the singer said they didn’t have more songs. Someone asked for them to repeat one song (he was specific about the song, but I honestly can’t remember, sorry) but Ricardo replied they didn’t have any more songs of their own but there were “the songs of others”. And the night ended with a brilliant cover of Amon Amarth’s “Guardians Of Asgaard”. (5 / 5)

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www.facebook.com/moonshadeofficial

Metalpoint celebrated its 7th anniversary the following day and these three bands put up quite a pre-party.

Text & photos by Renata “Pieni” Lino

“Adapt & Survive” release party @ Metalpoint, Porto (PT)

Posted in Gig, Live with tags , , , , , , , , , on 1st June 2014 by Pieni

Equaleft, Colosso, Tales For The Unspoken, Forbidden To Fly
Metalpoint, Porto
31st May 2014

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“Adapt & Survive” was the album we were celebrating last night, but it could have well been the motto of the event. The main reason I avoid gigs at Metalpoint is safety – unless you stay in the back (which I’m not fond of at all) or you lean against one of the side walls, you have nothing to hold on to when the mosh circles start rolling. The second reason is the sauna-like heat the venue generates with just a half-full house. Now Equaleft’s debut release party managed to sell out the place a few days prior to the event – a record in Metalpoint’s 6 years of existence, by the way. You think you can imagine how hot it must have been, but trust me – you just can’t.

Equaleft invited three bands to join the party. The first one was metalcore act Forbidden To Fly. They’re currently preparing their upcoming debut album, meaning not only writing songs but also gathering the financial means for it. And since they’re young students, that may take a while. There’s a 2-track demo and a single on bandcamp already though, and I saw a few people singing along.
They were pretty comfortable on stage, although singer Ricardo seemed a little nervous at first. But soon he loosened up and was moving around the little free space the stage offered. Around the third song or so the power went down. Still not sure what the hell happened, but luckily the blackout didn’t last long, people even joked screaming stuff like “take your hand off my wallet!”, and it didn’t happen again.
MP Marcelo from the band Monolyth joined in for the last song, but I honestly didn’t hear the title. In fact, I only took notice of “Reflections” and “The Tides”, and that was early in the gig. One way or another, those kids did very good. (4 / 5)

www.facebook.com/forbiddentofly

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I really enjoyed Tales For The Unspoken at Moita Metal Fest a couple of months ago (read report here) but for some reason, and despite the heat and smaller venue, I liked this gig more. Nothing much has changed since that gig – bass player Nuno is still very expressive, singer Marco still curses like a mf (sorry, couldn’t help it)… Marco dedicated “Soul For A Soul” (which he announced “Soul For A Fucking Soul”) to Hugo Gama, drummer in Spectral Flood, who’s recently passed away, and for “I, Claudios”, a song to be featured in the next album, he called on stage “someone who’s not very famous” – which obviously turned out untrue, as it was Miguel Inglês, the singer in the band hosting the event.
The crowd singing the tribal chanting in the last song “N’Takuba Wena” was stronger and the moshing more intense, so maybe that’s what made the difference – the empathy between band and audience. Whatever it was, it was great. (5 / 5)

www.facebook.com/talesfortheunspoken

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Colosso‘s sound was way too loud – so much that a shrill feedback was heard at some point. But no one seemed to mind – the intricate patterns still pleased the prog and experimental fans, while the brutality was all the mosh horde really cared about. Personally, I’m not a fan of experimental death metal and everything sounded too much of the same. Singer/guitarist Max didn’t speak much either – and one time when he did the mike wasn’t working – , nor did they have a setlist that I could take a look at, so I really don’t have much technical details to give you. I can say though that in the three years they’ve been around, a full-length CD (“Abrasive Peace”) and an EP (“Thallium”) were released and highly acclaimed, and a new EP, “Foregone Semblances”, is on its way (25th June). So given the proximity between the three release dates, I’m quite sure the setlist had a little bit of them all.
Despite my slight boredom, that was obviously on me, as the majority was thrilled with the performance. And even if sometimes doesn’t feel like it, this is still a democracy and so the majority wins – therefore, Colosso were awesome. (4,5/5)

www.facebook.com/colossometal

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But not as awesome as Equaleft. True, it was their night, that certainly was hard to compete with, but I’ve been seeing these guys live for the past 5 years and the stage is definitely their element – release party or not, everybody knew what a blast that show would be.
They played “Adapt & Survive” in full, by the same order of its track list, and you know the expression “all hell broke loose”? Well, even in the temperature those were the accurate words to describe what was going on. Miguel is usually the one who joins the mosh pit and goes crowdsurfing while performing – this time was no exception – but even bass player Mike stepped off the stage to play among the first rows and guitarist Malone jumped into the hands of the fans (although he put aside the guitar first – he wasn’t that reckless in his crowdsurf adventure).
Since none of the three guest musicians that are featured in “Adapt & Survive” could be there that night, Equaleft decided to invite some other friends over for the older songs, which were played after the official presentation of the album. “Cynical Plague” was the first one, having Danny from Forbidden To Fly playing a third guitar. Then as Marco from Tales For The Unspoken was called, what I feared would happen to me, ended up happening to drummer Marcos – he got sick from the heat and had to leave for fresh air, before he passed out. Miguel, always the entertainer, tested the vocal skills of the crowd. Then he himself went behind the drums and did a very basic act, that the audience still cheered enthusiastically. So Sérgio, drummer also in Tales For The Unspoken, took his place and jammed a bit with Equaleft. Until Miguel had the idea of changing the order of the setlist and call the next guest Filipe from Gates Of Hell (who was their previous bass player) and his drummer Afonso, since  the latter helped them out in the past and so he knew how to play the drums in their older songs. They played “Denial”, and as Marcos was still recovering, Afonso stayed for “Erased” as well. Even though he claims – as usual – that he sucked because it had been a long time and he was unprepared, he did a hell of a job – also as usual.
Marcos came back, not exactly good as new but close enough, and so Marco was called back to sing along “Alone In Emptiness”. At some point Miguel left him alone on stage, to mosh a little.
In order to spare Marcos, they wanted to cut the set one song short and so “Sleep When I’m Dead” – a song that “means a lot to me”, said Miguel – would be the last. But Marcos was determined to give it all and so “Uncover The Masks” was performed as originally planned, even if not in that order.
They later said there were no words to describe what they felt that night and I must say the same, as “brilliant” doesn’t quite cover it. One thing is accurate though – it was unforgettable. (5/5)

www.facebook.com/equaleft

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Text & photos by Renata “Pieni” Lino

A Tree Of Signs @ Metalpoint, Porto (PT)

Posted in Gig, Live with tags , , , , , , , on 28th October 2013 by Pieni

A Tree Of Signs
Metalpoint, Porto (PT)
25th October 2013

A Tree Of Signs has been getting some attention around here. Despite being a young band, formed in 2012, its musicians are quite experienced and talented. Plus, in a country where the main focus of the underground is set on death and thrash metal, a doom rock band will stand out. The lack of a guitarist and having a singer whose voice was good enough to make her reach the finals of our version of Idols may also spike your curiosity about this band’s sound.

They also have that 70’s classic heavy metal vibe that cuts a bit of the general deep despair embroidered in doom bands, making it groovier. Although that night they were mourning the passing of a dear friend, Marianne, so the solemn grief was thicker than usual. The show was actually dedicated to her memory.

And then there’s the lyrics, consisting of old alchemical manuscripts – hence their own term “alchemy doom rock” – resulting in a quite interesting formula, who works very well live in cozy places such as Metalpoint. And even though I coughed my lungs out with all the stage smoke, I have to admit it added some mystique and suited the show.

“Whoever thought my first gig in Porto would be with A Tree Of Signs?”, said singer Diana, who joined the band this year, replacing the Swedish V-Kaos. The latter was the one who recorded the EP “Salt”, but Diana performed those songs in perfection. A new single, “Saturn”, was also played, along with some other yet unreleased songs (“Place In Space”, “Phoebus”), in about an hour that ended with “Of The Division Of Chaos”. A must-check if you’re into classy doom full of ‘70s spirit. [5/5]

https://www.facebook.com/ATreeOfSigns

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Text & photos: Renata “Pieni” Lino