Archive for Gothic Metal

Cradle Of Filth – Cryptoriana – The Seductiveness of Decay

Posted in CD, Metal with tags , , , , , , , , , , , on 15th September 2017 by Nico Solheim-Davidson

Cradle of Filth
Cryptoriana – The Seductiveness Of Decay
Released 22nd September 2017
Extreme Gothic Metal
Released via Nuclear Blast

If you’ve never heard of Cradle of Filth, you’ve most likely been living under a rock for God knows how long. Once hailed as the “most successful British metal band since Iron Maiden“, Dani Filth and and the band have proved their worth, despite various line-up changes throughout the years. Now the band are set to release their twelfth studio album: Cryptoriana: The Seductiveness of Decay. A bit of a mouthful, isn’t it?

The atmospheric invoking Exquisite Torments Await opens up the album with its sinister beginning, followed closely by the demoncially possessed guitars and banshee-like wails and guttural growls of Filth himself. Heartbreak and Seance glides in with the graceful sound of tragedy before the remorseless storm of guitars and symphonic sections come raging in as though a hurricane. Achingly Beautiful is a grandiose display of Dani Filth‘s vocals, charging through the tempest of unforgiving musicianship, while Schoolcraft’s narrative vocals bring a whole new dynamic to the track. The choirs and orchestration, however, truly make the song what it is – a dismal, ominous anthem.

Wester Vespertine is a furious blitz upon the ears, weaving Filth‘s, and occasionally Schoolcraft’s, refined vocals with cimmerian melodies and stout riffs. The title track, The Seductiveness of Decay, is a gloomy composition, weaving slow and fast riffs with dispiriting keyboard melodies and Gothic lyricism. Vengeful Spirit creates more of an atmosphere in its beginning, as the prophetic sound of guitar notes ring out, accompanied by Filth‘s voice. When the song comes into its prime, it is essentially a standard day in the office for Cradle Of Filth – agile, cumbersome and melodic. The part of the song that really stands out however is the guest vocal appearance from Liv Kristine, as her vocals soar majestically through the track.

You Will Know The Lion By His Claw is a swift, threatening and unwieldy track, leaving little room for prisoners as it bludgeons its way through, like a hunter chasing his prey. If you had to sum up Cradle‘s current sound with just one song, this would be it. Cryptoriana comes to its closing with Death and The Maiden, a track that is as weighty as it is shadowy, really embodying the sense of dread and darkness that one would expect to find within Victorian Gothic horror.

Cryptoriana – The Seductiveness of Decay is at the same level that Cradle‘s classic albums, such as Midian and Dusk… And Her Embrace, stand. It is a demonstration of the band’s current sound and displays their potential to keep writing awe-inspiring music.

4.8/5

Nico Solheim-Davidson

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Semblant – Lunar Mainifesto

Posted in CD, Metal with tags , , , , on 27th April 2017 by Nico Solheim-Davidson

Semblant
Lunar Manifesto
Released on 28th April 2017
Gothic Metal
Released via EMP Label Group

Formed in 2006, Semblant hail from the South American nation of Brazil. After a few line-up changes, they are now considered one of the country’s most important Gothic metal outfits, even going as far as being classified as Brazil’s first vampiric metal act. Lunar Manifesto is the latest in their string of releases.

Incinerate  opens up the album with a demonic assault of fast, heavy and unforgiving riffs that lay siege to the ears. The screamed vocals capitalise on the demonic sound of the track, while the cleaner vocals add a melodic, almost angelic touch to the song. Dark of the Day keeps the vicious heavy riffing of the preceding track while marching at a slower tempo. The contrasting use of vocals entwine themselves almost lyrically with the fury of the music.

What Lies Ahead has a more melodic sound, the guitars and keyboards dancing beautifully together, allowing for more focus on the clean vocals whereas The Shrine sounds very power metalesque in its introduction, before the bestial screams make themselves heard. Bursting Open has a very dramatic opening, focusing on an eerie orchestration and clean vocals that border on spoken word. The rest of the track appears to have lost the momentum found in the previous tracks, sounding less passionate.

Mist Over The Future makes a strong use of stormy guitar riffs and gentler keyboard sections, and the screams and growls are as vehement sounding as can be. Though the drums are cold and calculating, a noticeable difference from the rest of the track. Keyboards are more prominent in  The Hand That Bleeds, creating a cryptic atmosphere whereas the guitars and vocals are more esoteric in their sound. Selfish Liar is the perfect combination of savage, destructive riffs and sorrowful yet creepy keyboards. The vocals on this track are near magical, fitting in well with the song’s composition.

Ode To Rejection mixes ominous keyboards with hypnotic riffs, creating a sombre sound that is reflected in the lyrics., while The Blind Eye bursts in with a near-majestic sound built up by the heavy-hitting guitars and commanding use of vocals. Scarlet Heritage is the album’s ending, finishing the 11 track release with a blistering onslaught of cumbersome guitars and bold vocals. The keyboards weave into the track beautifully, adding beauty to the beast-like nature of the song.

Lunar Manifesto has its good moments and its bad ones. For the avid Gothic metal fan, it is a release that would fit in well into their collection.

3.5/5

Nico Solheim-Davidson

 

20 years of “Diva” – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , on 14th January 2017 by Pieni

Heavenwood, La Chanson Noire
Hard Club, Porto (PT)
30th December 2016
Promoted by Raising Legends

Heavenwood’s debut album “Diva” was released on the 27th of August in 1996. I won’t say it feels like yesterday but it certainly doesn’t feel like 20 years ago either. “They went by quickly”, to quote singer Ernesto Guerra.

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Carlos Monteiro, a.k.a. Charles Sangnoir, and his one-man project La Chanson Noire was invited to open up the night. I was surprised with the choice, but then again, after seeing thrashcore and prog-rock acts playing with Heavenwood before, the “bleak pop” of La Chanson Noire made perfect sense. A piano backed up by some samples and a single voice, playing satirical “cabaret goth” songs. A weird mix, yes, but that’s what makes it interesting. The crowd preferred to stay back, but they were clearly enjoying themselves to songs such as “Familia Chantilly” (chantilly family) or “O Bordel de Lúcifer” (Lucifer’s brothel) – the latter even played by request, although it would surely be played later on.

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www.facebook.com/chansonnoire

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Any proper anniversary show includes the celebratory album performed in full and “Diva” was no different. Hmm… no, that’s not right. I mean, they did play the whole album, in the same order as the studio version, but the feeling they put on it wasn’t like anything I’d ever seen by them. Well, in Vagos it was really close, but let’s face it – nothing like a debut album released 20 years ago to make things a lot more special. It’s funny how I hadn’t heard some of those songs in ages and still knew the lyrics word by word. Ah, the power of good music.

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At some point, Ernesto thanked everybody for their presence and also the past members who helped making that record – Zé, Mário, João and Bruno – and also thr.e one member who departed way too early but is always on their minds, Rui Santos (R.I.P.). Last but not least, roadie and jack-of-all-trades Paulo Magalhães. It felt really good to hear all those names acknowledged out loud, after all these years.

 photo DSC_0644 copy_zps99yi7jb9.jpgAfter the stellar performance of “Diva” the band left the stage to return moments later with “The Arcadia Order”. 2016 also saw the birth of “The Tarot Of The Bohemians” and its songs were the ones the crowd knew the lyrics best, but the enthusiasm was equal, no matter which track/album. Blame Zeus-Sandra couldn’t make her usual appearance at “The High Priestess”, and in no way would I ever discredit her, but Ernesto singing her parts sounded quite exotic and the song got a new dynamic. It was one of those nights when nothing went wrong.

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www.facebook.com/HeavenwoodOfficial

Text & photos by Renata “Pieni” Lino

Devilment – II – The Mephisto Waltzes

Posted in CD, Metal with tags , , , on 12th December 2016 by izaforestspirit

Devilment
II- The Mephisto Waltzes
Released 18th November 2016
Symphonic Gothic Metal/ Groove Metal
Released via Nuclear Blast Records

It’s been two years since the release of Devilment’s debut album ‘The Great and Secret Show’. I’m guessing that most people (myself included) first discovered the band after reading about it being ‘a side-project’ of the Cradle of Filth frontman Dani Filth. The band was formed in 2011 by the guitarist Danny Finch and a group of friends in the town of Ipswich, England. Then a little later Ipswich resident, Dani Filth joined the ranks. Fast forward five years, a few line-up changes and the so called ‘side-project’ has developed into something far more serious. Since the success of their debut album, Devilment has been touring and this year their second opus ‘II – The Mephisto Waltzes’ saw the light of day.

I think that the biggest mistake that anyone can make with Devilment is to compare them to Cradle of Filth. Whilst both of the bands feature Dani Filth on vocals and share a fascination with horror themes, the similarities end there. THIS IS NOT CRADLE OF FILTH. You won’t find too many tales of Victorian Gothic horror here or lyrics such as “Evening minuetto in a castle by the sea.” What you will find though, are several references to horror movies, modern horror literature and art – most notably Alfred Hitchcock and Stephen King.  The surrealist artist Salvador Dali is also mentioned in one of the bonus tracks on the limited edition.

Hitchcock Blonde caught my attention even before the album was released thanks to the creepy video. The song itself is an entertaining piece of keyboard-heavy melodic metal with a touch of humour in the lyrics. They even went through the trouble of mentioning the names of the blonde actresses from Hitchcock’s films. Similar things can be said about somewhat Gothic-sounding Dea Della Morte; another song filled with horror film and TV show references . If you are looking for something more profound, perhaps with a touch of dark poetry then Full Dark, No Stars is the track for you. It’s a truly beautiful song which highlights the vocal talents of singer/keyboard player Lauren Francis whose angelic voice provides the perfect contrast to Dani’s harsh vocals.

Not all the songs are melodic and keyboard-driven though, for example Shine on Sophie Moone picks up the pace with the drums and the thrashing guitars glaring in the spotlight. This is by far the heaviest song on here. It is also the most complex one treating the listener to a wide range of styles ranging from the fast and furious, to the melodic via an experimental part in the middle.

In summary, Devilment have clearly had lots of fun composing and recording this album. No matter how dark and sinister the lyrical themes become, the music has a certain playful tone to it. As far as genre definitions go, it’s a total mish-mash – Gothic but not overly theatrical, symphonic but never quite reaching the orchestral let alone operatic level; with hints of groove metal and a slight experimental flavour added in just to keep you on your toes. So if you dare to dance with the devil then it’s time a for a waltz with Devilment!

4/5

Iza Raittila

 

Theatres des Vampires return with new album

Posted in Metal, Misc., News, Studio Report with tags , on 28th September 2016 by izaforestspirit

Good news for fans of the Italian vampire themed Gothic metal band Theatres des Vampires. Their new album, the long awaited follow up to ‘Moonlight Waltz’ will be entitled ‘Candyland’.

You can check out the cover art and the track- listing below:

1. Morgana Effect
2. Resurrection Mary
3. Delusional Denial
4. Parasomnia
5. Candyland
6. Your Ragdoll
7. Pierrot Lunaire
8. Photographic
9. Opium Shades
10. Seventh Room
11. Autumn Leaves

‘Candyland’ will hit the on 14th October 2016 via Scarlet Records. There will also be a new music video for ‘Morgana Effect’ coming very soon. 

For information visit: https://www.facebook.com/TheatresDesVampires/

Heavenwood – The Tarot Of The Bohemians

Posted in CD, Metal with tags , , , , , on 6th March 2016 by Pieni

Heavenwood
“The Tarot Of The Bohemians – Part 1”
Gothic metal
Released: 22nd February 2016
Via Raising Legends Records

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For the first time, Heavenwood venture into the land of conceptual albums. That’s not, however, what makes “The Tarot Of The Bohemians – Part 1” their boldest record so far. Heavenwood is one of those bands that manages to reinvent themselves with each release but keep their essence intact, and this time frontman Ricardo Dias enhanced every treat and entwined them with orchestral arrangements, in an exuberant outcome.

Ricardo has always taken care of the clean vocals, but the role of his strong pitch is now as leading as Ernesto Guerra’s growls’. Such balance between them bears a refreshing dynamic. And while featuring female guests is nothing new to them, one song – “The Hanged Man” – solely sung by Blame Zeus-Sandra Oliveira (well, almost solely – there are a few male backing vocals) was quite a surprise. Her deep, firm voice couldn’t fit better in such fused melody.

Speaking of melodies, these are overall heavier. The guitars are somewhat more elaborate – hence the lengthy tracks – and a tad less somber. Still within what can be considered as “gothic metal”, but there’s such a vibrancy to the more melodic parts and such a rage to the most aggressive ones that once again the adjective “bold” comes to mind.

It was the previous record that featured “masterpiece” in its title, but it’s “The Tarot Of The Bohemians” that’s living up to that name.

5/5

Renata “Pieni” Lino

The Vision Bleak release new EP

Posted in Metal, News, Studio Report with tags , on 25th February 2016 by izaforestspirit

The German gothic “horror” metal duo The Vision Bleak have just announced that they will be releasing a new, limited edition EP entitled ‘The Kindred Of The Sunset’. The new EP will feature two new songs from their upcoming album ‘Into The Unknown. This will be a limited edition will available for purchase at the band’s shows and from their online shop at http://en.prophecy.de/shop/.

You can check out the artwork and the tracklisting here:

The Kindred Of The Sunset
The Whine Of The Cemetery Hound
The Sleeping Beauty (Tiamat Cover)
Purification Afterglow

https://www.facebook.com/thevisionbleak.official/

http://www.the-vision-bleak.de/