Archive for DevilDriver

DevilDriver – Outlaws ‘Till The End

Posted in CD, Metal with tags , , , , , , on 18th July 2018 by mickbirchy

DevilDriver

Outlaws ‘Till The End, Vol 1.

Groove Metal, Melodic Death Metal

Released: 6th July 2018

via Napalm Records



This album is an amazing concept and something I kind of want more of. Judging by the title, we might just get it. DevilDriver, have created an album full of metal covers of classic outlaw country songs. Outlaws ‘Till The End Vol. 1. I’m a huge fan of country and metal music, so this works perfectly for me. Also, this doesn’t feel like a cheap cash-grab. There does seem to be a real effort and passion put into the album. It’s clear from listening to it that DevilDriver has a lot of respect and love for the artists that they’re covering. All of the songs pack a punch straight to the gut and give new life to these songs for a new generation, who may have never encountered them otherwise.

Covering artists like Johnny Cash, Willie Nelson and The Eagles. They manage to capture the soul of the original songs whilst, at the same time, putting their own mark on the tunes. Giving every song that signature DevilDriver edge that sounds really brutal. Production-wise, the album sounds great. With chugging guitars, well-executed drum work and Dez Fafara screaming his heart out. Producer, Steve Evetts, did a great job putting this project together. Every instrument sounds brilliant and Fafara roars over the top of it all, creating an energetic and fierce sound. Joining DevilDriver on the project is an all-star cast of metal artists: Wednesday 13, Lamb of God’s Randy Blythe and Mark Morton, Lee Ving from FEAR, Glenn Danzig, Brock Lindow of 36 Crazyfists, Testament’s Chuck Billy, and John 5. Who all add that little bit of flavour to an already delicious sound. As well as the metal star power, there’s a cool appearance from country heavyweight, Hank Williams III. Who performs his song “Country Heroes” with DevilDriver.

The songs are already tried, tested and beloved outlaw country songs like “Ghost Riders in the Sky” by Johnny Cash, “Outlaw Man” by The Eagles and “A Thousand Miles From Nowhere” by Dwight Yoakam. So as far as the songwriting is concerned, it’s great. It really is the way DevilDriver have re-imagined these songs and made something truly original out of them. Almost turning them into their own songs. The way they take the familiar elements and put their own spin on things is mesmerising and is still enjoyable on the other side.

No doubt this album might be little divisive to some. Fans who might have just wanted more original content from the band may be annoyed by a cover album. Also, country fans may not like the idea of these metal versions, “destroying the original sound”. Yet, I really like the idea here. More importantly, I like the execution and delivery. DevilDriver has made a fun, compelling record that I think people will really enjoy. The existence of the covers doesn’t ruin the originals but continues their legacy by getting new listeners on board. Be that with songs they’ve never heard, in the case of metal fans. Or a genre they’ve never considered, in the case of country fans. Since the title is “Volume 1”  all I can say is when is “Volume 2” coming?

4.5/5

Mick Birchall

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DevilDriver to release outlaw country covers album

Posted in Metal, Misc., News, Studio Report with tags , , , on 31st March 2018 by izaforestspirit

The American groove metal band DevilDriver have decided to stir things up in the metal scene by releasing an album of outlaw country cover songs. So if you want to hear Dez Farara’s take on Johnny Cash or Stan Jones’ classic ‘Ghost Riders in The Sky’ you’re in for treat.

The covers album will be called ‘Outlaws ‘Til the End’ and it is scheduled to hit the shops worldwide on 6th July 2018 via Napalm Records. You can see the cover art and the track-listing below:

1. Country Heroes (Hank Williams III cover)    
2. Whiskey River (Willie Nelson cover)    
3. Outlaw Man (Eagles cover)    
4. Ghost Riders in the Sky (Stan Jones cover)    
5. I’m the Only Hell (Mama Ever Raised) (Johnny Paycheck cover)    
6. If Drinking Don’t Kill Me (Her Memory Will) (George Jones cover)    
7. The Man Comes Around (Johnny Cash cover)    
8. A Thousand Miles from Nowhere (Dwight Yoakam cover)    
9. Copperhead Road (Steve Earle cover)    
10. Dad’s Gonna Kill Me (Richard Thompson cover)    
11. A Country Boy Can Survive (Hank Williams Jr. cover)    
12. The Ride (David Allan Coe cover)

DevilDriver - Outlaws 'Til the End

For further details go to:

https://www.facebook.com/devildriver/

http://www.devildriver.com/

 

Iza’s Highlights of 2016 (Part 2: Metal)

Posted in Editorial/Opinionated, Metal, Misc. with tags , , , , , , , , , , , , , on 31st December 2016 by izaforestspirit

Time for the second part of my highlights of 2016, the metal edition. This part was much harder to write than the first because it took me a long time to chose my top ten metal of albums and even longer to decide on the winner. So here are my top ten favourite metal releases of 2016:

1. Vader – The Empire
Genre: Death Metal

This year, Vader strikes back with ‘The Empire’… Let’s face it, they were kind of asking for comments like this with that kind of an album title. Star Wars jokes aside, this is a really good piece of work. If you’re looking for some new death metal to check out, I would strongly recommend this album. Unlike their previous work, the masterpiece that was ‘Tibi et Igni’, ‘The Empire’ shows a back to basics approach. No complex structures or atmospheric intros, just good, old-school thrashy death metal. Best tracks: ‘Iron Reign’, ‘No Gravity’ and ‘Army-Geddon’.

2. Rob Zombie – The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser
Genre: Hard Rock/Industrial Metal

This year’s runner up deserves an award for coming up with the one of the longest album titles in years. I tend to refer to it simply as ‘The Electric Warlock’… Whilst still no match for his first two albums, ‘The Electric Warlock’ is Rob Zombie’s best work in years. Favourite tracks ‘The Hideous Exhibitions of a Dedicated Gore Whore’, ‘In the Age of the Consecrated Vampire We All Get High’ and the ultra cheesy but super catchy ‘The Life and Times of a Teenage Rock God’.

3. Devilment – II- The Mephisto Waltzes
Symphonic Gothic Metal/ Groove Metal

For those of you who read my highlights of 2015, you might remember my comments on the latest Cradle of Filth album. This year their vocalist Dani Filth has been busy working on the second album for his other band Devilment. ‘II- The Mephisto Waltzes’ is a delightful opus which happily mixes a variety of metal genres including Gothic, symphonic and groove metal. There’s even a touch of humour in the lyrics and several references to horror movies, modern horror literature and art – most notably Alfred Hitchcock and Stephen King. Best tracks are ‘Hitchcock Blonde’, ‘Dea Della Morte’ and ‘Full, Dark No Stars’.

4. Mortiis – The Great Deceiver
Genre: Industrial Metal

Ever since the Norwegian musician Mortiis started his own band in the mid ’90s, there has been some debate as to what category their music fits into. The older works are very much dark ambient, followed by the synth-pop period of ‘Smell of Rain, turning into the latest era of industrial rock. Their latest effort, the ultra creepy -sounding ‘The Great Deceiver’ is undoubtedly their heaviest and most complex album to date which is why I chose to include it in my metal top 10. Best tracks: ‘Doppelganger’, ‘Demons are Back’ and ‘Shining Lamp of God’.

5. Moonsorrow – Jumalten aika
Genre: Pagan Black Metal

Moonsorrow caught my attention after I saw them live at Tampere Metal Meeting Festival in the summer. I like some of their older material and after hearing some of the new songs live I decided to check out their newest album ‘Jumalten aika’. This is one of those releases where there are no real outstanding tracks, but rather the whole album is worth listening to in full. It’s one of the best pieces of pagan black metal that I’ve heard in a long while.

6. The Vision Bleak – The Unknown
Genre: Gothic Horror Metal

German Gothic horror metal duo The Vision Bleak are back with a new album. ‘The Unknown’ struck me as being somewhat “Lovecraftian”, both in the visual concept of the cover art and the the lyrical themes. Musically it is in every bit that you can expect from a Vision Bleak album; eerie Gothic horror metal with some doom influences added creating the soundtrack to your worst nightmare. Best tracks ‘The Kindred of The Sunset’ and ‘Into the Unknown’.

7. Metallica – Hardwired…To Self-Destruct
Genre: Thrash Metal/Heavy Metal

Just in case anyone is wondering why the new Metallica is so low down on this list, the truth is that I expected it to be better than it turned out to be. After all, it’s been eight years since their last studio album. Needless to say that the expectations were high. I wasn’t expecting this to be another ‘Master of Puppets’ or ‘Ride the Lightning’ but I was hoping for something along the lines of ‘Death Magnetic’ which I really enjoyed. Luckily ‘Hardwired…To Self-Destruct’ isn’t as bad as ‘St. Anger’ but it’s hardly a masterpiece. To be honest I think that it would be have been better off as an EP with just four or five tracks instead of the 12 songs and 13 music videos. I definitely like the first disc more than the second one and my favourites include: ‘Moth To The Flame’, ‘Dream No More’ and ‘Spit Out The Bone’.

8. Sabaton – The Last Stand
Genre: Power Metal

Sabaton are one of the very few power metal bands that I like. I’ve always enjoyed their live shows and I’m very fond of the concept album ‘Carolus Rex’. As with all Sabaton albums, their latest piece of work doesn’t disappoint as far as the historical themes go. This one tells the stories of eleven defensive “last stand” battles. Each song focuses on a different battle from various historical events ranging from ancient Greece, medieval Scotland, the two World Wars to Japan at the time of the samurais. That sounds awesome in principal, if only the actual music was that good. Sadly it isn’t. It’s ok but not great and most of the time Sabaton are just recycling old ideas, changing the themes but making similar music. The only tracks that I liked are: ‘Shiroyama’, ‘The Last Battalion’ and ‘Blood at Bannockburn’.

9. DevilDriver
Trust No One
Genre: Groove Metal

DevilDriver - Trust No One

The only real groove metal entry on this list, ‘Trust No One’ is DevilDriver’s best work in years. It is an aggressive beast of guitar-driven groove metal made all the more powerful thanks to Dez Fafara’s vicious growls. Best tracks: ‘Trust No One’ and ‘Daybreak’.

10. Theatres des Vampires – Candyland
Genre: Gothic Metal

It’s been a while since the Italian Gothic metal band Theatres des Vampires have released anything new. I’ve been a fan of their music for many years and so I was keen to get my hands on a copy of their latest piece of work. ‘Candyland’ is somewhat more metal-sounding than its predecessor ‘Moonlight Waltz’. There are notably less vampire themes on here compared to the previous album but other than that not much has changed. Sonya Scarlet is still the key figure in Theatres des Vampires. Whilst I still prefer their older works, back when Lord Vampyr was still a member of the band, I did enjoy this album. Best tracks ‘The Morgana Effect’ and ‘Resurrection Mary’.

 
Biggest New Discovery: Powerwolf
Best live show of 2016: Powerwolf live in Tampere
Most anticipated albums of 2017:
Ex Deo – The Immortal Wars
New albums from Cradle of Filth and (hopefully) Behemoth.

That’s all from me for now. Happy New Year!

DevilDriver – Trust No One

Posted in CD, Metal with tags , , , , , on 30th May 2016 by mickbirchy

DevilDriver
Trust No One
Groove Metal, Melodic Metal
>Released: 13 May 2016
Via Napalm Records

Trust No One is the seventh release from DevilDriver. The album is certainly the same sound that they have been playing for years now, although it feels more revitalised and energetic. There is a distinct sense of power and command to the songs and the songwriting itself is great. All of the lyrics flowing really nicely and the sharp consistent riffs piercing there way into your head. They really come out swinging here with the tight production and stimulating melodies. I can’t really say it’s their best work, but there is definitely a drive behind this album, whereas the last couple felt a little tired.

Right off the bat DevilDriver hits you with a cavalcade of powerful and commanding groove based riffs, in that familiar way.  It’s all really nicely paced and creates an interesting sound in your head.  Opening on “Testimony of Truth” and “Bad Deeds” the album really starts you off with a blast to your senses. The lead guitar sounds distorted beyond belief with twisted and winding sounds mixed with the amazing bass work, which is really well laid.  All of it just pushes the songs forward with fantastic momentum and makes you want to keep listening.  Seriously the album flies by, forty minutes feels like ten and when you have fist pumping songs like “Above It All”, “Daybreak” and “Trust No One” it’s really no surprise.  I found myself wanting the next song to come on and it turns out that the album was over.  Forcing me to restart the whole thing again.

I’m a massive sucker for well done riffs and yeah, they’re simply spectacular here.  They’re completely solid and uncompromising.  They hit hard and let you just waver in the aftermath of their presence. When you add Dez Fafara’s insane vocal style on top of all of it it makes for one hell of a listening experience. Just simple heavy metal done really well no need for for any fancy gimmicks or weird stylistic choices. Pure heavy metal full on until the end. Overall, I’ve really enjoyed this album, although they haven’t much to change their style or innovate the genre.  They have created something really pure and simple. Why change up a formula that already makes sense?

4/5

Mick Birchall

Arise in Chaos – Terminal Cognition

Posted in Metal with tags , , , on 11th May 2016 by izaforestspirit

Arise in Chaos
Terminal Cognition
Released 15th July 2016
Groove Metal/American Heavy Metal
Released via EMP Label Group

‘Terminal Cognition’ is the second album from American groove metal band Arise in Chaos. The band was formed back in 2010 and they released their debut album ‘Civilization Decay’ two years later. This latest piece of work was co-produced by David Ellefson (Megadeth) and Ahrue Luster (ex-Machine Head, Ill Nino).

As soon as the opening track Nero starts blasting it’s way through the speakers, it’s clear that this is all about brutality and aggression. Everything from the thrashing guitars to the relentless pounding of the drums has that violent and hostile feel to them. The vocals, or more accurately growls, are fairly similar to the likes of DevilDriver and Lamb of God. Come to think of it, so is the overall style and structure of the music.

The Divine – the first single, acts as a good show-piece demonstrating all the things that you can expect to hear from these guys. It’s a ferocious beast of a song that reminded me of early Machine Head, only with more thrash and melodic death metal tones in the guitars. And the barrage of guitar riffs, shouting and pummeling drums doesn’t stop there. Oh no… It’s full steam ahead all the way for the rest of the album. Even the occasional melodic intro, such as the instrumental part at the start of Violent Colors, is barely enough for the listener to take a few deep breaths before aggressive growling and thrashing guitars. Reflections caught my attention due to the slightly slower pace and the toned-down thrash metal guitar parts towards the end of the song.

Overall, ‘Terminal Cognition’ is an album that I would happily recommend to fans of DevilDriver and Lamb of God. As far as the style and genre classifications go, it’s essentially a mixture of groove metal with the brutality and aggression of thrash metal and some melodic death metal. My only problem with it is that there’s lots of similar sounding bands out there and Arise In Chaos doesn’t really offer anything dramatically new.

3.5/5

Iza Raittila

DevilDriver to support Ministry in the UK

Posted in News with tags , , , , on 20th January 2016 by Pieni

DevilDriver have finished their 7th studio album, “Trust No One”, which is set to be released on May 13th via Napalm Records. In order to promote it in the UK, the Californian groove metal band will hit the road in support of Ministry in August:

 photo e299e6ca-380e-4bb7-b631-dbe9fb0fa7ba_zps1arfgmi6.jpg

Ministry and DevilDriver on the same bill , that’s a fucking concert worth showing up to! Al is a close and dear friend and Ministry is an iconic band for me and helped form my youth , I look forward to sharing the stage with one of the most legendary frontmen of all time! Thanks for having us aboard Al, let’s give em HELL!”, says Dez Fafara.

Pre-orders for “Trust No One” will be available shortly and tour dates announced soon.

facebook.com/devildriver

Carnifex post Condemned To Decay guitar lesson online

Posted in News with tags , , , , , , , , on 6th March 2014 by Nico Solheim-Davidson

Deathcore behemoths Carnifex have recently posted a video online of guitarists Jordan Lockrey and Cory Anford demonstrating how to play Condemned To Decay, which is taken from the new album, Die Without Hope. The tutorial can be viewed below.

Die Without Hope was released on 3rd March 2014 via Nuclear Blast, both physically and digitally.

Carnifex online:

http://facebook.com/CarnifexMetal

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