Archive for Melodic death metal

Children of Bodom reveal new album details

Posted in Metal, Misc., News, Studio Report with tags , , , , on 30th November 2018 by izaforestspirit

Children of Bodom have recently announced that their new album, the follow up to ‘I Worship Chaos’, will be called ‘Hexed’.

Check out the track-listing and cover art below:

1. The Road
2. Under Grass and Clover
3. Glass Houses
4. Hecate’s Nightmare
5. Kick in the Spleen
6. Platitudes and Barren Words
7. Hexed
8. Relapse (The Nature of My Crime)
9. Say Never Look Back
10. Soon Departed
11. Knuckleduster
12. I Worship Chaos (live)
13. Morrigan (live)
14. Knuckleduster (remix)

Children of Bodom - Hexed

‘Hexed’ is scheduled to hit the shops worldwide on 8th March 2019 via Nuclear Blast Records. This will be the band’s first album with their new rhythm guitarist Daniel Freyberg who joined the band in 2016 replacing Roope Latvala.

For more details visit:

https://www.facebook.com/childrenofbodom

http://www.cobhc.com/site/

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Hypocrisy and Kataklysm live in Tampere

Posted in Gig, Live, Metal with tags , , , , on 11th November 2018 by izaforestspirit

The Spirit, Hypocrisy, Kataklysm
Pakkahuone, Tampere, Finland
10th November 2018

This time I opted for an evening of melodic death metal. My exposure to Hypocrisy’s music is limited a handful of songs from their old albums but I am fan of Peter Tägtgren’s other side projects so I figured it was about time that I checked out his main band. Similar things apply to Kataklysm – I discovered them via their singer Maurizio Iacono’s side project Ex Deo. Out of the two bands I am more familiar with Kataklysm, particularly their mid-career works such as ‘Epic (The Poetry of War)’ and ‘Shadows & Dust’.

First up was a German melodic black metal band called The Spirit. I have never heard of them before but I really enjoyed their show. Their music reminded me of Dissection and Taake. 4/5

Hypocrisy drew in a sizable crowd and rightfully so because they put on one hell of a show. They started off slow with the first song but then they really got going. Mr Tägtgren is quite the show-man and these guys did a good job of entertaining the audience. I stayed clear of the mosh-pit but I did do a fair amount of head-banging. The only thing that could have made their show better is if they had played ‘Osculum Obscenum’ but I guess you can’t have everything. 4/5

This was Kataklysm’s first time in Finland and I guess that if you like their current style you probably would have enjoyed their show. They played a lot of tracks from their recent albums which I am not particularly fond of. I actually prefer their older material. Luckily they played ‘Shadows & Dust’ which was the only highlight of the performance for me. This was not what I expected and I was left feeling a little disappointed. 2.5/5

Overall, it was a fun night out but I did not enjoy all the performances as much as I thought I would. The Spirit were surprisingly good and probably the best show of the night. Hypocrisy also put on a good show. As for Kataklysm, I do not like their latest album and I was really hoping to hear more old stuff. Maybe the next time I will check out Ex Deo live instead.

Iza Raittila

Green Death – Hallowmass

Posted in CD, Metal with tags , , on 31st October 2018 by izaforestspirit

Green Death
Hallowmass
Released 19th October 2018
Thrash Metal
Released via Combat Records

Green Death - Hallowmass

It’s been two years since I reviewed Green Death’s last album. Now the Iowa-based American thrash metal band is back with a new album called ‘Hallowmass’. I like the title, very well timed for this year’s Halloween…

The horror themes are difficult to miss as evidenced not only from the cover art but also from the song titles. Oh yes, Halloween is upon us. Get ready for your annual onslaught of werewolves, ghosts, witches and other spooky things. As far as the music goes, this is not far from where they left off with the previous album. They still remind me of mid-career Iced Earth. The predominant style is thrash metal but some tracks have a droning doom metal feel to them such as the slow and eerie-sounding She Couldn’t Live. The guitar work on that song actually made me think of Black Sabbath. They also occasionally incorporate elements of melodic death metal like the semi-growling vocals and the shredding guitars on The Betrayed – one of the more aggressive tracks on here.

The short instrumental Messis Diaboli is a beautiful, melodic piece which highlights the skill of the guitarists. Then it’s back to an unholy brew of thrash, doom and melodic death metal for the remainder of the album. It is not an easy mix for the listener to process. The vocals vary from howling to semi-growling. Personally I prefer the latter.

In summary, I had a hard time getting into ‘Hallowmass’. I was really hoping that this would be like Iced Earth’s ‘Horror Show’ album. Instead what we have here is an amalgamation of various styles which do not really work so well together. Some of the songs sound as though they were performed by a completely different band.

2.5/5

Iza Raittila

DevilDriver – Outlaws ‘Till The End

Posted in CD, Metal with tags , , , , , , on 18th July 2018 by mickbirchy

DevilDriver

Outlaws ‘Till The End, Vol 1.

Groove Metal, Melodic Death Metal

Released: 6th July 2018

via Napalm Records



This album is an amazing concept and something I kind of want more of. Judging by the title, we might just get it. DevilDriver, have created an album full of metal covers of classic outlaw country songs. Outlaws ‘Till The End Vol. 1. I’m a huge fan of country and metal music, so this works perfectly for me. Also, this doesn’t feel like a cheap cash-grab. There does seem to be a real effort and passion put into the album. It’s clear from listening to it that DevilDriver has a lot of respect and love for the artists that they’re covering. All of the songs pack a punch straight to the gut and give new life to these songs for a new generation, who may have never encountered them otherwise.

Covering artists like Johnny Cash, Willie Nelson and The Eagles. They manage to capture the soul of the original songs whilst, at the same time, putting their own mark on the tunes. Giving every song that signature DevilDriver edge that sounds really brutal. Production-wise, the album sounds great. With chugging guitars, well-executed drum work and Dez Fafara screaming his heart out. Producer, Steve Evetts, did a great job putting this project together. Every instrument sounds brilliant and Fafara roars over the top of it all, creating an energetic and fierce sound. Joining DevilDriver on the project is an all-star cast of metal artists: Wednesday 13, Lamb of God’s Randy Blythe and Mark Morton, Lee Ving from FEAR, Glenn Danzig, Brock Lindow of 36 Crazyfists, Testament’s Chuck Billy, and John 5. Who all add that little bit of flavour to an already delicious sound. As well as the metal star power, there’s a cool appearance from country heavyweight, Hank Williams III. Who performs his song “Country Heroes” with DevilDriver.

The songs are already tried, tested and beloved outlaw country songs like “Ghost Riders in the Sky” by Johnny Cash, “Outlaw Man” by The Eagles and “A Thousand Miles From Nowhere” by Dwight Yoakam. So as far as the songwriting is concerned, it’s great. It really is the way DevilDriver have re-imagined these songs and made something truly original out of them. Almost turning them into their own songs. The way they take the familiar elements and put their own spin on things is mesmerising and is still enjoyable on the other side.

No doubt this album might be little divisive to some. Fans who might have just wanted more original content from the band may be annoyed by a cover album. Also, country fans may not like the idea of these metal versions, “destroying the original sound”. Yet, I really like the idea here. More importantly, I like the execution and delivery. DevilDriver has made a fun, compelling record that I think people will really enjoy. The existence of the covers doesn’t ruin the originals but continues their legacy by getting new listeners on board. Be that with songs they’ve never heard, in the case of metal fans. Or a genre they’ve never considered, in the case of country fans. Since the title is “Volume 1”  all I can say is when is “Volume 2” coming?

4.5/5

Mick Birchall

Caelestia – Thanatopsis

Posted in CD, Metal with tags , , , on 4th January 2018 by izaforestspirit

Caelestia
Thanatopsis
Released 8th December 2017
Symphonic Gothic Metal /Melodic Death Metal
Released via EMP Group/SPV Europe

Caelestia - Τhanatopsis

Thanatopsis’ is the second album from the Greek symphonic metal band Caelestia. They have been around since 2012 and they have toured with bands such as The Vision Bleak, Arch Enemy and Draconian. This latest opus was mixed and mastered at Fredman Studio, Gothenburg Sweden by Fredrik Nordström.

My knowledge of the Greek metal scene is limited to just two bands: Astarte and Rotting Christ. I’m particularly fond of the latter…This however doesn’t really sound like either of these. What we have here is an interesting fusion of female-fronted Gothic metal with hints of melodic death metal and symphonic elements. Depending on the song, their music can sound very melodic and pleasant e.g. Dancing With The Demons or harsh and aggressive with elements like death metal growls, abrasive drumming and guitars mid-way through Devil’s Game and the opening of  Travel to Eternity.

If it wasn’t for the melodic death metal elements, I would have probably dismissed this as yet another Nightwish clone. Admittedly their female singer Dimitra Talamamtes Vintsou has a similar voice to that of Tarja Turunen but that’s where the similarities end. Their unusual blend of styles is what makes Caelestia stand out. The mixture of symphonic Gothic metal with melodic death metal maybe a little too much for your average Gothic metal fan. Luckily my taste in metal is more diverse than that. I actually like the contrast between the harsh and the melodic sounds and the dual vocal configuration works surprisingly well. The closest thing I can compare this to would be mid-career Therion; melo-death with symphonic elements but without the choir.

In summary Caelestia’s album turned out to be a lot different from what I expected. Their music doesn’t really fit one specific genre but they do a good job of taking the best elements of various styles to create something memorable. So if you’re bored to listening to Nightwish wannabe Gothic metal or melo-death bands still trying to replicate the “Gothenburg”-sound, then I suggest you give ‘Thanatopsis’ a go.

4/5
Iza Raittila

Ex Deo announce 2018 European tour with Ensiferum

Posted in Metal, Misc., News with tags , , , , on 23rd December 2017 by izaforestspirit

The Canadian symphonic death metal band Ex Deo are due to hit the European shores again next year. This time they have teamed up with the Finnish folk metallers Ensiferum for their ‘Path To Glory’ tour starting in April 2018.

For the full schedule see the poster below:

No automatic alt text available.

For further information visit:

http://www.ensiferum.com/

https://www.facebook.com/Ensiferum/

https://www.facebook.com/exdeo/

Havamal – Call Of The North

Posted in CD, Metal with tags , , , , on 15th August 2017 by Nico Solheim-Davidson

Havamal
Call of the North
Released June 2017
Viking Metal/Melodic Death Metal
Self-Released

Hailing from Sweden come Viking-themed death metallers Havamal. It’s kind of fitting that a band that has Viking themes would name themselves after one of the books in the Poetic Edda but now is not the time to be discussing Old Nordic literature. Formed in 2016, in the city of Stockholm, Call of the North is Havamal‘s first release.

The grandoise opening of the track Havamal sets the pace for the EP with its majestic and powerful orchestration coupled up with the spoken word. The other five tracks on the EP have a very Ensiferum-inspired sound, especially in the feral vocals that come screaming out like an enraged berserker. Dread Age stands out immediately with its savage assault of guitars and furious orchestral elements whereas Jotun War follows up with as a standard Viking metal anthem with hints of power metal thrown in for good measure.

Ragnarok is quite the dark composition, with the odd headbanging moment here and there and some Dimmu Borgir-esque moments. Call For Revenge gets the blood pumping with the Ensiferum influenced sound and powerful use of orchestration in the background. Call of the North ends with the memorable track Force of Judgement, which is a melting pot of sounds with catchy riffs and melodic verses.

Havamal show a lot of potential with this first release, though the band have still yet to find their sound. With their guitar driven sound combined with their orchestral moments and bestial vocals, Havamal could easily become a stand out band in the metal community.

4/5

Nico Solheim-Davidson

Call of the North can be purchased at this location.