Melodic death metal
Released: 11th November 2016
Via Nuclear Blast
When “Siren Charms” was released a couple of years ago, I complained about “its lack of ability to embrace my senses and leave a positive remark” (review here). Well I’m happy to say that ability has returned. Not that “Battles” is a masterpiece, but it features some memorable tweaks, in both ear-worm and impressive meanings of the word.
I remember a lot of people complaining when Anders Fridén gave up on growling. I wasn’t one of them not only because I appreciate Fridén’s current tone but also because I don’t think that measures a band’s level of heaviness – listen to all those pop-metal acts with a growler and you’ll know what I mean. Plus, the desperate inflection his voice carries is just as brutal; the opener “Drained” will prove me right.
Still on a vocal analysis, but the teen choir’s in “The End” and the ballad “Here Until Forever”. I’m a sucker for gang backing vocals, but the cheer of this 2.0 version of it has been growing on me; it’s just as catchy and it will have a hell of an effect live, as I doubt anyone will be able not to sing along. That and the march-wise clapping hands in “The Truth”.
There’s a loud guitar work in here as well, but that has never been an issue for In Flames, so it’s really no surprise. Still I’d like to mention “Underneath My Skin” and the 2-minute dark, almost experimental instrumental piece featured in “Wallflower”. Oh, and the seduction of “In My Room” – no sexual pun intended. It just gives away this enthralling vibe.
So again, no, this isn’t In Flames best work, but it definitely has its moments – lots of them.
Renata “Pieni” Lino