Archive for Heavy Metal

SOiL – Play It Forward

Posted in Review with tags , , , , , , on 31st July 2022 by Mickelrath

SOiL
Play It Forward
Hard Rock, Heavy Metal
Released: 26th August 2022
via Cleopatra Records

It’s been quite a long time since we’ve heard from cult heavy metal, SOiL. They have kept their following for over 20 years now. Since their 2 mammoth hits “Halo” and “Unreal”. After their 2013 album Whole and the unfortunate health concerns of singer Ryan McCombs, they have stayed largely quiet. Now, they’re back with a new album Play It Forward. A new album filled with covers of songs that the band have found meaningful and have helped them through the rough times of the past few years. As much as I was craving new material from the band, I have to admit it’s really good to hear them playing again. Even if it’s hit songs from the likes of Neil Young, Foo Fighters and Halsey

There should be no surprise that they took the original songs and added their own individual flair to the tracks. The production is loud on muddy in that early 2000’s nu-metal way. The guitars grind away with the thumping bass pounding on the low end of the production. For some songs like White Zombie’s “Thunder Kiss ‘65” and Motörhead’s “No Voices In The Sky” this works fine and sounds pretty much like a straight-up like-for-like cover version. However, when you give this tuned-down bombastic production to Halsey’s “Nightmare” or “What’s It Like” by Everlast, it changes the core foundation of the songs and really gives them a new identity. 

Ryan McCombs’ vocals add a pretty interesting layer to these songs. You’ve never heard these songs sung like this before. His low temperate growls and unique inflections add a great final touch to these songs. Giving that growl and intensity to Foo Fighters’ “Monkey Wrench” and The Ramones’ “I Wanna Be Sedated”. It all comes together in such a magical way. A real mixtape adventure of a listening experience. 

After so long with no new music from SOiL it’s really great to have them back. It’s nice to know that band played these covers with so much vigour and passion. Songs that clearly mean a lot to the band. That’s the magic of music. It can lift us out of the dark times and with these covers, the band could potentially allow their audience to discover songs they may never had the chance to. Would I have preferred a new album of original material? Yes, absolutely! However, I feel this could tide the fans over until that day arrives.

7/10

Mick Birchall

Iron Maiden live in Warsaw

Posted in Gig, Interview with tags , , , , , on 27th July 2022 by izaforestspirit

Lord Of The Lost, Within Temptation, Iron Maiden
PGE Narodowy (National Stadium),
Warsaw, Poland
24 July 2022

It’s been a long while since I’ve written anything for this site. I’ve been busy with other projects. I’m about to release my debut book, an anthology of fantasy short stories inspired by Tolkien and mythology on Amazon this autumn. I’m also writing a new novel set in the same universe and a sequel is already at the editing phase. With a bit of luck I can release it next year.

I recently went on holiday with my family to Poland. As well as to visiting the zoo in Łódz; an interactive science museum; a military museum and lots of fun stuff for kids, the undisputed highlight of the holiday for me and my husband was the Iron Maiden gig at the stadium in Warsaw.

We arrived there a little early, with plenty of time to grab some cold beers and a zapienkanka (one of my favorite vegetarian snacks) which is an elaborate form of cheese on toast with mushrooms and a generous amount of ketchup. Then it was time to check out the first band, German Gothic metal band Lord of the Lost. I’m a big fan of their work but this time their set had a little too many ballads for my liking. Luckily they played some of my favorites including ‘Dry The Rain’, ‘Loreley’, ‘Die Tomorrow’ and ‘Born With A Broken Heart’. So, a decent show but I’ve seen better from these guys.

I never understood the hype behind Within Temptation. As far as Gothic metal goes, for me they have always been in the ‘solid but nothing groundbreaking’ -category. No match for bands like Nightwish or Epica. At least they played ‘Stand My Ground’ as that’s the only song I recognized.

Then it was finally time for the headliners. Iron Maiden started out slow with some ballads from the new album ‘Senjutsu’. Then after ‘The Writing On The Wall’, they began a cavalcade of hits including most of the crowd favorites such as ‘Run To The Hills’, ‘Fear of The Dark, ‘Hallowed By They Name’ and ‘Number of The Beast’. Their show had an impressive range of pyrotechnics and stage props including a samurai Eddie, sword-fighting Eddie and a fighter plane replica for ‘Aces High’.

In summary, both me and my husband had a great time. It was one hell of an evening and a great way to celebrate the end of a good holiday.

Hevisaurus live in Lempäälä

Posted in Gig, Live with tags , , , on 18th April 2022 by izaforestspirit

Hevisaurus
Idea Park, Lempäälä, Finland
18th April 2022

It’s been two years since my last live show. Back in the first year of the pandemic I went to see The 69 Eyes live under coronavirus restricted conditions. Back then it was all about the face-masks, crowd control and hand-sanitizer. Live-streams became the new normal and live shows were a rare treat. Now two years on there’s a vaccine available and the new strands of the virus are more mild which means that live shows and other events are now back on the agenda.

Hevisaurus is a Finnish heavy metal band who specialize in playing fantasy-themed heavy metal music for children, dressed in dinosaur costumes. My children are both fans of the band. This particular show was a free event held at the IdeaPark shopping mall in Lempäälä on the last day of the Easter period. The show was geared up for children, taking place in the afternoon with an allocated slot for the young audience. The parents were encouraged to move to the sides so that the children could get a good view of the band.

One of the things that’s great about Hevisaurus is that the music itself is actually really good, old school heavy metal which makes it fun for people of all ages to listen to. My kids had a great time rocking out to some of the biggest hits including: Räyh!, Ugala Bugala, Liskodisko and my daughter’s personal favorite, the lullaby ‘Viimeinen Mammutti’. It was heartwarming to see the whole crowd singing along.

In summary, this was a fun day out for me and my family. It was the very first show my daughter has ever been to and I’m glad that she enjoyed it. I’m really happy that I got to see a live show after such a long break. Hopefully this won’t be my only gig this year.

Iza Raittila

Metallica’s Kirk Hammett’s solo EP coming soon

Posted in News, Studio Report with tags , , , , on 9th February 2022 by izaforestspirit

Kirk Hammett the legendary guitarist of world renowned heavy metal outfit Metallica has recently announced that he will be releasing his debut instrumental EP ‘Portals’ this spring. Here’s a statement from the artist:

The initial concept for Portals started with that one song. Following that, I realized I could create different soundtrack moments. These songs are what I call ‘Audio Cinematic;’ I’m creating sounds and pieces of music for the movies playing in my head. Hopefully they’ll create movies in other people’s heads in a similar fashion.

Check out the cover art:

Learn More About Kirk Hammett's Portals

The EP will feature guest performances from Edwin Outwater (LA Philharmonic also present on Metallica’s S&M2) and Bob Rock plus others. ‘Portals’ will be available out worldwide in both physical and digital formats on 23rd April 2022.

For more information visit:

https://www.metallica.com/
https://www.facebook.com/Metallica

https://www.facebook.com/kirkHammett

Kreator – Violent Revolution (Re-Issue)

Posted in Review with tags , , , , , on 31st January 2022 by Mickelrath

Kreator
Violent Revolution (Re-Issue)
Thrash Metal
Released 21 January 2022
via Nuclear Blast Records

When German thrash super-titans, Kreator want to treat their fans. They sure know how to do it. In these Covid times, you can’t just embark on a massive anniversary tour. So what can you do? Well, remind them of how good you are by re-releasing one of your most iconic albums and adding on a second part with live cuts to prove that you still rule the stage. Yeah, that would about do it. So we have Violent Revolution, an album that is widely considered to be the spark that kicked off the 2000’s thrash metal revival. Also, guess what, I’ve never actually listened to it until now, well not in full. I’ve seen Kreator live so I know they’re a top-tier band. However, I’ve never taken the chance to listen to this record in full. So now’s a better time than any.

The album is definitely something else. I can hear how this was so influential to the thrash metal community. The riffs are tight and the energy the album produces is relentless. The songs are really well constructed with excellent structure and creative guitar work. The bass and drums lay an excellent foundation and are perfectly in sync. Something that definitely translates to their live show. The pulse-pounding songs hit that sweet spot of heavy and melodic where you can feel every beat of the drums but it still has somewhat of an anthemic quality. Then when the lead guitar kicks in it just put the power levels over the top. Simply put, there are excellent examples of musicianship laced through every part of the record. 

Then when you get to the second part of this reissue, aptly named Bootleg Revolution. You hear the band put all of that into practice. Living proof that it wasn’t “studio magic” that made them this good. You feel that genuine passion in each recorded live performance on the album. That musicality lives in them and you feel the energy of the crowd headbanging away. I must say that these are some of the best live recordings I’ve heard on any “live” album. You get just the right amount of live band, talking between the set and crowd noise. All are so well balanced. Looking at the list of places the recordings are pulled from, you really get a grasp of their impact on the metal community at large. Brazil, Korea, Istanbul & Wâldrock Festival. Hearing the reception and how loved they are, really speaks to the metalhead in me.

Obviously, the album is a 10. There’s a reason it still holds up and it is still so loved all these years later and something I would feel comfortable recommending to any newcomer to the thrash metal world. Keep rocking Kreator and I look forward to the next time I can get in a mosh-pit at your show.

10/10

Mick Birchall

Existance -Wolf Attack

Posted in Review with tags , on 9th January 2022 by izaforestspirit

Existance
Wolf Attack

Released 29th October 2021
Heavy Metal/Melodic Power Metal
Released via Black Viper Records

Existance - Wolf Attack

Wolf Attack’ is the new album from the French heavy metal band Existance. The group was formed back in 2008 and they have been the opening act for Adrian Vanderberg, Joe Lynn Turner and Skull Fist. This album was mastered by Jacob Hansen who has also worked with U.D.O, Primal Fear and Volbeat.

So what we have here is eleven tracks of very uplifting melodic power metal packed with playful guitar tunes. Highlight Vampire is particularly entertaining thanks to the high-pitched vocals and infectiously catchy guitar riffs. A great start to the album. I also enjoyed Rock n’Roll, another cheerful heavy metal track that is bound to put a smile on your face. The chorus is simple but fun to sing along to and the guitar work is just as lively.

Another track that caught my attention is Sniper Alley which has a varied pace and features some of the most catchy guitar work of the album. Then there’s You Gotta Rock It, a very enjoyable guitar-driven heavy metal song with strong AC/DC vibes.

In summary, I enjoyed listening to ‘Wolf Attack’. It’s a very well executed and highly entertaining album which I would happily recommend to fans of both melodic power metal and classic heavy metal.

8/10

Iza Raittila

Iron Maiden – Senjutsu

Posted in Featured, Review with tags , , , , , , , on 7th September 2021 by Mickelrath

Iron Maiden

Senjutsu

Heavy Metal

Released: 3rd September 2021

via Parlophone

Like a lot of metalheads worldwide, my music taste was heavily shaped by Iron Maiden and the influence they’ve had on the metal world since. I feel safe in saying the majority of British metal bands were influenced by the iconic titans. Yet, like any other massive cultural media phenomena, the internet discourse seems to be rife with opinions about their output in recent years. I’ve met fans of the band that haven’t listened to them since Somewhere In Time, some stopped coming back to the band from Brave New World and others, like myself, have always stuck by the band and all their releases all the way to this latest release. Senjutsu is the seventeenth feature length album from Iron Maiden and, like all their releases of recent years, appears to have split the fanbase down the middle. Some proclaim this is a disappointing follow to 2015’s The Book Of Souls, some saying this is their best work in years and some dismissing the fact that they actually have put out a new album as they stopped coming back to Iron Maiden some time ago. So, what do I think?

I found Senjutsu to be a pretty pleasant listening experience. There’s that special quality to it that only Iron Maiden can seem to bring to an album. The lyrical themes that run through the course of the entire album. Music that complements the subject matter they’re singing about and guitar solos that still blow my mind in how they find complexity in simplicity. Obviously, the album is really well produced, at this point they have been through the album making process so much that you really can’t point to any glaring flaws. Also they brought Kevin Shirley back to produce, who has been working with them since Brave New World in 2000. So, obviously the album sounds amazing. Also, Steve Harris is behind all of the songs from a writing standpoint, and if anyone should know what Iron Maiden should sound like, Harris is really the guy. So for all things technical, this is, for lack of a better term, an Iron Maiden album. Yet, this album feels like such a different world from The Book of Souls, not bad, different.

To be honest, on first listening, not a lot feels that different. It feels like the grandiose music that they have been famous for so long. Yet, I couldn’t keep my enthusiasm going for the entire 80 or so minutes of the run time. Sure, there are a couple of standout songs. My personal favourites being “Days of Future Past”, “ Lost in a Lost World” and “Stratego”. However, I don’t think it comes together as an album that well. All of the songs run the same themes, concepts, and ideas, the songs are well written, but when put all together in an album the songs don’t feel like they naturally fall into place. That can really be blamed on the opening track, which is the title track “Senjutsu”. It’s a meandering plodding song that wears off it’s welcome pretty quick. Where I feel a song with a little bit more energy like the aforementioned “Stratego” would have worked better to hype you up for the rest of the album. And it keeps going like that for a little while. The whole album has some pacing issues and to listen to the album for the full run time, if you’re like me, you’ll find yourself dropping off it a little.

Still, I feel the song quality is there. Put some of the harder hitters into a live set mixed with some of the other Maiden standards and I think they’ll work pretty darn well. The powerful command of “The Writing on the Wall” would sound a lot better following something like “Wasted Years” and I think that’s ultimately the way I’m choosing to look at this album. More songs that they can interweave into their set lists rather than an individual listening experience unto itself. Iron Maiden has been in my life since I was a little kid and listening to them will always transport me back to being a little kid excited to discover their music. I will probably always get excited to hear new music from them because they always deliver that one special new song into my life that no other band will ever bring and for that, I will always love them. As for Senjutsu… Well, I can’t say it’s my favourite, nor can I fully dismiss it. It shows that even seventeen albums in, music is always a work in progress and no one has the formula fully nailed. Not even a band as immortal as Iron Maiden.

7/10

Mick Birchall

Bloody News Online Fest: Insane Summer Gathering 2021 live stream next month

Posted in Festival, Misc., News with tags , , , , , , , , , , on 28th July 2021 by izaforestspirit

Bloody News Metal and Globmetal Promotions are happy to announce the third edition of their live stream festival will take place next month. Bloody News Online Fest: Insane Summer Gathering 2021 will be streamed from their website on 27-28th August 2021. You can watch the event for free.

Check out the line-up here:

27th August

Soulbound
Anna KiaRa
Six Foot Six
PitchBlack
High $tatus
AquileA
Psycho Visions
Passengers in Panic

28th August

Obsolete Theory
STORTREGN
Vessel
X-Method
Mysterizer
King Baal
EAGON
Everlust

For more information visit:

https://bloodynews.ro/en/
https://www.facebook.com/events/513687719867942/





Iron Maiden return with ‘Senjutsu’ this autumn

Posted in Misc., News, Studio Report with tags , , , on 22nd July 2021 by izaforestspirit

It’s been six years since their last album ‘The Book of Souls’, now the world renowned British heavy metal band Iron Maiden have returned with their last studio effort. Bruce Dickinson and co are happy to announce that their new album will be entitled ‘Senjutsu’. Here’s the track-listing and cover art:

  1. Senjutsu
  2. Stratego
  3. The Writing on the Wall
  4. Lost in a Lost World
  5. Days of Future Past
  6. The Time Machine
  7. Darkest Hour
  8. Death of the Celts
  9. The Parchment
  10. Hell on Earth

Iron Maiden - Senjutsu

‘Senjutsu’ will hit the shops worldwide in both digital and physical formats on 3rd September 2021 via Parlophone Records. The band have also released a video for the title track called ‘The Writing on the Wall’.

For more information go to:

https://www.facebook.com/ironmaiden

https://www.ironmaiden.com/

https://www.youtube.com/ironmaiden

Rob Zombie – The Lunar Infection Kool Aid Conspiracy

Posted in Review with tags , , , on 17th March 2021 by izaforestspirit

Rob Zombie
The Lunar Infection Kool Aid Eclipse Conspiracy
Released 12th March 2021
Hard Rock /Heavy Metal
Released via Nuclear Blast

You got to hand it to Rob Zombie when it comes to coming up with bizarre-sounding album titles. Five years ago the hard rock musician released an album with the one of the longest titles ever ‘The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser’. Luckily this new one has a slightly shorter title but it is no less crazy – ‘The Lunar Injection Kool Aid Eclipse Conspiracy’.

Sadly this is one of those cases where even after several listens I cannot get my head around this album. I really tried to like it and I hope that it would grow on me after a while. There are a few good heavy metal songs such as The Triumph Of King Freak (A Crypt Of Preservation & Superstition) and The Eternal Struggles Of The Howling Man and Shadow of The Cemetery Man. Then there’s the ultimate evil hellbilly circus track called 18th Century Cannibals, Excitable Morlocks & A One-Way Ticket On The Ghost Train delivering a highly amusing mishmash of country music and heavy metal.

So that was the good part. Now for the bad parts. There are way too many filler tracks. The instrumentals such as ‘The Much Talked of Metamorphosis’ seem a little out of place on here. I fail to see the point of having several interlude tracks lasting less than a minute. The style is a total mishmash of genres too. Oh and don’t even get me started on the lyrics. Seriously, I know that Rob Zombie is hardly a lyrical genius but even he can come up with better than “smoke your grass and shake your ass” and “the witch is sliding up the broom.”

In all honesty I expected better after a five year wait. There are a handful of good tracks on here but not enough to make this album worthwhile. If you were expecting another solid Rob Zombie album like ‘Sinister Urge’ or ‘Hellbilly Deluxe’ then prepare to be disappointed.

5/10
Iza Raittila

Battering Ram release new single

Posted in Misc., News with tags , , , on 19th January 2021 by izaforestspirit

It’s been almost a year since their debut Ep came out. Now Swedish hard rock band Battering Ram are ready to present some new music. The new single is called ‘Down’ and it is out on Spotify.

Image may contain: text that says "BATTERING RAM BR-21 DOWN"

For more information visit: https://www.facebook.com/BatteringRamOfficial/

http://battering-ram.com/

Garagedays – Something Black

Posted in Review with tags , , on 17th December 2020 by izaforestspirit

Garagedays
Something Black
Released 13th November 2020
Heavy Metal
Released via El Puerto Records

Garagedays - Something Black

‘Something Black’ is the new album from the Austrian heavy metal band Garagedays. The band was created back in 2005 by vocalist and rhythm guitarist Marco Kern. In the past they have supported bands such as Exodus, Grave Digger, Rotting Christ and U.D.O. This release was mixed and mastered by Andy Laroque who is known from his work with King Diamond. The music style is similar to that of Metallica and Motörhead.

We’re off to a good start with Back In Line, a guitar-centric and energetic heavy metal song filled with catchy riff work. I can understand why this has been compared to Metallica. Both the guitar styles and to a lesser extent the vocals are similar to Metallica’s mid-career work, particularly the black album and ‘Reload’. Then there is thrash metal -style title track with the most memorable chorus and some of the most lively, thunderous guitar passages on the album. This one is definitely for headbanging. Some of the songs have a hint of groove in the guitar tones, especially audible on tracks such as And Again.

They maintain the same tone and style for the majority of the record with the notable exceptions of the ballads My Own Way and To My Soul. In these two the pace slows down and there is a greater emphasis on the melodic vocals. While these are not my favorite tracks on here, they are not out of place and I can see why they deserve a spot on the album.

In summary, ‘Something Black’ is an enjoyable heavy metal album. The style is nothing groundbreaking or new but it demonstrates that Garagedays are skilled musicians who know how to produce memorable songs.

7/10

Iza Raittila

Nox Rocks II Lucia Metal Party livestream this weekend

Posted in Gig, Misc., News with tags , , , , , , , , on 8th December 2020 by izaforestspirit

The Swedish broadcasting media & production company Nox Rocks Live Events have teamed up with Stagedip, King2Music Records and Kingart Music Management to bring you a unique live stream experience called Nox Rocks II Lucia Metal Party. The event will be streamed worldwide live via the Nox Rocks website on 12th December – 13th December 2020 (Lucia Night) and it is scheduled to run for a grand total of 6 hours, 6 minutes and six seconds.

The line-up features a number of well renowned Swedish hard rock and metal artists including Europe, Hammerfall, Therion along with international artists such as King Diamond, Pretty Maids, Rainbow, Manowar and many others.

Italian Trulli

For tickets and more information visit: http://www.noxrocks.nu/
Facebook event page: https://www.facebook.com/events/495643994747327

Battering Ram release new single

Posted in Misc., News with tags , , on 8th November 2020 by izaforestspirit

Swedish hard rockers Battering Ram have recently released their new single ‘Pieces’ on Spotify. ‘Pieces’ is the second single from their self titled debut album which came out back in January this year. Here is the cover:

The band are relatively new to the hard rock and metal scene and yet they have already made a name for themselves, growing in popularity thanks to streaming platforms. Their sound has been likened to that of Mustasch and Corroded.

Check out ‘Pisces’ on Spotify: https://open.spotify.com/artist/5ZE8smCT2oR50Kq9yLZ3GW?si=vJjXVibATMGmucX9qNtcwQ

For more details visit:

https://www.facebook.com/BatteringRamOfficial/

The Lightbringer of Sweden – Rise of The Beast

Posted in Review with tags , , on 18th August 2020 by izaforestspirit

The Lightbringer of Sweden
Rise of The Beast
Released 15th July 2020
Power Metal
Self-Released

The Lightbringer of Sweden - Rise of the Beast

’Rise of The Beast’ is the debut album from the power metal band The Lightbringer of Sweden. As the band name suggests, the group hail from Sweden and they have been around since 2017. The line-up includes the German vocalist Herbie Langhans (also of Firewind, Beyond The Bridge and Avantasia live).

Now, when it comes to Swedish power metal the first name that always pops into my head is Sabaton. I can honestly say that I would struggle to name any others, except for Civil War which comprises several former Sabaton members. It’s good to know that there is more to the Swedish power metal scene than just these two bands. For starters The Lightbringer of Sweden sound nothing like their Falun-based brethren. There are no keyboards and Langhans’s vocal style reminds me of Andi Deris of Helloween.

I’m not sure what to make of the intro track ‘The Moon’… Church bells, something burning in background and the narrator’s voice informing you that the beast known as The Lightbringer is here to stay. Good to know, moving swiftly on. What follows is some fairly enjoyable melodic power metal complete with crunchy guitar, good drum work and powerful vocals. What’s not to like? The tempo varies from the mid-paced catchy songs such as Fallen Angels to the slower, ballad-esque title track. One of the highlights for me is ‘Skeletor’, probably my favorite track on here despite the somewhat cheesy lyrics. The chorus is super catchy, the raspy vocals are full of emotion and very well executed and the guitar work is top notch. I also enjoyed Into The Night, another catchy power metal tune. I’m not going to do a track-by-track review, I like some tracks more than others but, generally speaking there are not too many filler songs on here.

Overall, I enjoyed ‘Rise of The Beast’. This is one of the better power metal albums I’ve heard this year. As far as the genre goes, The Lightbringer of Sweden aren’t exactly re-inventing the wheel, but they are good at what they do. If they continue along the same path they will have a bright future ahead of them.

8/10

Iza Raittila

Orange Goblin – Rough & Ready, Live & Loud… 25 Years of British Rock and Heavy Metal

Posted in Uncategorized with tags , , , , , , , on 10th May 2020 by Mickelrath

Orange Goblin
Rough & Ready, Live & Loud
Hard Rock, Heavy Metal, Stoner Rock
Released: 1st May 2020
via Orange Goblin Music / Rise Above Records

It’s hard to put into words how much I love the band Orange Goblin and how much their music reached me. Let me take you back to 2012 and the release of their album A Eulogy For The Damned. This was an album that immediately captured my consciousness and reached me on a level that I don’t think many metal bands have done. It wasn’t an overly complex record from a musical standpoint.  It adhered to a standard, verse/chorus/verse/chorus structure with riffs to carry the general tune of the song and they used some brilliant guitar work to give their music some extra life. After listening to that album I was immediately fascinated with them, their riffs always caught me, hook line and sinker and I hunted down their previous albums to see if they gave the same feeling. Very luckily, they did. In particular Thieving from the House of God, which still to this day is one of my all-time favourite metal albums.

Once I had discovered their music I made it a mission to see them live in concert. I got my chance time and time again as Orange Goblin are touring machines, I’ve managed to watch them live at least 12 times now. Now, how do I describe their live shows? They’re one of the most charismatic and fun bands to watch live. They just have this imposing presence to their shows, it’s something you can really feel as an audience member, no matter how many times I see them perform I still get chills when they get certain parts of their sets. There are some staple tunes that the band will just play and the crowd goes nuts, like “Saruman’s Wish” and “Some You Win, Some You Lose”, when they hit those songs you can feel the crowd twist and shift and come to life. It’s such an awesome feeling. They do such a good job of making a set-list that will keep their fans happy. I mean all bands have to release new material and I think deciding what old songs to keep and what new songs to add is an art form unto itself. They always seem to get that balance of rocking the old school tunes and promoting the new material. So, it’s great to hear a set-list unfold itself over the course of a night.

Now they have been rocking for 25 solid years, Orange Goblin wanted to do something for the fans to celebrate this milestone in their career. However, with the UK being in lock-down due to the world health crisis at the time of writing this review, it wasn’t like they could just hit the road at their leisure. So, the next best thing was to give their fans a live album. Rough & Ready, Live & Loud is a collection of live recordings from their gigs. The songs were taken from their sets at Sylak Open Air Festival 2016, KOKO in London 2016 and at the Fuzz Club in Athens in 2019. It’s a well-rounded album with lots of great songs to rock out to. It also gives some love to some of their, let’s say underrated, classics like “Time Traveling Blues” and “Made of Rats”. So in that sense, it’s not a greatest hits album per se, more of a collection to give the listener the feeling of hearing the band live and enjoying the show. Which is cool and a good way to put their stamp on 25 years as a band. Also, included with the album on Bandcamp is a digital booklet filled with fan-submitted memories of the band. Which made this feel like an all-inclusive experience with their fans. In addition to this the Bandcamp edition of the album features the extra track of “Your World Will Hate This” from the album Coup de Grace. Which is a pretty damn good cap on the album. I mean it’s a short tune but it has that fierce energy and packs that little extra punch.

Although I can’t pretend that I have been a fan since the start (you know since I was only three years old when they started, so the only music I liked was the intro to Thomas the Tank Engine). I feel like they were definitely a cornerstone in developing my taste in heavy metal and hard rock. Still to this day I gravitate to music with heavy riffs and fuzzy solos more than any other styling. Their live shows have always been something to look forward to for me because I know they’re going to give it their all and they enjoy every moment of being on stage. This was a nice treat as a fan of the band and something that I’ve enjoyed listening to. So… here’s to 25 years of Orange Goblin and hopefully another 25 years of hard rock and heavy metal.

10/10

Mick Birchall

Get the album for yourself here – https://orangegoblinofficial.bandcamp.com

Bloodyard – Orchard of Corpses

Posted in Review, Uncategorized with tags , , , , , on 26th April 2020 by Mickelrath

Bloodyard

Orchard of Corpses

Heavy Metal, Groove Metal, Death Metal

Released: 1st May 2020

Self Released

Bloodyard is one of those bands that have always been on my radar but I have not really given much attention to. Not for any malicious reason, mind you, I just find it hard to keep up with all of the music I want to listen to and inevitably some bands fall through the cracks. So, it was nice that I could spend some time giving their music a thorough listen and where better to start than their latest album Orchard of Corpses. A twisted and heavy album that incorporates a thick tone, an in-your-face presence and tight musicianship to make a fun listening experience that I bet would sound good live. Bloodyard have a really decent album here, that I think a lot of metal fans should get behind. You can clearly hear their influences in the music and how they use those influences to manufacture their own sound.

As much as I like their music, I do have to comment on the production. Whilst, not the worst I have ever heard, it is noticeable. If there is one thing that I would say is standing out is the sound of the drums. They completely lack impact, with the other instruments overshadowing them. In fact, the production as a whole feels a little washed out and flat. I don’t think there’s anything wrong with the tone or the way it was recorded. I just feel the assembly of the mix was a little off. I can’t put my finger on it, but there is something holding the full impact of these songs back and it’s in the production. I think all of the musicianship itself is great though. Not a bad performance here, with solid guitar work and well-performed rhythm and bass. The vocals sound great, very commanding and direct. All in all the production is a mixed bag.

However, I do like the songs themselves and I think they would work in a live setting. I could really see myself headbanging the night away with how these songs play out. Lots of tight rhythm with not much breathing room, so the album just goes from song to song in a very fluid way which makes the album a great listen-through and makes it re-playable. The band gets in, does their thing and gets out. So, yeah I think the songs themselves are pretty damn good.

This is a decent record. Sure, it has some rough edges, but those are things that can be worked out. I like the tunes and the pure intensity of the record. The music is fine and though not the typical band that I usually listen to, I still found this album to be an enjoyable experience. I would like to hear this band live as I think that is a better context for these songs and where the band would be more in their element. It’s a good listen and I’m sure the underground metal scene here in the UK will love it. If you like like you home-brew heavy metal then this is the band for you.

6/10

Mick Birchall

Kill Ritual – The Opaque And The Divine

Posted in Review, Uncategorized with tags , on 18th April 2020 by izaforestspirit

Kill Ritual
The Opaque And The Divine
Released 27th March 2020
Thrash Metal/Heavy Metal
Released via Dissonance Productions

Kill Ritual - The Opaque and the Divine

‘The Opaque And The Divine’ is the latest album from the American thrash metal band Kill Ritual. The band was set up a decade ago and they have gone through a number of line-up changes. This is their first album with new vocalist Chalice Blood a.k.a Brian Betterton (also of Dirt and Enchanter).

I was expecting this to be a straightforward old-school thrash metal album. It is that to some extent, but a little bit more complicated. It’s very guitar-driven and some of the songs have that aggressive thrash metal feel such as the opener Rest In Pain and World Gone Mad. In addition to these, there are songs which take on a more melodic tone such as Praise The Dead with acoustic guitars and ballad-style vocals in the intro. Yet do not let the intro fool you, this is very much in the thrash metal category; the guitar work bears a lot of resemblance to bands like Merciful Fate.

Veil of the Betrayer stands out as the longest, most complex and the only progressive type song on here. Personally I found it a little too ponderous at times but luckily it got better towards the end once they picked up the pace.

In summary, ‘The Opaque And The Divine’ turned out to be different than what I expected. The guitar work is good enough to please any thrash metal fan. There is enough variety to keep the listener interested until the end. I like some tracks more than others but it was a good effort overall.

7/10

Iza Raittila

Prime Creation announce UK Tour in April 2020

Posted in Misc., News with tags , , on 4th March 2020 by izaforestspirit

The Swedish power metal band Prime Creation will be coming to British shores this spring.

Here is the schedule:

April 9th – Bannermans Bar, Edinburgh, Scotland, The UK
April 10th – Alma Inn, Bolton, The UK
April 11th – Sanctuary Burnley, Burnley, The UK
April 12th – The County Music Bar, Chesterfield, The UK

The tour follows the release of the band’s second album ‘Tears of Rage’, which came out last year.

For more information go to:
https://www.facebook.com/primecreationofficial
https://primecreationband.com/

 

Ozzy Osbourne – Ordinary Man

Posted in Review, Uncategorized with tags , on 22nd February 2020 by izaforestspirit

Ozzy Osbourne
Ordinary Man
Released 21st February 2020
Heavy Metal
Released via Sony Music

Ozzy Osbourne - Ordinary Man

The past few years have not been easy for the legendary heavy metal front-man Ozzy Osbourne. He has suffered from various health problems and injuries forcing him to postpone and cancel tours but he has managed to vent all that frustration and anguish into his latest studio effort – ‘Ordinary Man’. It is his first full-length album since 2010’s ‘Scream’. I have to admit that I had a little bit of catching up to do prior to listening to this. I’m a big fan of the old Ozzy albums, especially ‘No More Tears’, but the last album of his that I remember was ‘Down To Earth’. Luckily I managed to get hold of the ‘Memoirs of A Madman’ compilation to check out the stuff I missed.

So now that I’ve caught up on the past releases, it’s time to tune in to his latest opus… Straight to Hell marks a good start to the album, treating the listeners to an energetic and catchy heavy metal song. The guitars have playful, rocking feel to them, and Ozzy’s vocals work well with the music. So far so good. Then we get to the title track, which even after several listens, I still have mixed feelings about. It’s not so much that it’s a ballad. I have no issue with ballads. Ozzy has done a few good ones in the past including ‘Mama, I’m Coming Home’ and ‘Dreamer’. But this? I mean, the song itself is decent. I like the Beatles-style melody and Ozzy’s emotional vocals. But what the hell possessed him to to sink as low as to do a duet with Elton John? Seriously this is almost as bad as when Metallica decided to collaborate with Lou Reed. No! Just no.

Luckily the next track Under The Graveyard works much better. Now that’s the type of Ozzy song that I was hoping to hear. It reminds me of his earlier works and it is easily my favorite track on here. I also enjoyed It’s A Raid featuring Post Malone – another energetic and uplifting heavy metal song. Then the high descends into the low with the album drawing to a close with Take What I Want (feat. Post Malone & Travi$ Scott). Did I ever mention how much I hate rap and hip-hop? There is not a single good thing I can say about that song and vocals sound atrocious. Must skip. Oh wait! That was the final track!!

In summary I am a little disappointed with how this album turned out. There are a handful good tracks on here, about three of which I would happily play again. The rest range from the mediocre to the downright awful. I think that it would have been better without some of the collaborations. I really hope that this will not be his last album because Ozzy can do better.

5/10

Iza Raittila