Archive for Lamb Of God

Narcotic Self – Cut The Chord

Posted in Uncategorized with tags , , , , on 5th June 2016 by izaforestspirit

Narcotic Self
Cut The Chord
Released 6th May 2016
Thrash Metal/Heavy Metal/Groove Metal
Self-Released

‘Cut The Chord’ is the third album from the American heavy metal band Narcotic Self. They have toured with a number of renowned metal bands including Slayer, Exodus and Soulfly. Their music is a mixture of classic thrash metal with other metal genres along with some experimental elements. This album features Björn “Speed” Strid of Soilwork as a guest vocalist on one of the songs.

Kicking off the album is the title track, an aggressive and brutal metal song filled with thrashing guitars, pummeling drums along with abrasive and angry shouting. Then, when you least expect it, they slow down the pace towards the end of the track and treat you to a short but well executed melodic instrumental. It’s just enough for you to take a deep breath and relax before the usual onslaught of guitar, drums and shouting returns, raising hell inside your eardrums. Generation Victim (feat. Björn Strid) is a fairly straightforward piece of aggressive, thrashing groove metal which reminded me of the early works of Machine Head, DevilDriver and to a certain extent Lamb of God.

Hell in My Head caught my attention due to the deceptively melodic guitar intro at the start. There’s some experimentation in the guitar parts and briefly a change to a softer, more melodic vocal style halfway through the song. This time the melodic elements last a little longer than they did in the title track. The problem is that I’m not entirely convinced that the random changes suit the rest of the song. The transition between the two is just not as fluid as it should be. Then it seems that Narcotic Self decided to have another go at the more melodic side of metal/rock so they created Creeper, a song which is predominantly slow and melodic. At least for the most part… Then, all of a sudden, the aggressive shouting and thrashing monster re-emerges. It’s almost like the other half of the song was composed by another band. Luckily the rest of the album marks a return to good old brutal and vicious thrashing groove metal with only occasional bits of clear vocals sprinkled in to soften the blow. For example, Brainslave shows how well executed guitar work can make a song memorable for all the right reasons.

Overall, this album left me feeling a little confused. I’m not entirely sure that I understand what Narcotic Self are trying to achieve here. I would have been perfectly happy had these guys just stuck to a specific style be it thrash or groove metal but the random mid-song experimentation is very off-putting. Those bits aside ‘Cut The Chord’ should appeal to fans of Lamb of God and Machine Head.

3/5

Iza Raittila

Arise in Chaos – Terminal Cognition

Posted in Uncategorized with tags , , , on 11th May 2016 by izaforestspirit

Arise in Chaos
Terminal Cognition
Released 15th July 2016
Groove Metal/American Heavy Metal
Released via EMP Label Group

‘Terminal Cognition’ is the second album from American groove metal band Arise in Chaos. The band was formed back in 2010 and they released their debut album ‘Civilization Decay’ two years later. This latest piece of work was co-produced by David Ellefson (Megadeth) and Ahrue Luster (ex-Machine Head, Ill Nino).

As soon as the opening track Nero starts blasting it’s way through the speakers, it’s clear that this is all about brutality and aggression. Everything from the thrashing guitars to the relentless pounding of the drums has that violent and hostile feel to them. The vocals, or more accurately growls, are fairly similar to the likes of DevilDriver and Lamb of God. Come to think of it, so is the overall style and structure of the music.

The Divine – the first single, acts as a good show-piece demonstrating all the things that you can expect to hear from these guys. It’s a ferocious beast of a song that reminded me of early Machine Head, only with more thrash and melodic death metal tones in the guitars. And the barrage of guitar riffs, shouting and pummeling drums doesn’t stop there. Oh no… It’s full steam ahead all the way for the rest of the album. Even the occasional melodic intro, such as the instrumental part at the start of Violent Colors, is barely enough for the listener to take a few deep breaths before aggressive growling and thrashing guitars. Reflections caught my attention due to the slightly slower pace and the toned-down thrash metal guitar parts towards the end of the song.

Overall, ‘Terminal Cognition’ is an album that I would happily recommend to fans of DevilDriver and Lamb of God. As far as the style and genre classifications go, it’s essentially a mixture of groove metal with the brutality and aggression of thrash metal and some melodic death metal. My only problem with it is that there’s lots of similar sounding bands out there and Arise In Chaos doesn’t really offer anything dramatically new.

3.5/5

Iza Raittila

Tacit Fury – A Social Berserker

Posted in Uncategorized with tags , , on 12th May 2014 by izaforestspirit

Tacit Fury
A Social Berserker
Released: 18th March 2014
Death Metal
Released via Fono Ltd.

Image and video hosting by TinyPic

‘A Social Berserker’ is the fourth album from the Russian death metal band Tacit Fury. It is the follow up to ‘Horrors from Depth’, which was released back in 2012.

First up is Lacerated, Strangled, Impaled, which builds up the pace gradually starting with a deceptively slow intro before the ferocious guitar riffs and pummeling drums enter the frame. The vocals are pretty much your standard growls and, with a track title like that, they fit in well with the majority of the bands in the death metal scene. One thing that makes this particular song stand out is the short, thrash metal style guitar solo towards the end.

The subsequent tracks reveal another distinctive pattern – high-pitched, stop-start guitars akin to the likes of Lamb of God. Release The Lions and Chronology Bleached are good examples of this style. It’s a combination of death metal vocals and drumming paired with groove metal style high-pitched guitars. They remind me of bands like Machine Head and to some extent Grimfist. Other tracks that caught my attention include Overbade, which features some thrash metal style guitar riffs in the middle and War Against The Living, one of the fastest and most aggressive songs on the album. The latter also features a surprisingly melodic, almost melo-death style guitar solos towards the end of the song.

Overall this is a fairly decent sounding death metal album. Whilst Tacit Fury do not offer anything dramatically different than most of more modern death metal bands out there, they are clearly good at what they do. ‘A Social Berserker” may not appeal to old school death metal purists but if you’re a fan of the newer style then this album is for you.

3.5/5

Iza Raittila

Beyond Grace – Monstrous [EP]

Posted in Uncategorized with tags , , , , , , , on 25th April 2014 by Paul Macmillan

Beyond Grace
Monstrous
Released February 2014
Extreme melodic death metal
Self-released

It’s with no mean frequency that the phrase ‘If it ain’t got riff, it ain’t worth a fuck!’ tumbles from these lips. Nothing turns me off from an extreme band more than constant noise or technicality for the sake of it. It just doesn’t spell out H-E-A-V-Y to me. Some of my favourite metal albums are those that punch a middle finger into the face of convention, blast beats swirling effortlessly into percussive grooves. Think Carcass Heartwork or Bloodbath‘s opus The Fathomless Mastery (especially At The Behest Of The Dead! Damn! That chorus!).

It’s such a shame that the UK bands taking this particular musical bull by the horns are vastly outnumbered by those who pump out the same old trend-oriented metal pudding as everyone else, but those who do tend to hit me in a special place.

Step up, Nottingham’s Beyond Grace – a band who seem to have set out to make writing an actual tune part of their purpose for existence. From the first moments of opening track The Chronophage – which I believe roughly means ‘the time-eater’ – it’s obvious that this lot don’t care much for fitting in to the preconceived notions of either the current UK death scene or mainstream extreme metal (Yup, I said it. It’s a thing now!), while brushing shoulders with both. The song is an easy choice for an opener, kicking off with a bombastic announcement of power-chords, shamelessly declaring “We are here! Listen!”, but it’s the intelligent introduction of complementary lead-work that really makes it stand out.

And they’re no one-trick-pony, either. Progressing to the accompanying tracks, Inhumanity and Invasive Exotics, they churn out riff after riff of addictive, individual brutality. While more consistently fast-paced, these two numbers guide the listener through a bit of an experiment in combining elements of rhythmic divergence and harmonious exaltation. The entire EP is dripping with all the best bits of At The Gates, Lamb Of God and The Haunted, without really sounding like any of them. I think I even sense the echoes of 80s thrash in there, but that could just be decades-old tinnitus.

It’s also worthy of note that frontman Andy Walmsley is one of the few who can really nail down clarity of lyrical content while dealing in full-on death metal vocals. It’s not something that everybody will care about, and to be fair, I do love a whole load of bands who haven’t achieved this, but I find it adds a little something being able tap into the story aspect of a heavy song on first listen.

I’d really like to hear full-length continuation of this style, but maybe with a more aggressive, rawer production, as it feels something is missing in terms of bite, and the whole thing is over far too soon for my liking. That said, this is a gripping, memorable release, proving, to these ears at least, that you don’t have to ditch any sense of melody and/or hooks to keep up with the pace of modern heaviness. More of this kind of thing!

4/5

Paul Macmillan

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Martyr Defiled unleash new video and announce album launch show

Posted in News with tags , , , , , , , , , on 29th March 2014 by Nico Davidson

The heavy hitting Martyr Defiled are set to release their new album, No Hope No Morality, on 28th April, via Siege Of Armada Records and Century Media, and to celebrate its release, the band will be playing an intimate FREE entry show at The Garage in London on 23rd April.

The band have also just unleashed a brutal video for new single 616, which is the second track to come from the forthcoming release. The video can be viewed down below.

The tracklisting for No Hope No Morality is as follows:

1. LVCIFER
2. Demons In The Mist
3. Sineater
4. 616
5. No Hope
6. Neverender
7. Under The Influence
8. The Taste Of Iron
9. Of Sheep & Swine
10. Deathstare
11. No Morality
12. BONUS – Infidels
13. BONUS – Redneck (Lamb Of God Cover)

Martyr Defiled online:

http://facebook.com/martyrdefiled
http://martyrdefiled.tumblr.com

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Decapitated announce new drummer and enter studio to record sixth album

Posted in News with tags , , , , , , , , on 13th March 2014 by Nico Davidson

Three days ago, on 10th March, Polish metal extremists Decapitated entered Hertz Studio’s, located in Bialystok, Poland, to record their sixth record. The yet untitled creation is set for a release in September via Nuclear Blast. The band have also announced that Michal Lysejko has joined the band as full-time drummer. UK fans of Decapitated will already be familiar with Michal following the band’s recent UK tour with US metal bands Lamb Of God and Huntress. Guitarist Waclaw ‘Vogg‘ Kieltyka comments:

We would like to share news with you. All you know that we’ve been quite busy lately. We had some personal changes in the band and also we did I guess the best tours we had; with Meshuggah, Lamb Of God and Children Of Bodom.  First of all we want to introduce you Decapitated new drummer Michal Lysejko. Some of you had a chance to meet him already during tour with Lamb Of God this January. Also I want to say THANK YOU to the rest of the people who took a challenge and sent their video for an audition.

Also since January this year we signed worldwide management contract with Continental Concerts & Management. That’s for sure big step and opportunity for us and big challenge. But I guess the most important news for most of you is that after almost nine years we back to Hertz Studio (albums: Nihility, The Negation, Organic Hallucinosis) to record new album which will be released autumn this year. We will inform you about details soon. Keep it touch!!

Decapitated will also be hitting UK shores once again this summer on Saturday 9th August when they annihilate Bloodstock! They’ll be joining their label mates Hatebreed, Children Of Bodom, Carcass, ReVamp and Biohazard at Bloodstock for what is looking to be the hardest hitting metal-filled weekend of the year.

Decapitated online:

http://decapitatedband.net
http://facebook.com/decapitated

 

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Order Of Voices premiere video for Hand In Hand

Posted in News with tags , , , , , , , , , , on 12th March 2014 by Nico Davidson

Yorkshire alternative progressive rockers Order Of Voices have released the music video for their latest single Hand In Hand. The single is taken from the band’s album Constancy which is set for release later this year. The single can be heard below.

Hand In Hand was produced by guitarist Ash Homar and mastered by UE Nastasi (AC/DC, Panic! at the Disco, Lamb of God) at Sterling Sound in New York. Vocalist Leigh comments:

We’ve moved on from the first album, distilled what we do to make it stronger in every sense.  We’re very happy with the results and look forward to people hearing it!

Order Of Voices online:

http://orderofvoices.com
http://facebook.com/orderofvoices
http://twitter.com/orderofvoices

 

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Bloodstock Open Air 2013: The Year of Thrash

Posted in Festival, Live with tags , , , , , , , , on 5th September 2013 by Hannah

Bloodstock Open Air Festival 2013 [King Diamond, Lamb of God, Slayer & more]
Catton Hall, Derbyshire
9th-11th August, 2012

Bloodstock 2013. What a weekend. From the 9th to the 11th of August, hordes of fans of some of the best music on the planet once again descended on Catton Hall in Derby in order to pray at the altar of metal, beer, metal, partying, and more metal. As always, I was there, this year having forked out for a VIP pitch, tent and pocket money in hand, ready to drink my way through the extensive bar and watch some awesome bands tear it up. This year was dubbed ‘The Year of Thrash’ by many, and I think I’d agree- how unfortunate for me that I’m not thrash metal’s biggest fan, then! Before I dive into the music, let me just say one thing: for the extra £100, i.e. more or less the same overall price as a ticket to Download or Reading, a VIP ticket is worth it. If you are able to save or can afford it outright, I would recommend it to anyone, just for the actual proper toilets. I know it’s a bit weird for me to be praising some bogs, but you would understand if you had the ability to use them. They had proper wooden doors, proper toilet rolls, proper sinks, proper soap, proper TOILETS. Amazing.

Right then. Let’s talk Bloodstock proper, shall we?

The Thursday night offerings had always been a bit of a mystery to me; I’d always seen Thursday as an opportunity to get in some drinking, have fun, and eventually wander over to the SOPHIE tent for the late night DJ. However, with an incredible pre-festival line up, I thought I’d better get over. Unfortunately (well, it was also pretty cool), we got chatting to the awesomely friendly guys that were camped around us and before we knew it, we had missed the first three bands! Luckily, we were able to make it over to watch Yorkshire’s finest warriors Ravenage absolutely lay waste to those assembled, with their unmistakably Medieval folk- and death- flavoured metal. Their set had everyone jigging, headbanging, horn-throwing: basically, everyone was enjoying themselves. I particularly enjoyed the tent-wide Drunken Sailor singalong. Magical!

Following Ravenage was the world’s premier metal BeeGees tribute act- yes, you read correctly- Tragedy. Never have I seen or heard a bigger crowd of bearded metalheads singing and dancing along to disco classics such as ‘You Should Be Dancing’, ‘Jive Talking’ and, of course, ‘Saturday Night Fever’ and ‘Staying Alive.’ Tragedy filled Thursday evening with glitter, sequins, lipstick, hairspray, disco-balls, glamour- it was glorious. Such a perfect way to begin the weekend with a beautifully camp bang.

Friday’s main stage offerings began with Earthtone 9. These guys gave a lot of energy during the early slot, and put on a good show, but they weren’t really my cup of tea. Not what I expected, and they weren’t bad at all, but I wouldn’t choose to see them again. Followers Death Angel were everything you’d expect- brutal, straight up thrash metal- and again, they weren’t my cup of tea. However, Ex Deo were fantastic. The ex-Kataklysm troupe brought Rome to Derbyshire and they made me feel like an absolute traitor by the amount I enjoyed them- Rome are the enemy! They were immense and one of the highlights of the day for me. Even though I was really looking forward to them, Dark Funeral unfortunately suffered greatly from issues with their sound, and their frosty, evil atmosphere was completely lost in the mix. Many bands would actually suffer from this over the course of the weekend: followers Firewind, from example, were plagued with sound issues throughout their set. I’m not technically minded at all, but my brother informed me that the vocals were turned up too high. It’s a shame because Firewind were putting on a great performance.

One thrash band that I have to put up my hands and admit to loving is Municipal Waste. I can take their brand of thrash- fun and silly and all about the partying. Last time they played Bloodstock they broke the record for the greatest number of crowd-surfers during one song, so what would they do this time? A crowd-wave, of course, complete with absolutely epic wheelchair-surfer. Whoeever you are, I salute you! Next up were Voivod– another band that I have to be honest and say I didn’t really enjoy. The Canadian metallers did put on a good show if you were a fan, though. Veteran German heavy-metallers Accept thoroughly enjoyed their time on the main stage, something that was obvious and spilled out into the crowd. Their slot was a fantastic display of nostalgia and horn-throwing sing-alongs. Get your balls to the wall, indeed!

Headliner King Diamond has been requested constantly by Bloodstock fans over the past few years (myself included), and so his appearance felt like something of a coup. I will admit that his performance was probably quite confusing if you were not a fan or familiar with his material, but I have to be selfish and say that he was blinding. One of the best performances of the whole weekend! He gave us full theatrics- with Grandma, Miriam Natias and all his chums making an appearance, turning the stage into a Gothic, demonic crypt complete with wrought-iron fencing and a glowing, menacing sigil of Baphomet. King himself was absolutely on form, showing himself to be completely recovered from his near-fatal illness of a couple of years ago, and managing to reach notes with clarity he hasn’t shown in years. Completely outstanding.

I must admit that I missed Saturday’s opening act, Stormbringer. What I could hear from my tent, however, was pretty impressive. Bloodstock favourites Beholder gave it all of their energy and passion, as usual. I love watching this band- they clearly appreciate every opportunity Bloodstock is giving them, and it shows. Long may their success continue! 3 Inches of Blood were everything I expected. I only knew two of their songs, and unfortunately both of these songs were played really early within their set- something I didn’t expect at all, because if you know only one 3 Inches of Blood track, it would be ‘Deadly Sinners’, am I right? Regardless, they were very good and the crowd loved them.

Hell… what can I say about Hell? The best performance of the weekend? An utter revelation? Neither of these seems strong enough. I was absolutely blown away by Hell’s set- I had never managed to get to see them play live before, and I am kicking myself for it. Frontman David Bower clearly still possesses his Equity card, but the professionalism and sheer slick nature of his performance was still incredibly impressive. He had every single member of their enormous crowd right in the palm of his outstretched hand, and worked the stage like an infernal evangelical preacher. The moment he stepped out dressed like a giant faun, complete with pyrotechnic pitchfork, I knew that Hell were now one of my favourite bands. They deserved the huge crowd they managed to attract, and between you and me? Their crowd was bigger than Lamb of God’s. Church was in session on Saturday, my burning soul loved every second of it, and I guarantee you that Hell will be headliners within the next five years.

Kataklysm were brilliant, although struggled to follow Hell a little bit. French’s best Gojira were crushing, as usual and expected. I have to admit to being in a little bit of a daze for these two bands, but luckily this daze was lifted for Sabaton. The power metal veterans had suffered a few problems with their luggage, losing a trunk full of costumes on the journey over to the UK, and seeing Joakim Brodén step out wearing simply a plain black vest and their signature urban camo trousers was a little jarring. Thankfully, a helpful member of the crowd stepped in and lent him their own metal-panelled cyber-goth vest, and the show could go on! Sabaton have to be one of the nicest bands currently on the scene, and Joakim proved his own merits when he gifted two young fans (aged around 9 and 11, if I remember correctly) who were by the barrier with his own wristband and sunglasses.

Saturday ended on a bit of a juxtaposition. Tobias Sammet’s guest-studded Avantasia set was breathtakingly beautiful, a rock opera in the middle of a dirty field. I think everyone expected it to be a spectacle, but I was able to sit back and let the music wash over me, engrossing me totally. It was just gorgeous, and they were another highlight. ‘Controversial’ headliners (controversial for the same tired reasons that Machine Head generated controversy last year) Lamb of God, however, left me wanting, a little bit. Even the ridiculously amazing announcement that Emperor will be headlining next year’s festival couldn’t keep up the energy throughout their set. They were marred by safety issues with the barrier, with frontman Randy Blythe pleading with the crowd to watch out for each other, but there just seemed to be a little bit of a flat atmosphere. I was expecting them to be victoriously received by the crowd, given Blythe’s recent acquittal, but I think the sight of countless fans leaving before their set had finished speaks volumes.

Special mention must go to two bands on the SOPHIE stage on Saturday- Mael Mordha and PowerQuest. Irish doom metallers Mael Mordha served up a folky slice of ‘Gaelic’ doom metal and reminded me why it’s one of my favourite genres of metal. PowerQuest’s set, my brother informed me, was a bittersweet triumph, being their last ever performance as a band, featuring members of their old line up and filled with nostalgic tracks from the career of one of the most criminally underrated bands in the UK. They will be sorely missed.

I have a confession to make. At some point between Saturday night and Sunday morning, I caught a bug. I don’t know what it was, but I spent most of Sunday unable to keep any food or drink down. Subsequently, I missed the first three bands, dragging my sore self away from my tent and into the arena in time to see Fozzy. I didn’t know what to expect from these guys, being eager to keep an open mind, but I was pleasantly surprised. They were brilliant, straight-up metal, and there’s nothing wrong with that. Chris Jericho was clearly over the moon to be on that stage, loving every second and I have to say- he is an absolute nutter. At one point, he climbed right up the lighting rig and sang one song from the top of the stage. Brilliant, and I might have to watch out for Fozzy in the future. Finish metallers Amorphis were excellent, delivering their strange blend of prog, folk and death metal to an incredibly receptive crowd- I have to listen to some more of their material, because I really enjoyed what I heard! I must admit to missing Exodus, but I have it on good authority that they were as brutal as one would have expected them to be. Devildriver were nicely nostalgic for me- I’m not too familiar with much of their stuff, but I was a huge Coal Chamber fan back in the day so I loved watching Dez Fafara and his cohorts do their thing. ‘Hold Back The Day’ was a highlight of a set full of metal camaraderie and a focus on enjoying yourself.

Here’s the confession that may get me lynched- I missed most of both Anthrax and Slayer, and I’m not that sorry. I spent most of Anthrax unconscious in my tent, from dehydration, pain and exhaustion: but I have to admit, the one song I managed to catch at the end was very good. Anthrax had an awful lot of energy, clearly enjoying every second of being there and grateful for every fan. The same could not be said for legendary thrash metal tyrants Slayer. I am truly sorry to say this, but Slayer were boring to me. They just got on stage and played their songs: there was no performance there at all. I also personally find their music very repetitive. However, I will concede that I am sure it was the best part of the weekend for the countless baying Slayer-heads in attendance, and I only managed to catch a couple of tracks from their set, ‘War Ensemble’ included.

I also have to mention Gibraltan metal quintet Breed 77, who tore apart the SOPHIE set earlier on Sunday. I am a huge fan of Breed 77 anyway, and they delivered song after song of underrated brilliance, peppered with insights from people living inside the Gibraltarian/Spanish political conflict. Dedicating the bruising ‘Insects’ to both an unelected UK-government and a group of Spanish fascists was a particularly genius move on Paul Isola’s part.

Other highlights of my weekend included meeting Alien Loves Predator and Judge Dredd (the latter of which was pulled up on stage during ‘I Am The Law’ in Anthrax’s set), and sampling some delicious beverages over in the VIP bar. I think the best drink I had all weekend was Bruce Dickinson’s Trooper, which is like the Iron Maiden warbler himself- mellow, laid back and easy going. You can actually buy bottles of Trooper in certain supermarkets, so I would implore you to Google and find out!

Bloodstock 2013 was a mixed barrel for me as far as the music was concerned. However, I actually go to Bloodstock for the experience and the people just as much as I do the bands. It’s always better when you like a significant portion of the line-up, of course, but I enjoyed more than I thought I would and managed to have a whale of a weekend, even with a final day marred by illness.

Emperor next year? I’ll see you there.

 

 

 

Hannah O’Flanagan, 2013

Emperor Announced as Bloodstock Open Air 2014 Headliners

Posted in News, Uncategorized with tags , , , , , , , , , on 13th August 2013 by Hannah

Legendary reforming black metal giants Emperor have been announced as the first confirmed headliners for Bloodstock Open Air festival, 2014. The buzz in the arena at Catton Hall was electric on Saturday night as the hordes descended upon the main stage, both to await headliners Lamb of God and the promised announcement, and roars of delight erupted amongst the masses as the infamous ‘E’ shield logo and a promise of the ‘hordes’ returning flashed upon the screens.

Emperor, who have recently revealed their reformation in order to coincide with Wacken Open Air’s 25th anniversary celebrations, last played British shores in 2006, though Ihsahn brought his progressive-tinged solo project to Bloodstock in 2011. Their headlining performance will surely be a roaring success, and the BOA team’s coup of booking them seems like a gift to the throngs of dedicated metalheads who descend upon Derby each summer. Conversely, however, it seems that the increasing quality of acts booked have pushed ticked prices skyward, with 2014 Early Bird tickets retailing at over £120, already £20 up from last year. Even so, many would say with yet another gigantic name on offer, Bloodstock are proving their reputation as the UK’s best metal festival.

Butcher Babies release lyric video for I Smell A Massacre; New album out 22nd July

Posted in News with tags , , , , , , , on 10th June 2013 by Nico Davidson

Los Angeles based metal band Butcher Babies have released a lyric video for I Smell A Massacre, the lead track from their debut album Goliath, out 22nd July in Europe (digital only) and on 9th July in the US via Century Media Records. The video is premiering exclusively on the Monster Energy Drink Mayhem Festival’s website, and comes on the heels of Monday night’s world broadcast premier by Jose Mangin on SiriusXM Liquid Metal.
Watch the video at this location or down below.

Goliath was produced by Josh Wilbur (Gojira, Lamb Of God, Hatebreed). The results offer an undeniable mission statement to the metal community: forget everything you think you know about the Butcher Babies, because they’ve got their sights set to slay on Goliath.

Goliath track listing:

1. I Smell A Massacre
2. Magnolia Blvd.
3. C8H18 (Gasoline)
4. Grim Sleeper
5. Goliath
6. In Denial
7. Give Me Reason
8. The Mirror Never Lies
9. Dead Poet
10.The Deathsurround
11.Axe Wound

Butcher Babies online:

http://facebook.com/ButcherBabiesMusic
http://twitter.com/ButcherBabies

 

Randy Blythe acquitted of manslaughter charges

Posted in News with tags , , on 5th March 2013 by Hannah

Lamb of God frontman, Randy Blythe, has been found not guilty in his trial for manslaughter.

42-year-old Blythe had been charged with causing the death of 19 year-old concert goer, Daniel Nosek, at a LoG show in Prague in 2010. Nosek was hospitalised after hitting his head after being pushed from the stage during LoG’s set, where he died several weeks later. Blythe had consistently stated that he was unaware of Nosek’s injury and eventual death until he was arrested upon attempting to enter the Czech Republic for another concert in June 2012; however, he had admitted to pushing a fan from the stage but believed them to be unharmed.

Presiding judge, Thomas Kubovec, ruled that the incident did not constitute a crime and acquitted Blythe of all charges. If found guilty, Blythe could have faced a prison sentence of up to 10 years. The prosecution immediately lodged an appeal after the verdict was reached.

On his Instagram account, Blythe posted:

“I have been found not guilty & acquitted of all charges against me. I am a free man. Please remember the family of Daniel Nosek in your thoughts & prayers in this difficult time. I only wish for them peace. Thank you for your support.”

 

Lamb of God will be headlining the Ronnie James Dio stage on Saturday, 10th of August at Bloodstock Open Air Festival, 2013.

 

Hell on Earth… At Bloodstock

Posted in News with tags , , , , , , , on 17th January 2013 by Nico Davidson

NWOBHM legends Hell have been confirmed for Bloodstock 2013. The announcement came only a couple of hours ago when they were announced alongside Belphegor for the Ronnie James Dio stage on Saturday 10th August.

Bloodstock is set to take place on 8th-11th August at Catton Hall in Derby. Other bands already confirmed for Bloodstock 2013 include Lamb of God, Firewind, King Diamond, Whitechapel, Ex Deo and Kataklysm, with many more to be announced. Tickets and further info can be found here.

 

Korotory – Chapter III: The Conquering

Posted in Review with tags , , , , , , on 6th December 2012 by Nico Davidson

Korotory
Chapter III: The Conquering
Released: Early 2013
Thrash/Death Metal
Self-Released

Hailing from across the pond in the state of New York, come Korotory. Described as “the alternative to the alternative”, the band have been slicing their way through the US underground metal scene and have even gone to open up for black metal legends Satyricon. Chapter III: The Conquering is the next step in Korotory’s ever expanding career.

After the soft and alluring sounds of the opening track Hell’s Gate, the band unleash hell with the following track Spineless, a track that belts out hard-hittin’ riffs that you can really sink your teeth into. Fortunately, the rest of the album shows the same amount of ferocity, if not more. The vocal work sails smoothly across the roaring tides of ravenous guitars and behemoth sounding drums. Absolute Zero stands out as one of those tracks that would easily be a mosh pit anthem, given the right marketing while Ophidia, being another stand out track, is more akin to a stripped down Lamb Of God track – With an extra portion of vitamin heavy.

One notable feature about the album is the strong range of influences, from subtle NWOBHM sounds to the more defined thrash and death metal sections in the guitars while each track retains its own unique sound at the same time, avoiding becoming a pool of generic sounding metal. The last few tracks of the album, namely Dehumanization and Sanctified belt out the heavier thrash elements, leaving the other compounds of the band’s music behind – Of course, this doesn’t take away from the energy and aggression that bursts out through the riffs and barbaric drum work.

In today’s metal scene, there’s too many bands that end up sounding like an exact replica of their influences. Fortunately, Korotory do the exact opposite – They take their influences and recreate them into something fresh and such is the case with Chapter III: The Conquering. While their influences can still be heard in the background, the band have done well to morph the album into their musical vision and truly raise hell with this album. I can see this being the soundtrack to the apocalypse!

5/5

Nico Davidson

Korotory are:

Ray Truhn – Vocals
Darren Markoff – Drums
Chris Clemente – Lead/Rhythm Guitars
Brett Weatherston – Bass
Matt Scriva  -Lead/Rhythm Guitars

 

Whitechapel confirmed for Bloodstock 2013

Posted in News with tags , , , , , , , on 5th December 2012 by Nico Davidson

Whitechapel have just been announced for Bloodstock 2013 along with Kataklysm, Avantasia and Ex Deo.

They will join headliners Lamb of God and King Diamond and special guests Anthrax.

Friday August 9th

Ronnie Jame Dio Stage

King Diamond
Accept
Municipal Waste
Dark Funeral
Firewind
Ex Deo
 

Saturday August 10th

Ronnie James Dio Stage

Lamb of God
Avantasia
Kataklysm

Sunday August 11th

Ronnie James Dio Stage

Anthrax
Devil Driver
Amorphis
Fozzy
Whitechapel

Whitechapel’s self-titled fourth album was released in June through Metal Blade, and the band spent the summer melting tarmac on the Mayhem Festival tour in the US (alongside Slipknot, Slayer, Motorhead… and Bloodstock compadres, Anthrax).

Check out the new video for Possibilities Of An Impossible Existence here.

Bloodstock 2013 will be held in Catton Park, Derbyshire on August 8th to 11th. Tickets for the festival are on sale now and can be purchased from the official website: http://www.bloodstock.uk.com

Hatebreed reveal new song Put It To The Torch on Impericon.com!

Posted in News with tags , , , , , , on 14th November 2012 by Nico Davidson

Put It To The Torch, the first single off Hatebreed‘s upcoming mosh feast The Divinity Of Purpose premieres today over on IMPERICON.COM. Click here to check out the official lyric video and to hear the track.

The Divinity Of Purpose marks the band’s first album for new label partners Nuclear Blast (Europe and more) and Razor & Tie (North America) and is touted to be their best effort since The Rise Of Brutality, bringing back the power of their legendary first three records! The album will be released January 28, 2013 in the UK.

Find Hatebreed online:
http://hatebreed.com
http://www.facebook.com/hatebreed
HATEBREED on Nuclear Blast

 

Lamb Of God confirmed for Bloodstock as headliner

Posted in News with tags , , , , , , , on 7th November 2012 by Nico Davidson

lamb-of-god-wallpaper-10

US metallers Lamb Of God have been announced for Bloodstock next year as the Saturday night headliner. This will be their only UK festival appearance and they will join the likes of previously announced headliner King Diamond plus thrash metal icons Anthrax, Greek power metallers Firewind and WWE superstar Chris Jericho’s band Fozzy! Lamb Of God will also be joined by new additions Dark Funeral and Amorphis.

Bloodstock Open Air will take place 8th-11th August 2013 at Catton Hall, Derbyshire. Tickets are available from the official Bloodstock site which can be found here.

 

Gorod – A Perfect Absolution [2012]

Posted in Review with tags , , , , , , on 26th January 2012 by Nico Davidson

Band: Gorod
Album: A Perfect Absolution
Release Date: March 2012
Genre: Progressive Death Metal/Jazz
Label: Listenable Records

It’s not every day that you come across a French metal act [unless you actually follow the French metal scene in the same manner that people follow their favourite celebs on twitter], so it was a shock I found Gorod’s upcoming album in my e-mails. The band are described as progressive death metal and jazz on their official Facebook and they’ve been around since ‘97 – Originally formed under the moniker Gorgasm (sounds like the name of a dodgy pornographic snuff film, doesn’t it?). Anyway, Gorod’s newest release A Perfect Absolute, due for release in March, is based on the history of 10th century Kiev. More specifically, in the year 945 when Igor, King of Kiev was murdered (probably in a brutal manner) while collecting a “tribute” while visiting his Pagan neighbours the Derevlians, who lived in a forest. After the incident, his widow, Olga, avenged him in an extremely harsh manner before converting to Orthodox Christianity. That’s your history lesson for today, readers.

I find the genius combination of subtle birds singing and tragic orchestration to work well as a build up for the main part of “Birds Of Sulphur”. The guitars virtually smash it up with strong back up from the drums and vocals. The melodic licks are quite reminiscent of Lamb of God and to a broader extent, Amon Amarth.  The second half of the track sounds more along the lines of Death, only heavier and faster. “Sailing into the Earth” stomps on the ears with its guitar work like a herd of raging elephants, the only different being is that the former is much more pleasing on the ears, especially the brutalising use of drums. The third track “Elements and Spirit” might sound like the name of some sort of Wiccan book of shadows but musically, it’s more on the power metal-meets-Mario sounding side of things with a hint of Children of Bodom mixed in with it as well provided by the keyboards – though this could be a sound caused by the 70s jazz influences. The most shocking thing about this track is the vocals… Don’t worry, they’re still barbaric enough to melt your next door neighbour’s face but as I was saying, the vocals do come as a shock due to the slight use of clean vocals for one line and then a more semi-raw vocal style later on.

The vicious sounding axe-work and thundering rhythm sections of “The Axe of God” are to the ears like flagons of mead are to a Viking: Pure enjoyment. The solo reminds me, for some strange reason, of Megadeth while the slower section seems to have a sense of grandeur mixed with sorrow. “5000 at the Funeral” take the album down the slow lane with a solemn, possibly jazz-like musing of guitars, strings and piano giving the album a unique sound compared to most death metal releases. The percussion seems to be quite industrial and alternative before the wailing of Arch Enemy-sounding riffs hurl themselves into the fray with an epic-yet-harsh narration that gradually evolves into a fierce snarling roar of metallic growls. For the most part, the track seems very drum-orientated which will please any drummers that listen to the album. And for any guitarists reading this, don’t worry, there’s plenty of neck-braking riffs.

The romantically named “Carved In The Wind” brings back the epic, poweresque guitar sections mixed in with the overpowering vocal work and bonecrushing rhythm section. The track is pre-dominantly Lamb of God sounding, especially towards the end which does make the song as tasteless as water. Nearing the end comes “Vangarian Paradise” which really does spice up the album with its mix of metal and funky jazzed up riffs. The snarling roars that are the vocals oddly sound brilliant with the unique sounds on the track. The album coms to its end with “Tribute In Blood” which is a dangerously good mixture of blasphemous vocals and demonic riffs as well a brilliant way to finish the album.

Gorod are certainly masters of their trade when it comes to welding together metal and jazz into an unholy yet enjoyable union of blasphemous, face-melting music and “A Perfect Absolution” is no different. Gorod literally take the good parts of 70s jazz and death metal to create the masterpiece that is this album.

4.8/5

Nico Davidson