Archive for the Editorial/Opinionated Category

Lumous Gothic Festival XX – Final Episode

Posted in Editorial/Opinionated, Festival, Gig with tags , , , , , , , , , on 13th July 2020 by izaforestspirit

Finland’s biggest Gothic music event Lumous Gothic Festival celebrated its twentieth anniversary this year. The original plan was for this year to be the last Lumous with the final edition of the festival taking place in July 2020. The on-going worldwide coronavirus pandemic meant that the plans had to be drastically altered. There was a very realistic possibility that the event would have to be canceled like many others have been. Luckily, thanks to the low infection rates within Finland and successful preventative measures, small scale events were permitted with restricted access based on the capacity of the venue. Due to the international travel restrictions, only a handful of local bands were able to perform and the only venue available to host the event was a small pub in the city centre called Dog’s Home. In addition to the live performances, the event was also streamed live via the festival’s Facebook page.

Now before I go into more detail about this year’s event, I would like to tell you a bit about my own personal experience of Lumous Gothic Festival. 2020 marks the eighth year of my participation in the festival. My first Lumous was in 2012. Since then I have not missed a single Lumous Gothic Festival. It has become one of the highlights of my summer. I have met some really nice people there and I discovered several new bands including: Das Ich, Shiv-R, Auger, Raven Said, Sleetgrout and Sekret Teknik.

Shiv-R, archive photo from their show at Lumous Gothic Festival 2016
DAS ICH
Das Ich, archive photo taken from their performance at Lumous Gothic Festival 2019

Sadly this year I was unable to attend it due to the restricted access and the limited capacity of the venue but I still managed to stream the event online from their Facebook page.

This time line up comprised four Finnish bands: Chaos Research (neo-classical/darkwave/ambient), Old School Union (EBM with punk influences), Sekret Teknik (synth-wave) and Gothic rock legends Two Witches.

Friday 10th July 2020 (live stream)

I have actually seen Chaos Research live at the same venue two years ago so I pretty much knew what to expect from the live stream. They managed to create a chilled-out atmosphere thanks to the operatic vocals combined with the electric cello and drums. Not my kind of music but if you are into neo-folk or dark ambient then you will probably enjoy this.

Archive photo, taken from the performance at Lumous Gothic Festival 2018

https://chaosresearch.bandcamp.com/

Oldschool Union were highly entertaining to watch. I like some some old school EBM but I’m not the biggest fan of punk. The performance was fun and amusing to see. I particularly liked the song ‘Vartalovasara’.

Image may contain: one or more people

https://www.facebook.com/Oldschool-Union-

Saturday 11th July 2020 (live stream)

I have only just discovered Sekret Teknik a few days ago. I liked their performance and their take on the synthwave genre. My personal favorite part of the show was the song ‘Nightsky’.

Image may contain: 3 people, people sitting and sunglasses

https://sekretteknik.bandcamp.com/

Then it was time for the band that has been involved with the festival right from the start. Two Witches front-man Jyrki Witch is one of the organizers of the event. Two Witches were the first band at the very first Lumous Gothic Festival back in 2001 so it was only fitting for them to be the closing act the final chapter of Lumous. It was an acoustic show. They played some of my favorites including ‘The Dark Angels of Sin’ along with some newer tracks such as ‘Spirit Sacrifice’. Unfortunately I missed some of the live steam due to a connection problem.

Archive photo taken from their performance at Lumous Gothic Festival 2016

https://www.facebook.com/Two-Witches-Official-

Jyrki Witch also announced the winners of the Lumous 2020 Award – Club Gothic Night.

So that was it. After twenty years Lumous Gothic Festival has come to end. I am very grateful to have had the opportunity to participate in the event for the past eight years. Hopefully there will be something new emerging from the Finnish Gothic scene to fill its place. Kiitos Lumous Gothic Festival! You will be missed.

Iza Raittila

Mick’s Gig Highlights of 2019

Posted in Editorial/Opinionated, Gig, Live, Misc. with tags , , , , , , , , , on 5th January 2020 by mickbirchy

2019 was a great year for going to gigs and an even better one for seeing band I never thought I would have the opportunity to see. Great discoveries and fun bands that I wouldn’t have had the chance to see if I didn’t take a risk and just get to the shows. So I thought to round off the year and to relive some memories. This is not a complete list of everything I went to see, just some really great highlights.

February

Godsmack w/ Like A Storm @ The Ritz, Manchester

Starting of 2019 was a real dream come true. I finally got to see a metal band that I have long admired. It had been over 14 years since the last time, Godsmack had actually toured in the UK. So with the release of their latest album, When Legends Rise they finally made the time to get out to the UK. I got my ticket and got to this show. Yeah, it blew me away. Opening the show was another band that I had always wanted to see, Like A Storm. So overall, this looked like it was going to a gig that was handcrafted for me.  Both bands freaking nailed their set! As for me, finally getting to see Godsmack live in concert, was such a treat. Getting to hear some of my favourite songs like, “Voodoo”, “I Stand Alone”, “Awake”, “Cryin’ Like A Bitch” was great and it’s so nice to report that Godsmack is an incredible live band. I had heard mixed things for so long about their live sets but on the night, the band, the crowd and the atmosphere was truly excellent.

March

Skarlett Riot w/ Sister Shotgun and Fahran @ The Flapper Birmingham

What a birthday treat. Getting to see one of my favourite bands with some excellent support acts to boot. It was my first time checking out Sister Shotgun and I have to say that I was really impressed, their mix of glam rock and heavy metal reached me and I ended up picking up their albums after the show. Fahran is always a treat when they play live and by this point, in the night the crowd was building up a little so there was a little bit of an atmosphere. Then you Skarlett Riot… Well, there’s a reason they’re one of my favourite bands. They really bring their A-game to every show. They’re one of those bands that love being on stage and entertaining the fans. With every song, the crowd was singing along with the band and at times the crowd was louder. They continue to be one of my favourite bands and with the announcement that they will be getting around making some new music, you know I’ll be front and centre whenever they return to the stage.

 

 

May

Mutant Monster w/ The Innocent Bystanders and The Papashangos @ Jimmy’s, Manchester

This is the result of deciding to go to a gig at the last minute. I heard about this gig on a Monday, bought the ticket on a Wednesday, went to the show on Friday and wrote and uploaded the review on Saturday. This was a crazy experience. Before going to the show I didn’t know any of the bands playing and yet, when I got to the show, I felt right at home in the crowd. The drinks were flowing, the music was loud and the atmosphere felt just right. The opening bands were enough to get the energy flowing in the venue, with the rough sounds of The Innocent Bystanders was a great welcome for punk fans. The Papashangos injected the venue with a lot of life and energy. Then you have Mutant Monster, oh what to say about them? They were excellent. The Japanese punk-rock trio lifted the spirits of the Manchester crowd and got them moving and shouting. They were truly something else, playing right through an hour and forty-five minute set with little to no breaks or even slowing down. I was impressed by the mere stamina of them. Trust me, you’ll want to see all three of these bands if you get the chance.

 

June

Muse w/ Tom Morello and Pale Waves @ Etihad Stadium, Manchester

So this was the centre-piece of the year. Also the most expensive show of the year, with a £75 price tag. Let me say this right now, it was definitely worth it. This wasn’t just a concert, it was a spectacle. Opening up the show was Manchester-based rockers, Pale Waves. Who were decent though I feel their set was dampened by the rain. That being one of the pitfalls of playing an open-top stadium. However, the night dried up and Rage Against The Machine legend Tom Morello took the stage by storm. His guitar skill is something to be envied. Also, he brought a charity group on stage to sing the anthem “Killing In The Name”. Then you have, Muse, another band that I have always wanted to see, so finally getting to see this show was an amazing experience. They are just such an enigmatic act to watch. Their stage show in itself was amazing with a giant catwalk going to the middle of the crowd, backing musicians and a giant cyborg mutant creature. The set was a great mix of new and old material with the main part of the set dedicated to the latest album Simulation Theory. It was one night that I will never forget.

 

November

Anneke Van Giersbergen @ Effenaar, Eindhoven

I bought the tickets for this show as soon as it was announced and I made an entire holiday around this concert. For the longest of time Anneke Van Giersbergen has been one of my favourite singers, songwriters and performers. So, flying to the Netherlands for her 25th Anniversary show was a pleasure. Getting to see the great city of Eindhoven was a really nice part of my holiday and then there’s this show. The show was broken down into four parts. The classical part, where Anneke performed with a string orchestra and Within Temptation singer Sharon den Adel came on to play “Somewhere”. That honestly brought a tear to my eye. Then the rock part with Agua de Annique and playing some of her songs from her solo career and The Gathering. Next was the acoustic segment with Danny Cavanagh from Anathema, a beautiful moment of the set. Then ending on the metal set with Vuur. The variety of the show and Anneke’s genuine and soulful performance made this a night for the ages.

 

December

Tantric w/ Scarcasm and Attic Theory @ Fac251, Manchester

Finally, the show that I had waited for pretty much all my life. My all-time favourite band finally toured the UK and I got to see them play! The openers Scarcasm and Attic Theory rocked the night and set the crowd up well. However, actually seeing Tantric was such an experience. I still can’t believe this happened. Getting to hear the classic hits like “Breakdown” and “Mourning” and mixed with a great set that represented their whole career, for me this was the ultimate experience. The only sad thing is that there wasn’t much of a crowd to speak of. Maybe playing on a Sunday at the start of December in Manchester wasn’t the best time to get people out to a venue. So that was kinda bad, but I didn’t care and I don’t think the band did either. They were just happy to be playing to new people in a different country and I was happy for them. This was their first time in the UK and hopefully not their last!

Mick Birchall

Iza’s highlights of 2019

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , , , , , , , , , , on 31st December 2019 by izaforestspirit

It’s that time of the year again. Time for my annual best of list or “highlights” as I prefer to call them. 2019 was a eventful year for alternative music. There was a lot of new material that caught my attention which made selecting a top 10 much more difficult than last year. After much deliberation I have narrowed it down to the following albums:

1. Eluveitie – Antegnatos
Genre: Folk Metal
Eluveitie - Ategnatos
2. Children of Bodom – Hexed
Genre: Melodic Death Metal/ Power Metal
Children of Bodom - Hexed

3. The 69 Eyes – West End
Genre: Goth n’Roll/ Gothic Rock
The 69 Eyes - West End

4. Mgła – Age of Excuse
Genre: Black Metal
Mgła - Age of Excuse
5. Combichrist – One Fire
Genre: Industrial Metal/Electro-Industrial
Combichrist - One Fire - CD

6. Hocico – Artificial Extiction
Genre: Electro- Industrial/ Aggrotech
Hocico - Artificial Extinction - CD

7. Blutengel – Un:Gott
Genre: Synth-pop/Darkwave

8. Darkthrone – Old Star
Genre: Black Metal/Blackened Heavy Metal/Doom Metal
Darkthrone - Old Star

9. Sabaton – The Great War
Genre: Power Metal
Sabaton - The Great War
10. Ad Inferna – Des Diables et Des Dieux
Genre: Symphonic Black Metal

Honorable mentions:
Aurelio Voltaire – She’s Glowing
Taken from the album What Are The Oddz?

God Module – Cross My Heart
Taken from the album The Unsound

Scandroid – The Writing’s On The Wall
Taken from the album The Light

The long-awaited new Rammstein album also came out this year. Sadly, despite a having handful of great songs including ‘Deutschland’, it was a little disappointing. I expected more from them after a decade of waiting.

Best live show of 2019
Metallica live in Hämeenlinna

Runners up, honorable mentions go to: Behemoth live in Tampere and Blutengel live at Hellsinki Industrial.

New discoveries for 2019
Raven Said, Priest and Cygnosic

Most anticipated releases for 2020
a new albums from Helloween and Vader
Mono Inc- The Book of Fire
Celldweller – Satellites

That’s all from me. Happy New Year Everyone!

Iza Raittila

Pieni’s highlights of 2019

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , , , , , , on 31st December 2019 by Pieni

2019 was a bumpy ride and despite attending fewer shows and writing less for Valkyrian Music, this past year still had plenty of memorable moments. Here’s my favorite live ones:

samaellnmf19

  1. Samael at Laurus Nobilis Music Famalicão (Louro)
  2. Infraktor at Vagos Metal Fest (Vagos)
  3. Equaleft at Hard Club (Porto)
  4. D.A.D. at Hard Club (Porto)
  5. Overkill at Hard Club (Porto)

Records:

Rust

  1. “Rust” by CrashDïet
  2. “We Defy” by Equaleft
  3. “Verkligheten” by Soilwork
  4. “West End” by The 69 Eyes
  5. “I, The Mask” by In Flames

Thank you Ozzy for filming the kind of music video I like the most – with an actual story to it. In the absence of that, something amusing and/or featuring visual impact will do:

  1. “Under The Graveyard” by Ozzy Osbourne
  2. “Idiots” by CrashDïet
  3. “Deutschland” by Rammstein
  4. “Trve As Fvck” by Hills Have Eyes
  5. “Already Dead” by Hollywood Undead

I have a handful of expectations for 2020 but, at the moment, I believe these are the ones I’m most eager about:

HHE2019

  1. The Hills Have Eyes new album and its release show (no date announced yet but hopefully it won’t be postponed much longer).
  2. The Hollywood Undead new album, “New Empire, Vol. 1”, and their gig in Madrid which I’ll be attending in a couple of months.
  3. W.A.S.P. will embark on a tour where they’ll only play songs out of their first four albums. Already got my ticket for the Barcelona show.
  4. Sister posted something on their Facebook page which included a #newalbum, so I’m looking forward to that as well.
  5. Seems like Kiss are saying goodbye to the stages. Whether this is indeed their last tour or not, I won’t miss it.

Happy New Year!

Renata “Pieni” Lino

Pieni’s highlights of 2018

Posted in Editorial/Opinionated with tags , , on 1st January 2019 by Pieni

And here’s that time of the year again. It was tricky to choose among so many great gigs I’ve attended in 2018 but here they are:

infraktorcorrosc3a3o48

  1. Infraktor at Origens Caffé (Ponte de Vagos)
  2. Dark Tranquillity at Laurus Nobilis Music Famalicão (Louro)
  3. Primordial at Hard Club (Porto)
  4. Web at Hard Club (Porto)
  5. Helloween at Pavillón Multiusos Fontes do Sar (Santiago de Compostela)

Out of the recording studios come these:

exhaustinf

  1. “Exhaust” by Infraktor
  2. “I Loved You At Your Darkest” by Behemoth
  3. “You Can’t Kill My Rock’N’Roll” by Hardcore Superstar
  4. “Eonian” by Dimmu Borgir
  5. “Decadence” by The Ransack

Most bands go for lyric videos nowadays, or just film themselves performing somewhere. I really appreciate when there’s more than that: like these:

  1. “Bring The House Down” by Hardcore Superstar
  2. “Stålfågel” by Soilwork
  3. “When The Seasons Change” by Five Finger Death Punch
  4. “Burn” by Corroded
  5. “Give Me Leather” by Gama Bomb

As for my expectations for this new year, here’s what I’m most eager about right now:

wedefyticket

  1. Equaleft‘s “We Defy” is going to be released in 2019 after all; already have my ticket – number one! – to the release party.
  2. Hills Have Eyes new album should see the light of day as well. Stoked like you can’t imagine (or maybe you can, ha ha).
  3. Have Soilwork’s “Verkligheten” to review – can already advance that I loved it! Looking forward to see them live with this.
  4. The Godiva have been announced to play at Vagos Metal Fest… with an orchestra! Pretty sure it’s going to be mind-blowing!
  5. I’m still waiting for news from the Breaking Today camp, but since half of the band plays in Hills Have Eyes as well, I guess they won’t find the time to do both… So I’ll replace them with In Flames on this list, as their new album is set to be released in February.

Happy New Year peeps!

Renata “Pieni” Lino

Pieni’s highlights of 2017

Posted in Editorial/Opinionated with tags , , , , , , , , , , , , , on 1st January 2018 by Pieni

2017 was quite the roller-coaster, hence my somewhat absence. But that doesn’t mean I’ve paid less attention. My live highlights this past year were:

22780426_1730510013649117_7952868535505070749_n

  1. W.A.S.P. at O2 Forum Kentish Town (London)
  2. Infraktor at Metalpoint (Porto)
  3. Equaleft at Hard Club (Porto)
  4. Ugly Kid Joe at AgitÁgueda (Águeda)
  5. Hills Have Eyes at River Stone (Penafiel)

In terms of records I might have been a bit careless, but these titles are awesome nevertheless:

heartlessoppressor

  1. “Heartless Oppressor” by Primal Attack
  2. “1755” by Moonspell
  3. “Infinite Shadows Of Memories” by The End Of Grace
  4. “Hegemony” by Samael
  5. “Medusa” by Paradise Lost

Top-5 videos:

  1. “In Tremor Dei” by Moonspell
  2. “Never Quit” by Hills Have Eyes
  3. “Like Orpheus” by Orphaned Land
  4. “Blood And Chaos” by Paradise Lost
  5. “Black Flag” by Iced Earth

And expectations/anticipations for 2018:

infexhaust

  1. The release of “Exhaust”, Infraktor‘s debut album!
  2. After the single “Never Quit” blowing my mind away, can’t wait to see what Hills Have Eyes will deliver next.
  3. The release of “Dropout”, Breaking Today’s debut EP, and how it will turn out live (pretty dynamic, I’m sure).
  4. Crashdïet have a new singer, Gabriel Keyes, and judging by the first single featuring him, “We Are The Legion”, I foresee a bright future for the Swedes.
  5. Just a few days ago, in what I’ve considered one of their best live shows ever, Equaleft played two new songs, two powerful new songs. Hoping to listen to the rest of this upcoming second full-length album in 2018.

Happy New Year folks!

Renata “Pieni” Lino

Edguy – Monuments (A 25 Year Tribute to Edguy)

Posted in Editorial/Opinionated, Review with tags , , , , , , , on 9th July 2017 by mickbirchy
Edguy
Monuments
Power Metal, Hard Rock, Progressive
Released: 14 July 2017
via Nuclear Blast

It’s been 25 years of Edguy. Yes, this band has been going as long as I’ve been alive on this earth. So, I thought that I would pay homage to one of the greatest metal bands that I have ever had the pleasure of listening to. What better way to do that than going through the newest release from them. Monuments is a carefully and passionately selected collection of the band’s greatest hits from the last 25 years. Not only that, but the release has five brand new songs from the band. Along with one previously unreleased recording. Mounting up to a staggering 28 track album that will be more than enough to indulge even the biggest fan of the band.

I first discovered Edguy back in 2008 with the album Tinnitus Sanctus. I bought it after reading about them in a Magazine calling this album “the strongest of their career yet”. At this time, the metal press was buzzing around them. I listened to the album and something stirred inside of me. I instantly wanted to hear more from them. So in very quick succession I looked their history in music. I was completely blown away and I think this was the start of my obsession with power metal. As listening to them got me into fellow contemporaries: Blind Guardian, Sonata Arctica and Hammerfall. I know I was a little behind but believe I’m caught up now with them all. Yet, there was something different about Edguy and it was all in frontman, Tobias Sammet’s vocals. He sang with such power and conviction still to this day his voice gives me goosebumps. If anyone ever asks me what a metal or rock vocalist should sound like I just turn and point to Tobias. Everyone has their own favourites that they immediately associate with the genre. He’s mine.

Yet, I don’t want to do a disservice to the band that back him up. Edguy has some incredible talent in there. Unlike a lot of bands that go this long; Edguy have had a pretty consistent line up having the same lineup from 1998 onwards. Giving them a fantastic consistency. This is reflected across all their albums. Jens Ludwig and Dirk Saur have been their from the very beginning on guitars. Always producing fantastic riffs and melodies that compliment the tone of whatever album. They were going in to. Be it the more power metal centric albums or the winding twisting more progressive sound. No matter how flamboyant or heavy the song. Ludwig and Saur really deliver in getting music stuck in your head. As for the rhythm section Tobias Exxel on bass and Felix Bohnke on drums has always given Eduy that weight and power to their tunes. There’s just such a commanding presence to their music. When Edguy plays, you listen.

Monuments, includes 5 brand new songs from the band. You’d think that they may get lost amongst all of the classic songs. They sort of do, I don’t necessarily see that as a band thing. I just see it as these songs just feel as good as their iconic work. Which can only be a good thing. All five of the songs are big triumphant anthems and their played with just as much conviction as the big hits. With massive sounding production and the tight musicianship that we’ve come to expect from Edguy by now. Is it any wonder that they sound this good! They fit so nicely on this package of their hits. They feels like songs that have always been here. I guess that’s the real strength of Edguy. Making songs that fit so well into the collective consciousness, making tunes that just sound right.

As for the unreleased song “Reborn In The Waste”. Recorded back in 1995, as part of the Savage Poetry recordings. Savage Poetry being one of their demo albums in the early 90’s. I can understand why it wasn’t included. I don’t think it’s wholly representative of the band’s skill or style. In all honesty I think it’s a pretty lackluster tune. It’s got a nice hook to it and I think if they remade the song today it might be better but I don’t know. I guess I like it just for the fact it’s another piece of Edguy nostalgia more than anything else.

In all honesty. This has been a fun one to look at. Just looking back through Edguy’s back catalogue and remembering the great tunes from yesteryear. They are certainly a band that has stood the test of time with 10 albums under their belts and some of the most enthusiastic fans I’ve ever met. Going through this greatest hits compilation has really made me appreciate how good this band really is. From the heavy hard rock tunes, to their soaring ballads they make some of the finest metal music around. They may not be on the same level as the all time greats of the genre, but they always hold a special place in my music library. I will always think back to the time I first heard them roar into gear with “Ministry of Saints”. If you have never given them a chance do yourself a favour grab Monuments and get acquainted with one of the best metal bands in the world. At least according to this reviewer. Yeah, this might read as a bit of a fluff piece or it could read as a little self-indulgent. I really don’t care. I just wanted to look back on one of my favourites to celebrate 25 years of this band.

5/5

Mick Birchall

Iza’s Highlights of 2016 (Part 2: Metal)

Posted in Editorial/Opinionated, Misc. with tags , , , , , , , , , , , , , on 31st December 2016 by izaforestspirit

Time for the second part of my highlights of 2016, the metal edition. This part was much harder to write than the first because it took me a long time to chose my top ten metal of albums and even longer to decide on the winner. So here are my top ten favourite metal releases of 2016:

1. Vader – The Empire
Genre: Death Metal

This year, Vader strikes back with ‘The Empire’… Let’s face it, they were kind of asking for comments like this with that kind of an album title. Star Wars jokes aside, this is a really good piece of work. If you’re looking for some new death metal to check out, I would strongly recommend this album. Unlike their previous work, the masterpiece that was ‘Tibi et Igni’, ‘The Empire’ shows a back to basics approach. No complex structures or atmospheric intros, just good, old-school thrashy death metal. Best tracks: ‘Iron Reign’, ‘No Gravity’ and ‘Army-Geddon’.

2. Rob Zombie – The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser
Genre: Hard Rock/Industrial Metal

This year’s runner up deserves an award for coming up with the one of the longest album titles in years. I tend to refer to it simply as ‘The Electric Warlock’… Whilst still no match for his first two albums, ‘The Electric Warlock’ is Rob Zombie’s best work in years. Favourite tracks ‘The Hideous Exhibitions of a Dedicated Gore Whore’, ‘In the Age of the Consecrated Vampire We All Get High’ and the ultra cheesy but super catchy ‘The Life and Times of a Teenage Rock God’.

3. Devilment – II- The Mephisto Waltzes
Symphonic Gothic Metal/ Groove Metal

For those of you who read my highlights of 2015, you might remember my comments on the latest Cradle of Filth album. This year their vocalist Dani Filth has been busy working on the second album for his other band Devilment. ‘II- The Mephisto Waltzes’ is a delightful opus which happily mixes a variety of metal genres including Gothic, symphonic and groove metal. There’s even a touch of humour in the lyrics and several references to horror movies, modern horror literature and art – most notably Alfred Hitchcock and Stephen King. Best tracks are ‘Hitchcock Blonde’, ‘Dea Della Morte’ and ‘Full, Dark No Stars’.

4. Mortiis – The Great Deceiver
Genre: Industrial Metal

Ever since the Norwegian musician Mortiis started his own band in the mid ’90s, there has been some debate as to what category their music fits into. The older works are very much dark ambient, followed by the synth-pop period of ‘Smell of Rain, turning into the latest era of industrial rock. Their latest effort, the ultra creepy -sounding ‘The Great Deceiver’ is undoubtedly their heaviest and most complex album to date which is why I chose to include it in my metal top 10. Best tracks: ‘Doppelganger’, ‘Demons are Back’ and ‘Shining Lamp of God’.

5. Moonsorrow – Jumalten aika
Genre: Pagan Black Metal

Moonsorrow caught my attention after I saw them live at Tampere Metal Meeting Festival in the summer. I like some of their older material and after hearing some of the new songs live I decided to check out their newest album ‘Jumalten aika’. This is one of those releases where there are no real outstanding tracks, but rather the whole album is worth listening to in full. It’s one of the best pieces of pagan black metal that I’ve heard in a long while.

6. The Vision Bleak – The Unknown
Genre: Gothic Horror Metal

German Gothic horror metal duo The Vision Bleak are back with a new album. ‘The Unknown’ struck me as being somewhat “Lovecraftian”, both in the visual concept of the cover art and the the lyrical themes. Musically it is in every bit that you can expect from a Vision Bleak album; eerie Gothic horror metal with some doom influences added creating the soundtrack to your worst nightmare. Best tracks ‘The Kindred of The Sunset’ and ‘Into the Unknown’.

7. Metallica – Hardwired…To Self-Destruct
Genre: Thrash Metal/Heavy Metal

Just in case anyone is wondering why the new Metallica is so low down on this list, the truth is that I expected it to be better than it turned out to be. After all, it’s been eight years since their last studio album. Needless to say that the expectations were high. I wasn’t expecting this to be another ‘Master of Puppets’ or ‘Ride the Lightning’ but I was hoping for something along the lines of ‘Death Magnetic’ which I really enjoyed. Luckily ‘Hardwired…To Self-Destruct’ isn’t as bad as ‘St. Anger’ but it’s hardly a masterpiece. To be honest I think that it would be have been better off as an EP with just four or five tracks instead of the 12 songs and 13 music videos. I definitely like the first disc more than the second one and my favourites include: ‘Moth To The Flame’, ‘Dream No More’ and ‘Spit Out The Bone’.

8. Sabaton – The Last Stand
Genre: Power Metal

Sabaton are one of the very few power metal bands that I like. I’ve always enjoyed their live shows and I’m very fond of the concept album ‘Carolus Rex’. As with all Sabaton albums, their latest piece of work doesn’t disappoint as far as the historical themes go. This one tells the stories of eleven defensive “last stand” battles. Each song focuses on a different battle from various historical events ranging from ancient Greece, medieval Scotland, the two World Wars to Japan at the time of the samurais. That sounds awesome in principal, if only the actual music was that good. Sadly it isn’t. It’s ok but not great and most of the time Sabaton are just recycling old ideas, changing the themes but making similar music. The only tracks that I liked are: ‘Shiroyama’, ‘The Last Battalion’ and ‘Blood at Bannockburn’.

9. DevilDriver
Trust No One
Genre: Groove Metal

DevilDriver - Trust No One

The only real groove metal entry on this list, ‘Trust No One’ is DevilDriver’s best work in years. It is an aggressive beast of guitar-driven groove metal made all the more powerful thanks to Dez Fafara’s vicious growls. Best tracks: ‘Trust No One’ and ‘Daybreak’.

10. Theatres des Vampires – Candyland
Genre: Gothic Metal

It’s been a while since the Italian Gothic metal band Theatres des Vampires have released anything new. I’ve been a fan of their music for many years and so I was keen to get my hands on a copy of their latest piece of work. ‘Candyland’ is somewhat more metal-sounding than its predecessor ‘Moonlight Waltz’. There are notably less vampire themes on here compared to the previous album but other than that not much has changed. Sonya Scarlet is still the key figure in Theatres des Vampires. Whilst I still prefer their older works, back when Lord Vampyr was still a member of the band, I did enjoy this album. Best tracks ‘The Morgana Effect’ and ‘Resurrection Mary’.

 
Biggest New Discovery: Powerwolf
Best live show of 2016: Powerwolf live in Tampere
Most anticipated albums of 2017:
Ex Deo – The Immortal Wars
New albums from Cradle of Filth and (hopefully) Behemoth.

That’s all from me for now. Happy New Year!

Pieni’s highlights of 2016

Posted in Editorial/Opinionated, Uncategorized with tags , , , , , , , , , , , , , , , , on 31st December 2016 by Pieni

This year it was really REALLY tough to choose just 5 shows (Sam Alone, The Mission and Heavenwood should also be there somewhere):
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  1. Hills Have Eyes at Canecas Bar (Paços de Ferreira)
  2. Sonic Syndicate at Göta Källare (Stockholm)
  3. Moonspell at Pavilhão Multiusos (Guimarães)
  4. More Than A Thousand at Time Out Market (Lisboa)
  5. Testament at Coliseu (Porto)

The albums were easier:
Sister-StandUpForwardMarch_zps4zacwzye

  1. “Stand Up, Forward, March!” by Sister
  2. “Confessions” by Sonic Syndicate
  3. “Atoma” by Dark Tranquillity
  4. “When Patsy Cline Was Crazy…” by Ricky Warwick
  5. “Brotherhood Of The Snake” by Testament

My video top-5 is “lighter” than last year’s: two emotional, one a kind of tribute, and two funny as hell:

  1. “The Beat” by Satan Takes A Holiday
  2. “Make It Right” by Hills Have Eyes
  3. “I Apologize” by Five Finger Death Punch
  4. “The Great Disillusion” by Betraying The Martyrs
  5. “Call Me” by Pain

Anticipations/expectations for 2017:
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  1. Infraktor – a “gourmet thrash metal” all-star project who I’m proud of being close to, hence keeping tabs on. Let’s see how others will receive them.
  2. Hills Have Eyes – saw some new pictures of the boys in the studio. Needless to say I’m thrilled.
  3. Equaleft – yep, something’s still brewing…
  4. Five Finger Death Punch – “Got Your Six” isn’t my favorite 5FDP album but it’s still good enough. Let’s see if what they’re up to now pleases me more.
  5. Guns N’ Roses – this is a live expectation. I’m having totally mixed feelings about this reunion. Not even sure if I’ll go to the Portugal show, so I’m also expectant on what my final decision will be…

Happy New Year peeps!

Renata “Pieni” Lino

Iza’s Highlights of 2016 (part 1: Industrial/EBM/darkwave)

Posted in Editorial/Opinionated, Misc. with tags , , , , , , , , , , , , , on 30th December 2016 by izaforestspirit

2016 is almost over which means that it’s now time for my annual “Best of” or “Highlights” as I prefer to call them. This year’s edition will be in two parts – industrial and metal. I’m still working on my list of top ten metal albums so I’ve decided to list the industrial ones first. So here are my favorite industrial/EBM and electro releases of 2016:

1. Lord of the Lost – Empyrean
Genre: Industrial Rock/Dark Rock

Lord of the Lost is a new discovery for me. I’ve been ignoring them for years, thinking that they were some sort of glam rock band. Then this year I had the pleasure of seeing them live when they supported Combichrist and I was totally blown away by their performance. I ended up buying all their albums. They sound like a mixture of HIM and Deathstars. ‘Empyrean’ is their heaviest and most complex album to date. Stand-out tracks: ‘Drag Me to Hell’ and ‘In Silence’

2. Heimataerde – Aerdenbrand
Genre: Medieval Industrial/Aggrotech

The German brotherhood of dark electro Templar knights are back with a new album. Fans of their work will know what to expect from this one; atmospheric dark electro with a medieval tinge. It’s a delightful mix of creepy and catchy Aggrotech with both ballads and dancefloor hits. Favourite tracks: ‘Fühl die Zeit (featuring Joachim Witt)’ and the kids’ nursery rhyme -inspired ‘Hick Hack Hackelbeil’.

3. Combichrist – This is Where Death Begins
Genre: Industrial Rock/Aggrotech

This album was not the easiest one to get into. Fans of Combichrist’s older songs will be shocked to discover just how guitar-driven this band has become. The previous album ‘We Love You’ was just a taster of what’s to come. The industrial and harsh electro elements are still present, but guitars are making inroads and they are here to stay. Combichrist is now an industrial rock band. As soon as you accept that you might actually start to enjoy this album. I did. Favourite songs: ‘Exit Eternity’, ‘My Life My Rules and ‘Skullcrusher’.

4. Memmaker – Let There Be Lasers
Genre – Power Noise/Rhythmic Noise

Eight years is a long time to wait for an album and that’s how long it’s been since Memmaker released their debut ‘How to Enlist a Robot Uprising’. Luckily the follow-up ‘Let The Be Lasers’ was worth the wait. The Canadian power noise band have essentially picked up from where they left off. So if you like power noise and songs about space travel and robots is your thing, then this is the album for you. Best tracks: ‘Doom Ray’, ‘Manipulate’ and ‘Race to Space (feat. Detroit Diesel)’.

5. Nachtmahr – Kampfbereit
Genre: Techno Industrial/Aggrotech

Nachtmahr are a bit controversial band within the industrial scene. Their music has always had a militaristic theme which has led to allegations of fascism. They sure like to harbour a fetish for women in uniform but I never quite got the fascist or misogynistic connections. I personally I like their music and I try not to think too much about their imagery. This year was the first time that I chose not to buy a physical copy of their new album. I have enough coffee-table books and these days I mostly listen to their music at the gym. So I bought the digital version instead. It’s great treadmill/cross trainer music. Best tracks: ‘Kampbereit’, ‘Tempus Fugit’ and ‘Burning Bridges’.

6. Scandroid – Scandroid
Genre: Synthwave

Scandroid is a side-project of the American musician Klayton (Celldweller, Circle of Dust). It was originally a two-man project featuring Klayton and Nick Pittsinger (Varien) who took on the identities of “Red” and “Raven” in the futuristic cyberpunk world of Neo-Tokyo, where the Scandroid story takes place. “Raven” left the project in 2014 which means Scandroid is now a solo project with “Red” as the main character. The music is a mixture of ’80s -style synth-pop/synthwave with a sci-fi tinge. The album tells a story so it’s difficult to pick out any specific individual tracks, but personally I’m very fond of ‘Aphelion’, ‘Empty Streets’ and ‘Neo-Tokyo’.

7. Terrolokaust – Dissensions
Genre: Industrial Rock/Aggrotech/Dark Electro

This year I finally got to see this Spanish harsh electro duo live at Resistanz Festival. That was a good show which served as my introduction to the band. They are similar to Combichrist in a sense as their style has changed from Aggrotech towards a more industrial rock sound. Their latest opus ‘Dissensions’ contains a mixture of both styles. There is something here for fans of either genre – whether it’s dance tracks like ‘Pursuit of Ruin’ or guitar driven industrial rock song such as ‘A Masochist’s Tale’.

8.Ost+Front
Genre: Neue-Deutsche-Härte

I have to be honest here in that I have mixed feelings about this album and Ost+Front in general. They give the impression of being essentially a Rammstein-clone, adapting not only the music and vocal style but also the themes and the imagery of their world-famous countrymen. Despite this I decided to include their new album on this list because of a few tracks that stood out – the sombre and profound ballad ‘Sternenkinder’ and ‘Bruderherz’. ‘Fiesta de sexo’ also deserves a mention due to guest appearance of Erk Aicrag (Hocico).

9. My Own Sorrow – The Entity
Genre: Dark Electro/Occult Ambient

‘The Entity’ is the latest album from the Swedish dark electro artist My Own Sorrow. His music is primarily instrumental, atmospheric dark electro with strong themes of horror and occultism. All the songs have an eerie feel to them. It’s like listening soundtrack to a horror movie. Best tracks ‘Succubus’ and ‘Rats In The Walls’.

10. Blutzukker – The Ultimate Collection
Genre: Dark Electro

Blutzukker is the dark electro project of the German artist Ben Blutzukker. He is currently involved in two projects; a heavy metal band under the name of Ben Blutzukker, who released an EP last year and the aforementioned dark electro act Blutzukker. What we have here isn’t really a new release but rather a collection of all Blutzukker’s works including some rarities and unreleased demos. So if you like dark electro, horror themes with a touch of humour then I would strongly recommend this. Best tracks ‘Fright Club’, ‘Queen of the Nite’, ‘The Vampire Strikes Back’.

Biggest new discovery: Lord of the Lost
Best live show: it’s a tie between Combichrist live in Tampere and Memmaker at Club Infektio, Helsinki
Most Anticipated albums of 2016:
Marilyn Manson – Say10
Blutengel – Leitbild
New albums by Suicide Commando and Grendel

Stay tuned for the metal edition, coming soon!

Mick’s Highlights of 2015

Posted in Editorial/Opinionated with tags , , , on 31st December 2015 by mickbirchy

This year has been really awkward.  Last year I managed to make a full top 50 list, this year I struggled to find 10! Well, when everything around is quite mediocre the really good stuff rises to the top and that makes for a more definite list.  Same rule as I always have for these lists and yes I only have one rule.  It’s all dependant on how much I enjoyed the album… No other criteria just that. If I really enjoyed it then it’s on this list!  So let’s not waste any more time here are my top 10 albums of 2015.

  1. Artist: Kadavar   Album: Berlin

Released: 21st August 2015 via Nuclear Blast Records

I will admit that I’m a sucker for some good old fashioned riff-rock and Kadavar certainly scratched my itch with Berlin. It has some great riffs and weird lyrics that don’t really make any sense upon first listen but have a deep meaning once you really open your mind and feel the music. I was really impressed with the overall sound of the album, all 70’s style groove with a modern twist, just a shining example of their really inventive writing. Also some praise for Simon Bouteloup, being that this was his first time recording a full length Kadavar album, he really does a splendid job in making some interesting and fun bass grooves. From start to finish, the album just feels right to listen to. I really would recommend this to anyone in seek of some great riff-rock and I look forward to whatever comes next from them. It’s not a bad number 10 for this list I suppose.

  1. Artist: Lancer   Album: Second Storm

Released: 10th April 2015 via Despotz Records

I didn’t actually realise how much I really enjoyed this album.  After about 90 or so playthroughs this has just ended up being a real comfort to me this year.  This is a really well crafted album with some astonishingly good solos and a really familiar yet invigorating sound. Lancer have shot up in my estimation.  Really, Second Storm is something that you may want to to check out.

Link to the review: https://valkyrianmusic.com/2015/05/25/lancer-second-storm/   

  1. Artist: Monster Magnet   Album: Cobras and Fire (The Mastermind Redux)

Released: 2nd October 2015 via Napalm Records

If you read my review of this album you will know that I was initially intrigued by the very concept. However, this album has only gone up in my opinion the more I’ve listened to it.  I haven’t had this much fun analysing an album since Sonata Arctica, with all of the fantastic lyrical skills of Dave Wyndorf. I just want to spend a day inside his mind, just to see how it works because this album is just one weird concept.  Firstly they “reimagine” Last Patrol, and now they have remade Mastermind with Cobras and Fire. How did Monster Magnet take an album that sounds like that and turn it into this?  I said this in my review and I’ll say it again.  If you’re interested in songwriting then get yourself a copy of Cobras and Fire and while you’re at it get the original Mastermind as well! Link to the review: https://valkyrianmusic.com/2015/11/22/monster-magnet-cobras-and-fire-the-mastermind-redux/

  1. Artist: The Gentle Storm   Album: The Diary

Released: 23rd March 2015 via Inside Out Music

What do you get when you take two of the most talented songwriters in metal stick them together and get the to make an album.  Well, it sounds like The Diary by The Gentle Storm. Anneke Van Giersbergen and Arjen Lucassen have produced, what I believe to be, one of the very best progressive metal albums ever (coming from someone who’s not that into prog-metal, and knows very little about the genre). I love the concept in itself of having two versions of the album, one in folk arrangements and one with metal. It sounds great either way you listen to it. The whole thing is very grandiose and captivating.  Also I found the central story of the album quite emotional and impactful. Anneke’s voice perfectly complements the musical arrangements that Arjen provides and every song is a delight to listen to.  If you missed this one, do yourself a favour and buy it now.

  1. Artist: Gloryhammer   Album: Space 1992: Rise of the Chaos Wizards

Released: 25th September 2015 via Napalm Records

Well, you definitely couldn’t get any sillier in the world of metal this year.  Well there may have been something that I just didn’t get around to. Anyway, in all honesty my opinion hasn’t changed much since my review so go read that.  This is just a fun record with some fun concepts and themes and the band go all the way with it!  Very enjoyable.

Link to the review: https://valkyrianmusic.com/2015/09/27/gloryhammer-space-1992-rise-of-the-chaos-wizards/

  1. Artist: Zebrahead   Album: Walk The Plank

Released: 8th October 2015 via Rude Records

In a year that has been honestly quite depressing in this country. With the UK government strangling the country itself, the rise of terrorism paranoia that came with the infamous Paris attacks and all of the flooding in the north of England. Wasn’t it really nice that we had one of the best party rock albums since Andrew WK’s – I Get Wet (at least in my opinion).  Zebrahead really shocked me this year as I wasn’t expecting the album to be so good.  I haven’t listened to Zebrahead in a long time but found my way back to them this year with Walk The Plank. This is a fantastic album that is just bursting with energy and fun.  As soon as I bought it I must have listened to it about 20 times in one day and every day since I find a reason to play at least one song off of it.  Something I haven’t done with any album in quite a while. Songs such as “Who Brings a Knife to a Gunfight?”, “Headrush”, “Keep It to Myself” and “Freak Show” are all great songs that I couldn’t get enough of and tunes I kept singing long after I turned off the album.  This was just the fun of 2015.

  1. Artist: Black Star Riders   Album: The Killer Instinct

Released: 20th February via Nuclear Blast

This is an album that has just got better and better as the year has gone by.  This was the first album that I reviewed for Valkyrian this year and I still hold the opinion that I had at the time. However, I also feel that my point of view has matured as well.  At the time of writing my review I was very much writing a first impression of the album more than an actual “review”. Now that the album has had some time to sit and I’ve had opportunities to return to it at will, rather than the pressure of writing a review, I can honestly say that this is fantastic.  I really seems like BSR have gelled and really created an album album the feels timeless.  The riffs and solos are well crafted and the music as a whole is well composed. This has really been another comfort album for me in 2015, something that I could go back back to again and again and never really get tired of it.

Link to the review: https://valkyrianmusic.com/2015/03/08/black-star-riders-the-killer-instinct-deluxe-edition/

  1. Artist: Gus G  Album: Brand New Revolution

Released: 24th July via Century Media

Yup… Pretend like you didn’t see this one coming from a mile off.  I think I’ve already said everything I wanted to say about this album in my review so just go and read that.  However, I’ll say this, Brand New Revolution is one awesome album that rewards repeated listens and it put a big smile on my face this year!

Link to the review: https://valkyrianmusic.com/2015/06/21/gus-g-brand-new-revolution/

  1. Artist: Tremonti  Album: Cauterize

Released: 4th June 2015 via Fret12 Records

If you know me on any sort of level you’ll have probably know that Mark Tremonti is one of my icons of music.  In my opinion there is not a single song-writer in the industry today that is more consistent when it comes to the quality of their releases.  Anytime this man puts his name to a record it’s almost a seal of quality (in my eyes at least), and Cauterize is no exception. The album hits you right away with stunning guitar work and amazing songwriting. Tremonti delves deep into emotional and dark issues and moves between them seamlessly with ease with songs like “Flying Monkeys”, “Tie The Noose”, “Another Heart” and “Dark Trip”. After listening to this album a hundred times and seeing the songs played live in concert, in Manchester. I can safely say that Cauterize defined my 2015 in terms of heavy rock.

  1. Artist; LiSA  Album: Launcher

Released: 4th March 2015 via Aniplex Inc.

This really has been the year of of discovery for me and by far the best discovery that I could have made this year is the Japanese singer-songwriter known as LiSA. From the moment I heard her music this year I was instantly hooked by the upbeat catchy nature and the album Launcher is really one that grabbed my imagination.  So I watch a lot of anime, and I have always been fascinated with the music that accompanies the shows. So rather than becoming a fan of the shows themselves, I hunt the music down with a passion. LiSA, has created many theme songs for many shows that I’ve enjoyed and when I heard the song “Crossing Field” for the show Sword Art Online, I wanted to know who made the song. That’s where I discovered LiSA. I found her music online and instantly bought her entire discography, there and then, and I discovered a whirlwind of interesting sounds and magical atmosphere that I have never heard before in my regular music taste.  Launcher, her most recent full length album is a delight, with songs like “Raising Hope”, “Fragile Vampire” and “L.Miranic” it all just instantly jumped out and made me smile.  Anytime I’ve been feeling down this year, I have turned to LiSA’s music. Also not to mention her three separate single releases this year would be a crime… “Rally Go Round”, “Empty Mermaid” and “ID” are all pumping tunes that get me going and just inspire me to do new things with my time.  This was not only my album of 2015 but my favourite discovery.  

I hope you enjoyed the list and I hope you keep well and have a happy 2016.  A plethora of new music is coming out this year that I’m more than excited for.  Artist like Tantric, Sick Puppies, Hatebreed, Flogging Molly, Alter Bridge, Black Stone Cherry, Avantasia and Volbeat have all confirmed new releases for next year and I simply can not wait!.

All the best

Mick Birchall

Pieni’s Highlights of 2015

Posted in Editorial/Opinionated with tags , , , , , , on 30th December 2015 by Pieni

Following the tradition of the last couple of years, here’s my top 5 gigs of 2015:
 photo _DSC0475 copy_zpsmttyoloo.jpg

  1. Hills Have Eyes at Hard Club (Porto)
  2. Mötley Crüe at Mediolanum Forum (Milan)
  3. The End Of Grace at Sticky Fingers (Gothenburg)
  4. Equaleft at Hard Club (Porto)
  5. Alice Cooper at Mediolanum Forum (Milan)

The albums (to which I must add how happy I am to notice that 4/5 come from my homecountry):
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  1. “Antebellum” by Hills Have Eyes
  2. “That’s The Spirit” by Bring Me The Horizon
  3. “Extinct” by Moonspell
  4. “Everything Ends” by Web
  5. “Soul Rebel” by Devil In Me

My choice for videos was pretty somber – two focusing on child abuse, one on bullying and another one just being creepy. The last one is funny, but in an aggressive way:

  1. “Don’t You Worry Child” by We Are The Catalyst
  2. “Omotenashi” by The Year
  3. “Diabolical Work Of Art” by Sonic Syndicate
  4. “Yara’s Song” by Mustasch
  5. “Jekyll And Hyde” by Five Finger Death Punch

Anticipations for 2016? Yeah, I have a few:
 photo DSC00044 copy_zpsx8kibzi8.jpg

  1. Equaleft – a new chapter is being written, with a new guitarist. Not sure if the new album will be released already in 2016, but something new will certainly be introduced to us.
  2. The End Of Grace – it was postponed, again, but I believe it was for the last time.
  3. Hashtag Yolo – they’re getting serious about this, so let’s see how that goes.
  4. The 69 Eyes – new album from the Helsinki Vampires!
  5. Sister – with their 10th anniversary, the sleazy punks announced “something huge” for 2016…

Happy New Year, folks!

Renata “Pieni” Lino

Remember When People Could Wear What They Wanted To Gigs Without Been Mocked Online? – A Response To Paul Cooke

Posted in Editorial/Opinionated with tags , , , on 21st January 2015 by Nico Davidson

Edit: The original article by Paul Cooke has been removed from the online publication that published it. This article will remain up for archive purposes only.

An article came to my attention as it flooded my newsfeed on Facebook. The article, titled Remember When Metal Gigs Were Populated By Metal Fans? – A Rant by Paul Cooke, appears to have invoked the ire of a lot of my metal loving Facebook friends. Paul took it upon himself in the article to begin moaning about various going ons by people at one of the recent shows on the SlipknotKorn Prepare For Hell UK tour. So, Paul, my question for you is, if you are reading this, what makes it acceptable for you to “rage” about people not wearing the typical attire of gig goers? Do you remember the days when people could wear what they wanted at gigs without fear of been mocked online by the press? I certainly do.

Remember the days when metal gigs were populated by metal fans? I mean people who actually looked like they were into metal? There are still gigs like this but Slipknot etc attract a fair share of the NEXT, TOP SHOP, TOP MAN, MISS TWATTIN’ SELFIDGE brigade and it winds me the fuck up. Are you so ashamed of the music you like that you can’t even be arsed to look remotely like a metal fan?

Any real metal fan will tell you that they couldn’t give a damn what they dress in as it’s the music that matters. So what if Slipknot attract people that wear clothes that are typically sold at outlets like Next and Top Shop? I’m sure Slipknot don’t care, since these are the people who have come to see them play live, not strut down the proverbial catwalk to see who looks the most metal.

Last night I sat next to a (young) couple who looked like they’d just walked out of Top Shop and Top Man respectively. Taking selfies of themselves, they never spoke a word to each other as they fannied with their phones and fooked about on Facebook between bands.

Le gasp! How dare people take photos of themselves! Oh, the inhumanity! And they “fooked about on Facebook” between bands? Oh no! They should be locked up for life! I mean, it’s not like Facebook is probably more interesting to do than watch the stage crew set things up for the next band.

Just before Slipknot hit the stage they pulled matching Slipknot t-shirts from a carrier bag and slipped them on over their clothes. They left 2 songs before Slipknot ended, removing their tees and placing them back in the bag. Total Cocks.

People do this a lot at shows. Some people – myself included – have been known to change shirts numerous times throughout a show or festival to show support for the different bands on the bill.

And to the woman in front of me who was just following Chelsea FC’s Twitter feed all night – I hope you die a horrible obesity related death.

That’s really mature. Maybe she wasn’t into the music and she was accompanying her friend/family member/significant other? But what I’d like to really know is, why did you spend so much time and energy paying attention to which Twitter feed she was following “all night”? Surely, by your logic, you should “die a horrible obesity related death” as it’s apparent you didn’t watch the bands that much.

And one the bus home I felt compelled to watch an irritating couple going through all the shit images they’d taken that night on their phones. I nearly banged their heads together. It didn’t help that she had a set of teeth that could eat an orange through a fence plus an annoying face.

I’m sure a lot of people, just like me, are wondering what this actually has to do with the show. So what if a couple were going through “all the shit images” they’d took? Why did that mean you almost banged their heads together? And why does her teeth and face have to come into the equation?

Really, Paul, are these your gripes at shows? When people go to shows, they go to enjoy themselves, not to write an article afterwards about how people just aren’t metal any more. To say that watching bands, by your logic, is more important than Facebooking or following feeds on Twitter, you certainly watched a lot of non-band stuff go on.

With no due respect, your article comes off like the whining of a 14 year old kid that’s been told by their parents that they’re banned from the X-Box for a week. All I can suggest is that next time you go to a show, ignore everyone around you and just keep your attention on the bands and the amount of beer in your glass.

Sincerely
Nico

Pieni’s Highlights of 2014

Posted in Editorial/Opinionated with tags , , , on 31st December 2014 by Pieni

I’ve been to a lot, but really A LOT of amazing shows this year. But the top-5 wasn’t that hard to choose:

 photo SOSYZ41_zpsf0633a3c.jpg

  1. Sonic Syndicate at Zakk (Düsseldorf)
  2. The End Of Grace at Valand (Gothenburg)
  3. Skid Row at The Underworld (London)
  4. R.A.M.P. at Canecas (Paços de Ferreira)
  5. Equaleft at Metalpoint (Porto)

The downside of attending so many shows is that I lack the time to pay attention to all new releases. Here are the five to which I did pay loads of attention:

 photo SS_zps20c7a80d.png

  1. “Sonic Syndicate” by Sonic Syndicate
  2. “Ghost Empire” by Caliban
  3. “Adapt & Survive” by Equaleft
  4. “Vol. 5 – Lost At Home” by More Than A Thousand
  5. “Circle” by Sparzanza

Believe it or not, it was the top videos that gave me a hard time. Despite the lyric video trend, which has also improved graphically (next year I might even come up with a top 5 of those), it’s nice to see that there are still so many videos with such visual impact:

  1. “House Of The Rising Sun” by Five Finger Death Punch
  2. “All The Devil’s Toys” by Deathstars
  3. “Riskbreaker” by BatAAr
  4. “Five Minutes” by The Defiled
  5. “To Hell And Back” by Sabaton

Now the anticipations for this new year that starts tomorrow:

 photo teog14_zps8de7d2ee.jpg

  1. The End Of Grace – we all know how plans fail, especially when it comes to a new band, so the debut album that they were hoping to release this year was postponed to 2015. So here they are again, topping my expectations.
  2. Through The Cracks – definitely waiting eagerly for this one! And now that singer Tillie Grundel has left, the curiosity is even bigger.
  3. Web – despite my close relationship with this band, it’s all been hush-hushed and I have no idea what’s coming out of there. But I’m sure it will be great.
  4. Hills Have Eyes – it shouldn’t be long until “Antebellum” hits the stores!
  5. Hardcore Superstar – anything that comes from these sleazy bastards is worth it, 10th album or not.

Happy 2015 people!

Renata “Pieni” Lino

Hannah’s 2013 Highlights

Posted in Editorial/Opinionated, Misc. with tags , , , , , on 4th January 2014 by Hannah

Well, we are now 4 days into 2014, and it’s that time of year again. Time to look back and reflect on 2013, a year of great highs and lows. Personally, 2013 was a crock of shite. Ill health, family and friends dropping like daisies, rubbish chucked at me academically; I’m well shot of it. Musically, however, it was much better! We had a few absolute curve balls chucked at us, but in general I think it was a splendid year for musical releases within the metal world and beyond. So without further ado, here are my Top 10 metal albums of the year. Strap yourselves in and play the Top of the Pops theme tune as we count them down- but in no particular order. Sorry!

FinntrollBlodsvept

An absolute corker of an album, Finntroll are once again on shining form. I sometimes wonder if the rollicking band of Finnish folk-stalwarts will get one wrong, but they prove themselves time and time again.

GhostInfestissumam

In many ways, 2013 could be seen as the year of Ghost (for copyright purposes, in the ol’ U.S. of A., see: Ghost B.C.). Papa Emeritus II (or should that be 1.2?) and his ghoulish brigade seem absolutely unstoppable and this proggy, weird, almost unsettlingly catchy offering gives more fuel to that fire.

CathedralThe Last Spire

As we shall see in my ‘Top 5 Highs and Lows of 2013’ shortly, this was also the year I was forced to say goodbye to one of my favourite bands, but Cathedral’s last ever offering did not disappoint. As many observed, this seemed to bring them full circle and back to their simple, crushing doomy roots and it was a bittersweet triumph.

Chthonic- Bú-Tik

The Taiwanese black-symphonic metallers offered us this brutal follow up to 2011’s brilliant Takasago Army this year, and what an album! The troupe from Taipei constantly manage to sound fresh and never lose any of that fury, channelling their rage in their music and fleshing their sound out with that distinctive, symphonic blend of metal and traditional Taiwanese refrains.

Black Sabbath- 13

If you know me, then you know I like grinding, crushing, groovy metal. Then it must come as no surprise that this list includes 13, the phenomenal come back from the legends that are Black Sabbath. Sounding as fresh and vibrant as they did on seminal releases such as Black Sabbath or Paranoid, 13 saw Sabbath at their absolute best, and I for one am so happy to see them back.

Amon Amarth- Deceiver of the Gods

I can’t possibly list my favourite albums of the year without Amon Amarth. Some people say they are samey and don’t offer anything new. I think they know what works and stick to that winning formula. The Swedes once again brought their mythological flavoured metal to us on this stonker and I love it.

Fleshgod Apocalypse- Labyrinth

Italian technical death metal band Fleshgod have been around for a while but they are a relatively new thing for me. Having said that, Labyrinth is a great album and well deserving of a place in my top 10. For one, it’s a concept album based on mythology- the legend of the Labyrinth of Knossos, if you didn’t know, but of course you did- and for two, it does it well. Brilliant, from start to finish.

Tyr- Valkyrja

I’ll keep this short and sweet- Tyr are phenomenal. The two covers that round this album out are almost unrecognisable in their execution. The progression shown by Tyr from The Lay of Thrym to this is fascinating and I can’t wait to see where they go next.

Hell- Curse and Chapter

Really, if I’m being honest, 2013 was the year I fell in love with Hell. I can’t say enough good things about this band- they are blasphemous, outrageous, and ridiculously good fun to boot. They serve up a one-of-a-kind blend of NWOBHM and theatrics and Curse and Chapter is just outstanding. I predicted that they will be Bloodstock headliners within five years in this year’s Bloodstock review. I now make that three years.

Satyricon- Satyricon

A rather controversial choice, maybe? I know how unpopular this record has been with a lot of long-time Satyricon fans, but this long-time Satyricon fan loved their eponymous album. The thing I love about Satyricon is that Satyr is never afraid to go to places that make fans uncomfortable and force them out of that safe zone. Their albums are never formulaic and I really appreciate their bravery and daring, and willingness to shake things up. A great album.

Wasn’t that fun? Now, this next Top 5 may be a little unorthodox, but I’m a music lover. I love all music, even- SHOCK HORROR!- that which is not metal. So here are my 5 Top Non-Metal releases of the year!

HIM- Tears on Tape

HIM are one of my favourite bands- okay, you can shoot me if you want- because they do what they do incredibly well and without apologies. Tears on Tape is one of their best albums to date and it’s surprisingly heavy in parts- you can see that Ville Valo really worships a few gothic and doom metal bands in the songs on this record!

AFI- Burials

I was thoroughly mortified by Crash Love. Like, irrevocably mortified. AFI are a band I have loved since I was 12 and whilst Burials is definitely no closer to what they used to be than Crash Love or even Decemberunderground, it manages to make up for it in atmosphere and a healthy dose of gloom. Davey Havok’s voice hasn’t sounded this good in a long time, and neither has Jade Puget’s playing. Welcome back, boys!

David Bowie- The Next Day

David Bowie is the king and I worship him. Seriously, though, The Next Day is a welcome return by the Thin White Duke, 10 years after his last release, and it is an unusual, almost-awkward slice of musical bliss. This album shows more energy and enthusiasm for making beautiful music- to get pretentious, for making auditory art- than bands half his age.

Little Mix- Salute

I love Little Mix, I don’t even care. They were put together on that Christmas-number-one machine that is The X Factor, sure, but they actually work ridiculously well together as a group and they contribute to the writing of their songs to boot. Their second album, Salute, is indeed a salute to the sassy, R’n’B flavoured pop of the nineties. It works, it’s ludicrously catchy, and I love it.

Lorde- Pure Heroine

I hated Lorde the first time I heard her. Her lyrics are stupid and non-sensical (see: Tennis Court), the kind of faux-intellectualism loved by the stylish hipster crews that are the current ‘in’ crowd. She’s a clever girl with some fierce ideas, though, and by GOD did this album get under my skin after a while and now I can’t get enough of it and I’m sorry.

Okay, I’ll get back to the metal now. Rounding up my 2013 retrospective is a look at five of the most important events of the year. These are my Top 5 Highs and Lows of 2013.

Randy Blythe is acquitted

Of course, the story most people will remember this year is that Randy Blythe was acquitted of all charges on the 5th of March this year. Blythe had been facing jail after 19 year old Daniel Nosek died after being pushed from the stage at a Lamb of God show in Prague in 2010. Whilst the courts agreed that Blythe was morally responsible for Nosek’s death, they did not find him guilty of any criminal liability.

Emperor Reform for 2014 Festival Season

Yes, my friends. Legendary black metal outfit Emperor officially announced a reunion for a series of special performances, including Wacken’s 25th anniversary, BOA 2014 and Hellfest 2014. I have my ticket to Bloodstock and I can’t fucking wait, because Emperor are the bee’s proverbial knees. Oh yes.

Cathedral Call it Quits

30th April 2013 was a sad, sad day in the world of doom metal, as protectors of the groove Cathedral called it a day on the release of their tenth studio album, The Last Spire. After waving the flag for crushing, gloomy, often psychedelic doom for twenty-one years, Lee Dorrian, Brian Dixon, Gaz Jennings and Scott Carlson took their final bows. Their legacy lives on.

Joey Jordison Slipknot Shock

In a rather bizarre turn of events, the 12th of December saw the shock announcement of Joey Jordison’s departure from his ‘main’ band of 18 years for ‘personal reasons’. The plot however thickens as it has been revealed in the last 24 hours that Jordison himself had no idea of his apparent departure. Will we ever know what’s going on? Will this cause a duel to the death between Corey Taylor and Joey Jordison before Mick Thompson steps in and holds them apart by the scruff of their necks whilst the rest of the band talks sense into them? Who knows?

Black Sabbath Top Charts

Yeah, if producing an album as impressive as 13 wasn’t enough, Black Sabbath also went and topped the UK Album Charts with it. Their first offering in 18 years managed the rare feat of placing top in the mainstream charts, and how often does a bunch of hairy, lairy old metalheads do something like that? Keep going, boys.

So that was 2013. There’s a lot I’m looking forward to in 2014, but my highlight will most certainly be Bloodstock 2014. I shall see you there! To all Valkyrian readers- I wish you a Happy New Year and have a good one!

Nico’s Highlights of 2013

Posted in Editorial/Opinionated, Featured with tags , , , , , , , , , , , , , , , , , , , on 31st December 2013 by Nico Davidson

So, it’s that time of year when everyone picks out their highlights of the year. I figured that this year, I’ll jump on the bandwagon. So here are my highlights of 2013… Including a few non-metal releases!

Best Albums Of 2013:

1. Leaves’ Eyes – Symphonies Of The Night

2. Azylya – Sweet Cerebral Destruction

3. Wretched Soul – Veronica

4. Seduce The Heaven – Field Of Dreams

5. Hecate Enthroned – Virulent Rapture

Best Live Acts of 2013:

1. Re-Armed

2. Azylya

3. Delain

4. The CockRockets

5. Bharghest

Best Yorkshire Bands of 2013:

1. Severed Heaven

2. Bharghest

3. Narcotic Death

4. XIII

5. Skull Branded Pirates

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Best Non-Metal Albums of 2013:

1. Janet Devlin – Hide & Seek

2. Kelly Clarkson – Wrapped In Red

3. Ben Parcell – Expectations

Pieni’s Highlights of 2013

Posted in Editorial/Opinionated on 30th December 2013 by Pieni

Given my passion for live music, I’ll start by listing the 5 gigs I’ve enjoyed the most this year:
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  1. Hardcore Superstar at Koko (London)
  2. The End Of Grace at Rockbitch Boat (Baltic Sea)
  3. Hypocrisy at Hard Club (Porto)
  4. Skid Row at Electric Ballroom (London)
  5. Def Leppard at Palacio Vistalegre (Madrid)

Of course the shows can’t roll on without new music here and there, so now I give you my top-5 of releases:
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  1. “Lost in Transition” by The End Of Grace
  2. “Wrong Side Of Heaven and Righteous Side Of Hell – vol. 1” by Five Finger Death Punch
  3. “C’mon Take On Me” by Hardcore Superstar
  4. “Daggers” by The Defiled
  5. “The Living Infinite” by Soilwork

In a time where live and lyric videos are getting so much popular, I’d like to show my appreciation for those who can afford to go beyond that:

  1. “Unspoken” by The Defiled
  2. “There Are Those Who Kill Violently” by Dementia 13
  3. “Hit On The Radio” by Blowsight
  4. “Rise Above The Sentiment” by Soilwork
  5. “California” by CrashDïet

Last but not least, my top-5 anticipations for 2014:
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  1. The End Of Grace – if I was all hyped with just an EP, I can’t wait to hear the full length!
  2. Sonic Syndicate – their hiatus is finally over, I’m super excited about their return.
  3. Sister – I only paid attention to them recently, but they won me over! I sure want to know what else they’ve got.
  4. Equaleft – those groovy Portuguese guys are preparing something big.
  5. Man.Machine.Industry – it’s been announced they’re changing things a bit… Let’s see what those changes are.

Happy New Year everyone!

Renata “Pieni” Lino

Damnation 2013: Bands you must see!

Posted in Editorial/Opinionated, Featured with tags , , , , , , , , , , , , , on 11th October 2013 by Nico Davidson

The days are counting down until Damnation Festival once again lays waste to the city of Leeds with a truly heavy, dark and spectacular line-up. Here’s our list of bands you must go see at this year’s Damnation…

Rotting Christ

Chosen by Iza Raittila.

For those who are fed up with all the gimmicks present in today’s black and death metal scenes, be sure to check out Rotting Christ at this year’s Damnation Festival. These guys prove once and for all that there’s really no need for corpse-paint or fancy, “evil” looking stage-props to put on a great show. They rely solely on their energy and skills as musicians to win over the crowds. You won’t be disappointed.

Carcass

Chosen by Alex Cook.

The legendary Carcass are due to headline this year’s Damnation festival and I have heard from many people that they are the ONLY band that they are bothered about seeing. This in many ways is a shame, but such is the power of a band that so many metal fans grew up listening to. Carcass are easily one of the more accessibly Death metal bands, although suitably graphic in their lyrics, their real strength lies in the accessibility of their riffs and the urge they produce in us to bang our heads with complete abandon. I was listening to my copy of Heartwork recently (on cassette no less) and was struck by the fact that despite it being 10 years old, it still sounds fresh and heavy without being over-bearing. It is an album that leaves on imprint on your musical memory, so that when anyone mentions the band or you hear a snippet of No Love Lost, Embodiment or Doctrinal Expletives to name but a few, you are reminded why you first fell in love with the genre in the first place. That, and Carcass’s new album Surgical Steel is something of a quiet masterpiece. Unpretentious and all-encompassing, it delivers on everything we expect from Carcass which is solid, accessible and memorable material. If you’re still not sure about the merits of Carcass, let them entertain you at Damnation festival. I am certain that even if you just stick your head around the door, you will be enchanted and undoubtedly end up in the pit that ensues whenever Carcass play live.

God Seed

Chosen by Hannah O’Flanagan.

If you’re asking me why you should go and see God Seed, I’ll ask you why you’re attending Damnation at all. Made from the fall out of the Gorgoroth name dispute saga, God Seed is Gaahl and King ov Hell‘s new project that delivers insanely atmospheric black metal as only Gaahl and KoH can. They’ve triumphantly appeared at Wacken and supported Cradle of Filth on their Manticore tour, and I can guarantee the experience of watching God Seed perform will be like no other. Their 2012 debut I Begin is a good place to start if you still don’t believe me. But stand before the infernal glory of God Seed and I promise you won’t be disappointed.

Vallenfyre

Chosen by Alex Cook.

Vallenfyre are also a band to look out for at Damnation. They are something of a super-group for those whose hearts belong to early 90’s Doom and Death metal, and they do not disappoint. Featuring Gregor Mackintosh from Paradise Lost, Hamish Glencross from My Dying Bride and Adrian Erlandsson of At the Gates, you get the impression from their releases that it is just a bit of fun and that the members are stretching their wings and proving they have a capacity for a genre separate from how they have made their names. Their album A Fragile King’is engrossing and infectious and just pure, crushing, dirty death metal. Tracks such as Desecration, Cathedrals of Dread and A Thousand Martyrs reek of the infamous Boss HM2 pedal which makes any Entombed fan salivate at the mouth and it is used to spectacular effect. Expect nothing but great things if you catch them at Damnation and be sure to pick up a copy of A Fragile King beforehand so your appetite for the old school is suitably whetted.

Dyscarnate

Chosen by Nico Davidson.

No Damnation line-up would be complete without a slab of face-crushing, ear-splitting death metal and that’s exactly what Dyscarnate offer. Be it recorded or live, Dyscarnate‘s crushing use of riffs will utterly abuse you and leaving you begging for more like a glutton for punishment. Having already devastated venues across the UK and toured with bands like Fleshgod Apocalypse and most recently Psycroptic and Hour Of PenanceDyscarnate are at the front of the UK’s death metal and represent everything good about it!

Katatonia

Chosen by Lauren Gowdy.

Although their songs aren’t as fast as a majority of the bands playing Damnation Festival, Katatonia is one band that everyone should check out. Their playing is heavy and slow but filled with so much emotion that it literally will suck you into their set. Not to mention that their stage presence is captivating, and you may either find yourself headbanging slowly along with the riffs or just standing and observing the sheer awesomeness of their set. Anyone who is a fan of Opeth should definitely check out Katatonia because both bands are very similar only difference being that Katatonia does not have as many heavy songs as Opeth. They will be worth sticking around to see towards the end of the day, and I guarantee you will remember their set!

Iron Witch

Chosen by Nico Davidson.

Liverpudlian doom noise mongers Iron Witch are definitely one to keep an eye out for at Damnation this year. Straying from the classic doom sound, the Scouser quintet incorporate hardcore punk vibes and gritty riffs with their doomesque connoction that has helped put themselves on a map. Being relatively young compared to the vast majority of the Damnation line-up and other bands on the British doom scene, Iron Witch have had their fair share of success and I wouldn’t be surprised if they don’t reach the same level as Liverpudlian doom overlords Anathema.

Twilight Of The Gods

Chosen by Ian Foster.

One of the many band who will be appearing at the Damnation Festival 2013 are Twilight Of The Gods, a five piece band who were initially formed with the intent of paying tribute to the legendary Bathory and writing music inspired by them. The band have just released their debut album Fire On The Mountain. The band includes members of Primordial, Lock Up, Einherjer, Thyrfing and Aura Noir so there’s some real pedigree involved here and there’s far more than Bathory worship going on. You can definitely hear a lot of influence from the classic metal bands on the Fire On The Mountain album, but after all it’s what the band set out to do. Definitely a band for fans of old school heavy metal to check out at the festival.

[Editor’s note: If you didn’t see Primordial at last year’s Damnation, TOTG are the next best thing]

Damnation Festival will take palce on 2nd November at Leeds University Union. Tickets are available from this location.

Five reasons why you must go to Damnation 2013!

Posted in Editorial/Opinionated with tags , , , , , , , , , , on 3rd October 2013 by Nico Davidson

It’s under a month now until 2013’s edition of the UK’s darkest festival Damnation tears Leeds a new one, so Valkyrian Music editor and general Yorkshire patriot Nico Davidson has listed five reasons why you must attend Damnation 2013.

5. Yorkshire!

As you already know, Damnation is hosted in Leeds, West Yorkshire which is another reason that Yorkshire is the best county in all of the UK and of course, Yorkshire has contributed a bit to the history of metal, which pioneering bands such as My Dying Bride and Paradise Lost hailing from Yorkshire, as well as NWOBHM Saxon. Throw in Damnation into the mix and Yorkshire is definitely one of the most metal places in the UK.

If you’re unsure why Yorkshire is great or metal as fuck, then you’re probably a Lancastrian.

4. Value For Money

Given the epic line-up that is gracing this year’s Damnation, which festival director Gavin McInally described as “the best line-up so far”, the event offers a damn lot more for your money than a lot of UK events – Especially at £34 a ticket!

3. The Fourth Stage

So, unless you’ve been living in a hole or under a rock in the middle of Lancashire, you’ll be aware that this year, Damnation has added a fourth stage, which will be a blasphemous temple dedicated to doom and sludge, which means more kick ass bands to go see. Or less bands if doom and sludge aren’t your cup of tea, but they’re mostly likely are.

2. Probably The Heaviest Festival In The UK

Yeah, I said it. Damnation is probably the heaviest festival in the UK, as well as being the darkest. Anyone who’s ever been to Damnation before knows exactly what to expect but if a Damnation virgin and love your music heavy and dark, then this year’s edition is not one to miss! Plus, with it being held in Yorkshire, what more could you ask for… Aside from…

1. Carcass!

So, Carcass recently released their new album, Surgical Steel via Nuclear Blast. So, that means there’ll be a lot of new material as classic tunes that they’ll be blasting out as they lay unholy waste to the Jagermeister stage this year. Of course, if Carcass aren’t your thing then there’s other bands you can get hyped up about, but we’ll discuss that in another article.

Damnation Festival will take place on 2nd November at Leeds University Union. Tickets are priced at the low price of £34 and are available at this location.

Warhorns Festival 2013: Six bands you must see this year!

Posted in Editorial/Opinionated, Uncategorized with tags , , , , , , , , , , , , on 17th August 2013 by Nico Davidson

It’s coming to that time of year when the second edition of the Warhorns Festival is just around the corner. Taking place in the historic Viking capital of the north, York, where the infamous Eric Bloodaxe once ruled ruled as King of Northumbria, the two day event features some of the UK’s and Europe’s best folk, Viking and black metal acts. So we composed a list of six bands you must absolutely see at this year’s Warhorns Festival.

6. Red Rum

Because pirates. That’s why. I mean, who doesn’t like pirates? Aside from victims of pirates but I’m sure they still think pirates are cool. They also have an EP coming coming out soon.

5. Maelstrom

Dark. Brooding. And addicted to haggis. Much like the vast majority of the stereotypical populace of Glasgow. The only difference is that Maelstrom actually play a decent blend of symphonic black metal. Oh and they wear suits. Trve Glaswegian Corporate Black Metal.

4. Infernal Creation

Probably the blackest black metal band to come out of Hull since… Uh… I’ll get back to you on that one. Having already supported the likes of Fleshgod ApocalypseHecate Enthroned and Nothgard, as well as playing Bloodstock last year, Infernal Creation are definitely a band to watch out for at this year’s Warhorns.

3. Old Corpse Road

If you like happy, cheery music about rainbows and kittens and fluffy clouds then I have news for you… Old Corpse Road aren’t going to be for you. However, if you enjoy the kind of music that is dark, atmospheric and heavier than a beached whale as well hauntingly good live, then OCR are a must see band at Warhorns. Oh and it’s their second appearance at the festival.

2. Mael Mordha

Gaelic Doom Metal. Not many bands can actually describe themselves as that and make it sound more epic than a drunken night out which led to sword fighting with a Viking, slaying a dragon and bedding the fair maiden but Mael Mordha do which stands as a testament to the strength of Ireland’s growing metal scene.

1. Black Messiah

One of the two headliners of the second night, Black Messiah are the number one band to see at this year’s Warhorns. With snarling guitar passages, grand symphonic elements, intelligently played drums and vocals that pack more punch that a ton of bricks falling right on top of you, Black Messiah are going to raise the bar for Warhorns.

Warhorns Festival will take place from 27th September to 28th September at The Duchess in York and tickets are available from this location.