Archive for Powerwolf

Powerwolf live at Poppodium 013, Tilburg, Netherlands

Posted in Gig, Live with tags , , , , , , , on 6th December 2019 by mickbirchy

Artist: Powerwolf

Support Act: Gloryhammer

Venue: Poppodium 013, Tilburg, Netherlands

10 November 2019

It’s weird that I had never done a gig in the Netherlands until now. I have always wanted to go there for a metal gig as it seems that the metal scene is far more vibrant and fertile there than it is here in the UK. Well, I got my chance as I was going to the Netherlands on holiday and it just so happens that while I was over there, Powerwolf were playing Tilburg. So I got my ticket and got myself to the venue. It was a weird feeling in the queue, in the UK Powerwolf don’t play venues that are even half of this size. I had a feeling that this was going to be a very special night. The crowd was packed, the drinks were flowing and the atmosphere was abuzz with excitement.

Opening up the proceedings was the commanding and ever-entertaining sci-fi, fantasy metallers Gloryhammer. This is my fifth time watching them live and they never fail to impress. I love their music and their on-stage antics. They are just the best mixture of power, intensity, comedy and power all in one great package. They came on stage to a ravenous ovation from the crowd and they went straight into a set of power metal goodness. Their set was filled with a decent mix of their new and old material giving newcomers a good taste of what the band is all about and gives the fans exactly what they were looking form. I have to admit that I love that they come on stage to Tom Jones’ “Delilah”. The crowd sang it so loud and it was a good way to warm up the crowd before getting on stage. The live production was excellent from where I was standing, the instrumentation was excellent with Thomas Winkler’s vocals shining. Their stage antics are goofy and fun, it’s all to get the crowd involved and it worked. The audience was having a right old time with them and Gloryhammer more than did their job in getting people ready for the main event.

After a brief intermission, it was time for the mighty Powerwolf to take the stage. A massive banner cloaked the stage as the tension built to the start of the show. Once that banner came down it was time for the show to begin. And what a show it was. Pyro and heavy metal have always been a great combination. The stage was ablaze with fire for the songs “Fire and Forgive” & “Amen and Attack” and the crowd was ravenous for the music. Screaming the lyrics back to the band and just screaming in general. The music was so well performed by the band and the stage presentation was simply breathtaking. As the show progressed and the band hit their stride more and more, the crowd just got louder. The setlist comprised mostly of the newer material from the album Sacrament of Sin and it was so nice to hear these songs effortlessly blend into the rest of their material. Giving the whole set a real timeless feel and also a really nice flow to the evening. If there is one thing that is for certain, it that Falk Maria Schlegel & Attila Dorn are two of the best showmen in the industry. Their charisma and stage presence was second to none. They engaged the crowd at every opportunity and took the audience for a ride, all the way through the night.

A chorus of cheers echoed through the venue as Powerwolf was welcomed back on stage one more time for the encore. They were just as energetic at the end of the night as they were at the start. They close out the show with “Sanctified With Dynamite”, “Coleus Sanctus” & “Werewolves of Armenia”. A loud and rawkus way to end the energetic night. This was simply fantastic. An excellent night all around. The support act was awesome and a fantastic headliner to boot. I have to say not a bad night for my first gig in the Netherlands. 

Mick Birchall

 

Iza’s Highlights of 2018

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on 31st December 2018 by izaforestspirit

It’s that time of the year again! Time for my annual best of list or “highlights” as I prefer to call them. This year I have decided to do just one list rather than two separate ones for metal and non-metal. The main reason for this is that there have not been too many industrial/EBM releases that caught my attention this year. So without further ado, here are my top ten albums of 2018:

1. Powerwolf – The Sacrament of Sin
Genre: Power Metal
Powerwolf - The Sacrament of Sin

The German power metal wolves are back with a new album. And what an album it is!! I honestly cannot get enough of it. It may not be very profound as far as the themes go but it is hell of a lot of fun. Stand-out tracks are ‘Fire & Forgive’, ‘Demons Are A Girl’s Best Friend’ and ‘Nightside of Siberia’.

2. Lord of The Lost – Thornstar
Genre: Dark Rock/Gothic Industrial Metal
Image result for lord of the lost thornstar
I absolutely adore this band. They combine the best of dark rock with Gothic metal and Deathstars-like industrial metal. ‘Thornstar’ has to be their greatest and most complex album to date. In order to fully understand the concept, I would recommend that you download the 21 paged ‘Thornstar backstory’ from the band’s website. It’s a fascinating read that offers some insight into Pangaean history and culture. Alternatively you can simply enjoy music. Stand-out tracks are ‘On This Rock I Will Build My Church’, ‘Haythor’ and ‘Black Halo’.

3. Behemoth – I Loved You At Your Darkest
Genre: Blackened Death Metal

Behemoth are back with their long-awaited new album. As I mentioned in my review, this is not ‘The Satanist part 2’ but rather a mixture of both old and new Behemoth styles. It takes a few listens but once you get into it your patience will be rewarded. Stand-out tracks are ‘Wolves ov Siberia’ and ‘Bartzabel’.

4. Chthonic – Battlefields of Asura
Genre: Melodic Black Metal/Oriental Metal
閃靈 - 政治 / Battlefields of Asura
My favourite oriental metal band are back. Their latest album might not be a memorable as ‘Bú Tik’ but it has its moments. Music-wise it offers more of Chthonic’s unique blend of melodic black metal, death metal and oriental folk music with the addition of some choirs and guest vocals from the Cantopop singer Denise Ho. Stand-out tracks are ‘A Crimson Sky’s Command’ and ‘Millennia’s Faith Undone’.

5. MONO Inc. – Welcome to Hell
Genre: Gothic Rock/Dark Rock
Image result for MONO INC WELCOME TO HELL cover
More Gothic rock…’ Welcome to Hell’ is my favourite MONO Inc. album to date. Their music is essentially melodic hard rock but it also has this wonderful, eerie Gothic feel. Stand-out tracks are ‘Long Live Death’, A Vagabond’s Life’ and Reign of Rats’.

6. Grimner – Vanadrottning
Genre: Folk Metal/Viking Metal
Grimner - Vanadrottning

I had the pleasure of reviewing this album earlier this year. It’s been a long while since I’ve heard any folk metal that was this good. I would recommend this to fans of Finntroll, Ensiferum and Månegarm. Stand-out tracks are ‘Vanadrottning’ and ‘En Fallen Jätte’.

7. Monstrosity – The Passage Of Existence
Genre – Death Metal
Monstrosity - The Passage of Existence
My kind of death metal and my favourite death metal album of 2018. It is hard to pick out a stand-out track since in all honestly I like them all but ‘Kingdom of Fire’ and ‘Maelstrom’ are the ones that stuck in my head the most.

8. Hanzel und Gretyl – Satanik Germanik
Genre: Industrial Metal/Groove Metal/Extreme Metal
Hanzel und Gretyl - Satanik Germanik
‘Satanik Germanik’ is Hanzel und Gretyl’s heaviest and most metal album. As mentioned in my review it is darker and more serious than the material from the “Fukken Über’ era, much like its predecessor ‘Black Forest Metal’. Luckily that does not make it any less fun. Stand-out tracks are ‘I Am Bad Luck’ and the party song ‘Trinken Mit Der Kaizer (Die Bierz From Hell)’

9. Scandroid – The Darkness
Genre: Synthwave
Image result for scandroid the darkness
One of the few electronic releases that made it to my top 10. ‘The Darkness’ is the third album from Klayton (Celldweller/Circle of Dust)’s synthwave project Scandroid. Delightful retro synthesizer tunes, a little guitar and melodic vocals all with a futuristic feel. Stand-out tracks ‘Phoenix’ and ‘Red Planet’.

10. Auger – The Awakening
Genre: Darkwave
Image result for auger the awakening
A new discovery for me. I really enjoyed Auger’s show at Lumous Gothic Festival 2018. This British dark wave duo combine the best of darkwave and Gothic rock. I would recommend their debut album to fans of Blutengel, Gothminister and The Vision Bleak. Stand-out tracks are ‘Monster’ and ‘My Guardian’.

Honourable mentions:

Xentrifuge – Desensitized Parallels, Immortal – Northern Chaos Gods, Psyclon Nine – Icon of The Adversary. All good albums but with only a few outstanding tracks they missed out on a space in my top ten list.
IAMX’s latest album ‘Alive in The New Light’ also came out of the start of this year. While it didn’t make my top ten I did enjoy it, especially the track ‘Mile Deep Hollow’.
Check out the video here:

Best live show of 2018: Helloween live at South Park Festival in Tampere.
Biggest New Discovery: Auger
Most anticipated albums in 2019:
Blutengel – Un:Gott
Blue Stahli – Obsidian
Also hopefully new albums by Helloween and Rammstein.

Happy New Year Everyone!

Iza Raittila

Powerwolf – The Sacrament of Sin

Posted in Uncategorized with tags , on 24th July 2018 by izaforestspirit

Powerwolf
The Sacrament of Sin
Released 20th July 2018
Power Metal
Released via Napalm Records

Powerwolf - The Sacrament of Sin

The German wolfpack have returned. Even before hearing the music I had to take a few minutes just to admire the album title – ‘The Sacrament of Sin’. How ironic, ludicrous, perhaps even blasphemous, yet so very typical of Powerwolf. Ever since discovering this band I’ve always liked their song titles. Unlike their Swedish brethren Sabaton, these guys like to add some humor to their lyrics. You won’t find too many epic tales inspired by historical events in their songs but there will be werewolves, other horror themes, references to religion, theatrical and grandiose vocals that occasionally mimic a church choir.

Let’s start with my favorites, the songs that have been in my head for weeks even before the album was released thanks to the videos. My personal favorite Fire & Forgive is just classic Powerwolf doing what they do best. Catchy chorus, check. Bombastic orchestration, powerful vocals and ultra catchy guitar riffs, check. Latin chants and church music in the background, hell yes! Fire away guys! Then there’s the fabulously titled Demons Are A Girl’s Best Friend. To call the lyrics cheesy would be a gross understatement. They’re not even cheesy, they are syrupy, dripping with ultra sweet, sticky ‘wickedness’. As with anything sweet it would probably be better in small doses but who can resist the temptation? Oh, and the video; I haven’t seen anything as ridiculously funny since Blutengel’s ‘Reich Mir Dir Hand’. Yet laugh as I may, every time I hear it or watch the video it doesn’t change the fact that I still find myself singing along and playing it repeatedly.

There were a few moments on here where the music reminded me of Sabaton. Incense & Iron is an example of this, not just because of the lyrics such as “Stand, Follow the fight..”
It’s also war-themed and keyboard driven and features a touch of folk metal due to the bagpipe sounds. The only surprise comes in the form of a piano ballad called Where The Wild Wolves Have Gone. This not unusual for Powerwolf; they have made songs like this before, but on this album it definitely stands out due to the slower pace and overall style.

Overall, I have really enjoyed ‘The Sacrament of Sin’. There isn’t a song on here that I dislike though some are more memorable than others. It’s more consistent than their previous album and it is up there with their best works. Powerwolf fans will be pleased and if you’re new to the band this works as a good introduction.

4.5/5

Iza Raittila

Powerwolf announce new album title

Posted in Uncategorized with tags , , on 12th April 2018 by izaforestspirit

The German wolfpack have returned…

Powerwolf have just announced that their new album, the follow-up to ‘Blessed & Possessed’ will be called ‘The Sacrament of Sin’. The release date has been set for 13th July 2018 via Napalm Records.

You can check out the cover art below:

No automatic alt text available.

For more details go to:

http://www.powerwolf.net/

https://www.facebook.com/powerwolfmetal/

Powerwolf announce tour dates for 2018

Posted in Misc., News with tags , , on 16th December 2017 by izaforestspirit

The German power metal band Powerwolf are currently working on their next album, the follow up to ‘Blessed & Possessed’. The title hasn’t been announced yet but their fans will be pleased to know that they are embarking on a European tour in  2018.

Starting with a few festival performances in the summer including Graspop and Sabaton Open Air.

Live

Then the “WOLFSNÄCHTE TOUR” will start in Wiesbaden, Germany on 26th October 2018. They will be supported by Amaranthe and Kissin’ Dynamite. For the full schedule see the poster below:

No automatic alt text available.

More dates coming soon. For more information visit:

https://www.facebook.com/powerwolfmetal/

http://www.powerwolf.net/

 

Powerwolf live in Tampere

Posted in Gig, Live with tags , , , on 19th October 2016 by izaforestspirit

Civil War, Powerwolf
Klubi, Tampere, Finland
18th October 2016

It’s a while since I’ve been to a metal concert. The last time I saw some metal bands live was at Tampere Metal Meeting festival a few months ago. Now summer is over, it’s getting darker and colder and the leaves have all but fallen… I’ve never really suffered from the autumn blues as each season has its good points. Autumn means that Halloween is soon upon us and what better way to celebrate it then with some über-theatrical and ultra cheesy, horror-themed power metal brought to Finland by the German extravaganza that is Powerwolf.

First up was the Swedish power metal band Civil War which features former members of Sabaton. I was intrigued by them precisely due to the connection to Sabaton. Yet what I heard turned out to be different to what I was hoping to hear. Like their world-renowned countrymen, Civil War’s lyrical themes revolve around various historical events and they play heavy metal. But that’s where the similarities end; their music is slower with an emphasis on ballads and story-telling rather than catchy battle tunes for the mosh-pit. 2.5/5

Luckily Powerwolf were worth the wait. I’m not too familiar with their music but after that show I can safely say that I’m a Powerwolf convert. Their show was exactly what I like to hear from a power/heavy metal band – full of theatrics, ‘pomp and circumstance’ , songs about priests, religion, werewolves, vampires and chanting in Latin. Yes, just like most bands of this genre, their music is cheesy as hell but damn entertaining. The highlights included: ‘We Drink Your Blood’, ‘Dead Boys Don’t Cry’, ‘Army of the Damned’ and ‘Blessed & Possessed’ (the title track of their new album). 5/5

 

In summary I wasn’t too impressed with Civil War’s performance but I really enjoyed Powerwolf. It’s rare that a band impresses me this much during a performance, turning me into a fan of their music practically overnight. It happened last year with Helloween and now in 2016 with Powerwolf.

Iza Raittila

Powerwolf – Blessed & Possessed

Posted in Uncategorized with tags , , , , , , , on 3rd July 2015 by Nico Davidson

Powerwolf
Hammer of The Witches
Released July 2015
Werewolf Metal/Power Metal
Released via Napalm Records

586_Powerwolf_CMYK

Powerwolf have rose to fame over the last few years due to their lyrics and imagery, both of which aren’t usually found within the power metal genre. Blessed & Possessed is the band’s first album to be released through Metal Blade (Providing you don’t include the History of Heresy releases) and the band’s sixth studio album.

The album is opened up immediately by the title track, Blessed & Possessed, which begins with a rather tragic introduction that would put even Shakespeare to shame. This introduction is followed by a flurry of riffs and organs with soaring vocals. The chorus is easily memorable, hooking itself into your memory. Dead Until Dark contains the typical Powerwolf lyrics but greets you with an onslaught of guitar melodies and poignant vocals.

The guitars and organs make for perfect dance partners in Army of the Night, with some very NWOBHM sounding passages. Armata Strigoi focuses on vampires and allegedly is Romanian for “Undead Army”. The intro comes across as very grandoise and majestic as the instruments parallel one another throughout the song. We Are The Wild has some similarities to Sacred & Wild, but it also has its differences. The vocals appear to march at a different pace to the instrumentation but this works out in the favour of Powerwolf.

Higher Than Heaven is a fast-paced, action-packed song that refuses to take prisoners as guitars are unsheathed and lay proverbial waste with their jumping riffs. Combat & Christ is a well coordinated attack between the guitars and organs, with reinforcements from the drums. The vocals have a commanding element to them, as a story is sung of the First Crusade. Sanctus Dominus (Latin for Holy Lord) is very much like a hymn during in the chorus but there is a dynamic use of vocals that echo throughout the track.

Sacramental Sister sounds like it was influenced by Iron Maiden‘s Hallowed Be Thy Name as the opening riff shares a common sound with that song. The track is composed of a masterful combination of instrumentation and vocals,  with some energetic moments here and there. All You Can Bleed displays a very poetic use of the band’s talents, release short but sweet fumes of darkness in preparation of the final song. The album closes with Let There Be Night. The song’s atmosphere is laid out by the orchestration and vocals, painting a dusky image with a sombre sound.

Powerwolf are still at the top of their game and Blessed & Possessed will show the world that the wolves of metal are still the alphas of the pack with no sign of slowing down. With elements borrowed from their previous releases and new sounds brought in, Blessed & Possessed is a highlight in Powerwolf‘s discography.

4.5/5

Nico Solheim-Davidson

Powerwolf online:

http://powerwolf.net 
http://facebook.com/powermetal

Battle Beast have a message for their UK fans and also a new lyrics video

Posted in News with tags , , , on 17th September 2013 by Pieni

 photo bbeast_zpsbc9025b1.jpg

As we told you before (read here), Battle Beast will be joining their label mates Ashes Of Ares in support of the upcoming European tour of Powerwolf. This tour includes a show in London (27th September, The Underworld Camden) and so the Finns filmed a short message to their UK fans about this gig:

Promoting their self-titled second album, released last May via Nuclear Blast, a lyrics video for the track “Over The Top” has been posted online a few days ago:

You can order the CD here:
CD – http://smarturl.it/BattleBeastCD
iTunes – http://smarturl.it/BattleBeastiTunes

Battle Beast online:
http://www.battlebeast.fi/
https://www.facebook.com/battlebeastofficial
http://www.myspace.com/battlebeastband
https://twitter.com/BattleBeast

Nuclear Blast Records online:
nuclearblast.de
facebook.com/nuclearblasteurope
@nuclearblasteu
@nuclearblasteurope
youtube.com/user/NuclearBlastEurope

Ashes Of Ares-Matt Barlow talks cops, band on tour with Powerwolf

Posted in News with tags , , , , , on 4th September 2013 by Pieni

 photo matt_barlow1b2a7b_zps6708d23b.jpg

After departing Iced Earth and Nevermore, Matt Barlow, Van Williams and Freddie Vidales joined forces – meaning experiences, personal influences, ideas and visions – and founded Ashes Of Ares. Through Nuclear Blast, they’ll release their debut self-titled album on September 9th and it will be available as a limited CD in digipak (with a bonus track) as well as in two different 2 LP versions. You can get the physical editions here and/or the digital one (booklet included) here.

The tracklist is as follows:
01. The Messenger
02. Move the Chains
03. On Warrior’s Wings
04. Punishment
05. This is my Hell
06. Dead Man’s Plight
07. Chalice of Man
08. The Answer
09. What I Am
10. The One-Eyed King
Bonus track on Ltd Ed version:
11. The Answer (acoustic version)

As the release date comes near, the label talked with frontman Barlow about his day job as a cop and his top-3 cop movies. Such talk can be viewed on Nuclear Blast‘s official YouTube channel:

Other videos of Ashes Of Ares:
Trailer part 1: http://youtu.be/MOFcbfBg_30
Trailer part 2: http://youtu.be/9N_A1Y7VDxk
Trailer part 3: http://youtu.be/X6Iecq5Tw1g
Trailer part 4: http://www.youtube.com/watch?v=xh8AegQZauQ&feature=youtu.be
Track-By-Track, Pt. 1: http://www.youtube.com/watch?v=x30pcynae2Y

Lyric video for ‘Dead Man’s Plight’http://bit.ly/156LdEp

The band will be promoting their album in Europe while touring with Powerwolf, Majesty and Battle Beast on the following dates/locations:

26.09.2013 FR Paris Divan Du Monde
27.09.2013 UK London Underworld
28.09.2013 DE Osnabrück Rosenhof
29.09.2013 NL Nijmegen Doornrosje
01.10.2013 DE Langen NeueStadthalle
02.10.2013 CH Pratteln Z7
03.10.2013 DE Lindau Vaudeville
04.10.2013 DE München Backstage
05.10.2013 DE Stuttgart LKA

ashesofares.com 
facebook.com/AshesOfAres 
nuclearblast.de/ashesofares

Powerwolf – Preachers Of The Night

Posted in Review with tags , , , , , , , , , , , , , , , on 25th August 2013 by Nico Davidson

Powerwolf
Preachers of the Night
Released 19th July
Power Metal/Werewolf Metal
Released via Napalm Records

Powerwolf have become a recognisable name and band on the power metal scene, from their darker sound compared to other acts, to the corpse-paint and the almost fetish-like obsession with werewolves. Following their jump from Metal Blade to Napalm, Preachers of the Night – which is the band’s fifth studio album – was soon released thereafter.

The catchy number Amen & Attack opens the album, proving to be more infectious than the black death. The vocals are loud, boisterous and powerful added to the heavily symphonic elements and driving slabs of metal. The track proves to be a strong sword arm for the album, swinging left and right, taking unsuspecting listeners by surprise in the black of night – Which is exactly what any metal album needs to keep the attention of the listener.

Secrets of the Sacristy continues with the surprise attacks, proving to be unrelenting with the near-joy filled guitar passages and contrasting dreary symphonic lines. Coleus Sanctus (which apparently in Latin slang means something like holy testicles) keeps the strong flow of melodic riffs pouring forth whilst the vocals conjure up memorable lines that have a few hooks hidden for good measure.

The ambitious, hard-to-ignore riffs continue on through Sacred & Wild and straight into a total lycan-like metamorphosis with Kreuzfeuer which hammers out a darker, vastly sinister sound. Even the vocals have a cimmerian shade to their sound. Cardinal Sin begins with the hymn-like anthemic sound before the blazing trail of riffs bursts in. The chorus stands out the most throughtout the duration of the song.

In The Name Of God (Deus Vult) is a true power metal anthem through and through and the best track on the album. With an impressive and infectiously poignant chorus and eventful musicianship, the song soars above the rest of the album. Nochnoi Dozor is painted with a shade of dusk from beginning to end, each riff and symphonic passage adding a fresh stroke of twilight-coloured paint to the lyrics and the music. A tragic wave of sound comes crashing down throughout Lust For Blood, mixing typical power metal elements with a murkier – if somewhat vampiric sounding – concept.

Extatum Et Oratum brings a far more grand and majestic ambiance with its presence as well as references to Greek mythos, Roman nobles and dead civilisations. The guitar segments give off an intense sound, whereas the symphonic elements still bring the tragic voices. Last Of The Living Dead is a truly haunting piece of work, making a strong use of Latin lyrics and chilling symphonies with icy guitar riffs. Some of the vocal passages are still sung in English, though the most power vocal sections are those sang in Latin. The wolf howls add an eerie aspect to the song as well, as do the church bells.

Preachers Of The Night shows another development in Powerwolf‘s sound. Each track tells its own tale, both musicially and lyrically, and each track weave together perfectly to tell an overall story as well – Though some tracks are more memorable than others. Preachers Of The Night is the pinnacle of Powerwolf‘s sound.

5/5

Nico Davidson

Powerwolf online:

http://powerwolf.net
http://facebook.com/powerwolfmetal

 

Powerwolf confirmed for 2014 edition of Rockharz Festival

Posted in News with tags , , , , , , on 6th August 2013 by Nico Davidson

The wolves of metal Powerwolf have been confirmed for Rockharz Festival 2014 in Germany. The five piece band are also the first power metal band to be confirmed for the event next year. Other bands on the bill so far are Children of Bodom and Arch Enemy. More details about the festival and tickets can be found at this location.

Powerwolf online:

http://www.powerwolf.net
http://www.facebook.com/powerwolfmetal
http://www.youtube.com/powerwolfmetal

 

Gloryhammer announce first UK tour

Posted in News with tags , , , , , , , , , , , , , , , , , on 14th June 2013 by Nico Davidson

Gloryhammer, the new power metal project featured Alestorm’s Christopher Bowes, have announced their first headlining tour of the UK for September and October. The tour which is in support of the band’s debut album Tales from the Kingdom of Fife, will start off in the historic kingdom of Fife before the band make their way gradually down south. Tour dates are as follow:

Sept. 25th DUNDEE – Reading Rooms
Sept. 26th GLASGOW – Classic Grand
Sept. 27th SHEFFIELD – Academy
Sept. 28th MANCHESTER – Sound Control
Sept. 29th BRISTOL – The Fleece
Sept. 30th LEICESTER – 02 Academy
Oct. 1st LONDON – The Garage
Oct. 2nd BILSTON – The Robin 2

Gloryhammer will also be appearing at this year’s MetalDays Festival in Slovenia, alongside acts such as Benediction, Arkona, Nya, Bloodshot Dawn, Alestorm, Powerwolf, Ensiferum and many more. Kingdoms from the Tale of Fife was release on 29th March 2013 via Napalm Records and is available from all the usual retail outlets.

Gloryhammer online:

http://www.gloryhammer.com
https://www.facebook.com/gloryhammer

Powerwolf shoot video for Amen & Attack

Posted in News with tags , , , , , on 18th May 2013 by Nico Davidson

The wolves of darkened power metal, Powerwolf, have just spent some adventurous and thrilling days and nights shooting a video for the song Amen & Attack from the upcoming album Preachers of the Night. Expect a blast of furious scenes with a lot of fire, a burning organ and a sinister screenplay.

Preachers of the Night will be release via Napalm Records. The official release date is yet to be announced. The track listing is as follows:

1. Amen & Attack
2. Secrets Of The Sacristy
3. Coleus Sanctus
4. Sacred & Wild
5. Kreuzfeuer
6. Cardinal Sin
7. In The Name Of God (Deus Vult)
8. Nochnoi Dozor
9. Lust For Blood
10. Extatum Et Oratum
11. Last Of The Living Dead

Powerwolf online:

http://www.powerwolf.net/
http://www.facebook.com/powerwolfmetal

 

Preachers of the Night artwork revealed

Posted in Featured, News with tags , , , , , , , on 2nd May 2013 by Nico Davidson

Teutonic werewolf metallers Powerwolf have unveiled the artwork to their upcoming album Preachers of the Night, which is the follow up to the band’s 2011 album, Blood of the Saints, which was released via Metal Blade.

Preachers of the Night is due for a summer release this year via Napalm Records. The tracklisting for the album is as follows:

01. Amen & Attack
02. Secrets Of The Sacristy
03. Coleus Sanctus
04. Sacred & Wild
05. Kreuzfeuer
06. Cardinal Sin
07. In The Name Of God (Deus Vult)
08. Nochnoi Dozor
09. Lust For Blood
10. Extatum Et Oratum
11. Last Of The Living Dead

Powerwolf online:

http://www.powerwolf.net/
https://www.facebook.com/powerwolfmetal

 

Powerwolf sign to Napalm

Posted in News with tags , , , on 10th August 2012 by Nico Davidson

Napalm Records is extremely happy to announce that Powerwolf has joined their ranks! The release date for the new and yet-untitled longplayer is tentatively scheduled for the summer of 2013. On December 15, the wolves will share the stage with In Extremo, Helloween and many more at the Knock Out Festival in Karlsruhe, Germany.

Guitarist Mattew Greywolf commented: “We’re blessed to have found a mighty and truly believing partner for crusades to come. Among all the labels we had been takling to, Napalm Records were the ones who stood out in means of faith, spirit and dedication to the wolves. We’re looking forward to spreading the word of metal together with them in the future. Be prepared!”

Markus Riedler, CEO of Napalm Records also commented: “Captain Napalm, the mighty twin-headed eagle, and the wolves have joined forces in order to begin the crusade for the Power Metal throne. There is no doubt that the ultimate victory of the band cannot be stopped. We are very proud to build a great future together with POWERWOLF. The album will be released in the summer of 2013 and the deafening howl of the wolves will make the competitors freeze with fear.”

Powerwolf – Blood Of The Saints [2011]

Posted in Review with tags , , , , , , on 16th August 2011 by Nico Davidson

Band: Powerwolf
Album: Blood Of The Saints
Release year: 2011
Genre: Power Metal/Werewolf Metal 


Powerwolf, well known for their grim sounding music, are back with their latest album “Blood Of the Saints”. The band’s keyboardist Falk described the album as “100% Powerwolf” and stated it will take off from where “Bible Of The Beast” finished. The new album [Blood Of The Saints] was recorded in five different studios and a church and brings back the use of classical elements that were also found on the previous album.

”Angus Dei” [Latin for the Lamb of God] is the introductory track of the album. The choir and church bells create a very grim, dark and eerie sound and atmosphere. The narrated voiceover adds emphasis to the haunting sound, as do the organs that soon follow. The track ends somewhat terrifyingly when the voiceover grimly says “Blood Of The Saints”. “Sanctified With Dynamite” starts brilliantly with the combination of vocals, guitars, organs and drums. Shortly after, the track is soon more guitar and drums orientated, speeding up the pace of the song. The vocals mix a strong operatic sound with a raw, almost-thrash metal sound which is interesting – Though in some sections, the vocals are purely operatic. The organs add the dark sound to the music which Powerwolf are so famous. The drums mix well with the changing sounds in the song as well.

The grizzly titled “We Drink Your Blood” begins with an interesting keyboard medley that is soon enough replaced by a heavy, face-melting guitar section – Fortunate for those who may not like keyboard medleys. The vocals are still raw sounding with that touch of operatic sound, though much lower on this song – Which isn’t a bad thing. The chorus well composed, adding a grim touch to the lyrics. The organ sections help bring a touch of Victorian-styled horror to the song and the drums are precise to the beat. The choir style vocals help the song sound extra Gothic.

“Murder At Midnight” seems like a name for a cheesy 1950s horror movie but the track is far from cheesy. Beginning with a slow, atmospheric guitar riff, the vocals creep in softly, painting the musical canvas with brilliant lyrics. After the first vocal section, the song picks up the pace and becomes heavier as well. Musically, the song seems a tad cheery for what a Powerwolf track though the vocals assure the listener that it is still Powerwolf that they’re listening to. The organs add a gloomy touch to the song when they’re played. Some of the riffs are pretty melodic, adding a brilliant sound to the song. The guitar solo virtually completes the song. The use of a wolf’s howl after the solo is a great effect for the song. The next track, “All We Need Is Blood”, begins with strong, low-sounding operatic vocals, choirs and organs. The guitars and drums, fortunately, follow straight after bringing an assault of metal of with them. Lyrics that are heard in the song such as “All we need is blood” makes the song sound like a vampire metal anthem, though any fan of Powerwolf will know there’s another story within the lyrics. “All We Need Is Blood” is certainly one of the best songs on the album, both lyrically and musically, as it changes sounds several times, making it a worthy power metal anthem!

”Dead Boys Don’t Cry” has a haunting introduction made up of primarily organs and vocals with a slight use of guitars. When the guitars begin to dominate the track, the temp increases massively. The vocals are more raw and aggressive than they have been. Even the music seems to have more bite to it. “Son Of A Wolf” brings back the use of melodic riffs with a raw edge. The vocals and organs add a very grim atmosphere and sound to the song. The guitars and drums are well played and the guitar solo is amazing. “Night Of The Werewolves” starts with a soft, palm-muted intro which is slightly drowned out by the organs and vocals. The power metal sound comes belting out of the speakers straight after however, favouring aggression and speed over melody it seems. The vocals mix their raw sound with an operatic sound once more. The riffs sound violent and bloodthirsty and the drums despite being precise, have a hint of barbaric aggressiveness to them. The vocal melodies in the chorus are hypnotic and catchy. The raw sounding narration, spoken in Latin, adds a very unique sound to the song.

”The Phantom Of Funeral” begins with choirs and organs, giving it a very dramatic feel. The vocals are, again, raw and angsty. The guitars don’t have much punch to them on this track in some sections. The vocal are extremely impressive throughout this track and the drums are masterfully played. “Die, Die, Crucified” begins with a very catchy riff which stays in the listener’s head for hours on end. The vocals are back to sounding more operatic. The use of melodic riffs make their return to this track as well for the chorus. The vocals are very majestic sounding, which is strange for Powerwolf but works awesomely at the same time.

The album finishes with “Ira Sancti (When The Saints Go Wild)”. The intro organ section sounds eerily similar to the keyboard riffs of “Nymphetamine” by Cradle Of Filth. The vocals blend well with the organ section before the guitars and drums kick in. The organ and vocals carry on doing their part even when the chaos of guitars and drums break in. The track is mostly dominated by organs and vocals, though the other instruments do appear in various sections. “Ira Sancti (When The Saints Go Wild)” brings a very mystical end to the album.

”Blood Of The Saints” is an interesting album from the Teutonic-Romanian metallers that are “Powerwolf”. They have outdone themselves with the mixture of metal, choirs and classical elements. While some tracks are fairly mellow, the others have plenty of bite, so there’s plenty for everyone on this album – even if you’re not a fan of Powerwolf’s unique form of power metal, this album is worth every penny and would make a great addition to your album collection.

4.5/5

Nico Davidson