Archive for Latin

Powerwolf – Preachers Of The Night

Posted in CD, Metal with tags , , , , , , , , , , , , , , , on 25th August 2013 by Nico Solheim-Davidson

Powerwolf
Preachers of the Night
Released 19th July
Power Metal/Werewolf Metal
Released via Napalm Records

Powerwolf have become a recognisable name and band on the power metal scene, from their darker sound compared to other acts, to the corpse-paint and the almost fetish-like obsession with werewolves. Following their jump from Metal Blade to Napalm, Preachers of the Night – which is the band’s fifth studio album – was soon released thereafter.

The catchy number Amen & Attack opens the album, proving to be more infectious than the black death. The vocals are loud, boisterous and powerful added to the heavily symphonic elements and driving slabs of metal. The track proves to be a strong sword arm for the album, swinging left and right, taking unsuspecting listeners by surprise in the black of night – Which is exactly what any metal album needs to keep the attention of the listener.

Secrets of the Sacristy continues with the surprise attacks, proving to be unrelenting with the near-joy filled guitar passages and contrasting dreary symphonic lines. Coleus Sanctus (which apparently in Latin slang means something like holy testicles) keeps the strong flow of melodic riffs pouring forth whilst the vocals conjure up memorable lines that have a few hooks hidden for good measure.

The ambitious, hard-to-ignore riffs continue on through Sacred & Wild and straight into a total lycan-like metamorphosis with Kreuzfeuer which hammers out a darker, vastly sinister sound. Even the vocals have a cimmerian shade to their sound. Cardinal Sin begins with the hymn-like anthemic sound before the blazing trail of riffs bursts in. The chorus stands out the most throughtout the duration of the song.

In The Name Of God (Deus Vult) is a true power metal anthem through and through and the best track on the album. With an impressive and infectiously poignant chorus and eventful musicianship, the song soars above the rest of the album. Nochnoi Dozor is painted with a shade of dusk from beginning to end, each riff and symphonic passage adding a fresh stroke of twilight-coloured paint to the lyrics and the music. A tragic wave of sound comes crashing down throughout Lust For Blood, mixing typical power metal elements with a murkier – if somewhat vampiric sounding – concept.

Extatum Et Oratum brings a far more grand and majestic ambiance with its presence as well as references to Greek mythos, Roman nobles and dead civilisations. The guitar segments give off an intense sound, whereas the symphonic elements still bring the tragic voices. Last Of The Living Dead is a truly haunting piece of work, making a strong use of Latin lyrics and chilling symphonies with icy guitar riffs. Some of the vocal passages are still sung in English, though the most power vocal sections are those sang in Latin. The wolf howls add an eerie aspect to the song as well, as do the church bells.

Preachers Of The Night shows another development in Powerwolf‘s sound. Each track tells its own tale, both musicially and lyrically, and each track weave together perfectly to tell an overall story as well – Though some tracks are more memorable than others. Preachers Of The Night is the pinnacle of Powerwolf‘s sound.

5/5

Nico Davidson

Powerwolf online:

http://powerwolf.net
http://facebook.com/powerwolfmetal

 

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Ill Nino release The Depression lyric video

Posted in News with tags , , , , , , on 24th September 2012 by Nico Solheim-Davidson

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Ill Nino has released a lyric video, which can be viewed here, for their new single The Depression from their forthcoming coming album Epidemia, out October 22nd.

Twelve years and five studio releases later, Epidemia has all the harsh elements and dark Latin rhythms that make Ill Nino‘s Latin metal sound different in this genre of metal“, drummer and founding member Dave Chavarri said of the upcoming release. The band’s sixth full length album is infused with contagious and aggressive lyrics along with sharp melodies that will pierce through your ears. Pre-order the album here now.

Ill Nino is currently touring alongside friends Static X and label-mates Emmure on the Noise Revolution Tour. The tour goes through the end of October destroying cities and igniting audiences across the US.  Vocalist Cristian Mercado comments, “Ill Nino fans get ready to rumble! We’re back and are going to be tearing the roof off at venue near you!” See a full list of tour dates here.

Rhapsody Of Fire – From Chaos To Eternity [2011]

Posted in CD, Metal with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on 14th June 2011 by Nico Solheim-Davidson

Band: Rhapsody Of Fire
Album: From Chaos To Eternity
Release year: 2011
Genre: Power Metal/Symphonic Metal

Rhapsody Of Fire have been a dominating force in both the Italian and European metal scenes. “From Chaos To Eternity” is the last album based on the fantasy saga that started with the band’s 1997 debut album “Legendary Tales” and is the first album to feature the band’s newest member Tom Hess.

The short lived track “Ad Infinitum” , which is Latin for “Endlessly”, is the first track of “From Chaos To Eternity”. The track is mainly composed of the technical guitar work of Luca Turilli combined with the epic narration of Christopher Lee. It is a brilliant opener for the album in true Rhapsody fashion. The title track, “From Chaos To Eternity” carries on from where “Ad Infinitum” finishes.  The track is already at a good start with the acute riffs and epic sounding piano sections. Fabio’s vocals are stronger than ever, the drums are masterfully played and the bass sections are pure genius. The third track, Tempesta Di Fuoco, which roughly translated means “Firestorm” in Italian, shreds its way next with a fast paced, technical intro riff mixed with some epic symphonic sections. There is use of some acoustic sections which brings a certain calm to the track whilst the piano only section takes away something from the track.

“Ghosts Of Forgotten Worlds” like the previous tracks, starts fast paced and technical, though some of the guitar sections on this track seem to have more bite and aggression.  The vocals blend well with the acoustic sections. The symphonic sections contrast superbly with the violent sound of the track. Even the drums seem to have more punch. The synth and guitar solos make this track one of the best ones on the album. “Anima Perduta”, Italian for “Lost Soul”, begins with the sound of wind followed by a beautiful combination of piano, flute and harpsichord. The vocals are soothing, blending with the solemn atmosphere and sound of the track. The symphonic sections make the track more majestic sounding. The guitars sound as if they don’t belong on the track however. Next is “Aeons Of Raging Darkness”. The introduction is mightily played bass section followed by an epic guitar riff mixed with a sagaic symphonic section. The guitar sections have more a speed metal element to them whilst the piano medleys add a hint of neoclassical to the track. The vocals, to begin with, are raw, aggressive and brutal, blending exceedingly well with the cleaner, operatic vocals. “Aeons Of Raging Darkness” is certainly one of the most aggressive, violent tracks ever to be performed by Rhapsody Of Fire and its a sound that works well for them.

“I Belong To The Stars” begins with a calmer introduction compared to the previous track though the track does soon turn heavy and symphonic. There seems to be more emphasis on the choir and symphony on this track, mixed in with some great piano medleys and strong vocals. Some of the guitar riffs leave much to be desired, as do some of the drum sections, however, the synth solo makes up for it. “Tornado” begins with a dramatic intro and the guitar riffs that follow are great. Like “Aeons Of Raging Darkness”, this track has a very aggressive and violent sound, complete with more harsh black metal screams mixed with the cleaner, more operatic vocals. The drum and guitar sections have improved since the previous track as well.

The last of the album is the almost twenty minute long epic “Heroes Of The Waterfalls’ Kingdom”. Christopher Lee’s narration is the intro, setting a certain legendary atmosphere. The vocals bring a very medieval sound, whilst the slight use of flute works well with the acoustic guitar.  The violin sections are well composed, making the track that much more pleasant to listen to. The symphonic sections signal the approaching metal assault, which was to be expected eventually. Fabio demonstrates his full range on this track, whilst the riffs are more acute and technical than they have been on the album. The harsh vocals can be heard in parts of this track, giving it more bite. The choir sections do seem to ruin the track ever so slightly, however everything else makes up for that. Some of the other guitar sections are more aggressive and barbaric, clearly demonstrating the masterful skills of the guitarists. Christopher Lee’s narration can be heard half way through the track, making it more and more sagaic. There is a conversation between the characters of the saga, which helps bring about a very legend-like feel, especially as it works well with the guitar riffs and symphonic sections. The track ends very solemnly and grandly. A perfect end to the saga.

“From Chaos To Eternity” fully demonstrates how much Rhapsody Of Fire’s sound has changed and mature since their first album. This album is perhaps the best one they’ve written and probably will be the best for a long to come. This is certainly a jewel to have for any fan of symphonic and power metal.

4.5/5

Nico Davidson