Archive for Behemoth

Behemoth – I Loved You at Your Darkest

Posted in CD, Metal with tags , , on 8th October 2018 by izaforestspirit

Behemoth
I Loved You at Your Darkest
Released 5th October 2018
Black Metal/Blackened Death Metal
Released via Mystic Production/ Nuclear Blast


It’s been four years since the Polish blackened death metal horde unleashed their masterpiece ‘The Satanist’ onto the world. Now they have returned with a new, long-awaited full length release entitled ‘I Loved You at Your Darkest’. I absolutely adored their previous opus so I have high hopes for this…

As far as themes go, this album offers the usual array of topics present in Behemoth’s music, including: Satanism, the occult, critical views on Christianity, particularly Catholicism. One new addition is the reference to alchemy on the opening and closing tracks aptly named ‘Solve’ and ‘Coagvla’.

The children’s chanting at the start of the first track ‘Solve’ gets a little irritating after a few seconds. I was relieved to hear the guitars reminding me that this is in fact an intro to a Behemoth album and not to some children’s choir. ‘Wolves Ov Siberia’ is a savage beast of a song with packed with aggressive, coarse guitar riffs, Nergal’s bleak shouts and Inferno’s relentless drumming. It sounds as harsh and bleak as a Siberian winter. ‘God = Dog’ is more complex and melodic than its predecessor and it features some progressive tones in the guitars. It has the hallmarks of a classic Behemoth track, including the eerie atmosphere, aggressive yet melodic guitars and powerful vocals. The one thing that I could have done without is the children’s choir which essentially continues from where it left off in the intro.

Oddly enough one of the slower tracks, the gloomy sounding ‘Bartzabel’, has quickly become one of my favorite songs on here. I can’t get enough of that eerie mid-tempo groove guitar in the chorus and Nergal’s haunting vocals. The rest of the album varies in pace depending on the song ranging from the fast and abrasive black metal on ‘Sabbath Mater’ to the slower, more melodic ‘Havohej Pantocrator’.

In summary, ‘I Loved You at Your Darkest’ is very different from its predecessor ‘The Satanist’. Parts of it reminded me of Behemoth’s black metal era while others show the band’s willingness to experiment with some new styles. It is not the easiest of albums to listen to, and it requires a lot of patience from the listener. But rest assured, patience will be rewarded.

4/5

Iza Raittila

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Behemoth launches their own coffee brand

Posted in Metal, Misc., News with tags , on 18th October 2017 by izaforestspirit

For those who like their coffee as black as their metal… Check out Behemoth‘s own coffee brands – ‘Messe Noire Coffee’

and ‘Heretika Coffee’.

Both blends are described as being “100% Satanica” and they have been selected by the band’s frontman Nergal.  The coffee is a mixture of Arabica beans from various countries freshly roasted in a special way to reduce the acidity levels.

Both coffees are now available from the band’s online store.

For more information visit:

http://behemoth.pl/

https://www.facebook.com/behemoth/

 

Behemoth’s Nergal launches dark folk side-project Me And That Man

Posted in Folk, Misc., News, Studio Report with tags , , , , , , , on 20th January 2017 by izaforestspirit

The Behemoth frontman Nergal has recently formed a new side-project with rock musician John Porter. The project is called Me And That Man and it is completely different from Nergal’s main band.

There are no metal elements, instead Me And That Man is more akin to the works of Johnny Cash and Nick Cave. Dark folk is the best description that I can think of.

The duo are currently working on their debut album ‘Songs of Love and Death’, which is scheduled to hit the shops on 24th March 2017 via Cooking Vinyl.

In the meantime you can check out their first video here:

For more information about the project visit:

https://www.facebook.com/meandthatman/?fref=ts

http://www.meandthatman.com/

Behemoth’s official biography to be released later this month

Posted in News with tags , , , , , , on 5th February 2015 by Pieni

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Lukasz Dunaj gathered in 490 pages what he considers to be “Poland’s response to Mötley Crüe‘s biography ‘The Dirt’. “Behemoth: Devil’s Consquistadors” tells the history of the (in)famous blackened death metal band, with quotes and anecdotes from current and former members, old photos, flyers, lyric sheets and even interviews with Tomas Krajewski, Rob Darken, Graal and Havok, to name a few. Here are a couple of glimpses at it:

From the foreword by Krzysztof Azarewicz:
“If, as a cultural anthropologist, I were to point to a single cosmic force which Behemoth‘s music expresses, I would name it not Satan but Dionysus. A deity that represents not only the intoxicating influence of cosmic energies and earthly benefits, but also their benevolent healing properties. A deity of strength and pride. A deity of creative might.”

Nergal discusses the acquisition of his first electric guitar:
“The first communion was a very important moment for me. I know this sounds ridiculous, but it’s true. Of course, not as a religion experience – I didn’t understand anything and couldn’t care less. Same as all the other kids. We all stood there with our votive candles and waited for one thing. Cash. The first communion must be one moment when you get the most money you’re ever going to get as a child. And for this money, I bought myself my first electric guitar. Not a bike, no Legos – a guitar.”

Metal Blade Records is proud to release this work of art on the 24th February, pre-orders already available at metalblade.com/behemoth

http://www.facebook.com/behemoth
http://twitter.com/BehemothBand
https://www.youtube.com/Behemothofficial

Vagos Open Air 2014 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , on 21st August 2014 by Pieni

Opeth, Annihilator, Behemoth, The Haunted, Angelus Apatrida, Requiem Laus
Quinta do Ega, Vagos (PT)
9th August 2014

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Author António Parada wrote a thriller full of heavy metal connotations called “A Guardiã” (the guardian), so he thought Vagos Open Air was suitable for a presentation. I confess I totally forgot about it, so I didn’t arrive to Quinta do Ega in time of watching it. I doubt there will be an English version of it anyway, but if it happens, I’ll let you know.

Despite the 1-day tickets for Saturday being sold out and their much longer career – 16 years longer, to be exact –, Requiem Laus didn’t have a crowd as big as Gates Of Hell had had the previous day. Singer Miguel said this was their return to the stages, after two years and a half (personally, I hadn’t seen them in 7), so maybe that’s why their sound seemed so alien to the majority of the crowd. Plus they’re somewhat… introvert. Good musicians, with great death-blackish songs such as “Reflection Of God” or “Impulse”, which they performed there, but they enjoy the music on their own, not reaching out to the crowd much. So sadly they didn’t get an effusive response to their gig. (3/5)

Requiem Laus official Facebook

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Angelus Apatrida, on the other hand, unleashed hell – kicking off with “Violent Dawn”, violent is the right word to describe the circles. The Spanish thrash metal act has a solid fan base here, but even if they didn’t, the moshers would have quickly surrendered. Guitarist David G. Álvarez suffered a motorcycle accident back in March and his right leg is still on a cast. But even sitting down on a chair, he moved his upper body like there was no tomorrow. Those guys know how to be on stage and a broken leg doesn’t change that.
Among the short occasions Guillermo Izquierdo addressed the crowd – they had little time to play, so he didn’t want to waste it with talking – he mentioned they were once again recording at Switchtense’s studio (Ultrasound Studios). That meant a lot to the people, not only because it implied a new album, but also because it’s a Portuguese studio. (5/5)

Angelus Apatrida official Facebook

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Not sure when The Haunted had played here last, but it’d been quite a while. To say the crowd was eager for this gig is an understatement. And while you can never read Jonas Björler’s expression, Marco Aro’s was one of true happiness throughout the whole show, so I guess at least he was just as elated as the people watching them. Hell, he was so enthusiastic that he hit the mic against his forehead a few times until it bled, and didn’t attend to the wound until he was off stage! Anyway, whatever the others were feeling, they put everything they’ve got into the performance and all expectations were met. From “99” to “Hate Song”, going through “Undead”, “No Compromise” and the new “Eye Of The Storm” (by the way, the new album “Exit Wounds” is out in just a few days – 25th August) the “mosh ‘em all” motto in the back of Aro’s t-shirt was fulfilled. (5/5)

The Haunted official Facebook

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But in my humble opinion, it was Behemoth who put up the greatest show – even in daylight! They were also missing their cobra microphone stands and some other paraphernalia, just the cloaks and make-up. And the horned masks they wear during the final prayer of “O Father O Satan O Sun!”. Meaning the excellence of their show was due to their music – hand-picked songs from the last six albums – and attitude on stage: Seth’s “hairbanging”, Orion’s mean faces, Inferno’s sharp beats and, of course, Nergal’s leadership. I don’t think he spoke a word to the audience, but the weight of his stare on us and how he yelled at us to yell back had more communication than a speech. Simply amazing the power Behemoth holds on stage. (5/5)

Behemoth official Facebook

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In their own old-school way, Annihilator were top as well. They released a new album last year, titled “Feast”, so they played a few songs in order to promote it – “Smear Campaign”, which opened the show, “No Way Out” and “Deadlock”. Then, apart from the funny country-metal song “Chicken & Corn” (a hidden track featured in “Carnival Diablos”, from 2001), every other track was +20 years old. What a trip to the past, from where I personally highlight “King Of The Kill”, “Set The World On Fire” and – you guessed! – “Alison Hell”. Thrash metal at its best!
There was one thing I couldn’t stop noticing. When Jeff Waters was introducing the band, he mentioned Oscar Rangel’s Mexican nationality right before he introduce Dave Padden. Or at least that’s what I understood; Padden got it otherwise and said quickly, somewhat annoyed “I’m not Mexican”. I guess I’d be annoyed too if I thought that, after working with someone for 12 years, he still didn’t get my roots right. Still I think Padden could’ve had a different reaction, maybe make a joke out of it, as there were a few awkward seconds between the two guitarists. But nothing significant enough to ruin the 5 stars the gig deserves. (5/5)

Annihilator official Facebook

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Now Opeth… I’ll start with something Mikael Åkerfeldt said at some point, regarding a song I honestly can’t remember the name, but he said that “if it sounds like a fuck-up, it isn’t. It’s just us being progressive”. And this is more or less what I think of prog. Nope, it’s definitely not my cup of tea. I recognize the high quality of some of the bands/artists, but I just can’t like it. So me, and many others like me, wouldn’t have enjoyed the show (apart from Åkerfeldt’s jokes, that is). The thing is that even among the die-hard Opeth fans there are mixed feelings about the Vagos show. Some complained about the “soft” setlist, others about the somewhat shallow performance… and then there are those who were simply enthralled from the moment “The Devil’s Orchard” started to the one where “Blackwater Park” stopped. They have played VOA two years ago, and I’ve also seen them at the 9th (and last) anniversary show of the original Hard Club, and this was the weakest of those three. But like I said, prog isn’t my thing, so I could be wrong… I still laughed when he said they came from Stockholm, where other great metal bands came from, like Entombed, Dismember, Bathory… and ABBA. That the next song was actually “Super Trouper” (it was “Heir Apparent”). Or when he said it smelled like dead cat in his armpit. Or when he told a girl she could lower the “teddy-crocodile” as he didn’t know that song (it was a dinosaur plushie with a sign asking for “Coil”). Still there was something missing in his attitude – even I noticed that. Was it a bad concert? No, I can’t say that. But Opeth can do better. (4/5)

Opeth official Facebook

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Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Behemoth to hit the UK and Ireland in December

Posted in News with tags , , , , , on 17th August 2014 by Pieni

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After the sold out gig at The Forum early this year, right before the release of the much acclaimed “The Satanist”, Behemoth will now return to British and Irish soil for a few shows. Supporting them will be Decapitated, who will release their new album “Blood Mantra” next month, Grand Magus, whose latest “Triumph & Power” has also been very well received, and also Manchester-based Winterfylleth, who will be releasing their 4th album “The Divination Of Antiquity” in October.

Quoting Nergal: » It took us years to finally put together a separate UK tour and we are eager to bring the magic of “The Satanist” to our fans over there! We are counting days. Literally. With such a strong and diverse company from our friends in Grand Magus and Decapitated we are expecting nothing but a great metal feast! «

www.facebook.com/behemoth

www.facebook.com/decapitated

www.facebook.com/grandmagusofficial

www.facebook.com/Winterfylleth

Behemoth posts second trailer for “The Satanist ” (part 2 of 4)

Posted in Metal, Misc., News with tags , on 15th January 2014 by izaforestspirit

Behemoth have posted the latest behind the scenes video for ‘The Satanist’. This video is the second in a series of four. Watch it here:

Tracklisting for ‘The Satanist’ will be as follows:
01. Blow Your Trumpets Gabriel
02. Furor Divinus
03. Messe Noire
04. Ora Pro Nobis Lucifer
05. Amen
06. The Satanist
07. Ben Sahar
08. In the Absence ov Light
09. O Father O Satan O Sun!

The new album will be out early next month via Nuclear Blast and Metal Blade Records.

https://www.facebook.com/behemoth
http://www.behemoth.pl/