Archive for Nightwish

Forbidden Lore – Forbidden Lore EP

Posted in Metal with tags , , , on 6th January 2017 by izaforestspirit

Forbidden Lore
Forbidden Lore EP
Released 13th October 2016
Symphonic Metal
Self-Released


‘Forbidden Lore’ is the first EP from the Greek symphonic metal band of the same name. Forbidden Lore describe their style since as a mixture of symphonic metal with progressive metal and soundtrack music.

There are only three tracks on here, which is just about enough for the listener to get an idea of what this band is all about. First up is the melodic Endless Run which definitely has that fantasy soundtrack feel to it. Nightwish and Epica comparisons are pretty much inevitable due to the melodic female vocals (please note that “melodic” in this case doesn’t mean “operatic”). Luckily Georgia Mavrantza has a good voice which suits the music. There are some progressive elements audible in the guitars. Shadows on Ice is a much more straightforward piece of symphonic metal with equal emphasis on both the vocals and the orchestration. There is only a small portion of the song that features the progressive guitar parts. Last one is Grace In Our Fall, which really brings out the high notes in the vocal department demonstrating the singer’s impressive range. This is probably the most symphonic, orchestral and the most fantasy soundtrack -esque song on the EP.

In summary, it’s difficult to judge a band based on just three tracks. I now have a better understanding of what Forbidden Lore are trying to be. Their music can be described as being metal in the same vein as the more established bands Epica and Nightwish. So if you like these then there is a very good chance that you will enjoy Forbidden Lore.

3/5

Iza Raittila

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Two New Additions For Northern Symphony 2016

Posted in News with tags , , , , , , , , , on 20th January 2016 by Nico Solheim-Davidson

Two more bands have been announced to join the likes of Theatres des Vampires, Old Corpse Road and Alwaid at the second edition of the UK’s leading symphonic metal festival: Northern Symphony.

Scottish suited-and-booted black metal corporation Maelstrom, who have supported the likes of Alestorm and Tyr in the past, have been announced to headline the Infernal Orchestra stage on 16th April this year. The band’s keyboardist Jaime Cross comments:

It’s a massive honour to have been picked to headline the Infernal Orchestra stage. We’re all excited about the festival and we always enjoy our shows in England. We look forward to seeing you all there!

Joining Maelstrom on the Infernal Orchestra stage are Ward XVI, who describe themselves as theatrical avant-garde rock. Mixing haunting melodies and female vocals with heavy guitar passages and the occasional segment of accordions, Ward XVI are an interesting addition to the festival.

Northern Symphony Festival will take place on Saturday 16th April at The Venue in Selby. In total, there will be 14 bands across 2 stages. The Midnight Waltz stage will be headlined by Italy’s legendary vampire-themed metal band THEATRES DES VAMPIRES.

Advance tickets are available for £15 from the festival’s BigCartel store.Further information is available at the festival’s official Facebook page.

Graveshadow – Nocturnal Resurrection

Posted in CD, Metal with tags , , , , on 1st December 2015 by izaforestspirit

Graveshadow
Nocturnal Resurrection
Released 15th November 2015
Symphonic Metal with Death Metal elements
Released via Mausoleum Records

‘Nocturnal Resurrection’ is the debut album from the American symphonic metal band Graveshadow. The band was originally formed in 2012 by rhythm guitarist William Walker. This album has been mixed and mastered by Emil “Nightmare” Nodtveit (Deathstars) and it features Ralf Scheepers (Primal Fear, Blackwelder) as a guest vocalist on one of the tracks.

Symphonic metal is a genre that I don’t tend to listen to a lot these days. There was a time when I really liked it; the good old days back when Nightwish was at the high-point of their career. Since then there has been the occasional discovery of a hidden gem such as Angtoria’s debut album and Tarja Turunen’s solo work, but generally speaking I no longer find the genre as exciting or memorable as I used to. Let’s see if Graveshadow can change my mind…

After the harmonious keyboard intro, the guitars enter the frame and singer Heather’s powerful vocals ensure that you will not be forgetting Namesake any time soon. Unlike many other female metal vocalists, she doesn’t stick to just one style but prefers to show off an impressive vocal range with both the operatic (read Nightwish, After Forever -style) and death metal growls on offer. Yes, that’s right – death metal growling… the type that Angela Gossow used to do with Arch Enemy. This second style adds a touch of aggression to the beautifully composed symphonic melodies and the catchy guitar tunes.

Speaking of catchy, that’s probably the best way to describe Lycan Lust. This track is less about the keyboards and the emphasis shifts towards the thunderous pace of the thrash metal style, guitar riffs and drums and of course the compelling vocals of Miss Heather Michele. Don’t let the gentle, sweet melodies fool you, for beneath this innocent-looking mask lies a demon that bites. If you want to hear the more tamed, gentle side of Graveshadow then Winter’s Come to Call and Fading are the tracks for you. The Doctor Who -inspired track  Blink starts off as another fantasy themed, symphonic metal song but then develops more of the aggressive feel due to the predominance of the guitars and the harsh vocals.

Overall, this album is bound to attract a lot of attention. That’s not to say that every symphonic or gothic metal fan will like it. It’s not for everyone and if you’re looking for something akin to Within Temptation or current Nightwish, then I’d advise you to steer clear of this. If however, you’re like me – bored with the current state of symphonic metal scene and you’re looking for something experimental and unique then you should give Graveshadow a try.

4/5

Iza Raittila

Sonata Arctica, Children of Bodom and Nightwish live in Tampere

Posted in Gig, Live, Metal with tags , , on 1st August 2015 by izaforestspirit

Sonata Arctica, Children of Bodom, Nightwish
Ratina Stadium, Tampere, Finland
31st July 2015

A cloudy Friday night in central Tampere. The weather might have not been great but there was a sizable crowd of metalheads gathered at the local stadium. Why, you might ask? Three of the country’s biggest metal bands have come here to play a show.

Sonata Arctica were almost half way through their set by the time I arrived at the venue. I like some of their old albums but I’ve never been a massive fan. I’ve also seen them live many times before so I knew what to expect from their show. They play energetic power metal with very fast keyboards and squeaky vocals. I’m not familiar with their recent albums but I’m glad that they played ‘Don’t Say A Word’ towards the end because that is one of the very few songs that I recognized. 3/5

I’ve been a Children of Bodom fan since my early teens and I was really looking forward to see them live again. The last time that I saw them was at Sauna Open Air back in 2013. This time they played more songs from their newer albums which was a bit of shame because I actually prefer the old songs. Luckily their set also featured some of my favourites including ‘Lake Bodom’, ‘Hate Me’, ‘Needled 24/7’ and ‘In Your Face’. 4/5

The last time that I saw the headlining act, Nightwish, was in 2013 just before they announced that Floor Jansen was going to be their full-time singer. I don’t own a copy of their latest album, but I’ve heard some of the songs on the radio such as the single ‘Élan’. I actually danced along to the tune when I heard it. They put on an elaborate performance complete with large backdrop artwork display, pyrotechnics and fireworks. I was really happy to hear some of the old classics, such as ‘Stargazers’, ‘Sleeping Sun’ and my personal favourite ‘She Is My Sin’. These were songs which I never thought that I would get to hear live since their previous singer Anette couldn’t handle the operatic vocals. Luckily her replacement, Floor Jansen is a much more skilled vocalist and a better performer. Not only could she sing all the classic Nightwish songs but also their mid-career stuff such as ‘Amaranth’ (originally written with Anette on vocals) sounded good. All the fancy stage props really helped to build up to the grand finale, the unforgettable opus that is ‘The Greatest Show on Earth. 5/5

Overall, it’s been a memorable evening. Sonata Arctica’s show was pretty much what I expected it to be. Children of Bodom put on a good show but they were better the previous time that I saw them. Nightwish exceeded my expectations with a fantastic show that I won’t be forgetting any time soon.

Iza Raittila

Nightwish – Endless Forms Most Beautiful

Posted in CD, Metal with tags , , , , , on 19th April 2015 by mickbirchy

Nightwish
Endless Forms Most Beautiful
Symphonic metal
Released on March 30, 2015
Via Nuclear Blast Records

OK, so I’m not going to pretend like I’m the biggest Nightwish fan. However, I am a fan of the symphonic metal genre and they are a big part of that world of music and I did enjoy their last outing Imaginaerum, like, a lot. So, when I got Endless Forms Most Beautiful I was wondering what the band had in store, as this is the first album with new singer Floor Jansen, who to me seemed like a good match for them; she has a fantastic voice and I was wondering how the band were going to use her for this album.

Now the intro is out of the way, I’ll just say it: this album is bad, really bad, but… The bits that Nightwish get right are pretty fantastic.  I can honestly say that some of the riffs and melodies on this record are actually really good. It’s like a bad Disney movie, bad and hard to sit through, but dammit, when they get it right, they get it right.  Same can be said for this album, it’s all pretty hit and miss. Believe when I say, I hate that I have to hate this album, because a few changes here or there and this would have been solid, or at the very least listenable. The album opens with the tune “Shudder Before the Beautiful” which is actually pretty catchy and works pretty well. Same can be said for a range of song on the record, catchy and definitely show signs of interest and promise but ultimately don’t leave much of an impression on me. Tuomas Holopainen’s compositions always have this weird charms to them but it’s the song he wrote with Marco Hietala that particular stand out for me, especially Yours Is An Empty Hope.

To be perfectly honest, I think it’s because the album feels mostly lifeless. I’m willing to concede that yes, a lot of work went into this record, but everything feels so lifeless and non committal. It just feels empty. Also I don’t think Floor Jansen is used to her fullest potential, I know that was the intention but why? It’s like a pirate ship having 50 cannons and then choosing not to use 25 of them, it makes no sense. Also the production sounds a little muted, I always find myself having to turn the volume up, I couldn’t explain this to save me it’s weird.  Alot of it just sounds like their trying way too hard to sound big and symphonic, and when you’re struggling to sound symphonic, it makes everything sound so fake around you and it’s hard to be invested in the music.

The only couple of songs that I really enjoyed on this album are, Yours Is An Empty Hope, which is this high octane rush of a song, it gets you pumped and the music is vaguely interesting here.  Also the title track, Endless Forms Most Beautiful, is pretty decent too, well paced and balanced.  Other than that, I couldn’t recommend this at all.

Overall, well no, I don’t like it.  I know that sometimes different doesn’t always mean bad, but here I feel Nightwish kept too much the same from their records with Anette Olzen. If she was singing here, this might have been salvageable, but you can’t change the singer and keep the old song writing patterns, that makes no sense.  Ultimately I can’t say I like this album, but this has had high critical praise elsewhere, so what do I know…

2/5

Mick Birchall

Nightwish unveil second album trailer titled The Lake

Posted in News with tags , , , on 31st July 2014 by Nico Solheim-Davidson

Finnish titans of symphonic metal, who now feature Floor Jansen (ReVamp, MaYaN, ex-After Forever) as their vocalist, recently banded together to begin work on the bands next album, which will also be the band’s first studio album to feature Floor. The album is scheduled for a Spring 2015 release via Nuclear Blast. Nightwish recently posted the second trailer for the new album. The trailer can be viewed below:

Nightwish online:

http://facebook.com/nightwish

Brother Firetribe stream new single For Better Or For Worse

Posted in News with tags , , , , , , , on 27th March 2014 by Nico Solheim-Davidson

Finnish melodic rock maestros Brother Firetribe, who boast Nightwish guitarist Emppu Vuorinen amongst their ranks, have made their brand new single, titled For better Or For Worse, available for streaming via Soundcloud for a limited time only. The song is taken from their third and upcoming album Diamond In The Firepit which is set for release through Spinefarm Records in May for the UK, Finland and Europe and in June for North America. Singer Pekka Ansio Heino spoke about the band’s upcoming release:

We’re thrilled to be back in action after 5 years which seems like a life time! We wouldn’t be THIS thrilled if the new album hadn’t turned out be exactly how we wanted it to be. It’s just as bold, big, polished, hooky and sticky as we pictured it. A lot of hard work was spent making it happen and now it’s time for the best part of making music; taking it out and playing it live. We can’t wait to meet our old friends again and hopefully make some new ones along the way. Hope you enjoy Diamond In The Firepit. Thanks for still being there and sorry for the delay, let’s have some serious fun!

 

Brother Firetribe online:

http://facebook.com/brotherfiretribeofficial

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