Archive for Epica

Forbidden Lore – Forbidden Lore EP

Posted in Metal with tags , , , on 6th January 2017 by izaforestspirit

Forbidden Lore
Forbidden Lore EP
Released 13th October 2016
Symphonic Metal
Self-Released


‘Forbidden Lore’ is the first EP from the Greek symphonic metal band of the same name. Forbidden Lore describe their style since as a mixture of symphonic metal with progressive metal and soundtrack music.

There are only three tracks on here, which is just about enough for the listener to get an idea of what this band is all about. First up is the melodic Endless Run which definitely has that fantasy soundtrack feel to it. Nightwish and Epica comparisons are pretty much inevitable due to the melodic female vocals (please note that “melodic” in this case doesn’t mean “operatic”). Luckily Georgia Mavrantza has a good voice which suits the music. There are some progressive elements audible in the guitars. Shadows on Ice is a much more straightforward piece of symphonic metal with equal emphasis on both the vocals and the orchestration. There is only a small portion of the song that features the progressive guitar parts. Last one is Grace In Our Fall, which really brings out the high notes in the vocal department demonstrating the singer’s impressive range. This is probably the most symphonic, orchestral and the most fantasy soundtrack -esque song on the EP.

In summary, it’s difficult to judge a band based on just three tracks. I now have a better understanding of what Forbidden Lore are trying to be. Their music can be described as being metal in the same vein as the more established bands Epica and Nightwish. So if you like these then there is a very good chance that you will enjoy Forbidden Lore.

3/5

Iza Raittila

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Liv Kristine: “I’d love to further cooperate with Simone”

Posted in Interview with tags , , , , , , , , , on 9th January 2016 by Nico Solheim-Davidson

Nico interviewed Liv Kristine, the charismatic and Valkyrie-like frontwoman of Leaves’ Eyes in Sheffield on their UK tour, in support of the new album King of Kings.

Nico: Hi Liv, how are you?

Liv: Very good, how are you?

N: I’m great, thanks.

L: Good to see you again.

N: Good to see you too. How has the tour gone so far?

L: Really really well. We’re on the UK leg of the tour now and we have one third of the tour still to play. That’s going to be for the UK only. The first leg was for the rest of Europe which was really nice too. Paris: awesome, Belgium: awesome. But the UK is always something special, we have a very big and strong fan base here. We have fans and friends who follow us for every gig and that’s a privilege. I see that the market for our kind of music is growing here, and that’s maybe not the case in Germany. So it’s very good to be back, we’ve already played three gigs and it has been absolutely fantastic.

N: You’ve released a new album recently: King of Kings – which you’ve based on Harald Fairhair. Obviously Scandinavian history, old Norse history in general, is full of fascinating characters like Eirik Bloodaxe.

L: That’s one of Harald’s sons. You’ll find him in the first or second bonus track, it’s called Trail of Blood. That’s a song about him. So who knows what the next Leaves’ Eyes album is going to be about. We know that Harald had many sons and daughters.

N: There are so many other characters like Erik the Red or Leif Erikson. What is it about Harald Fairhair that stood out from the rest of all these great characters and infamous villains? What made you want to do an album based on his life and his legacy?

L: Because I grew up with the legacy of Harald Fairhair. The decisive battle that made him become the king of Norway took place in a fjord called Hafrsfjord, which is my birthplace. So Harald Fairhair has always been there. I’ve always been interested in history and it happened exactly two years ago, over a morning cup of coffee that Alex came up with this idea: what about king of kings? I started digging through all my books and I contacted my mother in Norway to collect stuff at museums and libraries. So it has been amazing to study Harald Fairhair’s life and to divide it into twelve chapters. Parallel to my studies, Alex and Thorsten composed songs at the studio. We’ve been very busy, it has been a very intense process but highly creative. We had so much fun and it means a lot to me to have this album released. It’s definitely a milestone in the career of Leaves’ Eyes. And as I said, it happened at my birthplace so.

N: I highly praised the album for Valkyrian Music..

L: Thank you very much! I read it, of course.

N:Good! Obviously it’s brilliant to see that you guys got back to how you originally started with tales of Viking warriors, going forth into battle, exploring lands and so on. How would you say that King of Kings compares to the rest of the Leaves’ Eyes discography?

L: I’d say King of Kings has a connection to The Vinland Saga, which was thematically about Leif Erikson and his discovery of America. So if there is a link to any other album, I’d say The Vinland Saga. You already mentioned the folky instruments and the folky touch and the orchestra and everything so it has been there all the time but every album has been different. Now King of Kings happened, it was great to see how everything came together. We worked on every song as if it were one individual piece of music. We added any instrument from London Voices to White Russian Orchestra, cello, flutes…everything. We worked on every song until all three of us, Thorsten, Alex and I being perfectionists, said okay let’s go for the mix, its fine.

N: On this album you added Simone Simons from Epica and Lindy-Fay Hella from Wardruna. What was it like working with those two women on the two tracks that they featured on?

L: Absolutely amazing. Of course I know of the series Vikings and I just thought the music is amazing, the soundtrack is amazing! Who is that girl singing? I found out she’s from Bergen! Through a common friend of mine and of Wardruna, I got Lindy-Fay‘s contacts. I contacted her and she said “of course, I know you and I would really like to work with you”. So I sent her Blazing Waters and we were blown away. A couple of weeks later I flew to Bergen and met Lindy-Fay. I presented her Blazing Waters and she loved it, it was definitely golden. She’s a lovely girl and a great musician.

Simone lives one hour away from us so it was about time to invite her to come to our studio. She’s been at our place before but it has been quite a while. She’s a mother now so she’s busy, but she came by and she listened to the song and…I’d say we are a perfect match. Lovely, lovely to work with her.

N: Obviously Epica and Leaves’ Eyes, despite falling into the symphonic metal genre, have got two completely distinct styles. Do you think there will be any sort of crossover between from the recent collaboration between you and Simone?

L: I don’t know. I have no clue, we’ll see. I love Simone and her work, she’s a lovely girl and we are both mothers… We live one hour away from each other so who knows. I’d love to further cooperate with Simone. It would be great.

N: Going back to Harald Fairhair. You obviously studied his saga, his life story quite extensively for the album. What would you say is the most fascinating aspect about the man?

L: We got a few facts about Harald through Snorri, but Snorri came about a couple of hundred years later. Next to that we got the sagas and the tales of the Norwegian kings, where you can find a lot of interesting written words about them to honor them. I think it is absolutely amazing to read the different approaches to his person, because he must have been exactly as unruly, wild like his son Eirik Bloodaxe. He must have been exactly like that himself. In many of the tales or poems about Harald it is told that he was beautiful and that he could have had any woman: he was very glorious. It’s fascinating to read other stories like the battle of Hafrsfjord; about blood being everywhere and the fjord burning or different sceneries, a different Harald.

N: He certainly sounds like an interesting figure. As a fan of both Vikings and Game of Thrones, which one do you prefer?

L: Vikings. Last time it would have been Game of Thrones but it’s Vikings now because of the music. Of course because of my friend Lindy-Fay who’s in there. Although it’s made in Hollywood, I think it’s very nice. It’s very nice to watch those great actors. I love it. And also because I’m Norwegian.

N: That’s very good. Thank you for your time. Have a lovely show tonight.

L: You’re welcome, thank you very much and thanks for coming.

Leaves’ Eyes online:

http://leaveseyes.de 

Leaves’ Eyes – King of Kings

Posted in CD, Metal with tags , , , , , , , , , , , on 29th September 2015 by Nico Solheim-Davidson

Leaves’ Eyes
King of Kings
Symphonic Metal/Gothic Metal
Released: September 2015
via AFM Records

If you call yourself a symphonic metal fan and you’ve never come across Leaves’ Eyes, then clearly, you live under a rock. Formed by former Theatre of Tragedy vocalist Liv Kristine, Leaves’ Eyes have become an established act known for their fusing of folky elements, crestfallen symphonies and straight up metal. Following their arrival at AFM Records, King of Kings became one of the most anticipated albums within the symphonic metal genre this year.

Sweven opens up the track with an almost mournful composition that clearly shows traditional elements of Norse music. The soaring vocals of frontwoman Liv add to the mourning emotion of the song. The title track, King of Kings, marches with a regal use of orchestral compositions, that bolster the ranks of the song while the differing use of vocals – choir, Alexander’s and Liv’s – make the song ever more enchanting.

Halvdan the Black lunges forward with a tragic sounding choir and the rune-binding voice of Liv. Alexander’s bestial voice adds a fierce, war-like edge to the song, joining the antagonistic riffs and narrative symphonies. The Waking Eye dances ever so gently with its alluring concoction of different elements, each note more winsome than the last and the vocals sound so sirenic during this track.

Feast of the Year acts as a good-natured interval before the more Celtic-orientated waltz that is Vengeance Venom enters the ballroom. The Celtic-styled melodies bring an upbeat atmosphere to the album while the lyrics, poetically sang, appear to be of a darker nature. Sacred Vow has all the makings of a heroic piece: A powerful story involving the love of a fair maiden, a war between clans and awe-inspiring music. Everything just seems to fall together, as though this song was meant to be.

Leaves’ Eyes have been known to have guest appearances on their albums in the past, so it comes as no surprise that Edge of Steel features none other than Epica vocalist Simone Simons. The track comes across as an anthem of war, one to be sung by Nordic warriors as they charge into fray armed only with an axe and shield. The orchestral aspects of the song sound quite lion-hearted, adding renewed vigor to the vocals and potency to the already snarling guitars. Simone’s saintly voice cuts through the track like a knife through butter – The duet between herself and Liv Kristine is better than imagined.

Haraldskvædi – which appears to be based on the Old Norse poem Hrafnsmal (Raven’s Song) – combines both English and Norwegian lyrics with eerie whispering, low-spirited vocals and traditional folk elements, with flows smoothly from the previous track and into the next song. Blazing Waters also features a special guest, Lindy-Fay Hella, who is best known for her work with Wardruna.  The song begins with the alluring sounds of traditional folk instrumentation and hypnotic vocal lines before the guitars and drums jump forward, roaring like Fenrir at Ragnarok. The contrast of three vocalists with the differing elements of folk and metal really shows the adaptability of Leaves’ Eyes both in talent and sound.

The album finishes with Swords In Rock, another song that makes a powerful use of Celtic-inspired medleys. The pace and feel of the song makes the listener want to jump up and start dancing some sort of Irish jig, while guzzling whiskey or something of the like from a horn. A fine way to finish the album.

With King of Kings, Leaves’ Eyes appear to have gone back to their earlier roots – not just with the Viking inspired lyrics but the folk influences as well though there are a lot of new aspects for the band found in the album as well. King of Kings is a testament to the continuing saga of Leaves’ Eyes as well as their talent and adaptability, clearly they’re a band that won’t stay within the borders of their safe zone when there are new musical lands to be discovered and conquered by these fine warriors.

5/5

Nico Solheim-Davidson

Leaves’ Eyes online:

http://leaveseyes.de
http://facebook.com/leaveseyesofficial
http://twitter.com/leaves_eyes

Epica announce Calgary show

Posted in News with tags , , on 28th June 2015 by Nico Solheim-Davidson

Dutch metal titans Epica have announced their first show in Calgary in five years. The event will take place on 20th September at MacEwan Hall with support from Eluveitie and special guests The Agonist. Tickets are available from this location.

Epica online
http://epica.nl
http://facebook.com/epica

Epica announce small run of UK shows

Posted in News with tags , , , , on 22nd April 2015 by Nico Solheim-Davidson

The Dutch titans of symphonic metal, Epica, have announced that they will return to the UK in November for a small run of shows. The UK tour will be in support of the band’s most recent masterpiece, The Quantum Enigma, which saw a change of style for the band which modernised their sound while sticking to their roots in symphonic metal. Epica’s mainman, guitarist and vocalist Mark Jansen comments:

We had such a great time when we played an one-off UK show at The Forum last year that we will come back for a short run of UK dates this autumn. We will be joined on this run by Eluveitie and Scar Symmetry. I am very pleased to tour with this strong package. I’m sure you all won’t regret coming out to one of these shows and partying with us. See you!!!

Support comes from 2 Nuclear Blast label mates. Switzerland’s Eluveitie released a new album last year, the Celtic Folk influenced ‘Origins’, which they performed at a string of sold-out UK dates last Autumn. Swedish melodic Death Metal band Scar Symmetry complete the bill, performing their first UK dates since the release of their new album ‘The Singularity Phase I: Neohumanity’ , also released in 2014.

Tour dates are as follow:

11-11-2015 UK-Bristol O2 Academy
12-11-2015 UK-Manchester Ritz
14-11-2015 UK-Glasgow Garage
15-11-2015 UK-London Forum

Epica online:

http://epica.nl
http://facebookc.com/epica
http://twitter.com/_epica

Vagos Open Air 2014 – 1st day

Posted in Festival, Live with tags , , , , , , , , , , , , , on 19th August 2014 by Pieni

Kreator, Epica, Soilwork, Sylosis, Kandia, Gates Of Hell
Quinta do Ega, Vagos (PT)
8th August 2014

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This year’s edition of Vagos Open Air was bigger in every sense of the word – it lasted one day longer than usual, it had more people coming in, and it had also the greatest bill so far. Kudos for promoters Prime Artists!

National Gates Of Hell must feel proud, and not just for kicking the festival off: it’s not easy for an underground band to gather so many people on a hot Friday, at 5 o’clock in the afternoon, but they made it! There was a sea of people like there’s never been for an opening band, in all the 6-year history of the festival! Of course they’ve been working hard for it in the last few years, especially since the release of their debut album, playing all over the country and winning fans with their ballistic live shows. But it still was a wonderful surprise to see such a crowd screaming and moshing for them. And the size of the wall of death on the last song, “Critical Obsession”! Singer Raça thanked everyone – both fans/friends and those who were watching them for the first time – but truth be told, they wouldn’t have got that response if they weren’t just as good. The credit is all yours, boys! Keep it up! (5/5)

Gates Of Hell official facebook

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Things cooled down a bit, but only in terms of “brutality” – Kandia is a modern/alternative rock band, so no mosh pits for them. But that doesn’t mean that their show was less electrifying. It was just a different kind of voltage. Especially singer Nya Cruz, who looked totally at home on stage. They’ve released two albums so far, but neglected the first one completely, focusing just on the latest “All Is Gone”. Last year, they won the international music contest Global Rockstar with one song from that album, “Scars”. “We’re not going away, we’re here to stay!” was the introduction to that song, as its first verse reads “I’m here to stay”. But more than an introduction, it’s a statement, a motto – and the grip they had on this gig is proof that they will stick to it. (4,5/5)

Kandia official facebook

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It was the first time Sylosis were playing in Portugal (after pulling out of the Epic Industrialist Tour, in 2012) and Josh Middleton admitted they weren’t expecting such a reception. The crowd was happy to finally experience live songs such as “All Is Not Well” and “The Blackest Skyline”, so the circles began spinning once again, at full force. And when Josh asked for TWO circles – one at the left, one at the right – they were eager to comply (same as the headbanging to the sound of nothing, but that’s been done before by other artists – the two circles, now that was new). At some point Josh said that this was the last gig of Rob (Callard, drummer), since he would be pursuing a career as a singer… in a Mariah Carey cover band. Such talented musicians and so humorous… no wonder no one cared about the “little” fail of asking if we were ready for Kreator while playing a riff from Slayer’s “Raining Blood”… (5/5)

Sylosis official facebook

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It had been 11 years since I’d last seen Soilwork – which was the last time they’d played in Portugal. So I don’t know if it’s usual for them to use The Alan Parsons Project’s “Sirius” as intro, but for me, it was a really nice surprise. And it links so well to “This Momentary Bliss”, the first song of their set! A set that I confess was hoping to be a bit more diverse, given the years of absence from the Portuguese stages. But their latest album is a magnificent double piece, so it’s only natural they wanted to focus on the killers of “The Living Infinite”. Still they went back a couple of times – “The Average Stalker”, “Bastard Chain”… –, closing with a golden key with “Stabbing The Drama” (“I think you know the chorus to this one”, said Mr. Björn Strid). The circles weren’t as constant as in the previous band but only because Soilwork’s sound doesn’t require so – there’s a reason why it’s called “melodic” death metal. In terms of intensity, they were just as “crazy and wild” (to use Strid’s own words). (5/5)

Soilwork official facebook

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There were LOADS of Epica fans in Vagos, so whoever thought it was a mistake to invite them again (they performed at the first edition of the fest) couldn’t be more wrong. Simone Simons’ voice was better than the last time I’ve seen them, in the “Requiem For The Indifferent” tour, but still a bit “shaky” here and there. The most blatant case was “Cry For The Moon”, where her voice was smothered by the choir backtracks and not because something failed with her mic. It’s just that female voices also change with time and it’s been 10 years since Simone first recorded that song. Maybe that’s why she took the chance to introduce the band, singing the names and their instruments instead of the original lyrics. Nice trick! But no one seemed to care anyway, as the strong and positive attitude of the whole band made those flaws look like small details.
They played a few songs from the latest album, “The Quantum Enigma” – including the first three tracks plus the new hit “Unchain Utopia”, but Simone said they would be back in November, in a promotional tour for this album. The crowd was thrilled to hear that. (4,5/5)

Epica official facebook

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Okay, it’s true that a Kreator gig is always a Kreator gig, and even when they’re bad, they’re still pretty good. But sometimes they’re REALLY awesome – like this time! From “Mars Mantra / Phantom Antichrist” to “Flag Of Hate / Tormentor”, Mille Petrozza got some of the best “Portuguese circle pits” that he kept asking for – having played here so many times before, he knew what he was talking about when he specified the nationality, giving them an unique identity. But with such a performance it was hard not to raise hell – the stage wasn’t big enough for their fire show, but the human heat made up for it.
For the encore, and the aforementioned medley of “Flag Of Hate” and “Tormentor”, Petrozza got on stage holding a flag, saying that when they released that album (“Endless Pain”), back in 1985, Michael Jackson was still alive. The rest of the band played a few chords from “Billie Jean” and the crowd roared. But the roar was much louder when he talked about the album that Judas Priest released five years later, as its title was the opposite of “Endless Pain”“Painkiller”, with the main riff of its title-track echoing. The true explosion came, of course, when Petrozza stopped talking and the medley itself began. (5/5)

Kreator official facebook

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Nevel a dull moment on this first day – except for the background music between songs, which was literally the same over and over. The metal DJs that took the graveyard shift should have been hired for the day as well…

Text & photos: Renata “Pieni” Lino

More pics in our Facebook page HERE.

Dragonforce announced to co-headline with Epica at London show in December

Posted in News with tags , , , , , , , on 25th June 2014 by Nico Solheim-Davidson

UK power metal heroes Dragonforce have been announced to co-headline with Epica at their only UK show in London later this year. The show will take place at The Forum in London on 6th December. Fans are advised to grab their tickets quickly as demand for this double bill will be high. Tickets are on sale now via SeeTickets.com.

In related Dragonforce news, the band also unveiled their new video for  The Game last week. The video can be viewed below.

Dragonforce online:

http://www.dragonforce.com/
http://www.facebook.com/dragonforce