
The Swedish Viking black metal group Månegarm is one of the most unique and diverse bands in the scene. Iza caught up with their singer Erik Grawsiö to discuss the new album Legions of the North, Viking mythology, line-up changes and movie soundtracks.
Iza: Hi Erik!
Erik Grawsiö: Hello!
I: I’ve read that Månegarm refers to a wolf in Norse mythology that swallows the moon at Ragnarok. Could you explain why you chose that particular name and what it means to you as a band?
E: Yes, that’s right! We had another name when we first started up the band but after only 1-2 months we changed to Månegarm. Jonas was the one who found it and we all thought that it was a better name for the band (than the earlier name) especially since we sang in Swedish about the Norse mythology. The wolf for me is a powerful animal that stands for strength, pride and wisdom. “ It’s better to live one day as a WOLF (originally: lion) than a thousand years as a lamb”.
I: Your music is an interesting mix of styles ranging from black metal, Viking metal with some folk and pagan influences. Which of these styles would you say represents Månegarm‘s music the best?
E: I don’t know really… When people ask I usually just say that we play “metal” or Rock n’ roll. We’re definitely more of a metal band than a folk band but I think that Månegarm‘s music is represented by all of these styles that you mentioned. The diversity and mixture is the strength of Månegarm I think.
I: What are your thoughts on the tag ‘Viking metal’? Does the genre exist in your opinion? Should it exist?
E: We don’t care much for tags and labels at all. When we started playing this kind of “metal” there were no Viking or pagan or Viking/folk metal; it was just us and a couple of other bands that played the kind of music that we enjoyed playing. This is no problem for us though and if these tags/labels help people get a better picture of a band or categorizing bands, then it is fine by me. The problem nowadays is maybe that there are like thousands of sub-genres/labels and that just makes it all confusing. Let’s put it this way; people can call our music what the f**k they want as long as they like it!!
I: Are there any bands in the Swedish metal scene that interest you? If so, which ones and why?
E: No.
I: Let’s talk a bit about the new album Legions of The North. Was there any specific inspiration for this album or any particular themes that you wanted to portray?
E: No, there is no stated concept or theme that runs through the album but if I remember correctly we first had the idea of a theme which was pretty much “death” from different points of view. Even if we didn’t follow that path totally it maybe stayed in our minds on a both conscious and an unconscious level, because almost all songs came to deal with war and death in different ways, influenced by the Nordic mythology.
I: Some of the instrumental tracks on there such as Vigverk sound like old folk songs? What are they based on?
E: Vigverk is a short instrumental piece that can be seen as an intro to the following song Sons of War. The name Vigverk comes from Eddan and can be translated into something like “great deeds” or “great achievement” in English. It is no traditional old folk song; it’s just a song that I wrote since I wanted to have some shorter acoustic tracks on the album.
I: Legions of the North is your 7th album. How do you think it compares to its predecessors, particularly the last one Nattväsen?
E: I think it sort of continues on the same path as Nattväsen but we have worked more on the arrangements and the structure of the songs and especially we have put a lot of effort on the refrains on this album. On the earlier albums (like the first 1-2 albums) our “composing strategy” was to sit down with the guitars, put a bunch of riffs together in a descent way and yep… We had a song!! That’s maybe quite charming and cool in a way but today I think that we “think” music in a better and more serious way and we try to compose “real” songs!
I: Your violin player Janne Liljekvist left the band last year before the album was completed. Has this had any effect on the recording process or the way the album turned out?
E: The biggest effect on the recording process was that the new violin player (Martin Björklund who is a friend of Jakob‘s) only needed 1.5 days in the studio to get all violin parts done instead of Janne who often needed 3-4 days… Janne didn’t write any songs in Månegarm; it’s Jonas and I who write the songs and it’s usually me that writes the melodies for guitar and violin, so him leaving didn’t have any effect on the final result I think.
I: If Månegarm could play a show anywhere in the world without any restrictions, where would you choose and why?
E: I would like our own festival; “Månegarm Open Air” or something like that. It would be cool to start off in a small scale and then turn it into the greatest festival ever!! That’s quite a dream uhh… but you said without any restrictions.
I: If you could replace the sound track to any movie with your music, which one would it be and why?
E: I know it’s a long shot but maybe some of our songs from our acoustic album Urminnes Hävd – The Forest Sessions could serve as a nice soundtrack to a scene in The Lord of the Rings. I don’t know which song would be best and I don’t know for which scene, but when I listen to that album and seeing these films I get sort of the same feelings and emotions…epic freedom, mysticism, grief, joy and emotions like that. I better call Peter Jackson right away!!
I: Do you have any final words for our readers and your fans?
E: Keep your eyes and ears open for our new album Legions of the North! You just can’t miss it, it’s a killer!!! See you all on the road!!
Månegarm online:
http://www.facebook.com/Manegarmsweden/
http://www.deaf-dumb.com/manegarm
http://www.manegarmsweden.com
http://www.myspace.com/manegarm
http://www.youtube.com/Manegarmofficial