Archive for Industrial

Interview with Johan van Roy from Suicide Commando

Posted in Interview with tags , , , , on 31st March 2022 by izaforestspirit

Iza had a chat with Belgian artist Johan van Roy from the Harsh EBM/ industrial band Suicide Commando about touring during the COVID 19 pandemic, live streams and his upcoming single and new album.

Here’s the full interview:

Last year you released a new single called ‘Trick or Treat’ and now there’s a new album in the works. Can you tell more a bit more about what can we expect from the new album?

Meanwhile the album is completely finished. Most of the songs were written during the pandemic and I think you can also hear it in the result, it sure did not become a “happy” album nor an easy listening album.
It still has the typical suicide commando ingredients but I also think this became the hardest suicide commando album to date, somehow you can feel the frustration of the last 2 years in the new songs. So it will be a bitter black album !

Suicide Commando’s music tends be very harsh sounding for EBM with lots of violent themes. Where does all violence come from?

I think we all have violence inside of us, it’s just a matter how to deal with aggression and violence, and for me my music is the perfect way to get rid of my aggression, my violent emotions … for me my music is also my therapy.
Furthermore we’re living in a world full of aggression and violence, just switch on the radio or the television and you get bombed with violence in the news, open the newspaper and you get confronted with violence … so my music is just a reflection of what we see or hear in every day life.

The pandemic has caused lots of distruptions with tours and shows being cancelled. Even the shows that weren’t cancelled went ahead with lots of restrictions. What are your thoughts on playing live shows under Covid 19 restrictions?

Well I considered it as a necessary evil. Of course it was really frustrating not being able to go on tour and have contact with our fans and audience. But on the other hand I’m happy we at least could do a few live shows, even those with a sitting audience. It was a weird feeling to play in front of a sitting audience, but I’m still happy we could do these few shows.
We now finally can start doing live shows again in more normal conditions, it’s still a bit strange as you notice people are still cautious and reluctant, and some people still prefer to stay safe at home, but slowly things will get back to normal … I hope !

Archive footage – Suicide Commando live at Electrowerkz, Slimelight London, UK in 2013.

Another thing that the pandemic has brought about was the rise in popularity of livestreams. Have you ever considered doing a Suicide Commando livestream?

We got a few requests to do such livestreams but in our constitution it was as get as impossible as we all live pretty far away from each other, and Torben (my live keyboarder) even lives in Germany, so coming together for such a livestream wasn’t even possible.

Has the Russian war with Ukraine had any influence on your new song Bang Bang Bang?

The song “Bang Bang Bang” was written already some months ago, so the song itself has nothing to do with the current war in Ukraine. The song actually is about gun violence, but of course it also got a new dimension with the current war. But no matter what, the message is clear, guns kill !

Finally once this pandemic is over and all the restrictions have been lifted are there any countries which you would like to tour for the first time?

Tour for the first time won’t be an easy thing as we already played in so many different countries all over the world, but of course I still have some dream locations left, for example I’d love to tour Australia or Japan one day.

Suicide Commando’s new single ‘Bang Bang Bang!’ will be released on April 14 in digital download and limited edition MCD via Out of Line Records (Europe) and Metropolis Records (USA & rest of the world).

Meanwhile you can check out his new video for ‘Trick or Treat’:

For more details visit:

https://www.facebook.com/IIXIII

https://suicidecommando.bandcamp.com/

Zwaremachine – Conquest 3000

Posted in Review with tags , , on 1st March 2022 by izaforestspirit

Zwaremachine
Conquest 3000
Released 17th July 2021
EBM/Industrial
Self-Released

‘Conquest 3000’ is the second album from the American EBM band Zwaremachine. The project has been around since 2011. They describe their style as “minimal hypnotic industrial body music”.All their releases are available from the Bandcamp page.

So after a few listens I can state that what we have here is a classic EBM album with a futuristic, dystopian theme. The vocals remind me of Sascha Konietzko from the German industrial metal band KMFDM. “Minimal” seems to be the keyword here as this album is full of catchy yet simple synth-driven EBM songs. The vocals are more spoken word rather than actual singing but they work well with the music.

One of the tracks which caught my attention was Toymaker, which features a memorable chorus and works as a dance track. Speaking of dance tracks, Parasol is definitely a good one. It’s hard to listen to it without being tempting to sway and stamp your feet to the tune. I also enjoyed Resist where the heavy bass lines are paired with synth melodies to produce a very danceable song.

In summary, ‘Conquest 3000’ is a well-executed classic EBM industrial album which I would recommend to fans of early KMFDM and bands such as Front 242. Retro, minimal yet very catchy.

7/10

Iza Raittila

New Hocico album coming this spring

Posted in News, Studio Report with tags , , , on 15th February 2022 by izaforestspirit

The Mexican industrial duo Hocico are back with a new album. The follow up to ‘Artificial Extinction’ will be called ‘HyperViolent’. Check out the cover and track-listing:

1. When The Trumpets Of Hate Blow
2. Broken Empires
3. Acts of Aggression
4. Un Sepulcro Sin Cadaver
5. What Are Nightmares Made Of?
6. Hacked Society
7. El Jardin de Las Locuras
8. Backstabbers
9. Lost World
10. Black Reflection
11. N.W.O.
12. Crown of Knives
13. Peccata Mundi

HYPERSIDE EFFECTS (Bonus CD):
1. Weapons of Resistance feat. Aaron Matts
2. Odio Bajo el Alma (Version Mariachi)
3. Black Mirror
4. Dog Eat Dog (Desputes Remix)
5. The Fall

Puede ser una imagen de texto

‘HyperViolent’ will be released in the following physical formats: double CD, vinyl, cassette, a limited collector’s edition box as well as digital download on 14th April 2022 via Out of Line Records.

In the meantime you can see their video for ‘Backstabbers’:

For more details visit:

https://www.facebook.com/hocicoofficial
https://www.hocico.com/

Bloody News Online Fest: Insane Summer Gathering 2021 live stream next month

Posted in Festival, Misc., News with tags , , , , , , , , , , on 28th July 2021 by izaforestspirit

Bloody News Metal and Globmetal Promotions are happy to announce the third edition of their live stream festival will take place next month. Bloody News Online Fest: Insane Summer Gathering 2021 will be streamed from their website on 27-28th August 2021. You can watch the event for free.

Check out the line-up here:

27th August

Soulbound
Anna KiaRa
Six Foot Six
PitchBlack
High $tatus
AquileA
Psycho Visions
Passengers in Panic

28th August

Obsolete Theory
STORTREGN
Vessel
X-Method
Mysterizer
King Baal
EAGON
Everlust

For more information visit:

https://bloodynews.ro/en/
https://www.facebook.com/events/513687719867942/





Mind Driller – InBolution

Posted in Review with tags , , , , , , on 2nd April 2021 by Pieni

Mind Driller
“InBolution” [EP]
Electronic/industrial rock
Released: 21st January 2021
Via Art Gates Records

InBolution

Despite featuring nine tracks, which is an acceptable number for a full-length album, only three of them are new, hence the EP tag on “InBolution”.

“The Prophecy” is such a vibrant song that it’s totally understandable why they couldn’t wait to release it. The chorus is catchy as usual, but its overall rhythm is something more than that.

“Overthrow”, on the other hand, bears that dark wave seduction Mind Driller’s already shown us in songs like “Deadworld”, for instance, reaching out to your deepest senses rather than make you want to dance.

And then “Denken” offers a heavier beat, sounding more industrial.

The rest of the tracks are remixes (“Calling At The Stars” got a more dance-able one, while “The Game” went more somber) and instrumental versions (which made me go back to my childhood, when the B-sides of singles were often their instrumental tracks).

All in all, “InBolution” isn’t just a treat for the band’s fans but for everyone who appreciates the genre, given its diversity (and excellence) of features.

7,5/10

by Renata “Pieni” Lino


Echelon – Поехали

Posted in Review with tags , , , , , on 30th January 2021 by Pieni

Echelon
“Поехали”
Industrial
Released: 10th December 2020
Via Patriot

echelonletsgo

Rammstein have made such a mark that it’s almost impossible not to think of them when the term “industrial” comes up. And when the title-track of Echelon’s “Поехали” (let’s go) reminds you of “Feuer Frei” and the same album features a Russian cover of “Asche zu Asche”, you realize how much Rammstein still inspire younger bands of the genre.

Even if singer… I’m sorry, I don’t have a name for you – I can’t find any info regarding the band’s line-up! I did manage to identify the girl on the promo pic as Alena Meta, but since there’s a couple of songs with the note “feat. Alena Meta, I’m not even sure if she’s just a guest or a glorified band member… Now, as I was saying: even if the singer’s grave pitch and aggressive tone also resembles Till Lindemann’s, Echelon have managed to imprint their own stamp and create a sound of their own. The musical structure is more melodic, and the female voices here and there give it a classy touch: besides the aforementioned Alena Meta on the ballads “Особенный Путь” (special way) and the acoustic version of “Ничего нет дороже любви”(nothing more precious than love), they also have Valentina’s shrills spicing up “Действуй” (take action) and the more rock-oriented “Я Астероид” (I’m an asteroid). Another guest – male this time – is Freng, singing the English version of one of my favorites, “Течение Времени” (the flow of time), with a somewhat punk-ish attitude that, strangely enough, fits!

All in all, they combine the typical electronics with cranky guitar riffs, add occasional beautiful piano pieces and victorious vibes, and the outcome is quite charming.

7/10

by Renata “Pieni” Lino

Lumous Gothic Festival 2019

Posted in Festival, Live with tags , , , , , , , , , , on 14th July 2019 by izaforestspirit

Golden Apes, Danse Society, Das Ich
Pakkahuone and Dog’s Home, Tampere, Finland
12-13th July 2019

Summer is here again. One of my summer traditions since 2012 has been to attend the Lumous Gothic Festival. This year was no exception. The only minor change was that of the main venue. Throughout the time that I have been going there it the main acts have always performed place at Klubi. However Klubi is currently being renovated so the event was moved to Pakkahuone, a much larger venue located in the same building. I have seen several metal shows there before but this was a first for Lumous Gothic Festival.

Friday
This was the main day for me as most of the bands which I wanted to see were playing then. I was mostly looking forward to Das Ich and I had limited knowledge of the other bands.

First up was a Spanish darkwave band called My Own Burial. These guys are really into old horror movies and the performance had lots of eerie visions. The music was catchy and fun to dance to. They reminded me a little of Los Carniceros del Norte minus the punk elements. So a good start to the night. 3.5/5
My Own Burial

Then it was time for a German Goth rock band Golden Apes. I’m not a massive fan of Goth rock but I have to admit that the vocals were pretty good. Their singer’s vocal style sounded like a cross between Elvis and Jyrki from The 69 Eyes. 3.5/5
Golden Apes

Finally it was time for the main band that I came to see. I discovered Das Ich at the same festival four years ago and it was great to see them live again. I loved the stage actics and the music was fantastic. They played some new material plus some classic hits including ’Destillat’, ’Gott ist tot’, Das dunkel Land’ and my personal favourite ’Reaminat’. 5/5
DAS ICH again

DAS ICH

DAS ICH -Bruno

Saturday

Day Two of the festival started a little earlier since I decided to catch some of the bands playing on the second stage located at a different venue called Dog’s Home. Dog’s Home is essentially a pub or bar near the train station. Unlike Pakkahuone which is primarily an event venue, Dog’s Home is mostly used as a bar but it also doubles as a small gig venue. The stage is pretty small and rather low down.

The Swedish occult dark electro solo artist Blood Magick was on first. The project was originally known as My Own Sorrow and the lyrical themes are centered around horror and the occult. Sadly the venue didn’t do the performance justice. That place really isn’t ideal for an electronic show. For instance, the stage is tiny and there is limted space for props and no means to project any visual imagery. Still, Blood Magick did his best with the limited resources. He managed to convey the creepy atmosphere through which was good. 3.5/5
Blood Magick

Next up was a Finnish goth rock band called Murnau’s Playhouse. These guys drew in a bigger crowd and they put on an entertaining show. 3.5/5
Murnau's Playhouse

Then it was time to move to Pakkahuone for the remainder of the night. The main band that caught my attention, my new discovery was the Russian Gothic rock duo Raven Said. The clue is in the name, Raven Said… I guess that ”Quoth the Raven” might have been a bit too obvious. Oh yes, this band is all about Gothic horror and the works of Edgar Allan Poe. They even have a song called ’Lenore”. The visuals worked a treat too. I will definitely have to give their music a listen. 4/5
Raven Said

Sadly I was unable to stick around for the main headliners, Inertia. So the last band I saw was a British Goth rock band called The Danse Society. More Goth rock… There is not a lot that I can say about their performance. It was fairly good as far as Goth rock goes, I’m just not a massive fan of the genre. Also with a name like The Danse Society, I expected something a bit more dance-inspired. 3.5/5
The Danse Society

In summary I had a great time at Lumous Gothic Festival. Das Ich were excellent and I made a new discovery in Raven Said. Blood Magick’s performance would have worked better at a different venue. Kiitos Lumous Gothic Festival! See you next year!

Iza Raittila

Psyclon Nine – Icon of The Adversary

Posted in Uncategorized with tags , , , , on 17th September 2018 by izaforestspirit

Psyclon Nine
Icon of The Adversary
Released 24th August 2018
Industrial/ Industrial Metal with Black Metal elements
Released via Metropolis Records

I really wasn’t expecting to hear anything new from Psyclon Nine again. It’s been five years since their last opus ‘Order of The Shadow: Act 1’. The following year proved to be a very turbulent time to the band with various factors contributing towards what effectively became the end of Psyclon Nine. Or so I thought… It turned out that band needed some time to recover, regroup and refocus. After several line-up changes and a few successful live shows in 2015, it became pretty clear that Psyclon Nine were back. They are now a trio and frontman Nero Bellum is the only original member left.

So that’s the background out of the way, now on to music… If I were to sum this album up into just a few words it would be ‘creepy, gritty and disturbing’. As far as genre classifications go, there’s a fair bit of dark ambient on here. This is most notably on the opening track. The eerie-sounding, analog synth and voice samples are also prominent on Behold An Icon. Nero Bellum’s black metal -esque shrieks are as haunting as ever and the guitars have a coarse and unsettling feel to them.

The predominant style is industrial metal as evidenced by the likes of Crown of The Worm which reminded me a lot of their previous works. It has all the markings of a classic Psyclon Nine song; in other words thunderous guitars, atmospheric synth noise and harsh, creepy vocals. Beware The Wolves also caught my attention due to the change in vocal style, from shrieks to an eerie rasp which reminded me of Marilyn Manson’s trilogy. The only disappointing part of the album is the final track The Last. I’ve never been a massive fan of dark ambient so having to endure it for nearly fifteen minutes seems a little too much.

In summary, ‘Icon of Adversary’ is one of those bleak, creepy “feel bad” albums. ‘Creepy, gritty and disturbing’ seems to be very fitting for Psyclon Nine in 2018 given what they have been through. I would personally skip the final track unless you’re really into dark ambient but other than that this is a good industrial album and black metal fans might like it too.

3.5/5

Iza Raittila

Lumous Gothic Festival 2018

Posted in Festival, Live with tags , , , , , , on 15th July 2018 by izaforestspirit

Novus, Auger, Terrolokaust
Dog’s Home and Klubi, Tampere, Finland
13-14th July 2018

One of my favorite things to do in the summer is to attend festivals. Lumous Gothic Festival is the biggest Gothic event in Finland and it just happens to take place in the city where I live. I’ve been attending this every year since 2012. The music ranges from Goth rock, darkwave, neo-folk to various forms of industrial and EBM.

Friday

This time I was mostly interested in the Saturday line-up. There was however a free show happening at The Dog’s Home (a pub next door to the main venue). So I went to check it out. I did not know anything about the band except their name – Chaos Research. It turned out to be a mixture of neo-folk, neo-classical, darkwave and ambient. Eerie operatic vocals, electronic with some additional instruments such as an electric cello and drums. Their show produced a relaxed atmosphere in the venue. 3/5

Saturday

The main day of the festival. I was mainly interested in the industrial rock band Terrolokaust but I checked out the rest of the line-up as well. First up was a British electronic duo called Novus. I quite enjoyed their show. It was fun to dance to. So a good start to the night. 3.5/5

I really liked the next band, Auger – darkwave and also from the UK. Their music sounded like a mixture of Blutengel with the Gothic horror atmosphere of The Vision Bleak. Very theatrical performance, powerful vocals, haunting keyboards and good guitar work. Great show! I really want to check out some of their music. 4.5/5

Then it was time for the night’s headliner – the industrial rock band from Cataluña, Terrolokaust. I’ve seen them live once before at Resistanz Festival in 2016, so I pretty much knew what to expect. They played a very energetic show featuring a mixture of old and new material from all their albums. My personal favorites included ‘El Mundo Sigue Girando’, ‘Reasons’ and their cover of The Prodigy’s ‘Spitfire’ which they played as an encore. 5/5


In summary I had a great time. Terrolokaust was my favorite performance of the night. I also made a new discovery in the form of Auger. I really liked their show. Lumous Gothic Festival was pleasure as always. See you next year!

Iza Raittila

 

Iza’s Highlights of 2017 part 2: Industrial & other non-metal

Posted in Uncategorized with tags , , , , , , , , , , on 30th December 2017 by izaforestspirit

This year saw the return of some of my favorite industrial artists. I also made some new discoveries and I checked out some genres that I would have never thought that I would listen to. So here are my top 10 industrial and other non-metal albums of 2017:

1. Suicide Commando – Forest of the Impaled
Genre: Aggrotech/Harsh Industrial/Harsh EBM

 

2. Grendel – Age of the Disposable Body
Genre: Aggrotech/Harsh Industrial

Grendel - Age of the Disposable Body - 2CD

 

3. Blutengel – Leitbild
Genre: Synth-pop/Gothic EBM

 

4. Aurelio Voltaire – Heart-Shaped Wound
Genre: Dark Cabaret/Goth/Alternative Rock

 

5. The Crüxshadows – Astromythology
Genre: Dark Wave/EBM

Cover-Astromythology

 

6. Scandroid – Monochrome
Genre: Synth-wave

 

7. Centhron – Allvater
Genre: Aggrotech/Harsh Industrial

Image result for centhron allvater

8. Blue Stahli – Anti-Sleep Vol.4
Genre: Electro-rock/ Funk-rock/instrumental

Image result

 

9. Cephalgy – Gott Maschine Vaterland
Genre: EBM

Cephalgy - Gott Maschine Vaterland - CD

 

10. iVardensphere – Hesitation
Genre: Power noise/Tribal Industrial

One album that didn’t make my top 10 was Celldweller’s ‘Offworld’; a good effort but no match for his earlier work. I prefer his heavier, more metal-oriented albums.

Best Live Show
Nachtmahr live at Lumous Gothic Festival

Biggest New Discovery
Aurelio Voltaire

Most Anticipated Albums of 2018

New albums from God Module and FGFC820.

Happy New Year Everyone!

Two Witches 30th anniversary show

Posted in Gig, Live with tags , , , , , on 9th September 2017 by izaforestspirit

Dark Side Cowboys, Freaknagel, Harmony Garden
Klubi, Tampere, Finland
8th September 2017

The Finnish Goth rock band Two Witches celebrated their 30th anniversary last night. And what would be a better place to celebrate it than one of my favorite venues in their home city – at Klubi. I’ve seen them live before, but their anniversary show promised to be something special. Support bands including the Swedish alternative rock band Dark Side Cowboys, Estonian industrial band Freakangel and others.

I arrived too late to catch the first band Harmony Garden, who apparently played an acoustic set. The first band I saw was Dark Side Cowboys. I’ve seen these guys live before when they played Lumous Gothic Festival a few years ago, so I pretty much knew what to expect. Their style is difficult to categorize, it’s a mixture of old school, Fields of the Nephilim -style Goth rock with hints of darkwave and even some industrial. One thing is for sure, they know how to put on a great show. 4/5

Freakangel is a band that I used to like a lot when they first came out; I really like their first album. Sadly I’m not that keen on their newer releases and I don’t particularly like the direction that they are heading with their latest album. Their show was better than the first time that I saw them live, but it’s a shame that they only played one track from ‘The Faults of Humanity’. Other songs I recognized included ‘Parasite’, ‘The Used’ and ‘Book of Violence’. 3/5

Then the time came for the heroes of the day, Two Witches. These guys are usually very good live. This show was special in the sense that it gave the audience an insight into the band’s history. Singer Jyrki Witch was keen to share some anecdotes about the band’s early days. They also had some surprise guests with two former members of the band, Nauko and Toby joining them on stage for a few songs. As usual, they played an mixture of old and new songs including fan favorites such as ‘The Dark Angels of Sin’, ‘Dead Dog’s Howl’, ‘Inner Circle Outside’ and ‘Burn The Witch’. One surprise addition to the setlist was an old darkwave track called ‘Cat’s Eyes’ sung by Jyrki alone as an encore. 5/5

In summary I had a good time. Good music and it was a fun night out in town. Dark Side Cowboys were great live, Freakangel had its moments. As for the night’s heroes…Thirty years and still going strong. Happy anniversary to the Two Witches!

Iza Raittila

Blutzukker calls it a day

Posted in Misc., News with tags , , , on 11th January 2017 by izaforestspirit

The German musician Ben Blutzukker has recently announced the decision to end his horror themed dark electro project Blutzukker. This news comes just a month after the dark electro project released their greatest hits collection via their Bandcamp page.

The artist has decided to focus all his efforts on his solo heavy metal project Ben Blutzukker. He has also added that he is currently working on some new material for Ben Blutzukker which will be influenced by bands such as The Vision Bleak, Abbath and Cradle of Filth.

 

More details about Ben Blutzukker coming soon. In the meantime, fans of his dark electro project can enjoy the band’s last video here:

For more information visit:

https://www.facebook.com/blutzukker/

http://ben.blutzukker.com/

https://blutzukker.bandcamp.com/music

Iza’s Highlights of 2016 (part 1: Industrial/EBM/darkwave)

Posted in Editorial/Opinionated, Misc. with tags , , , , , , , , , , , , , on 30th December 2016 by izaforestspirit

2016 is almost over which means that it’s now time for my annual “Best of” or “Highlights” as I prefer to call them. This year’s edition will be in two parts – industrial and metal. I’m still working on my list of top ten metal albums so I’ve decided to list the industrial ones first. So here are my favorite industrial/EBM and electro releases of 2016:

1. Lord of the Lost – Empyrean
Genre: Industrial Rock/Dark Rock

Lord of the Lost is a new discovery for me. I’ve been ignoring them for years, thinking that they were some sort of glam rock band. Then this year I had the pleasure of seeing them live when they supported Combichrist and I was totally blown away by their performance. I ended up buying all their albums. They sound like a mixture of HIM and Deathstars. ‘Empyrean’ is their heaviest and most complex album to date. Stand-out tracks: ‘Drag Me to Hell’ and ‘In Silence’

2. Heimataerde – Aerdenbrand
Genre: Medieval Industrial/Aggrotech

The German brotherhood of dark electro Templar knights are back with a new album. Fans of their work will know what to expect from this one; atmospheric dark electro with a medieval tinge. It’s a delightful mix of creepy and catchy Aggrotech with both ballads and dancefloor hits. Favourite tracks: ‘Fühl die Zeit (featuring Joachim Witt)’ and the kids’ nursery rhyme -inspired ‘Hick Hack Hackelbeil’.

3. Combichrist – This is Where Death Begins
Genre: Industrial Rock/Aggrotech

This album was not the easiest one to get into. Fans of Combichrist’s older songs will be shocked to discover just how guitar-driven this band has become. The previous album ‘We Love You’ was just a taster of what’s to come. The industrial and harsh electro elements are still present, but guitars are making inroads and they are here to stay. Combichrist is now an industrial rock band. As soon as you accept that you might actually start to enjoy this album. I did. Favourite songs: ‘Exit Eternity’, ‘My Life My Rules and ‘Skullcrusher’.

4. Memmaker – Let There Be Lasers
Genre – Power Noise/Rhythmic Noise

Eight years is a long time to wait for an album and that’s how long it’s been since Memmaker released their debut ‘How to Enlist a Robot Uprising’. Luckily the follow-up ‘Let The Be Lasers’ was worth the wait. The Canadian power noise band have essentially picked up from where they left off. So if you like power noise and songs about space travel and robots is your thing, then this is the album for you. Best tracks: ‘Doom Ray’, ‘Manipulate’ and ‘Race to Space (feat. Detroit Diesel)’.

5. Nachtmahr – Kampfbereit
Genre: Techno Industrial/Aggrotech

Nachtmahr are a bit controversial band within the industrial scene. Their music has always had a militaristic theme which has led to allegations of fascism. They sure like to harbour a fetish for women in uniform but I never quite got the fascist or misogynistic connections. I personally I like their music and I try not to think too much about their imagery. This year was the first time that I chose not to buy a physical copy of their new album. I have enough coffee-table books and these days I mostly listen to their music at the gym. So I bought the digital version instead. It’s great treadmill/cross trainer music. Best tracks: ‘Kampbereit’, ‘Tempus Fugit’ and ‘Burning Bridges’.

6. Scandroid – Scandroid
Genre: Synthwave

Scandroid is a side-project of the American musician Klayton (Celldweller, Circle of Dust). It was originally a two-man project featuring Klayton and Nick Pittsinger (Varien) who took on the identities of “Red” and “Raven” in the futuristic cyberpunk world of Neo-Tokyo, where the Scandroid story takes place. “Raven” left the project in 2014 which means Scandroid is now a solo project with “Red” as the main character. The music is a mixture of ’80s -style synth-pop/synthwave with a sci-fi tinge. The album tells a story so it’s difficult to pick out any specific individual tracks, but personally I’m very fond of ‘Aphelion’, ‘Empty Streets’ and ‘Neo-Tokyo’.

7. Terrolokaust – Dissensions
Genre: Industrial Rock/Aggrotech/Dark Electro

This year I finally got to see this Spanish harsh electro duo live at Resistanz Festival. That was a good show which served as my introduction to the band. They are similar to Combichrist in a sense as their style has changed from Aggrotech towards a more industrial rock sound. Their latest opus ‘Dissensions’ contains a mixture of both styles. There is something here for fans of either genre – whether it’s dance tracks like ‘Pursuit of Ruin’ or guitar driven industrial rock song such as ‘A Masochist’s Tale’.

8.Ost+Front
Genre: Neue-Deutsche-Härte

I have to be honest here in that I have mixed feelings about this album and Ost+Front in general. They give the impression of being essentially a Rammstein-clone, adapting not only the music and vocal style but also the themes and the imagery of their world-famous countrymen. Despite this I decided to include their new album on this list because of a few tracks that stood out – the sombre and profound ballad ‘Sternenkinder’ and ‘Bruderherz’. ‘Fiesta de sexo’ also deserves a mention due to guest appearance of Erk Aicrag (Hocico).

9. My Own Sorrow – The Entity
Genre: Dark Electro/Occult Ambient

‘The Entity’ is the latest album from the Swedish dark electro artist My Own Sorrow. His music is primarily instrumental, atmospheric dark electro with strong themes of horror and occultism. All the songs have an eerie feel to them. It’s like listening soundtrack to a horror movie. Best tracks ‘Succubus’ and ‘Rats In The Walls’.

10. Blutzukker – The Ultimate Collection
Genre: Dark Electro

Blutzukker is the dark electro project of the German artist Ben Blutzukker. He is currently involved in two projects; a heavy metal band under the name of Ben Blutzukker, who released an EP last year and the aforementioned dark electro act Blutzukker. What we have here isn’t really a new release but rather a collection of all Blutzukker’s works including some rarities and unreleased demos. So if you like dark electro, horror themes with a touch of humour then I would strongly recommend this. Best tracks ‘Fright Club’, ‘Queen of the Nite’, ‘The Vampire Strikes Back’.

Biggest new discovery: Lord of the Lost
Best live show: it’s a tie between Combichrist live in Tampere and Memmaker at Club Infektio, Helsinki
Most Anticipated albums of 2016:
Marilyn Manson – Say10
Blutengel – Leitbild
New albums by Suicide Commando and Grendel

Stay tuned for the metal edition, coming soon!

Lumous Gothic Festival 2016

Posted in Festival, Live with tags , , , , , , , , , on 17th July 2016 by izaforestspirit

Shiv-R, Two Witches, Aesthetic Perfection

Klubi, Tampere, Finland

1516th July

For the past few years, Finland’s biggest Gothic event – Lumous Gothic Festival – has been one of the highlights of my summer. There was some rumours going around that last year’s 15th anniversary edition was going to be the last one. Luckily that was not the case. Not only is Lumous still running, they actually sold out the Saturday’s show. This year the music on offer was a mixture of EBM, Harsh Electro/Aggrotech, Goth Rock and neo-folk.

Friday

First up was the futuristic-styled EBM duo Blastromen. These two really looked like extras from one of the Tron movies, thanks to their luminous “space robot” suits. They played some catchy EBM enhanced with robotic vocals and plenty of flashing lights. The flashing lights were a bit too much for my little camera to handle but I enjoyed the performance. 3/5

Goth rock is one of the most popular genres at the festival. I’ve seen a number of good Goth rock bands at Lumous and Canis Lupus was no exception. Unlike some goth bands who tend to overdo the melancholic and gloomy atmosphere, these guys actually looked like they were enjoying themselves. Their vocals and overall style reminded me of Sisters of Mercy. 4/5

The night’s headlining act, the Australian Harsh Electro band Shiv-R was the main band that I came to see. I’ve only discovered them recently so I was keen to see what they are like live. Their show was very energetic, filled with lots of creepy imagery projected from the screens and lots of very catchy dark electro tunes. I was dancing pretty much throughout the show. 5/5

 

Saturday

Every year Lumous Gothic Festival features at least one “wild card” – a band or solo artist who sounds or sometimes looks dramatically different from all the others. This year that “wild card” was the British neo-folk artist Naevus. This was a special “solo set” featuring just the band’s singer on acoustic guitar. Whilst I can fully acknowledge that Mr. Lloyd James has a good voice and he is a talented guitar player, this type of music is simply not my style. 3.5/5

Local favourites, the renowned Finnish goth rock band Two Witches are big part of the local Goth scene and they are heavily involved with the festival. Last night was the official release party for the brand new live album ‘Voodoo Wytches -Live. I’ve seen them live before but each show is a little different… This time they played at a venue packed full of cheering fans at a sold.out show. Their set consisted primarily of old songs including several classics such as ‘Vampire Empire’, ‘The Dark Angels of Sin’, ‘The Omen’ and ‘Burn The Witch’. It was really good to see them live again. There’s not that many Goth rock bands that I enjoy but Two Witches is definitely one of them. 5/5

 

Whilst I’m not a massive of their latest work, I have to admit that American electro- industrial Aggrotech band Aesthetic Perfection are always entertaining to watch live. I’m a big fan of the first three albums so I was really happy when they played most of the hits from that era including: ‘Spit It Out’, The Great Depression’, ‘Inhuman’ and ‘The Ones’. ‘Antibody’ wasn’t bad either but I’m not super keen on their mellow ballads. 4.5/5

 

So there you have it. Another great weekend at Lumous Gothic Festival. Two Witches is always fun to watch live, Aesthetic Perfection put on another great show, Shiv-R was a new discovery and my favourite performance of the festival.

Iza Raittila

 

Surgical Meth Machine – Surgical Meth Machine

Posted in Review with tags , , , , on 19th May 2016 by Pieni

Surgical Meth Machine
“Surgical Meth Machine”
Industrial Metal
Release: 15th April 2016
Via Nuclear Blast Records

 photo Surgical Meth Machine - Surgical Meth Machine - Artwork_zpsdfjnceab.jpg

When Nuclear Blast sent over this album I volunteered to review it simple because a) my musical taste has a fair share of industrial metal in it and b) I thought the name was cool. My first thought when I started listening to it was “what a Ministry rip-off!”. So you can imagine how hard I laughed when I realized this was an Al Jourgensen’s project. It also gives you an idea of the difference between Surgical Meth Machine and Ministry – pretty much none.

There’s a bigger sense of humor though. Starting right off with the opening track “I’m Sensitive”, where that sensitivity regards opinions posted on social media and therefore the title bears a huge amount of sarcasm. “Unlistenable” lives up to its name, sounding extremely annoying, but the lyrics save the day: Jourgensen is asked about some “really cool” bands like Iron Maiden and then bands that “everyone loves to hate” like Nickelback and his verdict is always the same – they all suck. Even Ministry, who the frontman claims to “hate fucking industrial bands”. Devo, on the other hand, rule! And a heavier version – not exactly industrialized – of Devo’s “Gates Of Steel” kicks in. In the same vein, the fun goes on with “Spudnik”, which sounds like an ‘80s arcade video game soundtrack. “I’m Invisible”, the second song made public prior to the album release, if I’m not mistaken, has an unexpected funky vibe, but the rest of the album has that grinding industrial beats that Ministry got us used to. My favorite song is “Rich People Problems”, but “I Want More”, the aforementioned “I’m Sensitive”, “Tragic Alert” or “Smash And Grab” are just as hammer-forged. So yeah, it may lack innovation, but this album surely dwells in high-caliber ground.

4 / 5

Renata “Pieni” Lino

Resistanz Festival 2016

Posted in Festival, Live with tags , , , , , , , , on 4th April 2016 by izaforestspirit

Grendel, iVardensphere, Godflesh
The Corporation, Sheffield, The United Kingdom
Saturday 26th  March 2016

 
Resistanz was one of those festivals that I’ve wanted to return to. I’ve been there once before; in 2011 which was the very first time that it was held and one of the few times that it didn’t sell out. Since then the dates have been moved to the Easter weekend, which meant that it usually clashed with a family gathering making it impossible for me to attend. This year was an exception, I just happened to be in the U.K. that weekend and within easily commutable distance of the city where it was being held.

I missed the first band, Neonsol. The next band was a local band Randolf & Mortimer, who played a mixture of EBM, techno, punk and early Ministry -style industrial rock. It was catchy at times and definitely a good way to start to the night. 3/5

Terrolokaust were one of the main bands that I was looking forward to. They’re essentially a Harsh Electro / Aggrotech band, similar to the likes of Combichrist but the vocal style is different from most of the bands of that genre. They played some tracks from their upcoming album along with older tracks plus a few covers including their take on The Prodigy’s ‘Spitfire’. I had only heard a handful of tracks by them before the gig so most of the stuff they played was unfamiliar. I enjoyed the show so much that I bought two of their albums afterwards. 4/5

Next up was the British EBM band Cyferdyne. They played some catchy and mostly dancefloor-friendly electro. It was fun to dance to and some of my friends also really enjoyed it. Personally I preferred Terrolokaust to them. 3.5/5

Grendel was the main band that I came to see. I’ve been a fan of their music for years and I’ve missed several opportunities to see them live. So, needless to say that I was really looking forward to their show. And they didn’t disappoint. They had two guitarists with them on stage along with the usual industrial synths and JD’s harsh electro vocals. They played all the hit songs including: ‘Chemicals & Circuitry’, ‘Timewave Zero’, ‘Hate This’ along with some older material including one of my favorites ‘Pax Psychosis’ and two new tracks from the upcoming EP ‘The Age of the Disposable Body’. I had a great time dancing and singing along to all the songs. This was my favorite performance of the whole night. 5/5

I had no idea what to expect from iVardensphere. I assumed them to be an experimental industrial noise band, which is the type of stuff that tends to give me a headache. I was initially reluctant to see their show. Then one of my friends convinced me to give them a try, saying that their style was more power noise mixed with some tribal music influences. I have a much better experience with power and rhythmic noise bands such as SAM, X-RX and Memmaker. This sub-genre tends to sound good live, so I decided to give iVardensphere a try. What I heard turned out to be a lot better than I expected. Their music is a fascinating mix of techno, industrial and power noise along with some tribal music. They even did a cover of Sepultura’s ‘Roots Bloody Roots’. Their performance was very energetic, great to dance to and the additional tribal elements made the songs sound all the more intriguing. 4/5

Now, I like my metal and I like my industrial music. I also like some industrial metal so in theory Godflesh should have been right up my alley. The thing is, they seemed a little out of place at Resistanz Festival being the only metal band there. They also happened to be the headlining act, playing after a very catchy power noise band whose fans packed the venue. It’s not that I hated Godflesh’s performance; it was decent-sounding industrial metal but not as memorable as some of other industrial metal bands I’ve seen in the past such as Ministry. 3/5

I spent the rest of the night dancing and hanging around with friends, some of whom I haven’t seen in years. Overall this was an intense, exhausting but also really fun way to spend Easter Saturday. I finally got to see Grendel live, Terrolokaust were really good and I discovered the delights of iVardensphere. It’s really a shame that this was the last Resistanz Festival. I’m so glad that I got to attend it, even if it was just for one day after such a long break.

Iza Raittila

 

Man.Machine.Industry – Box Of Horrors

Posted in Review with tags , , , , , , , on 16th March 2016 by Pieni

Man.Machine.Industry
“Box Of Horrors”
Metal
Release: 4th March 2016
Via KMP

 photo 004_mmi_box of horrors_cover art copy_zpsfad9ra91.jpg

Man.Machine.Industry’s new album “Box Of Horrors” gives you a little of everything the band stands for – all strains of metal.

Even though their sound has always been braided with an industrial thread, frontman Jhonny Bergman is a pretty old-school soul. I believe “Trend Killer” is the one song – not only in this album but in all M.M.I.’s discography – that mirrors it, thrashing away like there’s no tomorrow.

Now “Let It Burn” has the aforementioned industrial twist to it, not compromising the aggression at all. It just adds some texture, that’s all. It’s go the same vibe of the previous (and my favorite) LP, “Lean Back, Relax And Watch The World Burn” and the chorus is catchy, not in a melodic way but in the sense that will make you want to scream along with it. Powerful!

“20.000 Horns At The Sky” may not be as speedy, but its marching beat and groovy bass line make it quite belligerent just the same. As for the exquisite melodies that M.M.I. have gotten us used to, in songs like “Vivete et Sinete Mori” or “Colours”, take a listen to “Rise Above”. Plenty of melodic exquisiteness there.

Living up to its name, the title-track is a creepy ballad, heavy on guitars. Some string arrangements, acoustic notes and somber choirs make a hell of a combination.

I was surprised to hear another ballad right after this one, but “Destroyers Of Gods And Man” carries such a sadness and despair that you’ll put aside the slow pace and will keep in mind just its weight.

The rhythm is spicy again in “Too Close To The Sun”, with hints of Arabian cadences. “Rise Of The Fallen” is one of those in-your-face kind of songs and the album closes up with yet another ballad, “Heading For Nowhere”, with some keys that somehow remind me of R.E.M. “Everybody Hurts”, so yeah, a ballad in the full sense of the word.

So now you know what I meant by “all strains of metal”. “Box Of Horrors”, like its predecessor “Lean Back…”, is a diverse and solid album, better appreciated if listened to at a high volume.

4,5/5

Renata “Pieni” Lino

Iza’s highlights of 2015 (part 1: Industrial, EBM, Darkwave)

Posted in Misc., Uncategorized with tags , , , , , , , , , on 27th December 2015 by izaforestspirit

Christmas is over, which means that it’s now time for my annual “Best of” or “Highlights” as I prefer to call them. This year’s edition will be in two parts – only this time I’ve decided to do the Industrial edition first. I struggled to come up with a list of top ten albums, so here are my favourite songs of 2015:

1. Celldweller – New Elysium

Album: End of An Empire
Genre: Industrial Rock, Electro, Drum’n’Bass, Trance, EDM

Celldweller is probably the most diverse artist that you will find in my personal music collection. Since the project’s humble beginnings back in the late 1990s, the multi-instrumentalist Klayton, Celldweller’s sole member, has been experimenting with a vast variety of genres ranging from industrial rock, metal, trance, ambient, EDM and even dub-step. ‘New Elysium’ is taken from his third “vocal” album ‘End of An Empire’ (if you don’t count the movie and video game soundtracks). This song reflects the things that I love about Celldweller – industrial rock and trance have never sounded so good mixed together.

2. Blue Stahli – Down in Flames

Album: The Devil
Genre: Electro Rock

Blue Stahli was introduced to me by the same person who got me into Celldweller. The two artists also happen to be on the same record label, they are friends and they have toured together in the past. Blue Stahli is also a one-man industrial brain child of Bret Autrey. ‘Down in Flames’ has been selected from his second album ‘The Devil’, and it has become one of my favourite songs to play when I’m at the gym. No trance or ambient melodies, just good old “ready or not here comes The Devil” “burn baby burn”! Electro Rock…

3. Suicide Commando – My New Christ

https://pro.beatport.com/track/my-new-christ-original-mix/6630162

Album: TBA/Electro Storm vol.6
Genre: Aggrotech/Electro-Industrial/Harsh EBM

‘The Pain That You Like’ may have been this year’s single but ‘My New Christ’ was the track that caught my attention. Profound and complex lyrics to match the dark atmosphere and intensive synth melodies. In short, this song features all the things that make Suicide Commando one of my favourite artists. His new album won’t see the light of day until 2016, but you can get this track and many others by various industrial artists from the Out of Line label’s ‘Electro Storm vol.6’ -compilation CD.

4. Hocico – Bienvenido A La Maldad

Album: Ofensor
Genre: Aggrotech/Electro-Industrial/Harsh EBM

My favourite Mexican Aggrotech duo are back with a new album. It was tough to pick a favorite song from ‘Ofensor’ since I love the whole album. In the end I decided to go with ‘Bienvenido A La Maldad’ due to the vibrant and fantastically choreographed music video. It’s also a great dance tune.

5. Blutengel – Asche Zu Asche

 

Album: Omen
Genre: Gothic Synth-pop/Darkwave

I have to be honest here… The first time that I came across Blutengel, I couldn’t stop laughing at their ridiculously cheesy vampire video for ‘Reich mir die Hand’. As cheesy as it was, the song did stick in my head and after a few weeks I ended up buying one of their live DVDs followed by most of the discography… Given my general dislike for synth-pop, the chances that if these guys didn’t sing in German about vampires and other Gothic themes, I probably wouldn’t pay any attention to them. ‘Asche Zu Asche’ is my favourite track from the latest album ‘Omen’.

6. Eisbrecher – 1000 Narben

Album: Schock
Genre: Industrial Rock

I’ve been listening to Eisbrecher for a few years now. Earlier this year I finally had the pleasure of seeing these guys live in Helsinki for the first time. It was one hell of a show. They played a lot of the new songs from their latest album ‘Schock’ but ‘1000 Narben’ is the one that I found the most memorable.

7. Zombie Girl – Panic Attack

https://alfamatrix.bandcamp.com/track/panic-attack-4

Album: Killer Queen
Genre: Electro-Industrial, EBM

There’s not an awful lot of female electronic artists that I regularly listen to. What I was hoping for this year was a new album from the Unter Null. Sadly that was not to be but I discovered that Zombie Girl, an artist who been away from the scene since 2009 had just released a new album. ‘Panic Attack’ was the first single and my favourite track from her latest opus ‘Killer Queen’.

8. Alien Vampires – All Fakes Must Die

Album: Drag You to Hell
Genre: Aggrotech/Electro-Industrial/ Harsh EBM

When it comes to sinister sounding Harsh EBM and risqué imagery based on either drugs, BDSM and infernal blasphemy, nobody does it better than this dark electro duo. “Evil Bloody Music” it sure is and it’s damn catchy as well. The whole album is really good but ‘All Fakes Must Die’ is my personal favourite.

9. Noisuf-X – Big Bang (2015 Demo Version)


Album: 10 Years of Riot
Genre: Power- Noise

Noisuf- X is a relatively new discovery for me. I’ve been a fan of Jan L.’s main project, the wonderfully eerie and atmospheric harsh EBM that is X-Fusion. Noisuf-X is the slightly younger brother; the music tends to be more dance-oriented and club-friendly falling under the category of power-noize. I always dance to it when I hear it at a night club but with this album being a best of, I decided to buy a copy to play at home. ‘Big Bang (2015 Demo Version)’ is one of the new track from the bonus disc.

10. Blutengel & Meinhard – Kinder der Sterne

Album: In alle Ewigkeit (EP) – the Blutengel version
Genre: Gothic Synth-pop/Darkwave

Normally when I prepare these lists for my annual highlights, I try to avoid mentioning the same artist twice. This year I’ve decided to make an exception. ‘Kinder der Sterne’ isn’t just a Blutengel song, it’s a collaboration between them and another German electronic artist, the eccentric and theatrical Meinhard. The song was actually written by Meinhard who then asked Chris Pohl of Blutengel to join him and create this superbly catchy piece of Gothic electro. You can find the Meinhard of this track on his new album ‘ALCHEMUSIC II – coagula’. Personally I prefer the Blutengel version.

Best New Discovery of 2015: My Own Sorrow

Best live show: it’s a tie between Das Ich at Lumous Gothic Festival and Eisbrecher live in Helsinki.

Most Anticipated Albums of 2016

New albums by Suicide Commando, Heimataerde and Unter Null

That’s all for now… Stay tuned for part 2. The Metal edition, coming soon

Mind Driller – Zirkus

Posted in Review with tags , , , , , , , on 19th September 2015 by Pieni

Mind Driller
“Zirkus”
Industrial rock
Release: 25th June 2015
Via Red Mutante

 photo minddriller_zpsdhhpunc3.jpg

A few months ago, Mind Driller released their sophomore album “Zirkus”. And even if they have stronger tracks here to name the album after, I find “Zirkus” a title more than appropriate – once you hear it, you’ll find yourself dealing with a circus of emotions. Three voices (two male and one female) singing in three languages (English, German and Spanish) is already an interesting feature, but the music itself is just as attractive. I know that “industrial” and “German” in the same sentence will automatically light a neon sign reading “Rammstein” in your head (and okay, I admit there are a few occasions when the sound is somewhat similar), but the general outcome of Mind Driller is more vibrant and melodic than the grinding beats of Rammstein. Like “Lüg Mich An” or “Ich Bin Anders”, with their rock-ish vibe and catchy choruses. And Mind Driller are also able to seduce you into a goth/dark wave realm, through songs such as “Deadworld” and “Memories”. Rich in details and variations, “Zirkus” is a thorough and intense industrial album, from which I highlight “M4R10N3T4”, the aforementioned “Memories”, “Escape” and “Together (Chapter II)”.

I’m not very familiar with the Spanish industrial scene, but after listening to “Zirkus”, I dare saying that Mind Driller – along with Killus – are among the top bands that country produces within this genre.

4,5 / 5

By Renata “Pieni” Lino

Phal:Angst release new haunting clip for Hardwire

Posted in News with tags , , , , , on 15th December 2014 by Nico Solheim-Davidson, the North Sea Poet

Austria’s premier industrial mobsters Phal:Angst have recently unveiled the new clip for their upcoming single Hardwire. The track is taken from the band’s new album Black Country. Having worked tirelessly to make a name for themselves in their homeland of Austria, Phal:Angst are now setting their sights on bigger game.

A stark and frightening clip, the band had this to say regarding the clip, which can be viewed down below:
The first video to the new Phal:Angst album Black Country is to the song Hardwire and it was shot in the legendary Viennese café/bar Café Stadtbahn which enjoys a perfect reputation with local bohemians, (sub)cultural people & heavy drinkers. So, a perfect ambience for Phal:Angst.
Also note the sign for "Kat’s Caravan" which was a regular event there and refers to the legendary radio show by Jim Lowe & John Peel. The "story" of the video is social alienation, boredom, voicelessness but also a glorification of slowness. It might not be a coincidence that this one comes out of the city of Vienna, well known for it’s morbidity, leisureliness and psychoanalysis.
It took the viewers of the test screenings usually about 5 minutes to start asking themselves "what the fuck?!”
At the end all questions should be answered.
Phal:Angst is an Industrial/Post-Rock-Band from Vienna, Austria. Formed in 2006, they sit between Industrial, EBM, Post-Rock and Doom; taking influence from bands like Earth, Mogwai, Coil, Front 242 and Neurosis.

Phal:Angst online:

http://facebook.com/phalangst