Archive for Devil In Me

Devil In Me – Soul Rebel

Posted in 'Core, CD with tags , , , , on 12th October 2015 by Pieni

Devil In Me
“Soul Rebel”
Hardcore/Crossover
Release: 20th November 2015
Via Impericon Records

 photo IMP007 copy_zpsi6xgllfp.jpg

Rumor has it that “Soul Rebel” is one of the most expected albums in the European hardcore scene. Whether that’s true or just publicist talk, this piece will certainly make big waves. And not just among the hardcore fans – “Soul Rebel” is more accurately described as a crossover album, so it has a lot of tweaks prone to thrill a fair share of the metal community as well. Like those thrash-oriented riffs in “Break The Chain” or “Blood & Rage”, for instance – the latter including a guitar solo just as juicy. But even the hardcore-anthem-material of the title-track, “Monster” or “Warriors” has something about it that will make people outside the hardcore sphere want to shout along those gang vocals, if not the choruses or the whole songs. That’s what makes Devil In Me stand out from the rest of their fellow bands – the ability of turning their rough and brisk sound into a catchy earworm.

And no matter how top-notch the work of a musician may be, special guests are always a treat. Poli’s voice is quite unique, raspy and full of the rebellious attitude that both lyrics and music of DIM bear, but getting Freddy Cricien from Madball to add some vocal power to the aforementioned “Warriors” is a sweet cherry on top of the icing. “Monster” is a DIM-meets-Biohazard blast of a thing, as singer Billy Graziadei, guitarist Bobby Hambel and bassist/singer Scott Roberts give their straightforward input in it. And a not-so-popular name but in no way less talented is Orlando Santana, from the also Portuguese Atlântida On Demand, who helps Poli with “SYG” (stand your ground).

That being said, this is then a thick, well-woven album, comprised of eleven defiant and spirited songs, aimed at open-minded but strong-willed people. Soul rebels. Like lions.

5 / 5

Renata “Pieni” Lino

Casainhos Fest 2015

Posted in Festival, Live with tags , , , , , , , , , , , , , , , , , , , on 7th September 2015 by Pieni

Mata-Ratos, Angelus Apatrida, Devil In Me, Simbiose, Hills Have Eyes, Reality Slap, Viralata, Tales For The Unspoken, Backflip, Dimension, Artigo 21, As They Come
S.C.Casainhos, Loures (PT)
29th August 2015
Promoter: Tiago Fresco

 photo hero_zpsvfxagwb8.jpg

Casainhos is a small village in the central region of Portugal (less than an hour to the north of Lisbon) that has been holding this commendable festival since 2012 – more than supporting/promoting the underground scene, it brings together its different subgenres, showing how metal, punk and hardcore are all part of a big, happy family. Like Poli (Dimension, Devil In Me) would say, a festival for open-minded people, people who won’t judge you, whether you’re wearing black or pink.

Stoner/Southern rockers As They Come opened this year’s edition, at 3:30 p.m. sharp. The punctuality at this fest gets another thumbs-up, by the way. And it proved that 15 minutes is the perfect amount of time for intermission between sets.

 photo _DSC0213_zpsq7zb1le8.jpg

Despite the unholy heat, As They Come fans were restless. After all, most of them had contributed to the band’s presence at the festival, by voting in a contest promoted by Rock On Música music shop – the same shop that got a bus and organized a roadtrip from São João da Madeira to Casainhos. Singer Sick Danny even dedicated the last song, “50 Miles”, to the shop owner Vitinha, who was then carried by the crowd. Soon afterwards, that crowd would invade the stage to party up there with As They Come. The fest could have hardly begun in a better way.

www.facebook.com/AsTheyCome


 photo _DSC0326_zpsfplbfqmk.jpg

Punk rockers Artigo 21 came next and they also had a fair share of fans singing along songs such as “Contradição” (contradiction) or “Espera Por Mim” (wait for me). The band is somewhat recent (2012) but the musicians aren’t exactly kids – at some point, when tuning a guitar took a little longer and someone in the audience complained, one of them said something like “take it easy, we’re old people”. On a more serious note, they announced that bassist Aureo had just become a father, to which everybody applauded. All the best to him and his family!

www.facebook.com/artigo21punk


 photo _DSC0760_zps45io7juk.jpg

Another new band featuring veteran members is Dimension. Groovy hardcore “straight outta the nineties” – and for those who grew up in that decade, Poli dedicated the Sepultura cover “Slave New World”. But that was just a bonus, as their original songs, taken from the debut “Life Is A Mystery”, were enough to win the crowd over, proving the band’s worth both on stage and in the studio.

www.facebook.com/dimensionptband


 photo _DSC0945_zps9wns5irn.jpg

Backflip play a more straight-forward hardcore, with a female lead singer that kicks as much ass as any guy in the same position. Not sure when they were formed, but they’ve played in all editions of Casainhos so far, and their EP “New Ticket, New Journey” was released in 2011, so they’ve been around at least since then. The debut self-titled full-length saw the light of day in 2013 and features a few guests from other great underground bands, but that afternoon it was the crowd who helped Inês Oliveira (and guitarist Pedro Morais and bassist João Vidigal) sing along.

www.facebook.com/backfliphardcore

v
 photo _DSC0294_zps22wm7dyy.jpg

Tales For The Unspoken, on the other hand, had Raça from Revolution Within sharing the stage with them and singing “Taken”, from the band’s second album “CO2”. Their mix of thrash and death and groove metal kept the moshers busy. “CO2” was released in April, so they focused the set on it, but revisited the debut “Alchemy” with “Say My Name” and the usual closing theme “N’Takuba Wena”.

www.facebook.com/talesfortheunspoken


 photo _DSC0487_zpsjgntftgs.jpg

Back to punk rock, Viralata took the stage. A few problems with Ulisses’ guitar cable delayed the show for a few minutes, leading the singer to joke “what a grand start-up”. Their music is great, but it’s the lyrics – amusing as hell – that make them so popular, meaning that if you don’t speak Portuguese, you’ll miss the essence of Viralata. But if you were there, you’d certainly be carried away by the high spirits of both band and crowd. There was even a fan who climbed on stage and sang the lyrics to “Carocho” (if memory serves me well), totally unexpected but welcomed by the band. Huge fun!

www.facebook.com/viralatapunk


 photo _DSC0785_zpsphzjtiyp.jpg

Hardcore act Reality Slap latest album, “Necks & Ropes”, dates from 2012 but the band’s been working hard on its successor, hoping to release it this year still. Singer Johnny (or at least I think that’s his name – guys, please add who does what in the band in your Facebook page!) said something about not playing live in a while, but either “a while” is a little less than four months to him, or he meant playing in national territory, as the band toured through a few European countries last Spring. Whatever the case, this return to the stages was flawless, and when Johnny jumped to the middle of the crowd, pointing the mike to the fans, many were eager to take on the singer’s role.

www.facebook.com/realityslap


 photo _DSC0272_zpsa4hchmhr.jpg

Despite the rich bill of the festival, I confess it was only Hills Have Eyes that made me ride those 190 miles. So I won’t say their concert was the best, as more than presumptuous it would sound biased; but since I had people coming to me in the end – people who had never seen HHE before, despite their +10-year career – saying that now they understood why I liked that band so much, that I had good taste in music, it’s not the fangirl but the reporter that tells you WHAT A HELL OF A SHOW! This was probably the last gig before the release of their third album, “Antebellum”, scheduled for this month, but still only the first single “The Bringer Of Rain” was performed. The title-track of the previous album, “Strangers”, closed their set.

www.facebook.com/hillshaveeyes


 photo _DSC0377 copy_zps1qwlp672.jpg

From the metalcore of Hills Have Eyes, the festival moved on to the crust/metal/punk of Simbiose. Formed in 1991, it was the band on the bill with the longest career, after headliners Mata-Ratos (the latter born in 1982). “Trapped” is the title of their latest, sixth album (released in March) and songs such as “Ignorância Colectiva” (collective ignorance), “Acabou A Crise, Começou A Miséria!” (the crisis is over, the affliction has started) or “Modo Regressivo” (regressive mode) are some of the new tunes – with the same old social and political critique – that were part of one of the most brutal sets of the fest.

www.facebook.com/SimbioseCrustBand


 photo _DSC0414 copy_zpsyigdtk5m.jpg

Devil In Me are among the high-rank Portuguese hardcore bands and it will only take a couple of songs for you to understand why. Once again, Poli brought up the open-mindedness (and lack of it) subject, and staying true to one’s self – how he still loved hardcore now, as a grown man and family man, as much as when he was 15. Adding how much he missed his daughter that night, he invited all parents present to come up front and party. It seems that their new album will be out in October (“Soul Rebel”), but the title-track has been performed live several times now and everybody knew how to scream the chorus verse: “soul rebel… like a lion”.

www.facebook.com/devilinmeband


 photo _DSC0488_zpstmropuob.jpg

Angelus Apatrida was the only non-Portuguese band of the fest, old school thrash metal from “country next door” Spain. But they’re part of the family, not just for the solid fan-base they’ve built here over the past years but also for recording a couple of albums here, at Ultrasound Studios, and becoming good friends with many local underground bands. One of the most notorious is Switchtense and singer Hugo Andrade even got on stage to sing “Fresh Pleasure” with Guillermo Izquierdo. Whether they were songs from the new album “Hidden Evolution” or oldies like “Vomitive” or “Give ‘Em War”, the circle pits were as restless as the thrash that was fueling them.

www.facebook.com/angelusapatrida


 photo _DSC0595c copy_zpsopmde2fl.jpg

A lot of people left after Angelus Apatrida – not exactly because Mata-Ratos aren’t good at what they do (hardcore punk) but because they haven’t released anything new in eight years, and after eleven bands, half of them performing  while the sun burnt at an average of 86ºF, it became easy to dismiss the headliners. But there was still a good handful of survivors, ready to scream their lungs out at classics like “C.C.M.”, “A Minha Sogra É Um Boi” (my mother-in-law is a cow) or “Deus, Pátria E Família” (God, homeland and family).

www.facebook.com/infamesmr

According to the promoters, circa 800 people attended this fest. Don’t think any had a single reason to be disappointed. I hope this fest will continue to thrive and many more editions will follow. I also hope every country has someone committed to their underground scene like we have Tiago Fresco and his crew here (among others) in Portugal.

Text & photos: Renata “Pieni” Lino

Gallery on our Facebook page here.

More Than A Thousand w/ support – Porto, Portugal

Posted in Gig, Live with tags , , , , , , , , , , on 8th December 2014 by Pieni

More Than A Thousand, Devil In Me, Hills Have Eyes, Kandia
Hard Club, Porto (PT)
6th December 2014

 photo _DSC0534_zpsacb7f92b.jpg

Last Saturday, Hard Club welcomed what is probably the best metalcore band in the country and their special guests, who are also high in the ranks of popularity around here. The result? An unforgettable, explosive night!

 photo _DSC0028_zpsf3c3054b.jpgFirst band on stage was Kandia, the “only local band”, as singer Nya would remark. She would also motivate the crowd by saying something like “let’s show these bands from the south that Porto knows how to rock”. Having just 20 minutes to play (“but sometimes quickies are good too, right?”, she teased), and also to give something different to the fans who have been seeing their recent shows, they’ve replaced “Caution + New Breed” with “Noise + All Is Gone” as the kick-off of the gig. The crowd was very responsive to Kandia, which was really good to see, since the other three bands were much more aggressive and I wasn’t sure how their fans would react to Kandia’s alternative rock.
As I said before, when reviewing their concert at Vagos Open Air, even though all musicians put their heart and soul in the performance, it’s Nya who gets the ultimate prize in stage attitude, enhancing the energy and emotion of the songs – the last one of their short but enthralling set being “Karma”. (5 / 5)

 photo _DSC0010_zps04afeb14.jpg

www.facebook.com/Kandiamusic

 photo _DSC0095_zps1558035b.jpgHills Have Eyes took some time to get on stage as there was some problem with the sound. People were getting impatient and eventually the show started, even if the tech wasn’t 100% satisfied with the sound. But the crowd clearly didn’t care – when a band puts up a show like Hills Have Eyes does, imperfect sound is a minor detail. Such an adrenaline discharge! At some point singer Fábio Batista asked who was seeing Hills Have Eyes for the first time and a bunch of arms were raised. But that didn’t mean they’d never heard of them before, ‘cause the choir of voices singing along the songs was way too loud. And those who weren’t singing, were vigorously headbanging or moshing – Hills Have Eyes are definitely loved and everybody wanted to shake Fábio‘s hand when he jumped in the pit and greeted the fans.
When you don’t have too much time to play, it’s only natural that you focus on your latest work and neglect the older stuff. That’s what Hills Have Eyes did (as much as I’d have loved to listen to “Daydreaming Isn’t So Good After All”, for instance)– the set was almost entirely focused on “Strangers”, the “almost” meaning a new song called “Bringer Of Rain”. Since “Strangers” was released in 2012, it’s about time its follow-up starts getting shape!
Just like the studio version, Vasco Ramos from More Than A Thousand joined Fábio on stage to sing “Anyway, It’s Gone”, and then the title-track of “Strangers” closed a gig that lasted a bit longer than Kandia’s but still not long enough. Hills Have Eyes have just been added to my bands-to-see-as-headliners list. (5 / 5)

 photo _DSC0115_zps276cf415.jpg

www.facebook.com/hillshaveeyes

 photo _DSC0482_zps4ee3ba12.jpgDevil In Me was the only band I didn’t know, even though, apparently, they’re quite big. But then again, hardcore isn’t really my area of expertise… Their light show was poor, so I could barely see the guys. Singer Poli paced around like a wild animal in a cage, guitarist Matos stretched his legs in high jumps… I guess that even if the lights were clearer, I’d still have trouble seeing more than blurs of movement. Okay, I’m exaggerating, but I can’t find another way to pass through the idea of the blitz that was going on up there. And down there too, as the mosh and crowdsurfing was soon matching the aggression of the sound.
Three albums out, the fourth, “Soul Rebel”, is on its way. So among songs like “Only God Can Judge Me” and “The End”, we got to hear the title-track of that upcoming record and even sing along the chorus, as singer Poli made us scream “like a lion” in response to his “soul rebel”. The crowd roared like lions indeed.
There’s no hardcore band who doesn’t point a finger to the joke that’s our political and economic situation, but among that Poli said something else, something more positive – “when you’re at home, listening to music, listen to it with open ears, ‘cause music is much more than clothes and appearance, it sends a message”. Nice! (5 / 5)

 photo _DSC0477_zpsd818eadb.jpg

www.facebook.com/devilinmeband

 photo _DSC0573a_zps8488e600.jpgI won’t say that there were “more than a thousand” people watching the show not just because it would be a tacky pun but also because it wouldn’t be accurate – one thousand is precisely the capacity of Hard Club and there was still room to breathe. But barely! And since they’d played at that very venue, for the same number (give or take) of people, just nine months before, that says A LOT about More Than A Thousand. And if we used emoticons here on Valkyrian, here’s where I’d put a heart.
The setlist was pretty similar to that one of March (and this is a mere statement, not at all a complaint), replacing “Lost At Home” for “Cross My Heart”, and “Black Hearts” and “Make Friends And Enemies” for an “old school 5-track medley” – something Vasco claimed that they’d never done before.
And the order of the other songs was changed, like opening with “Feed The Caskets” (my personal favorite) or “We Wrote A Song About You” being played more or less in the middle of the show. For this one, like in March, and in so many others whenever Fábio is available, the singer of Hills Have Eyes joined in. The two bands have been close friends for a long while, and one can tell by the way Vasco and Fábio insult each other – “but we like each other very much. It’s something gay”, said Vasco.
Unchanged were “Midnight Calls” and “In Loving Memory (Life Flashes)”, when Vasco stood alone on stage, playing the guitar himself. And the mandatory “No Bad Blood” closing it up with golden key – hearing the whole room singing “this is who we are, tonight we’ll stay together” is especially flesh-crawling. (5 / 5)

 photo _DSC0537_zps747d5379.jpg

www.facebook.com/morethanathousand

Vasco thanked the other bands and everybody who got out of the house to support Portuguese bands, but he forgot someone: the ONLY security guy who did a hell of a job handing the moshers and crowdsurfers all by himself. I tip my hat to you, Joel!

Text & photos by Renata “Pieni” Lino