More Than A Thousand w/ support – Porto, Portugal
More Than A Thousand, Devil In Me, Hills Have Eyes, Kandia
Hard Club, Porto (PT)
6th December 2014
Last Saturday, Hard Club welcomed what is probably the best metalcore band in the country and their special guests, who are also high in the ranks of popularity around here. The result? An unforgettable, explosive night!
First band on stage was Kandia, the “only local band”, as singer Nya would remark. She would also motivate the crowd by saying something like “let’s show these bands from the south that Porto knows how to rock”. Having just 20 minutes to play (“but sometimes quickies are good too, right?”, she teased), and also to give something different to the fans who have been seeing their recent shows, they’ve replaced “Caution + New Breed” with “Noise + All Is Gone” as the kick-off of the gig. The crowd was very responsive to Kandia, which was really good to see, since the other three bands were much more aggressive and I wasn’t sure how their fans would react to Kandia’s alternative rock.
As I said before, when reviewing their concert at Vagos Open Air, even though all musicians put their heart and soul in the performance, it’s Nya who gets the ultimate prize in stage attitude, enhancing the energy and emotion of the songs – the last one of their short but enthralling set being “Karma”. (5 / 5)
Hills Have Eyes took some time to get on stage as there was some problem with the sound. People were getting impatient and eventually the show started, even if the tech wasn’t 100% satisfied with the sound. But the crowd clearly didn’t care – when a band puts up a show like Hills Have Eyes does, imperfect sound is a minor detail. Such an adrenaline discharge! At some point singer Fábio Batista asked who was seeing Hills Have Eyes for the first time and a bunch of arms were raised. But that didn’t mean they’d never heard of them before, ‘cause the choir of voices singing along the songs was way too loud. And those who weren’t singing, were vigorously headbanging or moshing – Hills Have Eyes are definitely loved and everybody wanted to shake Fábio‘s hand when he jumped in the pit and greeted the fans.
When you don’t have too much time to play, it’s only natural that you focus on your latest work and neglect the older stuff. That’s what Hills Have Eyes did (as much as I’d have loved to listen to “Daydreaming Isn’t So Good After All”, for instance)– the set was almost entirely focused on “Strangers”, the “almost” meaning a new song called “Bringer Of Rain”. Since “Strangers” was released in 2012, it’s about time its follow-up starts getting shape!
Just like the studio version, Vasco Ramos from More Than A Thousand joined Fábio on stage to sing “Anyway, It’s Gone”, and then the title-track of “Strangers” closed a gig that lasted a bit longer than Kandia’s but still not long enough. Hills Have Eyes have just been added to my bands-to-see-as-headliners list. (5 / 5)
www.facebook.com/hillshaveeyes
Devil In Me was the only band I didn’t know, even though, apparently, they’re quite big. But then again, hardcore isn’t really my area of expertise… Their light show was poor, so I could barely see the guys. Singer Poli paced around like a wild animal in a cage, guitarist Matos stretched his legs in high jumps… I guess that even if the lights were clearer, I’d still have trouble seeing more than blurs of movement. Okay, I’m exaggerating, but I can’t find another way to pass through the idea of the blitz that was going on up there. And down there too, as the mosh and crowdsurfing was soon matching the aggression of the sound.
Three albums out, the fourth, “Soul Rebel”, is on its way. So among songs like “Only God Can Judge Me” and “The End”, we got to hear the title-track of that upcoming record and even sing along the chorus, as singer Poli made us scream “like a lion” in response to his “soul rebel”. The crowd roared like lions indeed.
There’s no hardcore band who doesn’t point a finger to the joke that’s our political and economic situation, but among that Poli said something else, something more positive – “when you’re at home, listening to music, listen to it with open ears, ‘cause music is much more than clothes and appearance, it sends a message”. Nice! (5 / 5)
www.facebook.com/devilinmeband
I won’t say that there were “more than a thousand” people watching the show not just because it would be a tacky pun but also because it wouldn’t be accurate – one thousand is precisely the capacity of Hard Club and there was still room to breathe. But barely! And since they’d played at that very venue, for the same number (give or take) of people, just nine months before, that says A LOT about More Than A Thousand. And if we used emoticons here on Valkyrian, here’s where I’d put a heart.
The setlist was pretty similar to that one of March (and this is a mere statement, not at all a complaint), replacing “Lost At Home” for “Cross My Heart”, and “Black Hearts” and “Make Friends And Enemies” for an “old school 5-track medley” – something Vasco claimed that they’d never done before.
And the order of the other songs was changed, like opening with “Feed The Caskets” (my personal favorite) or “We Wrote A Song About You” being played more or less in the middle of the show. For this one, like in March, and in so many others whenever Fábio is available, the singer of Hills Have Eyes joined in. The two bands have been close friends for a long while, and one can tell by the way Vasco and Fábio insult each other – “but we like each other very much. It’s something gay”, said Vasco.
Unchanged were “Midnight Calls” and “In Loving Memory (Life Flashes)”, when Vasco stood alone on stage, playing the guitar himself. And the mandatory “No Bad Blood” closing it up with golden key – hearing the whole room singing “this is who we are, tonight we’ll stay together” is especially flesh-crawling. (5 / 5)
www.facebook.com/morethanathousand
Vasco thanked the other bands and everybody who got out of the house to support Portuguese bands, but he forgot someone: the ONLY security guy who did a hell of a job handing the moshers and crowdsurfers all by himself. I tip my hat to you, Joel!
Text & photos by Renata “Pieni” Lino
Valkyrian Music 
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