Archive for Metalcore

Escape The Fate announce ‘This War Is Ours’ 10th anniversary tour

Posted in Misc., News, Rock with tags , , , , on 9th November 2018 by izaforestspirit

The American rock band Escape The Fate have announced that their ‘This War Is Ours’ 10th anniversary tour will come to Europe at the start of next year. The tour celebrating the 10th anniversary of the release of their debut album starts in The United States in December 2018. Then the European leg of the tour begins on 24th January 2019 in Bristol, The UK .

Here is the full schedule:

January 2019
Thu 24th – Bristol, UK, Thekla
Fri 25th – Manchester, UK, Gorilla
Sat 26th – Nottingham, UK, Rock City
Sun 27th – Dublin, Ireland, Voodoo Lounge
Mon 28th – Belfast, N. Ireland, Limelight 2
Tue 29th – Glasgow, Scotland, Garage
Thu 31st – Antwerp, Belgium, Zappa

February 2019

Fri 1st – Cologne, Germany, Kantine
Sat 2nd – Copenhagen, Denmark, Pumpehuset
Sun 3rd – Stockholm, Sweden, Fryshuset
Tue 5th – Helsinki, Finland, Nosturi
Thu 7th – Oslo, Norway, Parkteatreret
Fri 8th – Goteborg, Sweden, Sticky Fingers
Sat 9th – Hamburg, Germany, Grunspan
Sun 10th – Berlin, Germany, Bi Nuu
Mon 11th – Munich, Germany, Backstage Halle
Tue 12th – Prague, Czech Rep., Futurum
Thu 14th – Vienna, Austria, Szene
Fri 15th – Milan, Italy, Live Club
Sat 16th – Zug, Switzerland, Galvanik
Mon 18th – Paris, France, Le Trabendo
Tue 19th – Eidenhoven, Holland, Dynamo
Wed 20th – London, UK, Electric Ballroom
For more details visit:
http://www.escapethefate.com.
https://www.facebook.com/escapethefate/

All That Remains announce new album and European tour

Posted in Metal, Misc., News, Studio Report with tags , , , , , on 5th October 2018 by izaforestspirit

It’s busy times ahead for the American metal band All The Remains. Their new album ‘Victim Of The New Disease’ will be out on 9th November 2018 via Fearless Records. It is rumored to be their “ heaviest record since ….for We Are Many” and it will feature a guest performance from Danny Worsnop (Asking Alexandria).

You can check out the cover art here:

All That Remains - Victim of the New Disease

They will also be hitting the road in December 2018 supported by Sevendust with a series of European dates starting in Southampton in The U.K.

Here is the full schedule:

01.12 – Southampton, Engine Rooms, The U.K.

02.12 – London, Electric Brixton, The U.K.

04.12 – Manchester, Academy 2, The U.K.

05.12 – Glasgow, Garage, Scotland

06.12 – Nottingham, Rock City, The U.K.

07.12 – Bristol, Swx, The U.K.

09.12 – Paris, Glazart, France

10.12 – Cologne, Luxor, Germany

11.12 – Berlin, Columbia Theater, Germany

12.12 – Prague, Meet Factory, Czech Republic

14.12 – Wroclaw, Firlej, Poland

15.12 – Vienna, Flex, Austria

17.12 – Munich, Backstage Halle, Germany

18.12 – Aarau, Kiff, Switzerland

19.12 – Amsterdam, Melweg Oz, The Netherlands

In the meantime you can enjoy their latest lyric video ‘Fuck Love’:

For more details visit:

https://www.facebook.com/allthatremains

http://www.allthatremainsonline.com/

 

 

 

The End Of Grace – Infinite Shadows Of Memories

Posted in 'Core, CD, Metal with tags , , , , , on 9th May 2017 by Pieni

The End Of Grace
“Infinite Shadows Of Memories”
metalcore
Released: 10th May 2017
by Illumnirec

18268551_1450111981677758_1613674322985679302_n_zpsrjrhlus2

Where I come from there’s a saying that goes something like “who awaits always achieves”. And then someone twisted it, creating a new and pretty negative version, that says “who awaits gets desperate”. The latter translated my state of mind in the recent past regarding a full-length record by The End Of Grace, which I’ve been waiting for since the band got together. But it’s finally here and I’m living the original version of the saying, as waiting for “Infinite Shadows Of Memories” totally paid off. Between the two EPs “Lost In Transition” and “Unity”, there had already been an evolution in the songwriting, its features emboldened; but “Infinite…” is more than an upgrade of said features, it’s a new path straying away from the traditional metalcore they’ve begun with.

The crystal-clear clean tones have been replaced by somber, deep ones, still contrasting perfectly with Kriss’ growls; the focus on breakdowns is water under the bridge, the main priority now based on the musicality and not on sounding tougher than leather – even if they do sound relentless nevertheless. It’s just a whole new level of melody, more mature.

The ominous catchiness of “Life On The Line”, the yearning of the title-track, the collision of opposites of “Breathe”, the daring “Ride The Dark”… This record is a rollercoaster of emotions and shows TEoG pushing the proverbial envelope with their music. Hell, a whole stack of envelopes! It’s not even clear what it should be called anymore, but whether you go for “blues-core, deathcore or metalcore” (quoting the upbeat “We Really Don’t Know Yo”), this is The End Of Grace.

5/5

Renata “Pieni” Lino

Exist Immortal – Breathe

Posted in 'Core, CD, Metal with tags , , , , on 17th December 2016 by Pieni

Exist Immortal
“Breathe”
progressive metalcore
Released: 3rd November 2016
Via Primordial Records

v600_ei_breathearthd

So, progressive metalcore is a thing, eh? Not sure why these labels still surprise me… A more common one is “experimental metal”, but then again, “Breathe” goes beyond common, making the fancy “progressive metalcore” somewhat more fitting.

This is their second full-length record, and even if “Darkness Of An Age” shaped what they sound like now, “Breathe” exhales (pun intended) a refinement that the debut lacked. Refinement and maturity, as their eagerness in thinking outside the box took them just far enough. For instance, the fooling-around with the tempo in “Saviour” is never too daring; the weeping guitars in “In Hindsight” are never too grieving, the same way the brutality in “Invisible Lines” isn’t too callous. The songwriting was carefully laid out in order to sound exquisite but not weird. There’s also a purpose behind every breakdown of “Follow Alone” and the bluesy hints of the title-track aren’t random, so no matter how elaborate and sophisticated the melodies turn out (the ominosity of “Release” is quite stunning, by the way), they will flow easily through both the most demanding and the more straight-forward ear-drums. But it’s still a piece that I would especially recommend to those with a taste for modern aggression.

4,5/5

Renata “Pieni” Lino

As Lions announce new EP and video

Posted in Metal, Misc., News, Rock with tags , , , on 4th October 2016 by izaforestspirit

The British hard rock band As Lions have just announced that their debut EP will be released soon. Their first piece of work will be entitled ‘Aftermath’ and it is scheduled to hit the shops on 14th October 2016 via Better Noise Records. The CD version will be available in Europe and there will be digital copies available for purchase in The U.S.A.

You can check out the cover art and the track-listing below:

  1. Aftermath
  2. White Flags
  3. Deathless
  4. World on Fire

As Lions was formed last year by Austin Dickinson (son of the Iron Maiden frontman Bruce Dickinson) after the his previous band Rise to Remain call it a day.

You can listen to the title track ‘Aftemath’ here:

 

For more information visit:

http://aslionsband.com/

The End Of Grace – Unity

Posted in 'Core, CD with tags , , , , , on 3rd June 2016 by Pieni

The End Of Grace
“Unity” [EP]
metalcore
Released: 3rd June 2016
Via Ilumnirec

 photo unity_zpsgfrwjfi9.jpg

If you know The End Of Grace and have been following their story, you may find this title a bit ironic, given the recent major line-up change in the band. I see it the other way around, a tribute to what makes us one and not what divides us (check the words on the artwork – they’re not exactly random). First of all, the departure of 3/5 of the band had nothing to do with falling outs – it’s just life and its usual way of forcing people to make hard choices; they may not partake in the songwriting and performance anymore but they’ll always be a part of TEoG. And then there’s founder Jimmy Bergman’s passion for this project, which will keep it alive no matter what – a true unity with music.

Now that you have my two pennies on the title, let’s go for what really matters. When I’ve last spoken to the boys (interview here) they told me there would be more breakdowns They weren’t fooling around! All songs are much richer in that department, making them sound heavier, thicker. Well, all except the ballad “Fighting For Another Day” (I still smile at the term “ballad” when Kriss Clark is busting up his throat to growl like that, but there’s no other thing to call such bleeding melody) – this one has its own heaviness and there’s no need for extra breakdowns for that.

There’s also more riffs/more elaborate guitar structure, more meaningful lyrics and a better complicity between the aforementioned growls of Kriss and the clean tones of Johan. I had the chance to see “The End Of Grace” (yes, they named a song after themselves) in concert (report here) and witness how such briskness works live. Well let me tell you that “If You Fall”, “Never Break” and “Trigger” will cause the same restless effect. This is what metalcore is all about.

It’s been already three years since the release of “Lost In Transition” but it seems like yesterday, as those songs keep rolling on my playlists. I’m pretty certain the same will happen with “Unity”.

5/5

Renata “Pieni” Lino

Dead By Wednesday – Darkest of Angels

Posted in Metal with tags , , , , on 20th May 2016 by izaforestspirit

Dead By Wednesday
The Darkest of Angels
Heavy Metal
Released: 15th July 2016
via EMP Label Group

‘The Darkest of Angels’ is the new album from the American Heavy Metal band Dead by Wednesday. The band was originally formed back in 2005. Since then they have gone through a number of line-up changes, the most recent being the departure of their singer Joe Morbidelli last year due his addiction problems. This album was recorded with the help of several guest vocals including: Brian Fair (Shadows Fall), Rob Dukes (Generation Kill, ex- Exodus) and Jon Arch (Arch/Matheos, ex-Fates Warning) as well as their new singer Rob Roy on one track. All the songs are centered around the theme of addiction.

The departure of the frontman is the type of thing that can make or break a band. As this is my first encounter with Dead By Wednesday, I don’t know much about how they used to sound prior to the line-up changes. Based on what I’ve read, their older material was a mixture of metal and hardcore. This new album is said to be heavier with more emphasis on metal. So let’s see what we have here…

Well for starters, there’s eleven tracks on here each featuring a different vocalist. The music itself is fairly consistent, melodic and mostly guitar-driven heavy metal. Some of the songs incorporate guitar patterns from both groove metal and even the odd metalcore-style break-down added in the mix.  Self-Medicate (feat. Paul Stoddard) is a good example of how all these elements can be successfully combined to produce something memorable. Sadly it’s the vocals that put me off some of the songs such as Power Troopers (feat. Ceschi & David Ramos) which is a mish-mash of System of Down -esque progressive wailing and shouts. Similar things can be said about the cacophony that is Phoenix Rising (feat. Kris Keys). It’s a shame because the guitar riffs are actually pretty good at times.

Highlights include the title track featuring John Arch and The Surgeon featuring the band’s new singer Rob Roy. Out of these, Darkest of Angels is one of the more melodic songs on here which has a certain power metal feel to it due the playful guitar tunes and Mr. Arch’s melodic vocals. What a relief to my sore ears! The other track that I enjoyed is, oddly enough; an acoustic song The Surgeon, the only song to feature the band’s new singer. Based on this I can see that he’s a good vocalist who seems comfortable and more importantly fully capable of clear vocals. It would have been interesting to hear him have a go at the more aggressive vocal styles that are present on this album. Other notable songs include Defining Fire (feat. Antony Hämäläinen & Waylon Reavis) and the thrash metal -tinged Break When I’m Dead (featuring Eric A.K. of Flotsam & Jetsam)’.

Overall this album is probably not the best one to tune into as an introduction to Dead By Wednesday. With so many different singers and a wide variety of different vocal styles it’s really difficult to deduce what these guys actually sound like. I would have preferred to hear more songs with their new singer Rob Roy. Instead this album feels like the band is still trying to find their feet again and establish a new identity.

3/5

Iza Raittila