Archive for UK

Cradle Of Filth – Cryptoriana – The Seductiveness of Decay

Posted in CD, Metal with tags , , , , , , , , , , , on 15th September 2017 by Nico Solheim-Davidson

Cradle of Filth
Cryptoriana – The Seductiveness Of Decay
Released 22nd September 2017
Extreme Gothic Metal
Released via Nuclear Blast

If you’ve never heard of Cradle of Filth, you’ve most likely been living under a rock for God knows how long. Once hailed as the “most successful British metal band since Iron Maiden“, Dani Filth and and the band have proved their worth, despite various line-up changes throughout the years. Now the band are set to release their twelfth studio album: Cryptoriana: The Seductiveness of Decay. A bit of a mouthful, isn’t it?

The atmospheric invoking Exquisite Torments Await opens up the album with its sinister beginning, followed closely by the demoncially possessed guitars and banshee-like wails and guttural growls of Filth himself. Heartbreak and Seance glides in with the graceful sound of tragedy before the remorseless storm of guitars and symphonic sections come raging in as though a hurricane. Achingly Beautiful is a grandiose display of Dani Filth‘s vocals, charging through the tempest of unforgiving musicianship, while Schoolcraft’s narrative vocals bring a whole new dynamic to the track. The choirs and orchestration, however, truly make the song what it is – a dismal, ominous anthem.

Wester Vespertine is a furious blitz upon the ears, weaving Filth‘s, and occasionally Schoolcraft’s, refined vocals with cimmerian melodies and stout riffs. The title track, The Seductiveness of Decay, is a gloomy composition, weaving slow and fast riffs with dispiriting keyboard melodies and Gothic lyricism. Vengeful Spirit creates more of an atmosphere in its beginning, as the prophetic sound of guitar notes ring out, accompanied by Filth‘s voice. When the song comes into its prime, it is essentially a standard day in the office for Cradle Of Filth – agile, cumbersome and melodic. The part of the song that really stands out however is the guest vocal appearance from Liv Kristine, as her vocals soar majestically through the track.

You Will Know The Lion By His Claw is a swift, threatening and unwieldy track, leaving little room for prisoners as it bludgeons its way through, like a hunter chasing his prey. If you had to sum up Cradle‘s current sound with just one song, this would be it. Cryptoriana comes to its closing with Death and The Maiden, a track that is as weighty as it is shadowy, really embodying the sense of dread and darkness that one would expect to find within Victorian Gothic horror.

Cryptoriana – The Seductiveness of Decay is at the same level that Cradle‘s classic albums, such as Midian and Dusk… And Her Embrace, stand. It is a demonstration of the band’s current sound and displays their potential to keep writing awe-inspiring music.

4.8/5

Nico Solheim-Davidson

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Forever And A Day – Last Orders [2011]

Posted in 'Core with tags , , , , , , , , , on 19th July 2011 by Nico Solheim-Davidson

Band: Forever And A Day
Album: Last Orders
Release year: 2011
Genre: Pop-Punk/Metalcore

Bridlington-based pop-core quintet Forever And A Day have slowly become a household name within the UK’s underground metalcore and pop-punk scenes over the past few years. They’ve shared the stage with the likes of Yashin, Shadows Chasing Ghosts and Vanna, as well as releasing a demo and a music video over the summer of 2010, the band recently returned to the studio for the recording and production of their newest release: “Last Orders”.

The title track “Last Orders” is the first track of the album, been composed of the sound of people drinking, chatting and the sound of a piano been played in the background whilst a bar fight takes place. “The Roads Ahead” begins with an average paced riff, which is soon accompanied by a second guitar, bass and drums. The track turns heavier, featuring some intelligent drum work and clean, pop-punk styled vocals. The song remains consistent and flows well into each different section. The screams bring about a great metalcore sound as well. The gang vocals are a great addition as well.

Following after is the aggressive and violent sound of “Heebeegeebees”. Straight away, the listener is bombarbed by an in your face metalcore anthem. The guitar riffs are masterfully composed and the drum work can only be described as immense. The breakdown is a great section, building up to the next section. The only down sound to this song is that it’s too short. “Can’t Spell Slut Without You” starts with a bass riff, leaving the listener to think “Something good is gonna happen soon”. Fortunately, something good does happen and that something is the increase of barbaric heaviness of the track. The screams are great and the guitar sections are sheer genius. The drums are certainly most impressive and the clean vocals seem stronger.

”We See Everything, So Play Nice” is the second to last track. The intro riff seems weaker compared to the previous tracks though this soon changed when the drums blast in to make themselves heard. The track has some clear pop-punk influences in terms of guitars and vocals, which blend well with the more metalcore and hardcore orientated drums. The last track is “You’re A Complicated Cat, Edward”, beginning with a very guitar-heavy intro. The track seems to lack the energy of the previous tracks though the vocals are still going strong. In parts, the drums sound more stronger than the guitars. However, the track does improve fortunately enough. The slow-paced, clean guitar section is certainly unexpected, yet weirdly is enjoyable but for those who don’t enjoy clean and soft guitar sections, the brutal-styled heaviness of the track soon returns.

Forever And A Day clearly know how to mix pop-punk and metalcore without ruining the sound. “Last Orders” is a must-have album by these young Yorkshire lads and Welsh drummer. The entire mini-album is evidence of the talent and passion that Forever And A Day have.

4.5/5

Nico Davidson

Forever and a Day will be touring the UK later in the year. For more information about this tour, please go to: http://www.facebook.com/foreverandadayuk