Archive for Nico Solheim-Davidson

Cradle Of Filth – Cryptoriana – The Seductiveness of Decay

Posted in CD, Metal with tags , , , , , , , , , , , on 15th September 2017 by Nico Solheim-Davidson

Cradle of Filth
Cryptoriana – The Seductiveness Of Decay
Released 22nd September 2017
Extreme Gothic Metal
Released via Nuclear Blast

If you’ve never heard of Cradle of Filth, you’ve most likely been living under a rock for God knows how long. Once hailed as the “most successful British metal band since Iron Maiden“, Dani Filth and and the band have proved their worth, despite various line-up changes throughout the years. Now the band are set to release their twelfth studio album: Cryptoriana: The Seductiveness of Decay. A bit of a mouthful, isn’t it?

The atmospheric invoking Exquisite Torments Await opens up the album with its sinister beginning, followed closely by the demoncially possessed guitars and banshee-like wails and guttural growls of Filth himself. Heartbreak and Seance glides in with the graceful sound of tragedy before the remorseless storm of guitars and symphonic sections come raging in as though a hurricane. Achingly Beautiful is a grandiose display of Dani Filth‘s vocals, charging through the tempest of unforgiving musicianship, while Schoolcraft’s narrative vocals bring a whole new dynamic to the track. The choirs and orchestration, however, truly make the song what it is – a dismal, ominous anthem.

Wester Vespertine is a furious blitz upon the ears, weaving Filth‘s, and occasionally Schoolcraft’s, refined vocals with cimmerian melodies and stout riffs. The title track, The Seductiveness of Decay, is a gloomy composition, weaving slow and fast riffs with dispiriting keyboard melodies and Gothic lyricism. Vengeful Spirit creates more of an atmosphere in its beginning, as the prophetic sound of guitar notes ring out, accompanied by Filth‘s voice. When the song comes into its prime, it is essentially a standard day in the office for Cradle Of Filth – agile, cumbersome and melodic. The part of the song that really stands out however is the guest vocal appearance from Liv Kristine, as her vocals soar majestically through the track.

You Will Know The Lion By His Claw is a swift, threatening and unwieldy track, leaving little room for prisoners as it bludgeons its way through, like a hunter chasing his prey. If you had to sum up Cradle‘s current sound with just one song, this would be it. Cryptoriana comes to its closing with Death and The Maiden, a track that is as weighty as it is shadowy, really embodying the sense of dread and darkness that one would expect to find within Victorian Gothic horror.

Cryptoriana – The Seductiveness of Decay is at the same level that Cradle‘s classic albums, such as Midian and Dusk… And Her Embrace, stand. It is a demonstration of the band’s current sound and displays their potential to keep writing awe-inspiring music.

4.8/5

Nico Solheim-Davidson

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Ward XVI – The Art of Manipulation

Posted in CD, Metal, Rock with tags , , , , on 12th July 2017 by Nico Solheim-Davidson
Ward XVI
The Art Of Manipulation
Avant-Garde Rock
Released 1st July
via Rock’n’Growl
Earlier this month, northern metal outfit – though they describe themselves as “theatrical avant-garde rock” – Ward XVI released their debut album, The Art of Manipulation, which follows the story of a female psychopath locked away in a high security asylum. Having seen this band before, when the news came out that Ward were releasing this album, I immediately knew I had to listen to it.

Starting with the generically named Intro, the track starts the story written within the album, as a rather sinister and villainous psychiatrist is heard talking to his patient, who replies stating that she’s “not insane”. Take My Hand is a light trance inducing track before it changes at the flip of a coin into a pure, chaotic guitar barrage. The title track, The Art of Manipulation, stands out with its ephemeral passages that appear between the faster, hard hitting sections of the song. The vocals come across exquisitely with the ebb and flow of the track.

There are three interludes on the album, each of which serve the purpose of moving the story forward with more dialogue. As the first interlude finishes, The Flight comes bursting in like a hand grenade, as the the guitars merciless blare out their rhythmic, almost hypnotic riffs. The use of keyboards on this track comes as a welcome surprise, adding a new dynamic to it. The vocals are very much good ol’ fashioned rock ‘n’ roll as they race along side the keys and guitars. Crystal Ball  has its own little charm as the sounds of accordions blare over the driving guitars and thundering rhythm sections. A reassuring and warm piano melody leads the way in Hold Me, adding an expected emotional feel to not only the song but the album as well.

Blackened Heart is a poignant track, with memorable vocal lines and a contrasting use of guitars, the rhythm section and keys, with one section being quite nu-metalesqe in its composition while Run For Your Lives  jumps in the sound of wailing sirens before a haunting accordion melody is heard. The track being proceeds into barrage of drums flanked by raging guitars and energetic vocals. Adrenochromania is quite a misty and cimmerian track with a lot of mesmerising passages.

Cry of the Siren is an aggressively energetic track as the guitars and keys go toe-to-toe with one another between vocal lines. Toy Box however contrasts greatly, taking a slower pace verging on the edge of a traditional and folkier sound with the accordion commanding the song. Inner Demon diverges onto a different route with a unique sound that really shows the theatrics of the band. The Art of Manipulation closes its curtains with a song named after the band: Ward XVI. It is quite a solemn listening affair, as the vocals call out like a Plutonian requiem while the keys and guitars have become the musical incarnation of a somber midnight sky.

Ward XVI have done something spectacular with The Art Of Manipulation, while their on-stage theatrics don’t translate well into recorded form, their story telling and unique melting pot of different styles and influences speaks for themselves.

3.5/5

Nico Solheim-Davidson

Details and first band announced for final Valkyrian Festival

Posted in News with tags , , , , , , , , , , on 11th April 2015 by Nico Solheim-Davidson
Midlandic melodic metallers Winter Storm are the first (and currently only) band to be announced to play the Valhalla Stage for the 2015 edition of Valkyrian Festival, which is also set to be the last ever Valkyrian Festival.

Valkyrian Festival: The Requiem For Valhalla will take place at both The Venue and The Riverside on Ousegate in Selby, North Yorkshire with the Valhalla Main Stage being hosted in The Venue and the Danelaw Stage being hosted in The Riverside.

The event will take place from 14:00 on Saturday 21st November. Tickets are available for the price of £10 from this location. An additional 13 bands, including headliners, are still to be announced with a few other surprises as well.

Winter Storm online:

http://winter-storm.com
http://facebook.com/winterstormUK