Archive for Goth

Lumous Gothic Festival 2014

Posted in Alternative, Festival, Folk, Industrial, Live, Rock with tags , , , , , , , , on 6th July 2014 by izaforestspirit

Lumous Gothic Festival 2014 @ Tampere, Finland

Two Witches, Ordo Rosarius Equilibrio, Leaether Strip
Klubi, Tampere
4-5th July

Lumous Gothic Festival is Finland’s largest goth event. It was established back in 2001 and has become an annual event held in central Tampere. The music on offer is strictly non-metal, ranging from goth rock, darkwave, industrial and EBM to neofolk. The actual festival is a four day event but the main shows take place on the Friday and Saturday.

Friday
The opening act was meant to be the Russian Harsh EBM band Steelgrout. Sadly they were unable to make it due to some problems with their Visas. Their replacement was the Jyväskylä-based Finnish EBM act Unzyme. Before their substitutes started, they actually played a message from Steelgrout to the audience in which the Russian band apologizes for not being able to make it. Unzyme describe their sound as “biomechanical pop” which is essentially synthpop with lab experiments as a their main theme. Their set was entertaining and it was a good start to the night. 3.5/5
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Next up was the Swedish goth rock band Malaise. I’m not a massive fan of goth rock, but these guys were better than I expected. They combined the classic goth rock sound of bands like The Sisters of Mercy and Fields of The Nephilim with EBM for a sound that is truly unique and memorable. I really enjoyed their set and this was my favourite performance of the night. 4/5
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The final act of the night was another Swedish band – Ordo Rosarius Equilibrio. Their sound is not an easy one to classify; it’s a mixture of dark ambient, neofolk and industrial. They are a returning act to Lumous having played their before back in 2002. Their music has this eerie, soundtrack feel to it and the pace is mostly slow. The problem I had with them is that they were playing dark ambient in the early hours of the morning, by which time my energy was running out. I was too exhausted to stick around until the end of their set. 3/5
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Saturday
The night started with a performance by the Latvian industrial band Autogen. Their style is a mixture of industrial noize and rhythmic/powernoize with an experimental flare akin to the likes of The Klinik. Some tracks were more danceable than others. They also had an interesting range of stage props ranging from fake blood, a fire extinguisher and a contraption that looked like a defibrillator. Their set was definitely entertaining as a result, but I wasn’t super keen on the music itself. 2/5
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Image and video hosting by TinyPic

Next up was the Finnish rock band Two Witches. Their lead singer Jyrki Witch is one of the organizers of the festival. I like their old songs but I’m not too familiar with their new work. Luckily they played a mixture of old and new material including “Zombie Walk” (from the latest album) along with some old classics such as “Vampire Empire” and “Burn The Witch”. They are one of the best and the most energetic goth rock bands that I’ve seen in a while. 4/5
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Image and video hosting by TinyPic

The night ended with a performance from the main band I came to see, the Danish harsh EBM duo Leaether Strip. I’ve seen them live last year and it was great to see them again. These guys really give it their all, playing all their hit tracks including “Evil Speaks”, “Strap Me Down” and “Don’t Tame Your Soul”. It didn’t take long before I joined in, dancing along with the rest of the audience. 5/5
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Image and video hosting by TinyPic

So there you have it. Another summer, another Lumous Festival. It’s always great to see that the goth and industrial scene in Finland is alive and well. I just wish that they would organize more events like this in the future.

Iza Raittila

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Deathstars – The Perfect Cult

Posted in CD, Industrial, Metal with tags , , , , , , on 13th June 2014 by Pieni

Deathstars
“The Perfect Cult”
Industrial goth
Released on 13th June 2014
Via Nuclear Blast

 photo Deathstars-ThePerfectCult-Artworkcopy_zps3f44e279.jpg

Deathstars have always had a dark sound and image, but in the five years that have passed since their last studio album, that darkness seems to have grown thicker. No, I’m not saying you’ll feel like you’re attending a funeral or visiting the depressive ward of a mental institution – by the contrary. But while “Synthetic Generation” and “Termination Bliss” sparkled defiantly, their sharp beats and aggressive licks an invitation to rebel, Deathstars started to soften the edges in “Night Electric Night” and the process eventually lead to a classy glowing seduction with “The Perfect Cult”. It’s more mature, more sober, aiming to enthrall you rather than blasting you. And at the same time, it’s a darkness that’s pretty much alive. I guess this definition could light up a “gothic rock” neon sign in your minds, but that’s not the case either. This is something else. This is… well, it’s Deathstars. I’ve lost count of how many times I’ve heard people saying they’re like a mix of this and that, but I still think they’re quite unique.

On the official trailer of the album you hear Nightmare Industries claiming that the guitars “have never sounded so heavy”. Well that’s no salesman talk and there’s really no other way to say it – they’re the heaviest so far. Which doesn’t mean its nature has changed; one still recognizes Nightmare’s watermark, but in a more intense outcome. There’s even a solo in “Temple Of The Insects”! How about that?

Skinny Disco’s bass has also become more solid, making all the difference in songs such as the first single “All The Devil’s Toys” or the title-track.

Whiplasher Bernadotte’s vocal style is probably the one thing that remains unchanged – the deep, strong pitch against the raspy whispers here and there. What did change though was the increased number of overlapped and backing vocals in the choruses, creating an effect of grandeur. Like “Explode”. Or “Ghost Reviver”. Or even “Noise Cuts”. Hell, all of them!

On the aforementioned trailer, Nightmare also said that this was the first album recorded with live drums. I confess I didn’t notice any difference, meaning that Vice is that good. Although there’s something on the drums of “Asphalt Wings” that sounds more… human.

Last but not least, the wider range of synths, from the creepy and cold patterns of “Bodies” to the eighties’ vibe in “Fire Galore”, going through the sneaky keys of “Track, Crush & Prevail”, there’s all kinds of electronic flavors here.

Personally, I would’ve preferred if they had stuck with the spunky nature. But at the same time, I’m the one who’s always encouraging bands to risk a change so they won’t repeat themselves. Plus, by the third time I was listening to “The Perfect Cult”, the new not-so-edgy sound had started to grow on me and I just had to admit its greatness.

4 / 5

Renata “Pieni” Lino