Gravefields – Embrace The Void

Gravefields
Embrace The Void
Released 7th June 2019
Death Metal/Blackened Death Metal
Released via Redefining Darkness Records

Gravefields - Embrace the Void

Embrace The Void’ is the debut album from death metal duo Gravefields. The band was originally known as Dirtyprotest and they have been around since 2006. They released one album under that name two years ago before re-emerging again as Gravefields. Throughout this time there hasn’t been any changes to the line-up. Gravefields comprises Irish multi-instrumentalist Alan Hurley and French vocalist known as DM.

It took me a few listens to fully get into this album and it turned out to be far more complex than I expected. I thought this was going to be your standard Death, Morbid Angel, Dismember (insert old-school death metal band name here)_____ -style death metal but that’s not the case. In addition to the pummeling drums, bulldozing blast-beat guitar riffs and growls, there is also some elements of black metal. The record is a mixture of the two styles. For example Sulphur Injection is a vicious piece of fast-paced death metal packed with aggressive blast-beats and ferocious growls. So far, so very typical death metal…

Then halfway through the album, things change. You get to Mind Leech and the black metal parts start to creep their way in. For a brief period, the growling becomes shouting and the guitars slow down a little, adapting a more medium pace with the occasional melodic guitar part. It actually reminded me of old Marduk at times. These guys never really slow down but songs like this one add some variety to their sound. Void also caught my attention due to the multi-faceted guitar structures and variation in pace, combining the best parts of both black and death metal.

In summary, ‘Embrace The Void’ is a well executed blackened death metal opus which ought to please fans of both genres. There is a lot more to this than just nine tracks of solid, fast blast-beats and growling, which is refreshing to hear.

3.5/5

Iza Raittila

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