Archive for Venom

Vagos Open Air 2015 – 2nd day

Posted in Festival, Live with tags , , , , , , , , , , , , , , , on 13th August 2015 by Pieni

Filii Nigrantium Infernalium, Venom, Black Label Society, Triptykon, Destruction, Mutant Squad, W.A.K.O.
Quinta do Ega, vagos (PT)
8th August 2015
Promoted by Prime Artists

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Black Label Society

The second day of Vagos Open Air was the heaviest in sound and numbers. Saturdays are always prone to attract more people, but I’m pretty sure it was the names on the bill that gathered so many metalheads

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W.A.K.O.

If memory serves me well, I hadn’t seen W.A.K.O. in four years. Not that they’ve inactive all that time, no. I just haven’t had the chance to see them lately. And damn, what I’ve been missing! Sure, the aforementioned gig I attended at Hard Club was a killer (no pun intended – did I mention that W.A.K.O. stands for We Are Killing Ourselves?), but this one at Vagos was simply devastating! As well as the mosh circles the crowd put up restlessly, from the opener “Abyss” to the closing “The Shadows Collapse Within”. Any thumbs-down? Sure – too short. Such a show deserved to last longer.

www.facebook.com/Extispicium

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Mutant Squad

Next, from country next door, came Mutant Squad. Straight-forward thrash metal always works when played live, whether you’re familiar with the band or not (which I think was the case of many in the crowd). The Spanish continued fuelling the mosh frenzy that W.A.K.O. had started with songs from their debut full-length “Titanomakhia”, and also one (“Remember”) from the 2012 EP “Social Misfits”. Using a few Portuguese curse words also helped them winning over the crowd, as well as praising the W.A.K.O. gig and their guitarist Pedro Mendes. The set ended with “Mutants Will Rise”, but before leaving the stage, singer/guitarist Pla announced they’d return to Portugal in November, for the Mosher clothing fest, and the people seemed happy about it.

www.facebook.com/mutantsquadband

The thrashing went on in a much more old-school vein. Both previous bands had a pretty packed crowd waiting for them, but Destruction had an army! The action on and off stage lived up to the band’s name. This is another band that hasn’t released anything new in three years (the Saxon cover on “The Big Teutonic 4” split can’t obviously count) but whose presence in this or any other festival is more than justified, as their performances are what live shows are all about. Even when the sound goes down… Not sure what happened, but at some point closer to the end, only the drums were audible. As the band played on, I believe they still heard what they were doing on stage, but we didn’t. One thing I noticed and appreciated was that no one booed – they did cry out in disappointment, but not in angry accusation, understanding that this kind of thing happens. Eventually the sound came back, its volume still on a rollercoaster ride, but everything was back to normal when Schmier announced the last song “Bestial invasion”.

www.facebook.com/destruction

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Triptykon

Triptykon stirred another kind of turmoil – an emotional one. Although the crowdsurfers kept the security guys busy during the black metal parts that spice the doom nature of the band. Thomas Gabriel Fischer was particularly talkative and clearly happy to be there – the “it’s so good to be back” that we so often hear seemed honest. They played an excellent gloomy show that I just wished was a bit more Triptykon and less Celtic Frost. They have two great full-length albums, why dwell in past bands? One song would be enough, for old times sake – that I understand. But three? Plus a Hellhammer cover (“Messiah”) that Celtic Frost already used to cover – as Hellhammer was the band Thomas and Martin Ain were in before Celtic Frost. Even the “are you morbid?” expression was used that night. A flawless and enthralling performance, yes, but a little too much “double identity” for my personal taste.

www.facebook.com/triptykonofficial

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Black Label Society

Even though not closing the bill, Black Label Society were the headliners – the number of people waiting for Zakk Wylde (with no disrespect for the other musicians, just stating the truth) left no doubt about that. Not even the 20-minute delay (that wasn’t apologized for or explained) seemed to bother the fans. But then again, those same fans go bananas with Wylde’s 20-minute solos, so we clearly don’t agree on several things.
The show was impeccable, no one can say otherwise. There’s a reason why Wylde is considered such a guitar god and that reason was palpable that night. But like everything in life, when you’re not drinking your cup of tea… I’ve heard more than one person complaining about the extensive guitar work, but come on, that’s what Wylde does! That’s what his fans where there to see and that’s what they got. Now the “lesser fans”… well, not even guitar gods can please everyone. He didn’t talk much, except when introducing the band – he talked A LOT then, although I didn’t understand half of it, given that Southern accent of his (that I’m still trying to figure out where he got it from, as the guy was born and raised in New Jersey…). I did understand clearly the “We love you Dimebag!” at the end of “In This River”.

www.facebook.com/blacklabelsociety

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Venom

Only now, as writing this, did I realize that the oldest band of the bill was the only with material released in 2015. Funny. Not that it mattered that much, as Venom didn’t focus on that new album, “From The Very Depths”. If I’m correct, only “Rise” and “Long Haired Punks” were played. But we’re talking about a band that was founded 36 years ago and has released killer black/speed hits ever since – there’s no such thing as promoting an album nowadays, only mingling a couple of new tracks with a roll of classics.
Despite the late hour, and after so many mosh-friendly bands, the circle pits were back in full, matching the violence that the trio “out of Hell” unleashed.

www.facebook.com/pages/Venom-Band/197558207048784

There was still one more band left, “special guests” Filii Nigrantium Infernalium, who, as the name indicates, play black metal. For over two decades now. This year their debut EP “A Era do Abutre” (The Vulture’s Era) turned 20 years and they played a few shows to celebrate it. I believe they were invited to Vagos precisely for that anniversary. Still, black metal isn’t for everybody and the crowd wasn’t as big when they got on stage. And then there were those who wished they had left, as a desperate voice started screaming “go away, please!” at some point. Everybody – band included – laughed, but as the following song was “Morte Geométrica” (geometric death), singer/guitarist Belathauzer introduced it by saying that death wasn’t a bad thing, some people deserved death. Sounded to me like it was aimed at someone specific… The gig ended with “Labirito” (labyrinth), dedicated to “all our families”.

www.facebook.com/FiliiNigrantiumInfernalium

Text & photos by Renata “Pieni” Lino

Note: we weren’t granted access to the photopit, so no gallery this year.

Thanks to Hugo Delgado for the memory card.

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Venom to release new album later this month

Posted in News with tags , , , , , on 12th January 2015 by Pieni

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Black metal veterans Venom are back, with their 14th studio album. The follow-up to “Fallen Angels” will be called “From The Very Depths” and it’s schedule to be released on 26th January, via Spinefarm Records, and will feature the following powerful tracks:

1. Eruptus
2. From The Very Depths
3. The Death Of Rock N Roll
4. Smoke
5. Temptation
6. Long Haired Punks
7. Stigmata Satanas
8. Crucified
9. Evil Law
10 .Grinding Teeth
11. Ouverture
12. Mephistopheles
13. Wings Of Valkyrie
14. Rise

Frontman Cronos says: “This album is perfect, all three members are totally over-the-top confident with the new songs and the production. We had a great atmosphere in the studio while we were recording, Dante created pure thunder from his drums, while Rage tears the flesh off your face with his riffs, making everything fall into place so well… it’s a strong release and really shows the band maturing into an unstoppable force of pure Black Metal. We can’t wait to play the new songs live for the Legions… Hell Yeah!”

A double vinyl will be also available afterwards.

www.venomslegions.com

www.spinefarmrecords.com

New Die Hard album to be released

Posted in News with tags , , , , on 10th August 2012 by Nico Solheim-Davidson

After a warmly approved debut release (Nihilistic Vision from 2009) and a major European tour with Sodom, Die Hard returns with nine new compositions of old-school thrash metal. The Swedes’ new album is entitled Conjure The Legions and its official European release date is set for September 25th through Agonia Records. North American release date is set for November 6th. The band has prepared a promotional video teaser featuring song samples from Conjure The Legions.

The new album comes as a digital download, jewel-case CD, black vinyl and limited to 66 copies yellow vinyl. Prior to release date, AGONIA RECORDS will also release a special EP from DIE HARD entitled Antichrist. The EP includes two exclusive tracks: an alternate version of the song “Antichrist” and a Venom cover.

Conjure The Legions can be pre-ordered worldwide here.

Antichrist EP can be pre-ordered worldwide here.

Conjure The Legions tracklist:

1. Conjure the Legions
2. Masters of Deceit
3. Satanic Uprise
4. Thrash Them All
5. Cold Scythe
6. Sanctify the Morbid
7. Antichrist
8. Stand Up
9. Robe and Crown

The Obscene – The Torment Of Sinners [2011]

Posted in CD, Metal with tags , , , , , , , on 30th July 2011 by Nico Solheim-Davidson

Band: The Obscene
Album: The Torment Of Sinners EP
Release year: 2011
Genre: Old School Death Metal

The United Kingdom underground metal scene is home to many great extreme (death & black) metal bands such as Hecate Enthroned and Venom. However, they’re not the only bands that have they’re home in the British underground. The Obscene, who keep death metal old school, are another band on the rise in the underground and their recent EP “The Torment Of Sinners” is just another step to the top for them.

”The Storm To Come”, aptly named, is the introduction to the EP. The use of sound effects throughout it, until the guitars and drum appear, leaves the listener on the edge of their seats – In a similar fashion to an extremely terrifying horror film. The guitars and drums are certainly old school in their composition. “The Storm To Come” finishes with what sounds to be the mutilated scream of a woman being stabbed, which introduces the second track “Embrace Oblivion”. The terrifying and violent concoction of vocals, guitars and drums greets the listener brutally at the beginning. The guitars are raw and just bursting with energy and the drum work is precise to the beat, brutal and intelligent.

”Grim Discovery” is composed of a voiceover which is a man speaking of bashing in a woman’s head – Can’t get any more violent than that unless you add in some raw, untamed death metal riffage which is exactly what The Obscene do, adding to the aggression and shock-value of the track. Beginning in a similar fashion to “Embrace Oblivion” is the slow yet heavy track entitled “Beyond The Hold Of God”. Some of the guitar sections seem to be choppy and lacking consistency though the listener can certainly feel the anger of the music – Which is a great thing for the hardcore fans of death metal. The drums are most impressive, more impressive the beast-like vocals.

”Skiprat Jane” begins with a voiceover of a female asking to borrow a body. The guitar riff that follows is just savage whilst the drums are on the verge of being Wall of China falling on a skull heavy! The vocals are pretty much bloodthirsty and hateful. Incorrectly named, “The Final Silence” comes shredding next – Bringing blissful death metal styled loudness with it. The scream, before the growls, sounds a tad like the ones found on a Venom record. The riffs are ingenious, mixing well with the hard-bitten drums, which sound to be doing a lot of the work in some sections. The vocals have a more beasty and demonic sound as well.

The last five tracks of the EP are bonus tracks, which can be found on the “Destroying the Heavens” EP from when the band went under a different name. The first of these bonus tracks is “P. S. A. S”. The guitars and drums certainly sound raw and unrefined, a good trait indeed. The vocals, on the other hand, sound more akin to black metal as opposed to death metal. The softer and clean section is certainly not what the listener would expect to find on this track – Fortunately it doesn’t last long before the track turns heavy again. “Destroying The Heavens” begins slow and clean, disappointingly. Though the blood-curdling scream signals for a change in weight and tempo for the track. The riffs and drums are barbaric and the vocals sound feral.

“The Man, The Martyr” brings the anger and savagery straight from the beginning. The music seems more fiery and rage-fuelled and the vocals are frenzied, much like a berserker. “Circle Of Despair” is different sounding as it seems to be more classic rock orientated, rather than death metal – though the vocals do keep a certain death metal dynamic to the track. The EP finishes with “And The Rivers Ran Black”, a track whose intro sounds slightly Gorgoroth inspired. The vocals are still raw and feral, whilst the music is savage, barbaric and bloodthirsty – A true death metal combination. You really couldn’t ask for a better track to finish the EP with.

”The Torment Of Sinners” might sound like a line out of the bible but the EP is far from biblical. The riffs and drum work would have Satan himself leaving a brown streak in his boxers and the vocals would give any demon a run for their money. Production wise, the songs are raw and aggressive – Perfect for the old school style of The Obscene. Despite the clean and slow guitar sections, “The Torment Of Sinners” is an interesting and entertaining EP, that’s not just for Hallowe’en, a jewel in Britain’s underground metal scene.

4/5

Nico Davidson