Archive for thrash

Midnight to release second album on 19th August

Posted in News with tags , , , , , , , on 19th June 2014 by Pieni

 photo midnight-nomercycoversmall_zps6c137865.jpg

After a series of EP and splits, black/speed metal act Midnight released their much acclaimed debut album, “Satanic Royalty”, in 2011. The Cleveland-based act and their record label Hells Headbangers have now set 19th August as the release date for the follow-up “No Mercy For Mayhem”, which will have the following track list:

1. Penetratal Curse
2. Evil Like A Knife
3. Prowling Leather
4. No Mercy For Mayhem
5. The Final Rape Of Night
6. Degradation
7. Woman Of Flame
8. Try Suicide
9. Whiplash Disaster
10. Aggressive Crucifixion
11. Destroy Tsunami’s Power (CD Bonus Track)

Meanwhile, through webzine Noisey – Music By Vice, they’ve let the world hear the track “Evil Like A Knife”:  http://noisey.vice.com/blog/new-midnight-track-streaming-evil-like-a-knife

Official Facebook page

Advertisements

Overkill to thrash the UK and Ire in March 2014

Posted in News with tags , , , , on 12th October 2013 by Pieni

The New Jersey Wrecking Crew, a.k.a. Overkill, is preparing the release of its 18th studio album, which should be out in the Spring of 2014. The title is yet unknown, but what we do know is that the band will hit the UK and Ireland by the time of its release:
 photo overkill_zps48b3e116.jpg

More information and support to be announced soon!

http://wreckingcrew.com
www.facebook.com/OverkillWreckingCrew 

Interview with J Costa [Thy Will Be Done]

Posted in Interview with tags , , , , on 21st October 2012 by hammersmashedlauren

Before their performance at the Rock and Shock Festival in Worcester, Massachusetts, Valkyrian Music writer Lauren Gowdy has a quick chat with J Costa who is the front man for the Rhode Island-based band Thy Will Be Done, or formerly known as Kobalt, and discusses their new EP, Temple, as well as musical influences, pet peeves, and the toilets in Japan. There is also a special appearance from Mr. J Walken, who thanks his fans and says how “it’s a great day to be a fan of Thy Will Be Done, whoa! Wham-o, zam-o!”

Thy Will Be Done is currently doing an US tour with Shadows Fall and God Forbid [refer below for dates] and their new EP, Temple,  is in stores and on iTunes now!

Corretja – ‘American Ragnarok’

Posted in CD, Metal with tags , , , , , , on 30th April 2012 by tobiasgray

Band: Corretja
Album: American Ragnarok
Release date: October 2011
Genre: Metal
Label: Unsigned   –  http://corretja.net

 

 

Melodic death metal, with viking imagery and titles such as ‘A Battle For Lundene’; deathly vocals and blastbeats…this isn’t the new Amon Amarth album, but it’s a worthy addition to the (battle)field.  From Virginia USA, igniting the fires of European pagan metal – electronics included – on their home shores, Corretja have produced an album celebrating both American history and Norse mythology.  The tracks are concise (the longest clocking in at 3.55), and relentless in their energy.

From the American civil war to London’s bloodstained streets, ‘American Ragnarok’ is constantly throwing surprises and new ideas forward.  The opening tracks set the tone with pounding blasts, epic twin leads and atmospheric keyboards, then ‘Bull Run II’ introduces clean, electronically harmonised vocals intermittently – and the sample of a bull!

After 5 tracks of similarly powerful melodic DM (with thrash elements), ‘Throne of Bebbenberg’ appears with a minute long blast of old school, no frills death metal, minus keyboards.  It provides a quick detour from the established sound and nicely sets up the closing numbers ‘Enjoy the Violence’ and ‘Thrashowar’ – a drastically reimagined cover of Depeche Mode’s ‘Photographic’ and a fitting tribute to Manowar’s drummer Scott Columbus respectively.

Corretja have an admirable DIY ethic, and while the programmed drums and prominent keyboards lack the ‘polish’ of major label releases, this does not detract from the charm, energy and aggression of the album.  The songs are well written, the instruments played well and the delivery is consistent.  The band want to pay tribute to metal and they have totally succeeded.

With eight tracks in 20 minutes, there’s no danger of getting bored, the variety of riffs on display and the catchy melodies keep you enthralled until the end.

4.5/5

Tobias Gray.

66crusher – Blackest Day [2011]

Posted in CD, Metal with tags , , , , , , , , , , on 20th June 2011 by Nico Solheim-Davidson

Band: 66crusher
Album: Blackest Day
Release year: 2011
Genre: Progressive Thrash Metal

66crusher have been on the rise since the release of their debut album “in 2005. Since then they have been fighting their way to the top of the worldwide metal scene, gaining new fans each year. “Blackest Day” is the next step in their journey.

The title track, “Blackest Day”, is the first track of the album. It begins with a very thrash-influenced guitar riff whilst the drums are more laid back in comparison. The vocals are classic metal in their sound, standing out from the music – In an epic way. The vocals work well with the soft riff about half way through the track, giving the track a slight progressive edge. The track ends in true thrash metal style. “Recreated Destiny” has a slower, more emotional sounding introduction. Both the guitar riff and vocals are soft yet majestic, whilst touching a very deep emotional level not usually found in thrash metal. The track’s pace increases with the appearance of the drums, which again are quite laid back compared to the guitars. The vocals sound more powerful later on during in the track.

Following after is “Unsaid”. The intro is slow, heavy and dominating. The vocals, again, are soft to begin with, as is the piano medley that joins them. The drums slightly overpower the piano, which is somewhat disappointing. The track switches between light and heavy – Which is a nice emotional effect for the song. Next is “Concept of Elimination”, beginning with a choppy guitar section, which soon replaced by a more consistent, melodic guitar riff and an acute drum pattern. The vocals are strong, with a hint of a Judas Priest-sound. There is a good blend of progressive-sounding softer sections and heavier, savage thrash-styled riffs throughout the track, which makes up for it being almost ten minutes long.

”Recreated Reality” blasts next with an immense riff of violent proportions. The drums are barbaric yet precise to the beat. The vocals are still going strong, keeping the track interesting. Some of the riffs leave much to be desired though it is mostly a decent track. “Borderline” is another track that begins with a choppy riff, which can be off-putting for new listeners and just seems to drone on for the first few minutes. Another issue with the track is the length of it – Just over twelve minutes – Which again, can be off-putting for new listeners. The other riffs are well composed and sound great, as do the vocals and drums.

Nearing the end of the album comes “Shipwrecked”. Like some of the other tracks, the intro riff is soft and melodic, though it is short lived. The heavier riff certainly brings more excellence to the track though the drums are lacking in comparison. The vocals seem deeper yet more defined. They seem suitably combined with the acoustic riff. One thing that stands out the most about this track is the emphasis on the acoustic riffs, though the heavier riffs do play an important part of the track. “Shipwrecked” is certainly the best track of the album.

”Diminished Mind” starts with a mediocre sounding riff, which is a let down compared to the previous track. The vocals seem weaker as well and the drums also are lacking in power. The track does improve later on however, with some very Megadeth-styled riffs. “Us Beneath The Sea” is the final track of the album. Like some of the previous tracks, its intro is a soft riff, as are the vocals and drums. The riffs later become more wild west-sounding for a short while but they stay soft for the majority track, making for a good chill out track after eight brutalising tracks. The guitar solo towards the end does make the track slightly heavier though not by much.

”Blackest Days” features a strange yet wonderful mixture of progressive metal and thrash metal combined with some old skool sounds. 66crusher have certainly out-done themselves with this album, though there are some sections that could have done with more work.

4.5/5

Nico Davidson