Archive for The Bones Of This Land Are Not Speechless

Old Corpse Road – The Bones Of This Land Are Not Speechless [2010]

Posted in CD, Metal with tags , , , , , , , on 4th August 2011 by Nico Solheim-Davidson

Band: Old Corpse Road
Album: The Bones Of This Land Are Not Speechless
Release year: 2010
Genre: Black Metal/Folk Metal


Old Corpse Road are a blackened folk metal band hailing from Darlington located in the north-east of England. Throughout the years they’ve been together, they’ve shared the stage with the likes of Windrider, Skyclad and Hecate Enthroned as well as creating musical history by being one of the first British black metal bands to do produce a spilt with another black metal band [The Meads of Asphodel]. Their most recent release, “The Bones Of This Land Are Not Speechless”, is the first part of the previously mentioned spilt.

The eerie and dramatic piano medley of “Hob Headless Rises” comes first which is slowly replaced by the shredding guitars. The vocals are strong and raw, with a hint of a Cradle of Filth sound in them. The keyboard sections are beautifully played and add a very tense atmosphere to the music. The drums are masterfully and intelligently played but retain a certain ruthless aggression at the same time. The guitars are impressive, being both shredding and heavy. The acoustic sections brings a very folk-like element to the track which works well with the rest of the track. The clean vocals also help bring about a folk-like element.

“The Devil’s Footprints”, named after an incident in 1855, begins with sound of fast-faced guitars fading in before the introduction of the drums. The spoken vocals add a very archaic and epic feel to the song whilst the screams and grunts bring the aggressive element to the track. The keyboards, blending well with the guitars, bring a certain mystique to the track whilst the drums slowly become more rage-fuelled in their playing. The keyboard sections are both enchantingly and beautifully played, add a dash of calm of the furious metal storm within the song. The softer played guitar and drum sections also bring a touch of calm to the song as well.

The final track is “The Witch Of Wookey Hole”, named after the infamous witch. The song begins with a dark, haunting synth intro which is gradually accompanied by the sound of acoustic guitars and drums. The track turns brutal with the introduction of the feral guitar riffs and the beast-like vocals. The drums are almost machine-like in their playing, very precise yet savage at the same time. The synth sections bring an immense eerie sound to the track as well, helping the music fit in with the lyrical theme of the song. The vocal-keyboard-drum section is simply brilliant, adding a fresh sound to the sound. The narration, which quotes the words spoken by the priest who confronted the Witch of Wookey Hole, adds a very epic and sagaic sound and feel to the song. the choir-like vocals that follow place emphasis on the epic feel.

“The Bones Of This Land Are Not Speechless” may only be three tracks but it lasts long enough to make it feel more like an EP. The way that Old Corpse Road mix narration with screams and grunts is amazing and the music is masterfully composed. “The Bones Of This Land Are Not Speechless” greatly demonstrates the talent and ability of Old Corpse Road. the production values are astounding as well. It’s certainly a release that fans of folk and black metal should get their hands on.

5/5

Nico Davidson

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