Archive for Sticky Fingers

We Are The Catalyst w/ Through The Cracks – Gothenburg, Sweden

Posted in Gig, Live with tags , , , , , , on 13th September 2015 by Pieni

We Are The Catalyst, Through The Cracks
Klubb Defused, Gothenburg
4th September 2015
Promoted by Kriss Clark/Klubb Defused

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After rating their debut EP, “Hateful Things”, 5/5 (read here), I wanted to see if Through The Cracks could match it up live. They can.

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In support of We Are The Catalyst, Through The Cracks took the stage for the first time last weekend, at Klubb Defused/Sticky Fingers, in Gothenburg. It was precisely the title-track of their EP that kicked off the show, the first notes extended and revamped to form an intro. The crowd didn’t stand that close to the stage, which disappointed me a bit, but every time I glanced back, they were moving their bodies to the rhythm, and would cheer loudly at the end of every song – so the distance, in this case, wasn’t a bad sign after all. All members of the band were quite restless themselves, Jimmy (guitar) and Niklas (bass) even synch-jumping at some point, and Sara headbanging that red hair of hers, as beautiful as her voice, never going out of tune once, not even at the highest notes. After the songs from the aforementioned EP, they closed the gig with a thrilling new song, “Soulless Man”, that follows the heavier path Through The Cracks have announced wanting to ride on. “Soulless Man” should be released as a single this fall.

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www.facebook.com/ThroughTheCracksBand

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We Are The Catalyst were more popular among the crowd, as they’ve been around for about three years now and have a longer discography – an EP from 2013, “Panem et Circenses”, and a full-length from last year, “Monuments”. There was even a group of what seemed to be die-hard fans (and probably friends) of bass player Joni, as they kept screaming his name. But friendships apart, the band’s good, really good. They play alternative rock, just like their support act, and also have a girl – Cat – as lead singer; but guitarist Kenny take a big part in the singing, and the combination of both is quite powerful. Songs such as “Never Fall”, “Not Alone”, the catchy “Fight For Air” and the brilliant cover of Swedish House Mafia’s “Don’t You Worry Child” kept everybody in high spirits.

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www.facebook.com/WATCofficial

In a nutshell, I had a blast: witnessed the live premiere of a promising act, and got to know another dynamic rock band. My trips to Sweden always pay off.

Text & photos: Renata “Pieni” Lino

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Skitarg w/ support – Gothenburg, Sweden

Posted in Gig, Live with tags , , , , , , , , , on 14th April 2015 by Pieni

BatAAr, The End Of Grace, Skitarg
Sticky Fingers, Gothenburg (SE)
10th April 2015
Promoted by NEMIS GBG

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Clown metal is a big thing in Sweden, at least when it comes down to Skitarg. But support acts BatAAr and The End Of Grace caused quite a fuss as well that night.

 photo bataar1_zpsvgxsjmry.jpgDespite my often trips to Sweden and the crash-course I’ve taken last year on its native language, I’m still not able to maintain a conversation in Swedish (reading is okay, talking not so much). This means I can’t tell you what BatAAr-Seb said to the screaming crowd that welcomed the band. But then again, it’s the music that counts, right? They themselves must think the same, as their borderline visual kei image is toned down once they’re on stage, in comparison to what you see in their videos and promo photos.
Between the exquisite prog of “Riskbreaker”, the spirited melodies of “The Distance” and “Owls And Snakes”, or the extremeness of “Refrain From Your Porcelain”, BatAAr’s sound may be hard to label in matters of genre, but pretty easy to do so in terms of quality: DAMN GOOD! Adding that to how comfortable they are on stage and how they give themselves to what they’re playing, it all can only result in a show worth attending to. (5/5)

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https://www.facebook.com/BatAAr

 photo teog1_zps52y9pbfy.jpgJust like BatAAr, The End Of Grace also come from Gothenburg, but since Kriss is British and addressed the audience in English, I can be a bit more thorough regarding the singer’s speech. For instance, I can tell you about the at least half a dozen times he said “oh my God you’re fucking crazy” and “we love you all”. If you’ve been following our posts on these guys, you know I’ve been to quite a few TEoG shows, so trust me when I say that Kriss wasn’t kissing ass – this crowd was the most vibrant I’ve ever seen on a TEoG show. There was even a wall of death at the beginning of “Beneath The Waves”, right after a cool, melodic new intro – guess they got inspired by Frodd‘s remix of it for the B-side of their latest single “Final Burden”.
They’ve been hard-working on their upcoming debut album and less than a month since the release of the aforementioned “Final Burden”, they were ready to introduce another new song – a song about being in a band, how that means “brotherhood”, and so it’s only natural that it was named after the band itself. The response to “The End Of Grace”, the song, was as massive as to the rest of the gig, which makes me believe the album will get a killer feedback once it’s finally out.
And because of that brotherhood, this being drummer Thomas last show felt like “losing an arm”. He got quite an ovation from the crowd and then BatAAr-Seb got on stage to help Kriss sing the last song “Fist Face Bleed”. Thomas couldn’t have asked for a better farewell show. (5/5)

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https://www.facebook.com/TheEndOfGrace

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The house had been crowded for both supporting acts, but for Skitarg it was fully packed, leaving no doubt that they lived up to their headlining status.
Sure, their creepy-clown makeup and flashy outfits cause an impressive visual impact, but if we strip those away, we’re still left with a very active and powerful performance. So if you’re thinking that Skitarg’s popularity is only due to their looks, think again. And songs such as “Jag Bryter Nacken Av Din Häst”, “Du Har Keps Och Knarkar” or “Utvecklingsstörd” made the crowd go wild in mosh circles and loud sing-alongs, proving my point.
At some point, close to the end, TEoG-Kriss joined on stage, not to sing but just to fool around with Barnet. Sadly I had already put away the camera, as the aforementioned mosh was too vicious for my bones’ sake and I had retreated to a safe point at the back. Yeah, it was that kind of show, that kind of party. (5/5)

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https://www.facebook.com/skitarg

A big thanks to Martin Efternamn for the help with the Skitarg song-titles.

Text & photos by Renata “Pieni” Lino.

Dead By April w/ support – Gothenburg, Sweden

Posted in Gig, Live with tags , , , , , , , , , , on 20th February 2014 by Pieni

Dead By April, Seventribe, The End Of Grace
Sticky Fingers/Klubb Defused, Gothenburg
14th February 2014

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With the release of their third full-length album, Dead By April threw a release party – read “concert” – in one of the most famous venues in their hometown. The End Of Grace and Seventribe had already announced a gig there on the same date, although on a different stage (Sticky Fingers has a middle and a top floor stage), so I guess having those two bands as support was a matter of chance, not a plan. Personally, I was more than happy with that line-up.

Despite merging the events, The End Of Grace and Seventribe still performed in the middle floor (Klubb Defused), which was wise. Let’s face it – no matter how amazing they both are, it was DBA’s night and the majority of their pop-metal fans isn’t exactly keen on fierce metalcore. So it’s better to play on a smaller stage in a smaller room that will fill up easily, than in a bigger stage where the room would be almost empty.

Being the younger band (they were formed in late 2012), TEoG played first. They’ve been gathering a solid fan base – me included – since the very beginning and especially after the release of the “Lost In Transition” EP, so there was a considerable number of people singing along the choruses. The rest of the crowd seemed to surrender to the band’s sound and vigour, as when I looked around, everyone was either headbanging or smiling approvingly.
They played the aforementioned 5-track EP, kicking off with “Betrayer” and ending with the title-track, and in-between presented us with a new song which will be released as single on 28th February – punchy riffing and with a catchier-than-ever chorus, “Beneath The Waves” has everything to be a hit.
As in their first live gig, at Rockbitch Boat last November, Sebastian from Bataar got on stage to sing the Swedish verses in “Fist Face Bleed” – and spike the people in the front row with a beer shower… Speaking of that first show, TEoG have only played two more between that and this one but you could see a major difference in their self-confidence. I know that despite the Plexiglas cage in which the drum kit was set, this stage was still bigger and allowed them to move around, which didn’t happen at Rockbitch Boat. But it was more than that. Their performance was thicker, more intense. And even though there wasn’t a killer mosh pit, the response was great, which must have had a special meaning to singer Kriss, as he’s been working as a promoter there at Klubb Defused for over a year. [5 / 5]

www.facebook.com/TheEndOfGrace

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I was glad of finally having the chance to see Seventribe live. I’m a subscriber of Sweden Rock Magazine, and when they won the Released, Live and Unsigned contest and got to play at Sweden Rock Festival 2011, the single “Dream Me” came with the magazine and completely won me over. But that was it – I totally lost track of them afterwards. Well that won’t happen again.
I’d seen live videos of them, but even if I hadn’t, when a metalcore band gets on stage wearing some kind of school Summer uniform where the shirt is pink, you just know that something wicked is coming your way. Even if someone is missing. Seventribe is an eight-piece but I only counted seven members. I don’t know what happened, and I hope one day I can see the full line-up in action, but maybe it was for the best – things were pretty crammed up there already. Still, they managed to jump and headbang and dance and whatever, without bumping into each other or missing a note. Eventually, near the end, two of them hopped into the middle of the crowd and played from there.
As I’ve said before, I’d lost track of them and only when I learnt they would play a couple of shows with The End Of Grace did I remember of checking what they’ve been up to since that single on Sweden Rock. Well, a new EP, “Reborn”, had been released last year, and even if I really enjoyed it, I confess I didn’t memorize the songs, except for “Be Reborn”. I can tell you for sure that they played that one, as I was humming along the melody, but can’t tell you much more about the setlist (apart from the mandatory “Dream Me”). There’s a video for “Takedown Syndrome” and a recent lyric one for “The Aftermath”, and “Wings Of Belief” is their most played song on Spotify, so maybe these were some of the songs played that night. Whatever those were, they were loud, aggressive, a total adrenaline discharge. [5 / 5]

www.facebook.com/seventribe

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As expected, the top floor of Sticky Fingers was crowded. I tried to get close to the stage but quickly gave up – the first three or four rows were already packed with eager fans. So if I was disappointed when Dead By April didn’t play more than 45 minutes, I can only imagine how those fans must have felt. But at the same time… to say I’m unimpressed with “Let The World Know” is quite an understatement. That’s why I haven’t written the review about it yet, as it’s taking me quite a while to process it and find the right words in order to be fair. It’s not that it’s a terrible album, but… Let’s just say I was glad that this release party didn’t include the entire track-list and that old songs such as “Losing You” or “Within My Heart” were strategically played here and there.
This was also the first full show of Marcus Rosell as the new drummer. Marcus has played with DBA several times in the past, as a stand-in drummer for Alex Svenningsson whenever he needed to step out of some gig. But now that Alex has left for good, it was only natural that Marcus’ role would become permanent. So natural that there wasn’t even an official announcement. It took the video for “As A Butterfly”, where Marcus is featured, for the fans to realize the new line-up change. Alex would recently confirm his departure on his own Facebook page, but since main songwriter Pontus Hjelm is still on board and Marcus’ face is already familiar to the fans anyway, there shouldn’t be any fuss about this.
The intro of “Beautiful Nightmare”, the first track in the new album, echoed and thrilled screams followed suit. Truth be told – even if I’m still struggling with the new songs, DBA are all about emotions and put their full hearts in their performance and establish an empathy (no pun intended regarding their song with the same name) with the audience, which are essential features in a great live show. And that’s what this was – short but great. [4,5 / 5]

www.facebook.com/deadbyapril

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Text & photos by Renata “Pieni” Lino