Archive for Russian Metal

Hollywood Heads release debut track

Posted in News with tags , , , , , , on 8th November 2013 by Nico Davidson

Russian band Hollywood Heads recently released their debut single, titled Blood City. The track is described as being a good example of modern metal and represents itself as a preface to the band’s debut EP. The EP is pencilled for a December release.

Blood City can be purchased at this location.

Hollywood Heads online:

http://www.facebook.com/HollywoodHeads

 

Blackthorn Poland Tour Announced

Posted in News with tags , , , , , on 21st January 2012 by Nico Davidson

All-female Russian extreme metallers have announced their first ever tour of Poland with Russian symphonic metal act Sinful and Ukrainian death metal group Def/Light.

Dates on poster below:

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Blackthorn Album Complete

Posted in News with tags , , , , on 20th October 2011 by Nico Davidson

Blackthorn

All-female symphonic extreme metal band BLACKTHORN proudly announces that their second album entitled “CODEX ARCHAOS” is ready!

Mixing and mastering for the album were done again by Igor Korolyov at KIV Records. Bloody conceptual artwork by W.Smerdulak.
Tracklisting for Codex Archaos is as follows:

1. ‘Divination In Blood’
2. ‘Vehemence Came As Anodyne’
3. ‘Nemesis Incarnation’
4. ‘Gorgon The Ascendant’
5. ‘Emptysis Kiss’
6. ‘Arria Marcella’
7. ‘Posthumous Passion Ephemera’
8. ‘Dismalediction and the Remedy’
9. ‘Серебряный Ключ’ (Silver Key)
10. ‘Hexshadow Turned To Flesh’
11. ‘Bestial Satan Of Grotesque Beauty’
12. ‘The Fading Ceremony’

The album will be released in Russia this winter via MSR Productions. The band are also looking for a label to release Codex Archaos through in the US and Europe.

Interview: Masha [2011]

Posted in Interview with tags , , , , , on 4th October 2011 by Nico Davidson

E-mail interview conducted with Masha of Arkona.

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Nico: As folk and pagan metal are getting more popular in the US, is there any chance you’ll be touring the US in the future? Or perhaps a South America tour?

Masha: We will go in big North American tour in November-December this year. Firstly, we will have headliner tour in Canada(9 shows) and then will join to Korpiklaani and will play 30 shows in Canada, US, and Mexico. All dates you can find on our website: http://www.arkona-russia.com

N: How do you feel heavy metal has developed since the days of the USSR?

M: Heavy music in Russia was always not so strong as in EU or US. It have no evolution because of isolation of Russia from main music market.
Now, situation is start to be normal, bands are having good instruments and possibility to make a good record.
Local scene quite strong, especially in Russian heavy/power metal. Also, pagan and black metal are not weaker than in Europe.

N: Do you feel that the new album [Slovo] differs from your previous releases? If so, how?

M: Slovo – it’s completely new stage for us, which differs from Goi, Rode, Goi and from other albums of Arkona. Firstly, because we didn‘t set any stylistic frames. Those, who did not like the musical diversity of the two previous albums, will not like new album too,  but it will bring those who appreciate us for our courage in the experiments.
Our main goal was to create an atmosphere in the album, that even man, who is far from the pagan attitudes in the music, would love it and of course, as always, we wanted to do something new, something, which is not like our previous works.

N: How are you feeling about the upcoming show with Turisas, Alestorm and Fintroll in London?

M: We played in London in Paganfest tour 8th march 2010. It’s was a normal show with a lot of people and great support of fans. Those who knew our band, came especially for us.
Also, I want to tell, that for us is very difficult to go for one show in UK, because we must get separate visa and we can’t go with normal Shengen cultural visa. So let’s speak about all after show, our agency is working on that, and we hope, that all will be ok!

N: What would say is the song that defines Arkona as a band?

M: We have no one musical conception, all songs absolutely different and it changes from album to album. That’s why it’s impossible to define Arkona with any song.

N: If you could take the soundtrack from any film and replace it with your music, which film would you choose and why?

M: This movie is “Rus Iznachalnaya”. It’s about campaign of Kniaz Oleg on Konstantinopol. It was created in the middle of 80’s and it’s one of the best movies about pre-christian Russia. We have a song with the same name from the 2005th album, which was created under impression of this movie. I think, If would be some remake, our song will fit the best for soundtrack.

N: Where do you find the inspiration for your songs? Could an idea come to at anytime like when you’re in the street or at home relaxing? Or do you get the ideas in the studio?

M: For me, any external emotional factor can force me to write something: the anger, sadness, beauty sunset, view of dead tree, watching the flight of an eagle … many, many things. All my songs were born spontaneously, but always under the influence of any factor.

N: Are there any bands in the Russian metal scene that you’d recommend our readers to check out?

M: Svarga, Rarog, Alkonost, Kalevala, Ruyan, Rossomahaar

Questions asked by our readers:

1: Your last album Goi, Rode, Goi! had a great deal of guest vocalists, will there be a similar spew of guest artists in the upcoming album, Slovo?

M: Vocalist of Rarog band, Alexandra Sidorova – a student of the Moscow Conservatory. She told us that she can get enough students who would be interested to participate on our album. So we got a full professional choir (on Goi, Rode, Goi was only a female choir, male choirs was recorded by 2 people separately).
About guest vocalists on Goi, Rode, Goi – yes, we have more guests because of song „In my land“, where members of Skyforger, Mengir, Manegarm, Obtest, Heidevolk are sang their part on their languages. We have no idea like that on a new album, so we didn’t ask to sing vocalists from other bands.
2: In the past you’ve been known to depict Slavic mythology through your music, which Slavic gods or myths inspire you most?

M: I’m not inspired by some myths. Of course, I know a lot of myths from childhood, but I’m not singing about it. In my songs I always show my respect to one of the faces of Rod – Veles. Veles – is God of wisdom and poetry.
In Slavic mythology God is Rod – he is creator of the all World. All other Gods are his faces.

3: The Ep Stenka Na Stenku I heard is about a Russian group that’s known for its fist fights. Why did you select them? Have you had any run ins with them?

M: I’m woman, you think it’s normal for woman to take part in fist fighting? J
Fist fighting – is ancient tradition, which is growing from the depths of the centuries. Now, it is going on Maslenitsa,  before, it was dedicated to Perun’s day, Perun is God of war. It’s not just fighting, it’s a ritual fighting with special rules.
Such an entertainment was believed to be good for strengthening the fighting spirit.

4: The new album will be released in two days, what can we anticipate from the new album? Are there any new ideas you’ve incorporated in this album?

M: I already told, that Slovo is absolutely new stage for us. Songs and atmosphere on it is different that on other albums. We used many new instruments and recorded orchestra and choir.
Album released more than one month ago, so I think you can hear all by yourself!

5: What did you enjoy most from recording the new album?

M: Recording the album took six months, there were many difficult and controversial issues, also was a lot of interesting things. I had to travel a lot to record a lot of new musicians in different studios of Russia.
The vocals on this album I recorded at home by myself, because I needed a full solitude to concentrate on my vocals. Mixing and the whole process of producing from beginning till the end was controlled by me.
A lot of efforts we had to put into this album, but it’s part of me and I can say that all this work has brought me great satisfaction.

6: What do you plan on doing next?

M: Now we will have neverending shows and first aim is to be alive after tours. I think, that I will create a new songs in future and in 2 years we will release our next album.

Arcane Grail – Arya Marga [2009]

Posted in Review with tags , , , , , , on 12th August 2011 by Nico Davidson

Band: Arcane Grail
Album: Arya Marga
Release year: 2009
Genre: Symphonic Black Metal


Russia, once home to the most known communist dictatorship, is fast becoming the home of a an ever growing Extreme Metal scene featuring bands such as Blackthorn, Artania and Arcane Grail. 2009 saw the release of Arcane Grail’s most recent album “Arya Marga”.

The album begins with the self-titled track “Arcane Grail”. The intro is now what would be expected of a black metal band, as the intro is more clean and less aggressive than most tracks classified as track metal. The female vocals are unexpected though when their first part finishes the track transforms into a raging demon. The vocals that follow after sound almost like Nergal’s [Behemoth’s frontman] vocals. The use of double bass pedal adds a certain devilry to the track, whilst the keyboard sections are somewhat gothic in their style and the guitars scream aggression. The female vocals add a new sound to the song overall, though they sound too operatic in sections.

”Of Snake And Raven” begins with a calm, melodic piano medley and strong soprano styled vocals – A tad cliché in terms of the symphonic elements. The guitar sections are heavy and the male vocal parts are raw and aggressive, though the track seems to be more symphonic than metal. “Autumn Wed Us, Sinned And Lone” has a very dramatic and tense symphonic introduction, similar to those of old Nightwish. The guitar riffs are more akin to progressive and power metal as opposed to black metal. The female vocals make another appearance alongside the harsher, more raw male vocals. The keyboard medleys and riffs add a very Gothic-like element to the song, whilst the male vocals add a very death metal sound.

“Renaissant The Reverie” has a very thrash-black metal sound to begin with, mixed with the dramatic symphonic sounds. The vocals are like the demonic wailings of a banshee whilst the female vocals add a very Heavenly touch to the song. The drum riffs are precise to the beat, almost like a machine in their playing. The symphonic elements are very dominant as well with a heavy use of guitars as well. The sorrowful piano beginning of “Sorrow Of Forgotten Pride” follows after. The piano medley does much to create atmosphere. Clean male vocals and soft acoustic guitar riffs follow after, carrying on the solemn sound of the song. The female vocals work magically alongside the clean, male vocals. The track does turn heavy and there’s a use of flutes as well which adds a very mystifying effect to the music. The harsher vocals are featured towards the end, adding a very aggressive touch to the song.

“Imprisoned In The Greatest War” has a very interesting introduction, being composed of the sound of soldiers marching and a military drumroll. The track turns heavy after the sound of a bomb exploding. The riffs have a more black metal sound, combined with the grim screams. The symphonic sections seem to be drowned out by the guitars, drums and vocals – To as whether this is a good thing or a bad thing is something for the listener to decide. “Die Sonnenhymne”, put bluntly, is a buzzkill if the listener if expecting more Russian brutality as the track is composed only of soprano vocals singing in Russian.

“Iniquitous Yoke” brings the brutality and aggressiveness back in full blitzkrieg-like force beginning with a beastly guitar section and demonic vocals. The keyboard sections are astounding and the operatic vocals add a very dramatic touch to the song. The album finishes with “Svyatoy Graal’”. The intro is slower and cleaner than expected and there seems to be a slight more emphasis on the female vocals than the previous track. However the track does take a dangerously violent twist and become more bloodthirsty and rage-fuelled. The track does switch between calm and angry however and there is a wonderful section with a voiceover in what sounds to be Russian.

Though the album seems incorrectly labelled as “symphonic black metal”, Arya Marga has plenty of brutal riffs and brilliant symphonic sections to keep the listener entertained. Arya Marga is a sure sign that many great things will be coming from both Arcane Grail and the Russian Metal Scene.

4/5

Nico Davidson