Archive for Psyclon Nine

Psyclon Nine – Icon of The Adversary

Posted in Industrial, Metal with tags , , , , on 17th September 2018 by izaforestspirit

Psyclon Nine
Icon of The Adversary
Released 24th August 2018
Industrial/ Industrial Metal with Black Metal elements
Released via Metropolis Records

I really wasn’t expecting to hear anything new from Psyclon Nine again. It’s been five years since their last opus ‘Order of The Shadow: Act 1’. The following year proved to be a very turbulent time to the band with various factors contributing towards what effectively became the end of Psyclon Nine. Or so I thought… It turned out that band needed some time to recover, regroup and refocus. After several line-up changes and a few successful live shows in 2015, it became pretty clear that Psyclon Nine were back. They are now a trio and frontman Nero Bellum is the only original member left.

So that’s the background out of the way, now on to music… If I were to sum this album up into just a few words it would be ‘creepy, gritty and disturbing’. As far as genre classifications go, there’s a fair bit of dark ambient on here. This is most notably on the opening track. The eerie-sounding, analog synth and voice samples are also prominent on Behold An Icon. Nero Bellum’s black metal -esque shrieks are as haunting as ever and the guitars have a coarse and unsettling feel to them.

The predominant style is industrial metal as evidenced by the likes of Crown of The Worm which reminded me a lot of their previous works. It has all the markings of a classic Psyclon Nine song; in other words thunderous guitars, atmospheric synth noise and harsh, creepy vocals. Beware The Wolves also caught my attention due to the change in vocal style, from shrieks to an eerie rasp which reminded me of Marilyn Manson’s trilogy. The only disappointing part of the album is the final track The Last. I’ve never been a massive fan of dark ambient so having to endure it for nearly fifteen minutes seems a little too much.

In summary, ‘Icon of Adversary’ is one of those bleak, creepy “feel bad” albums. ‘Creepy, gritty and disturbing’ seems to be very fitting for Psyclon Nine in 2018 given what they have been through. I would personally skip the final track unless you’re really into dark ambient but other than that this is a good industrial album and black metal fans might like it too.

3.5/5

Iza Raittila

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Iza’s Highlights of 2013

Posted in Industrial, Live, Metal, Misc. with tags , , , , , , , , , , , on 30th December 2013 by izaforestspirit

It’s been one hell of a busy year in the world of alternative music. Lots of great new releases, memorable shows and festivals. I’ve decided to write a short summary of some of the highlights of 2013. Here are some of the albums that caught my attention this year:

1. Chthonic – Bú Tik
Genre: Melodic Black Metal/ Oriental Metal

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This is easily my favourite metal album of 2013. ‘Bú Tik’ brings together the aggression of black and death metal with the melodic oriental sounds of the erhu for that unique mix that only Chthonic are renowned for. The results of this combination are both complex and beautiful in their design. Best tracks: ‘Supreme Pain For a Tyrant’, ‘Sail into The Sunset’s Fire’ and Defenders of Bú Tik Palace’.

2. Suicide Commando – When Evil Speaks
Genre: Industrial/ Aggrotech/ Harsh Electro

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I’ve been a fan of Suicide Commando for a number of years now. ‘When Evil Speaks’ is the long-awaited follow-up to ‘Implements of Hell’. Based around the overall subject of hate and evil in today’s society; the album features dark and sinister lyrical themes, old-school EBM tunes and Aggrotech dance-floor hits. Best tracks: ‘My Blasphemy’, ‘Unterwelt’ and ‘Monster’.

3. Children of Bodom – Halo of Blood
Genre: Melodic Death/Power Metal

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I’ve been of a fan of this band since my early teens, so of course I jumped at the opportunity to review their latest album. Aside from the odd surprise such as the ballad ‘Dead Man’s Hand On You’, ‘Halo of Blood’ features the signature Bodom sound and is without a shadow of doubt their strongest release in years. Best tracks: ‘Transference’ , ‘Bodom Blue Moon’ and ‘Dead Man’s Hand On You’.

4. Psyclon Nine – [Order of the Shadow : Act I]
Genre: Aggrotech/ Industrial Metal

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This band is not an easy one to categorise into a specific genre. Some industrial and EBM fans dismiss their style by saying that their black metal influences are too strong to earn them a place in the industrial scene. Not that I give a damn since that’s precisely why I like them. ‘Order of The Shadow…” is their harshest and most aggressive release to date. After 10 tracks of intense, adrenaline fueled, blackened industrial, I was shocked to hear the sombre ballads at the end. Best tracks: ‘Shadows Unveiled’ , ‘Use Once and Destroy’ and ‘The Saint and The Valentine’.

5. Agathodaimon – In Darkness
Genre: Melodic Black Metal/ Symphonic Black Metal

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This album marks a departure from the gothic metal days of its predecessor ‘Phoenix’ and a return their older, melodic black metal sound depicted in earlier releases such as ‘Chapter III’ and ‘Higher Art of Rebellion’. Whilst not quite reaching the greatness of ‘Chapter III’ (an album which holds a special place in my heart); ‘In Darkness’ is definitely a step in the right direction, offering a mixture of agression and melancholic melodies. Best tracks: ‘In Darkness (We Shall be Reborn), ‘I’ve Risen’ and ‘Favourite Sin’.

Best Live Shows of 2013

1. Sabaton live at Sauna Open Air, Tampere, Finland.

2. Children of Bodom live at Sauna Open Air, Tampere, Finland.

3. Chthonic live at Klubi, Tampere, Finland.

4. Suicide Commando live in London, the U.K.

5. Heimataerde live at KOMA festival, Oslo, Norway.

Best New Discovery of 2013: ErilaZ
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This Finnish band caught my attention during their performance at this year’s Lumous festival in Tampere, Finland. What do they sound like? Imagine a mixture of Fear Factory, Front Line Assembly with the combined lyrical themes of Amon Amarth. Impossible, you say? Go on, I dare you to give them a try!

To finish off I’d like to list some of the releases that I’m looking forward to in 2014:

Most Anticipated Albums of 2014:

1. Behemoth – The Satanist
Genre: Blackened Death Metal
Release Date: 3rd February 2014

2. Vader – TIBI ET IGNI “For You (and only You) and Fire
Genre: Death Metal
Release Date: Spring 2014

3. Kampfar – Djevelmakt
Genre: Pagan Black Metal

Release Date: 27th January, 2014

4. Combichrist – We Love You
Genre: Industrial/ Aggrotech
Release Date: 15th March 2014

5. Nachtmahr – Feindbild
Genre: Industrial/ Aggrotech
Release Date: 14th February 2014

That’s all for now. Happy New Year!

Dawn of Ashes – Farewell To The Flesh

Posted in Metal with tags , , , , , , , on 1st February 2012 by izaforestspirit

Band: Dawn of Ashes
Album: Farewell To The Flesh
Release date: February 2012
Genre: Melodic Black Metal
Label: Metal Blade

‘Farewell to the Flesh’ is the new EP from the American melodic black metal band Dawn of Ashes. This is also the band’s third release since changing their style from industrial/EBM to black metal back in 2008.

The intro to the title track ‘Farewell to the Flesh’ features Fear Factory -style drums mixed in with Dimmu Borgir-esque symphonic elements and the odd guitar riff. The atmospheric keyboard sounds and the vocal style reminds me of ‘Chapter III’ -era Agathodaimon.

There’s quite a few remixes on this EP, most of which are re-worked versions of songs from the previous album ‘Genocide Chapters’. The first of these is K. Bathory’s mix of ‘Transformation Within Fictional Mutation’ which offers a very confusing atmosphere featuring the eerie ambience and the guitar sounds of the original version along with some very odd sounding distorted vocals.

The next three tracks are all remixes of the same song ‘Carnal Consummation in the Empty Space’. The different versions range from: the bizarre electronic mix by Falling Skies, which would only work as a soundtrack to a videogame, the dance-floor -orientated, re-vocalized version by Die Sektor to the blackened electronica version by To Mega Therion which reminds me of ‘Inri’-era Psyclon Nine. The latter is by far the most enjoyable remix.

The last remix is the Juggernaut version of ‘Seething the Flesh in the River ov Phlegethon’ which is confusing at best. Then it’s back to good old symphonic black metal for the last two tracks. The main highlight is ‘Torture Device Part 2’ which invokes an eerie atmosphere akin to that of a Gothic style horror film.
3/5
Iza Raittila